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{{Short description|Tamil Hindu work of literature}}
{{Short description|Tamil Hindu work of literature}}
{{Italic title}}{{Infobox religious text|religion=[[Hinduism]]|author=[[Andal]]|language=[[Tamil language|Tamil]]|caption=Painting of Andal, Sri Appan Venkatachalapati Temple, Cheranmahadevi.|image=File:Andal - Sri Appan Venkatachalapati Temple, Cheranmahadevi.jpg|verses=30|period=8th century CE|name=''Tiruppavai''|previous=Periyalvar Tirumoli|next=Nachiyar Tirumoli}}
{{Italic title}}{{Infobox religious text|religion=[[Hinduism]]|author=[[Andal]]|language=[[Tamil language|Tamil]]|caption=Painting of Andal, Sri Appan Venkatachalapati Temple, Cheranmahadevi.|image=File:Andal - Sri Appan Venkatachalapati Temple, Cheranmahadevi.jpg|verses=30|period=9th–10th century CE|name=''Tiruppavai''|previous=Periyalvar Tirumoli|next=Nachiyar Tirumoli}}
{{Use dmy dates|date=August 2020}}{{Use Indian English|date=August 2020}}
{{Use dmy dates|date=August 2020}}{{Use Indian English|date=August 2020}}
{{Vaishnavism}}
{{Vaishnavism}}
'''''Tiruppavai''''' ({{Lang-ta|திருப்பாவை|translit=Tiruppāvai}}) is a set of [[Tamil language|Tamil]] [[Hinduism|Hindu]] hymns attributed to the female poet-saint [[Andal]].<ref name="Nair2007">{{cite book|url=https://books.google.com/books?id=-AMWIzs7uzsC|title=Sages Through Ages - Volume IV: India's Heritage|author=K. K. Nair|date=1 September 2007|publisher=AuthorHouse|isbn=978-1-4670-6410-1}}</ref>
The '''''Tiruppavai''''' ({{Langx|ta|திருப்பாவை|translit=Tiruppāvai}}) is a set of [[Tamil language|Tamil]] [[Hinduism|Hindu]] hymns attributed to the female poet-saint [[Andal]].<ref name="Nair2007">{{cite book|url=https://books.google.com/books?id=-AMWIzs7uzsC|title=Sages Through Ages - Volume IV: India's Heritage|author=K. K. Nair|date=1 September 2007|publisher=AuthorHouse|isbn=978-1-4670-6410-1}}</ref>


''Tiruppavai'' consists of thirty stanzas referred to as ''pasurams'' in praise of Vishnu.<ref>{{Cite journal|last=Rajarajan|first=R. K. K.|url=https://www.academia.edu/34826785|title=Samāpti-Suprabhātam – Reflections on South Indian Bhakti Tradition in Literature and Art|journal=New Delhi: Sharada Publishing House|date=January 2017|language=en}}</ref> It is a part of the ''[[Naalayira Divya Prabandham]]'', a collection of the works of the twelve poet-saints called the [[Alvars]], an important part of the devotional genre of [[Tamil literature]]. ''Tiruppavai'' has also been translated into [[Telugu language|Telugu]] by [[Mullapudi Venkata Ramana]] as ''Melupalukula Melukolupu.''<ref>{{Cite news|last=Nadadhur|first=Srivathsan|date=2019-12-27|title=Telugu touch to Thiruppavai goes digital|language=en-IN|work=The Hindu|url=https://www.thehindu.com/entertainment/music/the-hindu-friday-review/article30413239.ece|issn=0971-751X}}</ref> In this work, Andal calls all people to recite the names and glories of [[Vishnu]] and [[Lakshmi]].<ref>{{Cite web |url=http://ebooks.tirumala.org/Home/Download/?ID=1929 |title=Archived copy |access-date=17 September 2015 |archive-date=4 March 2016 |archive-url=https://web.archive.org/web/20160304185421/http://ebooks.tirumala.org/Home/Download/?ID=1929 |url-status=dead }}</ref>
The ''Tiruppavai'' consists of thirty stanzas referred to as ''pasurams'' in praise of Perumal.<ref>{{Cite journal|last=Rajarajan|first=R. K. K.|url=https://www.academia.edu/34826785|title=Samāpti-Suprabhātam – Reflections on South Indian Bhakti Tradition in Literature and Art|journal=New Delhi: Sharada Publishing House|date=January 2017|language=en}}</ref> It is a part of the [[Divya Prabandha|''Nalayira Divya Prabandham'']], a collection of the works of the twelve poet-saints called the [[Alvars]], an important part of the devotional genre of [[Tamil literature]]. The ''Tiruppavai'' has also been translated into [[Telugu language|Telugu]] by [[Mullapudi Venkata Ramana|Mullapudi Venkataramana]] as ''Melupalukula Melukolupu.''<ref>{{Cite news|last=Nadadhur|first=Srivathsan|date=2019-12-27|title=Telugu touch to Thiruppavai goes digital|language=en-IN|work=The Hindu|url=https://www.thehindu.com/entertainment/music/the-hindu-friday-review/article30413239.ece|issn=0971-751X}}</ref> In this work, Andal calls upon to all people to recite the name and glories of [[Vishnu]].<ref>{{Cite web |url=http://ebooks.tirumala.org/Home/Download/?ID=1929 |title=Archived copy |access-date=17 September 2015 |archive-date=4 March 2016 |archive-url=https://web.archive.org/web/20160304185421/http://ebooks.tirumala.org/Home/Download/?ID=1929 |url-status=dead }}</ref>


