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{{For|the Italian newspaper|La Voce (newspaper)}}
{{For|the Italian newspaper|La Voce (newspaper)}}
{{short description|Defunct Italian literary magazine (1908–1916)}}
{{Short description|Italian literary magazine (1908–1916)}}
{{Use dmy dates|date=July 2021}}
{{Use dmy dates|date=December 2022}}
{{Infobox magazine
{{Infobox magazine
| logo = La Voce Logo.jpg
| logo = La Voce Logo.jpg
Line 24: Line 24:
| language = [[Italian language|Italian]]
| language = [[Italian language|Italian]]
| issn = 1722-7798
| issn = 1722-7798
| oclc = 470423977}}
| oclc = 470423977
}}
'''''La Voce''''' (meaning ''the Voice'' in English)<ref>{{cite web|title=Letter from Giuseppe Prezzolini to Federico Comandini 18 July 1915|url=http://www.bl.uk/collection-items/letter-prezzolini-to-comandini|work=British Library|accessdate=2 November 2014}}</ref> was an Italian weekly literary magazine which was published in [[Florence]], Italy, between 1908 and 1916. The magazine is also one of the publications which contributed to the cultural basis of the early forms of [[Fascism]].<ref>{{cite journal|author=Maciej Urbanowski|title=Stanisław Brzozowski and fascism|journal=Studies in East European Thought|date=2011|volume=63|page=308|doi=10.1007/s11212-011-9152-0|url=https://doi.org/10.1007/s11212-011-9152-0}}</ref>
'''''La Voce''''' ([[Italian language|Italian]]: ''the Voice'') was an Italian weekly literary magazine which was published in [[Florence]], Italy, between 1908 and 1916. The magazine is also one of the publications which contributed to the cultural basis of the early forms of [[Fascism]].<ref>{{cite journal|author=Maciej Urbanowski|title=Stanisław Brzozowski and fascism|journal=Studies in East European Thought
|year=2011|volume=63|issue=4|page=308|doi=10.1007/s11212-011-9152-0|s2cid=154920326|doi-access=free}}</ref> It also contributed to the development of the concept of [[European values|Europeanism]].<ref>{{cite journal|author=Daria Ricchi|title=‘Andare verso il popolo (Moving Towards the People)’: Classicism and Rural Architecture at the 1936 VI Italian Triennale|journal=[[Architectural Histories]]|volume=9
|issue=1|year=2021|doi=10.5334/ah.451|doi-access=free}}</ref>


