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{{Short description|French composer (1924–2004)}}
{{Unreferenced|date=January 2010}}
{{Infobox classical composer
[[File:Claude ballif.JPG|thumb|250 px|Claude Ballif]]
| name = Claude Ballif
'''Claude Ballif''' (22 May 1924 in [[Paris]] – 24 July 2004 in [[Poissons]]) was a [[France|French]] composer.
| image = Claude ballif.JPG
| caption =
| birth_name = <!-- Use only if different from name in header -->
| birth_date = {{Birth date|1924|05|22}}
| birth_place = Paris, France
| death_date = {{Death date and age|2004|07|24|1924|05|22}}
| death_place = [[Saint-Dizier]], France
| era = [[Modernism (music)|Modernist]], Western [[Avant-garde music|avant-garde]]
}}


'''Claude Ballif''' (22 May 1924 – 24 July 2004) was a French composer, writer, and [[Pedagogy|pedagogue]].<ref name=res>{{cite web|url=https://www.resmusica.com/2005/03/25/claude-ballif-1924-2004/|title=Claude Ballif [1924–2004]|last=Tosi|first=Michèle|date=2005-03-25|publisher=ResMusica|access-date=2022-02-06|language=fr}}</ref> He worked at a number of institutions throughout more than 40 years of teaching, one of which he had attended as a student.<ref name=journee/> Among his pupils were [[Raynald Arseneault]], [[Nicolas Bacri]], [[Gérard Buquet]], [[Joseph-François Kremer]], [[Philippe Manoury]], [[Serge Provost]], [[Mehmet Okonsar]],{{citation needed|date=February 2022}} Simon Bertrand,<ref>{{cite web|url=https://quasar4.com/en/repertoire/composers/simon-bertrand|title=Simon Bertrand (1969–)|date=n.d.|publisher=QUASAR4|access-date=2022-02-08}}</ref> [[Alexandre Desplat]],<ref>{{cite web|url=https://www.wbur.org/npr/138466449/alexandre-desplat-creating-color-for-harry-potter|title=Alexandre Desplat: Creating Color For Harry Potter|last=Tsioulcas|first=Anastasia|date=2011-07-18|publisher=wbur|access-date=2022-02-08}}</ref> and [[Claude Abromont]].<ref>{{cite web|url=https://www.resmusica.com/2022/01/20/lharmonie-en-question-par-claude-abromont-et-eugene-de-montalembert-editions-minerve/|title=L'harmonie en question, par Claude Abromont et Eugène de Montalembert|last=Tosi|first=Michèle|date=2022-01-20|publisher=ResMusica|access-date=2022-02-06|language=fr}}</ref> He was described as a French modernist and as "the product of the exciting and turbulent post World War II years of the Western [[Avant-garde music|avant-garde]]" alongside composers [[Pierre Boulez]] and [[Karlheinz Stockhausen]].<ref name=interview/><ref>{{cite news|last=Kaptainis|first=Arthur|date=1992-11-27|url=https://www.newspapers.com/image/424132880|title=Classical|work=[[Montreal Gazette]]|location=Montreal, Quebec, Canada|via=newspapers.com|access-date=2022-02-06}}</ref>
His music is known as a combination of tonality (in the sense of [[Béla Bartók|Bartók]], for instance) and [[serialism]] - a system that he named ''metatonality''.