==Genre==
==Genre==
''Tiruppavai'' belongs to the ''pavai'' genre of songs. This genre referred to the Tamil tradition of unmarried girls and boys performing rites and upholding a vow ([[vrata]]) of their performance throughout the month of ''Margali'' for their future marriages.<ref>{{Cite book |last=White |first=David Gordon |url=https://books.google.com/books?id=3YZeDwAAQBAJ&dq=tiruppavai&pg=PA212 |title=Tantra in Practice |date=2018-06-26 |publisher=Princeton University Press |isbn=978-0-691-19045-7 |pages=212 |language=en}}</ref> This practice assumes special significance during ''[[Tamil calendar|Margali]]'': each day of this month gets its name from one of these thirty verses. There are references to this vow in the late - [[Sangam period|Sangam era]] Tamil classic anthology called [[Paripāṭal|Paripatal]].<ref name="paavai">{{cite news| title=''Paavai genre of songs''| work=ntyp.org| url=http://www.ntyo.org/kolangal/thiruppavai.htm| archive-url=https://web.archive.org/web/20011228234503/http://www.ntyo.org/kolangal/thiruppavai.htm| url-status=dead| archive-date=2001-12-28| access-date=2007-07-13}}</ref>
The ''Tiruppavai'' belongs to the ''pāvai'' genre of songs. This genre referred to the Tamil tradition of unmarried girls performing rites and upholding a vow ([[vrata]]) of their performance throughout the month of ''Margaḻi''.<ref>{{Cite book |last=White |first=David Gordon |url=https://books.google.com/books?id=3YZeDwAAQBAJ&dq=tiruppavai&pg=PA212 |title=Tantra in Practice |date=2018-06-26 |publisher=Princeton University Press |isbn=978-0-691-19045-7 |pages=212 |language=en}}</ref> This practice assumes special significance during ''[[Tamil calendar|Margaḻi]]'': each day of this month gets its name from one of the thirty verses. There are references to this vow in the late-[[Sangam period|Sangam era]] Tamil classic anthology called [[Paripāṭal|Paripatal]].<ref name="paavai">{{cite news| title=''Paavai genre of songs''| work=ntyp.org| url=http://www.ntyo.org/kolangal/thiruppavai.htm| archive-url=https://web.archive.org/web/20011228234503/http://www.ntyo.org/kolangal/thiruppavai.htm| url-status=dead| archive-date=2001-12-28| access-date=2007-07-13}}</ref>