==History and profile==
==History and profile==
''La Voce'' was established as a weekly cultural review by [[Giuseppe Prezzolini]], an [[anti-conformist]] [[Italians|Italian]] author, in 1908.<ref name=Cary1993>{{cite book|author=Joseph Cary|title=Three Modern Italian Poets: Saba, Ungaretti, Montale|url=https://books.google.com/books?id=dJ-GL_WfdHgC&pg=PA10|date=16 October 1993|publisher=University of Chicago Press|isbn=978-0-226-09527-1|page=10}}</ref><ref name=smith>{{cite book|author1=Lawrence R. Smith|author2=Alison Smith|title=The New Italian Poetry, 1945 to the Present: A Bilingual Anthology|url=https://books.google.com/books?id=FMKOU6RVtDkC&pg=PA10|date=27 July 1981|publisher=University of California Press|isbn=978-0-520-04411-1|page=9}}</ref> Prezzolini was also co-founder another literary magazine, ''[[Leonardo (Italian magazine)|Leonardo]]''.<ref name=smith/> ''La Voce'' was based in Florence<ref>{{cite journal|author=Michela Rosso|title=Il Selvaggio 1926–1942: Architectural Polemics and Invective Imagery|journal=Architectural Histories|date=2016|volume=4|issue=1|doi=10.5334/ah.203|doi-access=free}}</ref> and [[Giovanni Papini]] was functional in its establishment.<ref>{{cite book|author=Morton Levitt|title=Joyce and the Joyceans|url=https://books.google.com/books?id=HGv74vHqMncC&pg=PA182|year=2002|publisher=Syracuse University Press|isbn=978-0-8156-2930-6|page=182}}</ref><ref name=Curtis1959>{{cite book|author=Michael Curtis|title=Three Against the Third Republic: Sorel, Barrès and Maurras|url=https://books.google.com/books?id=Q8YXpC7UKLEC&pg=PR27|year=1959|publisher=Transaction Publishers|isbn=978-1-4128-4346-1|page=27}}</ref> The first issue of ''La Voce'' appeared 20 December 1908.<ref name=annb>{{cite journal|author=Anna Baldini|title=Allies and Enemies: Periodicals as Instruments of Conflict in the Florentine Avant-garde (1903–15)|journal=Journal of European Periodical Studies|date=2018|volume=3|issue=1|doi=10.21825/jeps.v3i1.8103|pages=11, 14
''La Voce'' was established as a weekly cultural review by [[Giuseppe Prezzolini]], an [[anti-conformist]] [[Italians|Italian]] author, in 1908.<ref name=Cary1993>{{cite book|author=Joseph Cary|title=Three Modern Italian Poets: Saba, Ungaretti, Montale|url=https://books.google.com/books?id=dJ-GL_WfdHgC&pg=PA10|year=1993|page=10|publisher=[[University of Chicago Press]]|isbn=978-0-226-09527-1|edition=2nd|location=Chicago}}</ref><ref name=smith>{{cite book|author1=Lawrence R. Smith|author2=Alison Smith|title=The New Italian Poetry, 1945 to the Present: A Bilingual Anthology|isbn=978-0-520-04411-1|url=https://books.google.com/books?id=FMKOU6RVtDkC&pg=PA10|year=1981|page=9|publisher=[[University of California Press]]|location=Berkeley, Los Angeles, CA; London}}</ref> Prezzolini was also co-founder of another magazine, ''[[Leonardo (Italian magazine)|Leonardo]]''.<ref name=smith/> ''La Voce'' was based in Florence,<ref>{{cite journal|author=Michela Rosso|title=Il Selvaggio 1926–1942: Architectural Polemics and Invective Imagery|journal=[[Architectural Histories]]|year=2016|volume=4|issue=1|doi=10.5334/ah.203|doi-access=free}}</ref><ref>{{cite book|author=Simonetta Falasca-Zamponi|title=Fascist Spectacle The Aesthetics of Power in Mussolini's Italy
|year=1997|page=31|url=https://books.google.com/books?id=6Cja8Dy7fPUC|publisher=[[University of California Press]]|location=Berkeley and Los Angeles, CA; Oxford|isbn=978-0-520-20623-6}}</ref> and [[Giovanni Papini]] was functional in its establishment.<ref>{{cite book|editor=Morton P. Levitt|title=Joyce and the Joyceans|year=2002|page=182|publisher=[[Syracuse University Press]]|isbn=978-0-8156-2930-6|chapter-url=https://books.google.com/books?id=HGv74vHqMncC&pg=PA182|location=Syracuse, NY|author=Corinna del Greco Lobner|chapter=D'Annunzian Reverberations in a Rejection Slip: Joyce and "Daniele Defoe"}}</ref><ref name=Curtis1959>{{cite book|author=Michael Curtis|title=Three Against the Third Republic: Sorel, Barrès and Maurras|year=1959|url=https://books.google.com/books?id=Q8YXpC7UKLEC&pg=PR27|publisher=Transaction Publishers|isbn=978-1-4128-4346-1|page=27|location=New Brunswick, NJ; London}}</ref> The first issue of ''La Voce'' appeared on 20 December 1908.<ref name=annb>{{cite journal|author=Anna Baldini|title=Allies and Enemies: Periodicals as Instruments of Conflict in the Florentine Avant-garde (1903–15)|journal=Journal of European Periodical Studies|year=2018|volume=3|doi=10.21825/jeps.v3i1.8103|s2cid=158629464|issue=1
|url=https://doi.org/10.21825/jeps.v3i1.8103}}</ref>
|pages=11,14|doi-access=free}}</ref>