==Biography==
Claude Ballif was a committed pedagogue who taught composition and analysis at the Paris Conservatoire from 1971 to 1990. Following this, he taught the same subjects at the [[Sevran]] conservatory. His pupils included [[Raynald Arseneault]], [[Nicolas Bacri]], [[Gérard Buquet]], [[Alexandre Desplat]], [[Joseph-François Kremer]], [[Philippe Manoury]], Simon Bertrand, Serge Provost, and [[Mehmet Okonsar]].
Ballif was born in Paris on 22 May 1924, the fifth of ten children.<ref name=malta>{{cite web|url=https://timesofmalta.com/articles/view/the-death-of-claude-ballif.115367|title=The death of Claude Ballif|date=2004-08-12|work=[[Times of Malta]]|access-date=2022-02-05|language=en}}</ref><ref name=montreal>{{cite news|last=Culver|first=Andrew|date=1979-05-19|url=https://www.newspapers.com/image/743652385|title=Claude Baliff: Excited like a fly|work=[[Montreal Star]]|location=Montreal, Quebec, Canada|via=newspapers.com|access-date=2022-02-06}}</ref><ref name=lavoix/><ref name=journee/> He grew up in a bourgeois family but did not recognize the privilege of his childhood as a rarity until much later.<ref name=ina/> His mother Odette was from the Festugière family, [[Forge|forgemasters]] and owners of the Château de Poissons in [[Haute-Marne]].<ref name=musi/><ref name=ina/> Her brother was [[André-Jean Festugière]] and her first cousin was [[George Desvallières]].<ref name=ina/> Ballif's father, Colonel Laurent Ballif, was a senior military officer who served in the [[Chadian–Libyan conflict#Conflict##Tibesti War|Tibesti War]], [[World War I]], and [[World War II]].<ref name=ina/> Laurent was of Swiss descent.<ref name=ina>{{cite web|url=https://entretiens.ina.fr/musiques-memoires/Ballif/claude-ballif/video|title=Claude Ballif|date=n.d.|publisher=Institut national de l'audiovisuel |access-date=2022-02-06|language=fr}}</ref> Ballif started music at an early age; though the piano was his first love, he was told piano was for girls and that his fingers would never be able to make the right positions, so he learned violin.<ref name=ina/><ref name=lavoix/><ref name=journee/>


When Ballif was 13, his father was assigned to a base in [[Madagascar]] and the family moved to [[Antananarivo]].<ref name=ina/><ref name=cnsmd>{{cite web|url=http://www.cnsmd-lyon.fr/fr-2/la-saison-publique/portrait-claude-ballif|title=Toutes les actualités portrait: Claude Ballif|date=n.d.|publisher=[[Conservatoire national supérieur de musique et de danse de Lyon]]|access-date=2022-02-06|language=fr}}</ref> While in Madagascar, "Captain Durand," an artillery director on base, taught Ballif music theory; he took violin lessons from a beggar.<ref name=ina/> He also learned the play the [[djembe]], the [[valiha]], and the [[flute]].<ref name=ina/> The family returned to France while Ballif was still in high school and he started at the [[Conservatoire de Bordeaux]] in 1942 at 18.<ref name=cnsmd/><ref name=journee/><ref name=ina/> He left in 1948 to attend the [[Conservatoire de Paris]] with [[Tony Aubin|Aubin]] and [[Olivier Messiaen|Messiaen]] as his teachers and [[Alain Weber]], [[Michel Fano]], and [[Jean-Michel Defaye]] as his classmates.<ref name=ina/> He dropped out in 1951 before finishing his degree because he did not feel that he could properly express himself with the academic constraints on the students' music.<ref name=journee/><ref name=ina/><ref name=cnsmd/><ref name=malta/> In 1954, he was awarded a [[German Academic Exchange Service]] (DAAD) grant that allowed him to study at the [[Hochschule für Musik Hanns Eisler Berlin|Hochschule für Musik]] in Berlin.<ref name=res/><ref name=cnsmd/> [[Boris Blacher|Blacher]] and [[Josef Rufer|Rufer]] were among his teachers.<ref name=cnsmd/><ref name=res/><ref name=ina/> He spent three summers in Germany, particularly at the [[Darmstädter Ferienkurse]], where he met [[Luciano Berio]], [[Bruno Maderna]], [[Luigi Nono]], and [[Karlheinz Stockhausen]].<ref name=montreal/><ref name=cnsmd/> He also interpreted the [[Darmstädter Ferienkurse|Darmstadt Summer Courses]] for [[John Cage]], who did not speak German.<ref name=res/><ref name=ina/>
==External links==
*{{fr icon}} [https://web.archive.org/web/20071121050835/http://brahms.ircam.fr/index.php?id=237 Detailed biography on Ircam site]


He performed the music for film advertisements for a while and in 1959 started at the [[Musique concrète#History##Groupe de Recherche Musicale|Groupe de Recherche Musicale]] with [[Pierre Schaeffer]].<ref name=ina/><ref name=res/><ref name=journee/> Ballif's friend [[Hélène Boschi]] worked at [[École Normale de Musique de Paris]] and told him of an opening for a teacher of music history, analysis, and pedagogy.<ref name=ina/><ref name=malta/> Not long after, he married Elisabeth,{{citation needed|date=February 2022}} the daughter of an army general.<ref name=ina/> In 1965, he helped establish the music department at [[Paris 8 University Vincennes-Saint-Denis]] and in 1971 was appointed to succeed Messaien, his former teacher, at the Conservatoire de Paris.<ref name=musi/><ref name=montreal/> He also taught at the {{ill|Regional Conservatory of Reims|fr|Conservatoire à rayonnement régional de Reims}} and as a visiting professor at [[McGill University]] in Montréal.<ref name=interview/><ref name=journee/><ref name=malta/> He left the Conservatoire de Paris in 1990.<ref name=journee/> He subsequently taught in [[Sevran]] for ten years before visiting Venezuela with Williams Montesinos and Austin Marianu<!--I cannot figure out who this person is but he was mentioned in the source--> in July 2000.<ref name=ina/> What was intended to be a short trip stretched out for months and Ballif settled there because he was "able to do what I dreamed of when I was 16... just be a composer".<ref name=ina/> He taught lessons on Mondays, Tuesdays, and Wednesdays, and spent the rest of his time at his piano.<ref name=journee/><ref name=cnsmd/><ref name=ina/>
{{Authority control}}