Andal's thirty songs contain the cardinal principles of [[Vaishnavism]] during the month of ''[[Tamil calendar|Margali]]''. Andal like a [[Gopi]] in these 30 verses. Andal appears intent upon performing a particular religious vow to marry Vishnu and remain in his everlasting company, inviting of all her friends to join her to live with him with her and Andal, an incarnation of Lakshmi, marries Vishnu as Rangamannar in [[Nachiyar Tirumoli]].<ref name="Importance of Tiruppavai">{{cite news|
Andal's thirty songs contain the cardinal principles of [[Vaishnava|Vaishnavism]] during the month of ''[[Tamil calendar|Margaḻi]]''. Andal assumes the guise of a [[Gopi|cowherd girl]] in these 30 verses. Andal appears intent upon performing a particular religious vow to marry Vishnu and remain in his everlasting company, inviting of all her friends to join her to serve him with her.<ref name="Importance of Tiruppavai">{{cite news|
title=''Importance of Tiruppavai''
title=''Importance of Tiruppavai''
| work=namperumal.tripod.com|
| work=namperumal.tripod.com|
Line 17: Line 17:


==Theme==
==Theme==
According to the religious hymns, the symbolic undertone behind Andal's entreaty to her friends to wake up and seek Vishnu subsumes the essence of the three basic mantras in the Vaishnava tradition — the Tirumantram, Dvayam, and Charama Sloka that signify the truth of Vishnu and Lakshmi as the paramatmas or the absolute selves who dwell in everything. There is a hidden meaning in the 27th pasuram, for example, where [[Andal]] explains the importance of an acharya whose guidance is mandatory for a disciple to get to know these three mantras.
According to the religious hymns the symbolic undertone behind Andal's entreaty to her friends to wake up and seek Krishna subsumes the essence of the three basic mantras in the Vaishnava tradition — the Tirumantram, Dvayam, and Charama Sloka that signify the truth of the paramatma or the Supreme being who dwells in everything. There is a hidden meaning in the 27th pasuram, for example, where [[Andal]] explains the importance of an acharya whose guidance is mandatory for a disciple to get these trio of mantras.


''Tiruppavai'' is said to be 'Vedam Anaithukkum Vithagum', meaning it is the seed of the Vedas.<ref>{{Cite news|url=https://www.thehindu.com/society/faith/vedas-and-thiruppavai/article28628194.ece|title=Vedas and Thiruppavai|date=2019-07-21|work=The Hindu|access-date=2019-07-23|language=en-IN|issn=0971-751X}}</ref> As the entire tree coming from it are hidden in the subtle seed and it is grown up fully, so is the entire four Vedas are hidden in ''Tiruppavai,'' which can be revealed only under the guidance of an ''[[acharya]]'' who is well versed in Hindu scriptures.
The ''Tiruppavai'' is said to be 'Vedam Anaithukkum Vithagum', meaning it is the seed of the Vedas.<ref>{{Cite news|url=https://www.thehindu.com/society/faith/vedas-and-thiruppavai/article28628194.ece|title=Vedas and Thiruppavai|date=2019-07-21|work=The Hindu|access-date=2019-07-23|language=en-IN|issn=0971-751X}}</ref> As the entire tree and the trees coming from it are hidden in the subtle seed, so is the entire essence of the Vedas is hidden in the ''Tiruppavai'' which can be revealed only under the guidance of an ''[[acharya]]'' or a guru who is well versed in Vedic scriptures.


This entire hidden essence is mentioned in the Andal's verses in the form of poetry.
This entire hidden essence is mentioned in the Andal's verses in the form of poetry.


==Overview==
==Overview==
The first five stanzas provide an introduction to the main theme, its principle and purpose. According to Andal, one should do penances during this season. Sincere prayers to Vishnu and Lakshmi would bring abundant rain and thus prosperity. Offering Vishnu and Lakshmi flowers would do good things.
The first five stanzas provide an introduction to the main theme, its principle and purpose. According to Andal, one should give up luxuries during this season. Sincere prayers to the God would bring abundant rain and thus prosperity. Offering Krishna fresh flowers would expiate sins committed earlier and those that may be committed in future.