Prezzolini stopped his writings in the magazine in 1912 due to disagreements with other significant contributors, including Papini, over Italy's intervention in the [[Italo-Turkish War|Libyan war]].<ref name=bb/> He resigned from the magazine as [[editor-in-chief]] which he held between 1908 and 1913.<ref name=bb>{{cite book|author1=Peter Brooker|author2=Sascha Bru|author3=Andrew Thacker|author4=Christian Weikop|title=The Oxford Critical and Cultural History of Modernist Magazines: Volume III: Europe 1880 - 1940|url=https://books.google.com/books?id=bvsfioiQ8k8C&pg=PA467|date=21 February 2013|publisher=Oxford University Press|isbn=978-0-19-965958-6|pages=467-468, 528}}</ref><ref name=fut/> Then Papini left the magazine in 1913.<ref name=bb/> Prezzolini was succeeded by Giuseppe de Robertis as editor-in-chief who he held the post from December 1914 to December 1916.<ref name=bb/>
Prezzolini stopped his writings in the magazine in 1912 due to disagreements with other significant contributors, including Papini, over Italy's intervention in the [[Italo-Turkish War|Libyan war]].<ref name=bb/> He resigned from the magazine as [[editor-in-chief]], a post which he held between 1908 and 1913.<ref name=bb>{{cite book|editor=Peter Brooker|display-editors=et. al.|title=The Oxford Critical and Cultural History of Modernist Magazines|volume=III|chapter-url=https://books.google.com/books?id=bvsfioiQ8k8C&pg=PA467|publisher=[[Oxford University Press]]
|year=2013|isbn=978-0-19-965958-6|pages=467–468|location=Oxford|author=Francesca Billiani|chapter=Political and Aesthetical Transgressions: Some Florentine Reviews à la Mode: Il Marzocco, Il Regno, Hermes, Il Leonardo, and La Voce}}</ref><ref name=fut/> Papini also left the magazine in 1913.<ref name=bb/> Prezzolini was succeeded by Giuseppe de Robertis as editor-in-chief who held the post from December 1914 to December 1916.<ref name=bb/>


Soon after its inception ''La Voce'' appeared as the most influential forum for dissents in Italy to discuss "social problems created by the new forms of human coexistence in the new industrial world."<ref name=doug/> The early contributors of the magazine considered [[poetry]] as a social commitment and [[moral responsibility]].<ref name=smith/> The ultimate goal of the magazine was to produce involved readers having social awareness.<ref name=italica>{{cite journal|author=Laura A. Salsini|title=Ann Hallamore Caesar, Gabriella Romani, and Jennifer Burns|journal=Italica|date=Summer 2013|volume=90|issue=2|url=https://link.gale.com/apps/doc/A328850677/AONE?u=anon~b42e6021&sid=googleScholar&xid=77b9e2c5}}</ref> To this end ''La Voce'' employed a language and approach that would welcome all classes.<ref name=italica/> [[Sigmund Freud]]'s theories on [[Freud's psychoanalytic theories|sexuality]] were first introduced to Italians by the magazine via an article by [[Roberto Assagioli]] published in 1910.<ref name=annb/>
Soon after its inception ''La Voce'' appeared as the most influential forum for dissenters in Italy to discuss "social problems created by the new forms of human coexistence in the new industrial world."<ref name=doug/> The early contributors of the magazine considered [[poetry]] as a social commitment and [[moral responsibility]].<ref name=smith/> The ultimate goal of the magazine was to produce involved readers having social awareness<ref name=italica>{{cite journal|author=Laura A. Salsini|title=Book review|journal=Italica|date=Summer 2013|volume=90|issue=2
|url=https://link.gale.com/apps/doc/A328850677/AONE?u=anon~b42e6021&sid=googleScholar&xid=77b9e2c5}}</ref> and to improve spiritual unity of all Italians.<ref>{{cite journal|author=MacGregor Knox|title=Conquest, Foreign and Domestic, in Fascist Italy and Nazi Germany|journal=[[The Journal of Modern History]]|date=March 1984|volume=56|issue=1|page=9|doi=10.1086/242619|s2cid=143473662|author-link=MacGregor Knox}}</ref> To this end ''La Voce'' employed a language and approach that would welcome all classes.<ref name=italica/> [[Sigmund Freud]]'s theories on [[Freud's psychoanalytic theories|sexuality]] were first introduced to Italians by the magazine via an article by [[Roberto Assagioli]] published in 1910.<ref name=annb/>