During his career, he published the following books: ''Introduction à la métatonalité'' (1956), ''Berlioz'' (1969), ''Voyage de mon oreille'' (1979), ''Souhaits etre Symboles'' (1988; published only in Canada), and ''L'Habitant du labyrinthe : entretiens avec Alain Galliari'' (1992).<ref name=brahms>{{BrahmsOnline|IRCAM-name=claude-ballif|title=Claude Ballif}}</ref><ref name=montreal/> He also founded the Ivan Wyschegradsky Association in 1983.<ref>{{cite web|url=https://www.docenotas.com/119543/wyschnegradsky-descubrir-un-pionero-de-la-musica-del-siglo-xx/|title=Wyschnegradsky, descubrir a un pionero de la música del siglo XX|date=2014-11-23|work={{ill|Doce Notas|es}}|last=Fernández Guerra|first=Jorge|access-date=2022-02-06|language=es}}</ref>

Ballif spent the final years of his life living in [[Haute-Marne]] at the Château de Riaucourt, which had been passed down to him by his maternal grandfather.<ref name=lavoix>{{cite web|url=https://www.lavoixdelahautemarne.fr/actualite-6867-juillet-2004-deces-du-musicien-ballif|title=Juillet 2004 : décès du musicien Ballif|date=2020-02-08|work=La voix de la Haute-Marne|access-date=2022-02-07|language=fr}}</ref> He died on 24 July 2004 in [[Saint-Dizier]] and is buried in [[Poissons]].<ref name=malta/><ref name=journee/> His mother died two days later, age 104.<ref name=musi/>

==Metatonality==
Metatonality, "a fusion of [[Diatonic scale|diatonic scales]] with the [[Chromatic scale|chromatic]] one, which form[s] an 11-element metatonal scale", was invented by Ballif in 1949.<ref name=malta/><ref name=musi>{{cite web|url=http://www.musimem.com/obi-0704-1204.htm|title=De juillet 2004 à décembre 2004|date=n.d.|publisher=Le Panthéon des musiciens|access-date=2022-02-07|language=fr}}</ref><ref name=journee>{{cite web|url=https://www.conservatoiredeparis.fr/sites/default/files/recup/2018Prog_ClaudeBallif_3.pdf|title=Claude Ballif, l'imaginaire à l'œuvre|date=2018|publisher=[[Conservatoire de Paris|Conservatoire national supérieur de musique et de danse de Paris]]|access-date=2022-02-06|language=fr}}</ref> He struggled in his early years of music study with balancing his need for independent creation and the university's regimented music lessons.<ref name=res/> This is what led him to leave the [[Conservatoire de Paris]] without a completed degree in 1951.<ref name=musi/><ref name=res/> Ballif published his first book about metatonality (''Introduction à la métatonalité'') in 1956.<ref name=res/> He credits his "deep friendship" with [[Jean Wahl]], [[Josef Rufer]], Andréas Rónaï, and [[Pierre Schaeffer]] for solidifying the concept and practice of metatonality very early on.<ref name=journee/> He added referential and orient concepts to his theory as well.<ref name=revue>{{cite web|url=https://www.revue-etudes.com/article/un-delire-de-dedales-rencontre-avec-claude-ballif-21212|title=« Un délire de dédales », Rencontre avec Claude Ballif|date=2004-05-01|work=ETVDES Revue de Culture Contemporaine|access-date=2022-02-07|language=fr}}</ref> He became interested in [[Microtonal music|microtonal theory]] after meeting [[Ivan Wyschnegradsky]] for the first time; Wyschnegradsky and [[Alois Hába]] "launched [him] into the ultrachromatic universe."<ref name=revue/><ref name=interview/><ref name=res />