In the next ten stanzas she describes the importance of community participation. She invites her friends to gather flowers. She essays the ambience at her city, the chirping of birds, colorful blossoms, the musical sound of butter-churning, herds of livestocks with tinkling bells, the sounding of the conch from the temple.
In the next ten stanzas she describes the importance of community participation. She invites her friends to gather flowers. She essays the ambience at her village, the chirping of birds, colorful blossoms, the musical sound of butter-churning, herds of cattle with tinkling bells, the sounding of the conch from the temple.


She visits each household and awakens all her friends to join her for a bath in a nearby pond. She also praises the incarnations of Vishnu and Lakshmi. The next five stanzas describe her visit to the temple accompanied by her friends. She desires to render a ''[[Suprabhatam]]'' gently to wake up Vishnu. The group appeases the temple guards, enters the temple and recites prayers extolling the parents of Vishnu as [[Krishna]], [[Vasudeva]] and [[Devaki]] and telling them to wake up Vishnu as Krishna and [[Shesha]] as [[Balarama]]. Then they see [[Rukmini]], an incarnation of Lakshmi, the wife of Vishnu, to have a ''[[Darshan (Indian religions)|darshana]]''.<ref>{{Cite book |url=https://books.google.com/books?id=d_Zd6hWJFJkC&dq=Tirupp%C4%81vai&pg=PA237 |title=The Secret Garland: Antal's Tiruppavai and Nacciyar Tirumoli |date=2010-09-30 |publisher=Oxford University Press |isbn=978-0-19-983094-7 |pages=12 |language=en}}</ref>
She visits each household and awakens all her friends to join her for a bath in a nearby pond. She also praises the incarnations of the deity. The next five stanzas describe her visit to the temple accompanied by her friends. She desires to render a ''[[Suprabhatam|suprabhatham]]'' gently to wake up the deity. The group appeases the temple guards, enters the temple and recites prayers extolling the parents of Krishna and begging them to wake up Krishna and Balarama. Then they approach [[Niladevi]], the consort of the deity, to have a ''[[Darshan (Indian religions)|darshana]]''.<ref>{{Cite book |url=https://books.google.com/books?id=d_Zd6hWJFJkC&dq=Tirupp%C4%81vai&pg=PA237 |title=The Secret Garland: Antal's Tiruppavai and Nacciyar Tirumoli |date=2010-09-30 |publisher=Oxford University Press |isbn=978-0-19-983094-7 |pages=12 |language=en}}</ref>


The last nine stanzas are on the glories of Vishnu and Lakshmi. On receiving his and her blessings, Andal lists her demands; milk for the ''vrata'', white conch, lamps, flowers, and rich dresses and jewellery, plenty of clarified butter and butter. The concluding stanza is an ''envoie'' identifying her as the foster-daughter of Vishnucitthan ([[Periyalvar]]) who made this garland of 30 ''pasuram''s and says those who recite with devotion will have Vishnu and Lakshmi's blessings.<ref name="Thiruppavai - OVerview">{{cite news|url=http://kerala4u.in/67/aandal_thiruppavai|title=''Thiruppavai - OVerview''|access-date=2007-07-13|url-status=dead|archive-date=30 March 2009|archive-url=https://web.archive.org/web/20090330144454/http://kerala4u.in/67/aandal_thiruppavai}}</ref>
The last nine stanzas are on the glories of the deity. On receiving his blessings Andal lists her demands; milk for the ''vrata'', white conch, lamps, flowers, and rich costume and jewellery, plenty of ghee and butter. The concluding stanza is an ''envoie'' identifying her as the daughter of Vishnucitthar (Periyalvar) who made this garland of 30 ''pasuram''s and says those who recite with devotion will have Krishna's blessings.<ref name="Thiruppavai - OVerview">{{cite news|url=http://kerala4u.in/67/aandal_thiruppavai|title=''Thiruppavai - OVerview''|access-date=2007-07-13|url-status=dead|archive-date=30 March 2009|archive-url=https://web.archive.org/web/20090330144454/http://kerala4u.in/67/aandal_thiruppavai}}</ref>