Until 1914 the magazine exclusively focused on [[philosophical]], [[ethical]] and [[Politics|political affairs]]<ref name=Cary1993/> in addition to literary content.<ref>{{cite book|author1=Mark Gilbert|author2=Robert K. Nilsson|title=Historical Dictionary of Modern Italy|url=https://books.google.com/books?id=XQCyAAAAQBAJ&pg=PA356|date=19 September 2007|publisher=Scarecrow Press|isbn=978-0-8108-6428-3|page=356}}</ref> During the period between 14 December 1914 and 31 December 1916 the magazine was published with the title of ''La Voce Bianca''.<ref name=bb/> The content of the magazine also changed, and it became a pure [[Literary criticism|literary review]] using the motto, know how to read.<ref name=Cary1993/> The writers of the magazine at that time commonly produced poetic or prose fragments.<ref>{{cite book|author=Santo L. Aricò|title=Contemporary Women Writers in Italy: A Modern Renaissance|url=https://books.google.com/books?id=9d3zPSk9g2YC&pg=PA91|date=1 January 1990|publisher=Univ of Massachusetts Press|isbn=0-87023-710-1|page=91}}</ref> It was closely allied with [[Futurism|futurists]]<ref name=Curtis1959/> which it had rejected from its start to 1913 when Papini was one of the contributors.<ref name=doug/>
Until 1914 ''La Voce'' exclusively focused on [[philosophical]], [[ethical]] and [[Politics|political affairs]]<ref name=Cary1993/> in addition to literary content.<ref>{{cite book|author1=Mark Gilbert|author2=Robert K. Nilsson|title=Historical Dictionary of Modern Italy|year=2007
|url=https://books.google.com/books?id=XQCyAAAAQBAJ&pg=PA356|publisher=Scarecrow Press|isbn=978-0-8108-6428-3|page=356|location=Lanham, MD}}</ref> During the period between 14 December 1914 and 31 December 1916 the magazine was published with the title ''La Voce Bianca''.<ref name=bb/> The content of the magazine also changed, and it became a pure [[Literary criticism|literary review]] using the motto, "know how to read".<ref name=Cary1993/> The writers of the magazine at that time commonly produced poetic or prose fragments.<ref>{{cite book|editor=Santo L. Aricò|title=Contemporary Women Writers in Italy: A Modern Renaissance|isbn=0-87023-710-1|page=91|year=1990|url=https://books.google.com/books?id=9d3zPSk9g2YC&pg=PA91|publisher=[[University of Massachusetts Press]]|location=Amherst, MA}}</ref> It became closely allied with [[Futurism|futurists]]<ref name=Curtis1959/> which it had rejected between its start and 1913 while Papini was one of the contributors.<ref name=doug/> [[Ardengo Soffici]]{{'}}s book ''Primi principi di una estetica futurista'' ({{langx|it|First principles of a futurist aesthetic}}) was serialized in the magazine between February and December 1916 before its publication by the publishing house Vallecchi in 1920.<ref>{{cite book|author=Ardengo Soffici|title=Primi principi di una estetica futurista|url=https://books.google.com/books?id=_7zKnQEACAAJ|language=it
|publisher=Vallecchi|year=1920}}</ref><ref>{{cite thesis|author=Simona Storchi|title=Notions of tradition and modernity in Italian critical debates of the 1920s|year=2001|url=https://www.proquest.com/docview/1778448531|isbn=978-1-339-48161-6|location=[[University of London]]|id={{ProQuest|1778448531}}|page=265|degree=Ph.D.}}</ref>