Ballif wrote his doctoral dissertation on metatonality.<ref name=malta/> His music was also deeply influenced by his staunch Catholicism.<ref name=interview>{{cite web|url=http://radiom.org/detail.php?omid=OTG.1975.07.16.c1.A|title=Ode To Gravity: The Music of Claude Ballif|date=n.d.|publisher=radiOM|access-date=2022-02-06}}</ref>

==Awards==
{| class="wikitable sortable"
! Year !! Award !! Awarding body !! Country !! Ref
|-
| 1955 || Composition Competition || [[Geneva International Music Competition]] || Switzerland || <ref name=montreal/>
|-
| 1974 || Arthur Honegger Prize || [[Fondation de France]] || France || <ref name=musi/><ref name=montreal/>
|-
| 1975 || Prix Florent Schmitt || [[Académie des Beaux-Arts]] || France ||<ref>{{cite web|url=https://florentschmitt.com/prix-florent-schmitt-listing-of-prizewinning-composers-and-recordings-1963-2018/|title=Prix Florent Schmitt: Listing of Prizewinning Composers and Recordings: 1963-2020|date=n.d.|publisher=FlorentSchmitt.com|access-date=2022-02-08|language=en}}</ref><ref name=musi/>
|-
| 1984 || Chevalier || [[Ordre des Arts et des Lettres]] || France || <ref name=brahms/><ref name=musi/>
|-
| 1986 || SECAM Grand Prix || [[Société des auteurs, compositeurs et éditeurs de musique]] || France || <ref name=musi/><ref name=brahms />
|-
| 1991 || Officier || [[Ordre national du Mérite]] || France || <ref name=brahms/>
|-
| 1994 || Commandeur || Ordre national du Mérite || France || <ref name=brahms/><ref name=musi/>
|-
| 1999 || Grand prix national de la musique || The City of Paris || France || <ref name=brahms/><ref name=musi/><ref>{{cite web|url=https://www.lemonde.fr/archives/article/1980/12/10/huit-laureats_2807467_1819218.html|title=Huit lauréats|date=1980-12-10|work=[[Le Monde]]|access-date=2022-02-08|language=fr}}</ref>
|}

==References==
{{reflist}}

{{Portal bar|Biography|Classical music}}
{{Authority control|state=collapsed}}


{{DEFAULTSORT:Ballif, Claude}}
{{DEFAULTSORT:Ballif, Claude}}
[[Category:French classical composers]]
[[Category:1924 births]]
[[Category:1924 births]]
[[Category:2004 deaths]]
[[Category:2004 deaths]]
[[Category:20th-century French classical composers]]
[[Category:20th-century French male musicians]]
[[Category:Academic staff of the Conservatoire de Paris]]
[[Category:Chevaliers of the Ordre des Arts et des Lettres]]
[[Category:Chevaliers of the Ordre des Arts et des Lettres]]
[[Category:Commanders of the National Order of Merit (France)]]
[[Category:Commanders of the Ordre national du Mérite]]
[[Category:Sociétaires of the Comédie-Française]]
[[Category:Conservatoire de Bordeaux alumni]]
[[Category:Conservatoire de Paris alumni]]
[[Category:Conservatoire de Paris alumni]]
[[Category:Academics of the Conservatoire de Paris]]
[[Category:Musicians from Paris]]
[[Category:Microtonality]]
[[Category:French male classical composers]]
[[Category:French male classical composers]]
[[Category:20th-century classical composers]]
[[Category:Microtonal composers]]
[[Category:20th-century French musicians]]
[[Category:Composers from Paris]]
[[Category:Sociétaires of the Comédie-Française]]

[[Category:Hochschule für Musik Hanns Eisler Berlin alumni]]

[[Category:Academic staff of the École Normale de Musique de Paris]]
{{France-composer-stub}}
[[Category:Academic staff of McGill University]]
[[Category:People from Haute-Marne]]
[[Category:Educators from Paris]]

Latest revision as of 23:54, 5 November 2024

Claude Ballif
Born(1924-05-22)May 22, 1924
Paris, France
DiedJuly 24, 2004(2004-07-24) (aged 80)
Saint-Dizier, France
EraModernist, Western avant-garde