==Verses and explanation==
==Verses and explanation==
{{Cleanup section|reason=A concise and grammatically correct translation is necessary.|date=April 2023}}
{{Cleanup section|reason=A concise and grammatically correct translation is necessary.|date=April 2023}}
Tiruppavai also includes three ''taniyans'' ('singletons') composed by later authors to introduce older texts. The first ''taniyan'', ''"Nila Tungastana"'' in Sanskrit was composed by [[Parasara Bhattar|Parashara Bhattar]], and the next two ''taniyans'', ''"Anna Vayal Pudhuvai" and "Sudi Kudutha" (translated below) were composed by Sri Uyyakondar.''
The Tiruppavai also includes three ''taniyans'' (literally, 'singletons' or standalone verses) composed by later authors to introduce older texts. The first ''thaniyan'', ''<nowiki/>'Nila tungastana ... '<nowiki/>'' in Sanskrit was composed by [[Parasara Bhattar|Parashara Bhattar]], and the next two ''taniyans'', ''<nowiki/>'Anna vayal pudhuvai ... ''' and ''"Choodi kodutha..."'' (translated below) were composed by Sri Uyyakondar.


'''Taniyan'''<ref>{{cite web |others=Composed by Andal |translator-last1=Ramachander |translator-first1=P. R. |url=http://www.ibiblio.org/sripedia/ebooks/ramachander/Thiruppavai.doc |format=DOC |title=Thiruppavai |website=ibiblio.org |access-date=January 4, 2024}}</ref>
'''Taniyan'''<ref>{{cite web |others=Composed by Andal |translator-last1=Ramachander |translator-first1=P. R. |url=http://www.ibiblio.org/sripedia/ebooks/ramachander/Thiruppavai.doc |format=DOC |title=Thiruppavai |website=ibiblio.org |access-date=January 4, 2024}}</ref>
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This song is a prelude to Tiruppavai and is one of the 3 ''taniyans''.
This song is a prelude to Tiruppavai and is one of the 3 ''taniyans''.


Andal from the swans filled Srivilliputhur,<br />Sung she, in her glorious voice,<br />Several songs,<br />For being sung during,<br />The worship and adulation of Pavai.<br />They are but a garland to him,<br />From her who wore them first,<br />Before presenting them to Him.
Andal from the swan filled Puduvai,<br />
Sang she, in her sweet voice,<br />
Several enchanting sweet odes,<br />
For being sung during,<br />
The worship and adulation of Pavai.<br />
They are but a garland to him,<br />
From her who wore them first,<br />
Before presenting them to Him.


Each ''pasuram'' (song) of Tiruppavai is named after the first few words of the religious hymns. These are given first and a translation into verse given then:-
Each ''pasuram'' (ode to Perumal) of Tiruppavai is generally named by the first few words of the religious hymns. These are given first and a translation into verse given then:-