⚫
''La Voce'' ceased publication in December 1916 after eighteen issues.<ref name=Cary1993/><ref name=bb/>
Italian writer and poet [[Vincenzo Cardarelli]] and [[Ardengo Soffici]] were among the regular contributors to the magazine.<ref name=fut>{{cite book|editor1=Lawrence Rainey|editor2=Christine Poggi|editor3=Laura Wittman|title=Futurism. An Anthology|year=2009|publisher=Yale University Press|location=New Haven and London|isbn=978-0-300-08875-5|url=https://modernistarchitecture.files.wordpress.com/2011/09/ebooksclub-org__futurism__an_anthology__henry_mcbride_series_in_modernism_.pdf|archive-url=https://web.archive.org/web/20120201175755/http://modernistarchitecture.files.wordpress.com/2011/09/ebooksclub-org__futurism__an_anthology__henry_mcbride_series_in_modernism_.pdf|archive-date=1 February 2012|url-status=dead}}</ref><ref>{{cite book|title=Encyclopedia of Italian Literary Studies: A-J|year=2007
⚫
|url=https://books.google.com/books?id=69ey6Z-05fMC&pg=PA911|publisher=Taylor & Francis|isbn=978-1-57958-390-3|page=387}}</ref> The other significant contributor was [[Benito Mussolini]].<ref>{{cite journal|author=Emilio Gentile|title=The Struggle for Modernity: Echoes of the Dreyfus Affair in Italian Political Culture, 1898-1912|journal=Journal of Contemporary History|date=July 1998|volume=33|issue=4|doi=10.1177/002200949803300402
|url=http://jch.sagepub.com/content/33/4/497.full.pdf+html}}</ref>


===Contributors===
⚫
The magazine ceased publication in December 1916 after eighteen issues.<ref name=Cary1993/><ref name=bb/>
Italian writers and poets [[Vincenzo Cardarelli]], Ardengo Soffici, [[Clemente Rebora]], [[Giovanni Amendola]] and [[Alessandro Casati]] were among the regular contributors to the magazine.<ref name=fut>{{cite book|editor1=Lawrence Rainey|editor2=Christine Poggi|editor3=Laura Wittman
|title=Futurism. An Anthology|year=2009|publisher=[[Yale University Press]]|url=https://www.jstor.org/stable/j.ctt1nq4q3|location=New Haven, CT; London|jstor=j.ctt1nq4q3|isbn=978-0-300-08875-5}}</ref><ref>{{cite book|title=Encyclopedia of Italian Literary Studies: A-J|year=2007|publisher=[[Routledge]]|isbn=978-1-57958-390-3|url=https://books.google.com/books?id=69ey6Z-05fMC&pg=PA387|page=387|editor=Gaetana Marrone|location=New York; Abingdon}}</ref><ref>{{cite book|year=2018|author=Enrico Riccardo Orlando|editor1=Harald Hendrix|editor2=Philiep Bossier|editor3=Claudio Di Felice|title=The Idea of Beauty in Italian Literature and Language|publisher=Brill|location=Leiden|isbn=9789004388956|s2cid=194665211
|pages=205,208|doi=10.1163/9789004388956_013|chapter-url=https://doi.org/10.1163/9789004388956_013|chapter=“The Profound Beauty is Greatness”: Itinerary in Giovanni Boine’s Aesthetics}}</ref> Of them Ardengo Soffici published articles on the Paris art scene focusing on [[Gustave Courbet]], [[Henri Rousseau]], [[Pierre-Auguste Renoir]] and [[Pablo Picasso]]. The topics of his articles also included [[Impressionism]], work by [[Arthur Rimbaud]] and French avant-garde poetry.<ref>{{cite book|author=Walter L. Adamson|editor1=Luca Somigli|editor2=Mario Moroni
|title=Italian Modernism: Italian Culture between Decadentism and Avant-Garde|year=2004|publisher=[[University of Toronto Press]]|page=226
|location=Toronto; Buffalo, NY; London|isbn=9781442623385|chapter-url=https://muse.jhu.edu/book/107017|chapter=Modernism in Florence: The Politics of Avant-Garde Culture in the Early Twentieth Century}}</ref>