Claude Ballif (22 May 1924 – 24 July 2004) was a French composer, writer, and pedagogue.[1] He worked at a number of institutions throughout more than 40 years of teaching, one of which he had attended as a student.[2] Among his pupils were Raynald Arseneault, Nicolas Bacri, Gérard Buquet, Joseph-François Kremer, Philippe Manoury, Serge Provost, Mehmet Okonsar,[citation needed] Simon Bertrand,[3] Alexandre Desplat,[4] and Claude Abromont.[5] He was described as a French modernist and as "the product of the exciting and turbulent post World War II years of the Western avant-garde" alongside composers Pierre Boulez and Karlheinz Stockhausen.[6][7]

Biography

[edit]

Ballif was born in Paris on 22 May 1924, the fifth of ten children.[8][9][10][2] He grew up in a bourgeois family but did not recognize the privilege of his childhood as a rarity until much later.[11] His mother Odette was from the Festugière family, forgemasters and owners of the Château de Poissons in Haute-Marne.[12][11] Her brother was André-Jean Festugière and her first cousin was George Desvallières.[11] Ballif's father, Colonel Laurent Ballif, was a senior military officer who served in the Tibesti War, World War I, and World War II.[11] Laurent was of Swiss descent.[11] Ballif started music at an early age; though the piano was his first love, he was told piano was for girls and that his fingers would never be able to make the right positions, so he learned violin.[11][10][2]

When Ballif was 13, his father was assigned to a base in Madagascar and the family moved to Antananarivo.[11][13] While in Madagascar, "Captain Durand," an artillery director on base, taught Ballif music theory; he took violin lessons from a beggar.[11] He also learned the play the djembe, the valiha, and the flute.[11] The family returned to France while Ballif was still in high school and he started at the Conservatoire de Bordeaux in 1942 at 18.[13][2][11] He left in 1948 to attend the Conservatoire de Paris with Aubin and Messiaen as his teachers and Alain Weber, Michel Fano, and Jean-Michel Defaye as his classmates.[11] He dropped out in 1951 before finishing his degree because he did not feel that he could properly express himself with the academic constraints on the students' music.[2][11][13][8] In 1954, he was awarded a German Academic Exchange Service (DAAD) grant that allowed him to study at the Hochschule für Musik in Berlin.[1][13] Blacher and Rufer were among his teachers.[13][1][11] He spent three summers in Germany, particularly at the Darmstädter Ferienkurse, where he met Luciano Berio, Bruno Maderna, Luigi Nono, and Karlheinz Stockhausen.[9][13] He also interpreted the Darmstadt Summer Courses for John Cage, who did not speak German.[1][11]

He performed the music for film advertisements for a while and in 1959 started at the Groupe de Recherche Musicale with Pierre Schaeffer.[11][1][2] Ballif's friend Hélène Boschi worked at École Normale de Musique de Paris and told him of an opening for a teacher of music history, analysis, and pedagogy.[11][8] Not long after, he married Elisabeth,[citation needed] the daughter of an army general.[11] In 1965, he helped establish the music department at Paris 8 University Vincennes-Saint-Denis and in 1971 was appointed to succeed Messaien, his former teacher, at the Conservatoire de Paris.[12][9] He also taught at the Regional Conservatory of Reims [fr] and as a visiting professor at McGill University in Montréal.[6][2][8] He left the Conservatoire de Paris in 1990.[2] He subsequently taught in Sevran for ten years before visiting Venezuela with Williams Montesinos and Austin Marianu in July 2000.[11] What was intended to be a short trip stretched out for months and Ballif settled there because he was "able to do what I dreamed of when I was 16... just be a composer".[11] He taught lessons on Mondays, Tuesdays, and Wednesdays, and spent the rest of his time at his piano.[2][13][11]

During his career, he published the following books: Introduction à la métatonalité (1956), Berlioz (1969), Voyage de mon oreille (1979), Souhaits etre Symboles (1988; published only in Canada), and L'Habitant du labyrinthe : entretiens avec Alain Galliari (1992).[14][9] He also founded the Ivan Wyschegradsky Association in 1983.[15]

Ballif spent the final years of his life living in Haute-Marne at the Château de Riaucourt, which had been passed down to him by his maternal grandfather.[10] He died on 24 July 2004 in Saint-Dizier and is buried in Poissons.[8][2] His mother died two days later, age 104.[12]

Metatonality

[edit]

Metatonality, "a fusion of diatonic scales with the chromatic one, which form[s] an 11-element metatonal scale", was invented by Ballif in 1949.[8][12][2] He struggled in his early years of music study with balancing his need for independent creation and the university's regimented music lessons.[1] This is what led him to leave the Conservatoire de Paris without a completed degree in 1951.[12][1] Ballif published his first book about metatonality (Introduction à la métatonalité) in 1956.[1] He credits his "deep friendship" with Jean Wahl, Josef Rufer, Andréas Rónaï, and Pierre Schaeffer for solidifying the concept and practice of metatonality very early on.[2] He added referential and orient concepts to his theory as well.[16] He became interested in microtonal theory after meeting Ivan Wyschnegradsky for the first time; Wyschnegradsky and Alois Hába "launched [him] into the ultrachromatic universe."[16][6][1]

Ballif wrote his doctoral dissertation on metatonality.[8] His music was also deeply influenced by his staunch Catholicism.[6]

Awards

[edit]
Year Award Awarding body Country Ref
1955 Composition Competition Geneva International Music Competition Switzerland [9]
1974 Arthur Honegger Prize Fondation de France France [12][9]
1975 Prix Florent Schmitt Académie des Beaux-Arts France [17][12]
1984 Chevalier Ordre des Arts et des Lettres France [14][12]
1986 SECAM Grand Prix Société des auteurs, compositeurs et éditeurs de musique France [12][14]
1991 Officier Ordre national du Mérite France [14]
1994 Commandeur Ordre national du Mérite France [14][12]
1999 Grand prix national de la musique The City of Paris France [14][12][18]

References

[edit]
  1. ^ a b c d e f g h i Tosi, Michèle (2005-03-25). "Claude Ballif [1924–2004]" (in French). ResMusica. Retrieved 2022-02-06.
  2. ^ a b c d e f g h i j k l "Claude Ballif, l'imaginaire à l'œuvre" (PDF) (in French). Conservatoire national supérieur de musique et de danse de Paris. 2018. Retrieved 2022-02-06.
  3. ^ "Simon Bertrand (1969–)". QUASAR4. n.d. Retrieved 2022-02-08.
  4. ^ Tsioulcas, Anastasia (2011-07-18). "Alexandre Desplat: Creating Color For Harry Potter". wbur. Retrieved 2022-02-08.
  5. ^ Tosi, Michèle (2022-01-20). "L'harmonie en question, par Claude Abromont et Eugène de Montalembert" (in French). ResMusica. Retrieved 2022-02-06.
  6. ^ a b c d "Ode To Gravity: The Music of Claude Ballif". radiOM. n.d. Retrieved 2022-02-06.
  7. ^ Kaptainis, Arthur (1992-11-27). "Classical". Montreal Gazette. Montreal, Quebec, Canada. Retrieved 2022-02-06 – via newspapers.com.
  8. ^ a b c d e f g "The death of Claude Ballif". Times of Malta. 2004-08-12. Retrieved 2022-02-05.
  9. ^ a b c d e f Culver, Andrew (1979-05-19). "Claude Baliff: Excited like a fly". Montreal Star. Montreal, Quebec, Canada. Retrieved 2022-02-06 – via newspapers.com.
  10. ^ a b c "Juillet 2004 : décès du musicien Ballif". La voix de la Haute-Marne (in French). 2020-02-08. Retrieved 2022-02-07.
  11. ^ a b c d e f g h i j k l m n o p q r s t "Claude Ballif" (in French). Institut national de l'audiovisuel. n.d. Retrieved 2022-02-06.
  12. ^ a b c d e f g h i j k "De juillet 2004 à décembre 2004" (in French). Le Panthéon des musiciens. n.d. Retrieved 2022-02-07.
  13. ^ a b c d e f g "Toutes les actualités portrait: Claude Ballif" (in French). Conservatoire national supérieur de musique et de danse de Lyon. n.d. Retrieved 2022-02-06.
  14. ^ a b c d e f "Claude Ballif (biography, works, resources)" (in French and English). IRCAM.
  15. ^ Fernández Guerra, Jorge (2014-11-23). "Wyschnegradsky, descubrir a un pionero de la música del siglo XX". Doce Notas [es] (in Spanish). Retrieved 2022-02-06.
  16. ^ a b "« Un délire de dédales », Rencontre avec Claude Ballif". ETVDES Revue de Culture Contemporaine (in French). 2004-05-01. Retrieved 2022-02-07.
  17. ^ "Prix Florent Schmitt: Listing of Prizewinning Composers and Recordings: 1963-2020". FlorentSchmitt.com. n.d. Retrieved 2022-02-08.
  18. ^ "Huit lauréats". Le Monde (in French). 1980-12-10. Retrieved 2022-02-08.