⚫
Another significant contributor was [[Benito Mussolini]],<ref>{{cite journal|author=Emilio Gentile|title=The Struggle for Modernity: Echoes of the Dreyfus Affair in Italian Political Culture, 1898-1912|journal=[[Journal of Contemporary History]]|date=July 1998|volume=33|issue=4
⚫
''Le Voce'' was modelled by German [[Expressionism|expressionist]] magazine ''[[Der Sturm]]'' which was started in 1910.<ref name=doug>{{cite journal|author=Douglas Brent McBride|title=Expressionism, Futurism, and the Dream of Mass Democracy|journal=Studies in 20th & 21st Century Literature|date=2006|volume=30|issue=2|url=http://newprairiepress.org/cgi/viewcontent.cgi?article=1636&context=sttcl|doi=10.4148/2334-4415.1636|doi-access=free}}</ref>
|pages=497–511|s2cid=154027605|doi=10.1177/002200949803300402|author-link=Emilio Gentile}}</ref> who published articles before [[World War I]] when he was a socialist.<ref>{{cite book|author=Philip Morgan|title=Italian Fascism, 1915–1945|year=2004|publisher=[[Palgrave Macmillan]]
|location=London|url=https://doi.org/10.1007/978-0-230-80267-4|isbn=978-1-4039-3251-8|page=19|doi=10.1007/978-0-230-80267-4|edition=2nd}}</ref> French thinker [[Georges Sorel]] also collaborated with ''Le Voce''.<ref>{{cite journal|author=Jack J. Roth|title=The Roots of Italian Fascism: Sorel and Sorelismo|journal=[[The Journal of Modern History]]|page=37|date=March 1967|issue=1|volume=39|doi=10.1086/239996|s2cid=144762665}}</ref> Roberto Longhi was a regular contributor between 1912 and 1916 who published very radical essays.<ref>{{cite journal|author=Laura Moure Cecchini|journal=The Art Bulletin|volume=101|issue=2|year=2019|doi=10.1080/00043079.2019.1527641|page=31|title=Baroque Futurism: Roberto Longhi, the Seventeenth Century, and the Avant-Garde|s2cid=194289254 }}</ref>

==Legacy==
⚫
''Le Voce'' became a model for the German [[Expressionism|expressionist]] magazine ''[[Der Sturm]]'' which was started in 1910.<ref name=doug>{{cite journal|author=Douglas Brent McBride|title=Expressionism, Futurism, and the Dream of Mass Democracy|journal=Studies in 20th & 21st Century Literature|year=2006|volume=30|issue=2|doi=10.4148/2334-4415.1636|doi-access=free}}</ref> ''[[Solaria (magazine)|Solaria]]'', an Italian magazine established in 1926, was also influenced from ''La Voce''.<ref>{{cite thesis|author=Vanessa Santoro|title=Fashioning sensibility: emotions in Gianna Manzini's fashion journalism|url=https://theses.gla.ac.uk/81358/|location=[[University of Glasgow]]|page=21|degree=MA|year=2019}}</ref>


==See also==
==See also==
Line 49: Line 65:


==References==
==References==
{{Reflist|33em}}
{{Reflist}}

==External links==
*{{Commons-inline}}


{{Authority control}}
{{Authority control}}

Latest revision as of 13:00, 20 October 2024

For the Italian newspaper, see La Voce (newspaper).

La Voce
Editor-in-chiefGiuseppe de Robertis
Former editorsGiuseppe Prezzolini
CategoriesLiterary magazine
FrequencyWeekly
PublisherFirenze
FounderGiuseppe Prezzolini
Founded1908
First issue20 December 1908
Final issueDecember 1916
CountryItaly
Based inFlorence
LanguageItalian
ISSN1722-7798
OCLC470423977

La Voce (Italian: the Voice) was an Italian weekly literary magazine which was published in Florence, Italy, between 1908 and 1916. The magazine is also one of the publications which contributed to the cultural basis of the early forms of Fascism.[1] It also contributed to the development of the concept of Europeanism.[2]

History and profile

[edit]

La Voce was established as a weekly cultural review by Giuseppe Prezzolini, an anti-conformist Italian author, in 1908.[3][4] Prezzolini was also co-founder of another magazine, Leonardo.[4] La Voce was based in Florence,[5][6] and Giovanni Papini was functional in its establishment.[7][8] The first issue of La Voce appeared on 20 December 1908.[9]

Prezzolini stopped his writings in the magazine in 1912 due to disagreements with other significant contributors, including Papini, over Italy's intervention in the Libyan war.[10] He resigned from the magazine as editor-in-chief, a post which he held between 1908 and 1913.[10][11] Papini also left the magazine in 1913.[10] Prezzolini was succeeded by Giuseppe de Robertis as editor-in-chief who held the post from December 1914 to December 1916.[10]

Soon after its inception La Voce appeared as the most influential forum for dissenters in Italy to discuss "social problems created by the new forms of human coexistence in the new industrial world."[12] The early contributors of the magazine considered poetry as a social commitment and moral responsibility.[4] The ultimate goal of the magazine was to produce involved readers having social awareness[13] and to improve spiritual unity of all Italians.[14] To this end La Voce employed a language and approach that would welcome all classes.[13] Sigmund Freud's theories on sexuality were first introduced to Italians by the magazine via an article by Roberto Assagioli published in 1910.[9]

Until 1914 La Voce exclusively focused on philosophical, ethical and political affairs[3] in addition to literary content.[15] During the period between 14 December 1914 and 31 December 1916 the magazine was published with the title La Voce Bianca.[10] The content of the magazine also changed, and it became a pure literary review using the motto, "know how to read".[3] The writers of the magazine at that time commonly produced poetic or prose fragments.[16] It became closely allied with futurists[8] which it had rejected between its start and 1913 while Papini was one of the contributors.[12] Ardengo Soffici's book Primi principi di una estetica futurista (Italian: First principles of a futurist aesthetic) was serialized in the magazine between February and December 1916 before its publication by the publishing house Vallecchi in 1920.[17][18]

La Voce ceased publication in December 1916 after eighteen issues.[3][10]

Contributors

[edit]

Italian writers and poets Vincenzo Cardarelli, Ardengo Soffici, Clemente Rebora, Giovanni Amendola and Alessandro Casati were among the regular contributors to the magazine.[11][19][20] Of them Ardengo Soffici published articles on the Paris art scene focusing on Gustave Courbet, Henri Rousseau, Pierre-Auguste Renoir and Pablo Picasso. The topics of his articles also included Impressionism, work by Arthur Rimbaud and French avant-garde poetry.[21]

Another significant contributor was Benito Mussolini,[22] who published articles before World War I when he was a socialist.[23] French thinker Georges Sorel also collaborated with Le Voce.[24] Roberto Longhi was a regular contributor between 1912 and 1916 who published very radical essays.[25]

Legacy

[edit]

Le Voce became a model for the German expressionist magazine Der Sturm which was started in 1910.[12] Solaria, an Italian magazine established in 1926, was also influenced from La Voce.[26]

See also

[edit]

References

[edit]
  1. ^ Maciej Urbanowski (2011). "Stanisław Brzozowski and fascism". Studies in East European Thought. 63 (4): 308. doi:10.1007/s11212-011-9152-0. S2CID 154920326.
  2. ^ Daria Ricchi (2021). "'Andare verso il popolo (Moving Towards the People)': Classicism and Rural Architecture at the 1936 VI Italian Triennale". Architectural Histories. 9 (1). doi:10.5334/ah.451.
  3. ^ a b c d Joseph Cary (1993). Three Modern Italian Poets: Saba, Ungaretti, Montale (2nd ed.). Chicago: University of Chicago Press. p. 10. ISBN 978-0-226-09527-1.
  4. ^ a b c Lawrence R. Smith; Alison Smith (1981). The New Italian Poetry, 1945 to the Present: A Bilingual Anthology. Berkeley, Los Angeles, CA; London: University of California Press. p. 9. ISBN 978-0-520-04411-1.
  5. ^ Michela Rosso (2016). "Il Selvaggio 1926–1942: Architectural Polemics and Invective Imagery". Architectural Histories. 4 (1). doi:10.5334/ah.203.
  6. ^ Simonetta Falasca-Zamponi (1997). Fascist Spectacle The Aesthetics of Power in Mussolini's Italy. Berkeley and Los Angeles, CA; Oxford: University of California Press. p. 31. ISBN 978-0-520-20623-6.
  7. ^ Corinna del Greco Lobner (2002). "D'Annunzian Reverberations in a Rejection Slip: Joyce and "Daniele Defoe"". In Morton P. Levitt (ed.). Joyce and the Joyceans. Syracuse, NY: Syracuse University Press. p. 182. ISBN 978-0-8156-2930-6.
  8. ^ a b Michael Curtis (1959). Three Against the Third Republic: Sorel, Barrès and Maurras. New Brunswick, NJ; London: Transaction Publishers. p. 27. ISBN 978-1-4128-4346-1.
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