{| class="blockquote"
{| class="blockquote"
Line 48: Line 55:
! Translation
! Translation
|-
|-
|'''1.''' ''Margali Tingal''
|'''1.''' ''Margaḻi Tingal''
|In this month of Margali,<br />
|In this month of Margaḻi,<br />
On this day filled with the light of moon,<br />
On this day filled with the light of moon,<br />
Come for bathing,<br />
Come for bathing,<br />
Oh women who are richly dressed,<br />
Oh ladies who are richly dressed,<br />
And Oh women in rich homes of cowherds,<br />
And Oh ladies in rich homes of cowherds,<br />
For he with a sharp spear,<br />
For he with the sharp spear,<br />
He who kills his enemies without mercy,<br />
He who kills his enemies without mercy,<br />
He who is the son of Nandagopa,<br />
He who is the son of Nanda gopa,<br />
He who is the son of Yashodha,<br />
He who is the darling son of Yasodha,<br />
Who wore scented flower garlands,<br />
Who wore scented flower garlands,<br />
He who is a lion cub,<br />
He who is a lion cub,<br />
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He who has small red eyes,<br />
He who has small red eyes,<br />
He who has a face like the well-lit moon,<br />
He who has a face like the well-lit moon,<br />
And He, who is our god Vishnu,<br />
And He, who is our deity Narayana,<br />
Is going to give us protection,<br />
Is going to give us protection,<br />
So that we bathe and that is our Pavai (vratam),<br />
So that we bathe and that is our Pavai (vratam or practice),<br />
In a way that the whole world sings about.<br />
In a way that the whole world sings about.<br />
|-
|-
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We will not wear any collyrium to the eye,<br />
We will not wear any collyrium to the eye,<br />
We will not tie flowers in our hair,<br />
We will not tie flowers in our hair,<br />
We will not do any act that is banned,<br />
We will not do Any act that is banned,<br />
We will not talk ill of any to any one else,<br />
We will not talk ill of any to any one else,<br />
We will give alms and do charity,<br />
We will give alms and do charity,<br />
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|If we sing the praise of Him,<br />
|If we sing the praise of Him,<br />
Who grew big and measured the world,<br />
Who grew big and measured the world,<br />
And worship Vishnu with a Pavai,<br />
And worship our Goddess Pavai,<br />
Then would there be at least three rains a month,<br />
Then would there be at least three rains a month,<br />
And the red paddy plants would grow big,<br />
And the red paddy plants would grow big,<br />
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And healthy cows and never diminishing wealth,<br />
And healthy cows and never diminishing wealth,<br />
Would fill the country,<br />
Would fill the country,<br />
And all this I assure by our vratam.<br />
And all this I assure by our vratam/practice.<br />
|-
|-
|'''4.''' ''Ali Malai Kanna''
|'''4.''' ''Aḻi Maḻai Kanna''
|Please obey our wishes,<br />
|Please obey our wishes,<br />
Oh Varuna who comes from the sea,<br />
Oh rain God who comes from the sea,<br />
Enter the sea, please, and bring water to your fill,<br />
Enter the sea, please, and bring water to your fill,<br />
And with zest and sound take it up,<br />
And with zest and sound take it up,<br />
And like the Vishnu, God of creation become black,<br />
And like the God of the deluge become black,<br />
And shine like the holy wheel in the hands, <br />
And shine like the holy wheel in the hands, <br />
Of The God Padmanabha who has powerful shoulders,<br />
Of The God Padmanabha who has powerful biceps,<br />
And make booming pleasing sounds,<br />
And make booming pleasing sounds,<br />
Like the white spiraled conch,<br />
Like the right spiraled conch,<br />
And rain with out stop like the arrow storms,<br />
And rain with out stop like the arrow storm,<br />
From Sharanga, the bow of Vishnu and descend on us,<br />
From Saranga the bow of Vishnu and descend on us,<br />
To make this world happy,<br />
To make this world happy,<br />
And to help us take bath in month of Margali,
And to help us take bath in month of Margaḻi,


|-
|-
|'''5.''' ''Mayanai Mannu''
|'''5.''' ''Mayanai Mannu''
|To Him the enchanter of all,<br />
|To Him the enchanter of all,<br />
To Him the son of Mathura,<br />
To Him the son of Mathura in the north,<br />
To Him who played and frolicked,<br />
To Him who played and frolicked,<br />
In the shores of holy Yamuna,<br />
In the shores of holy Yamuna,<br />
Line 147: Line 154:
Calling him who drank the poisonous milk from the ghost,<br />
Calling him who drank the poisonous milk from the ghost,<br />
Him who kicked and killed the ogre of the cart,<br />
Him who kicked and killed the ogre of the cart,<br />
And him who sleeps on the great serpent Shesha<br />
And him who sleeps on the great serpent Adi Sesha<br />
So that it goes through our mind,<br />
So that it goes through our mind,<br />
And make our mind cool<br />
And make our mind cool<br />
Line 171: Line 178:
<br />
<br />
|-
|-
|''8. Kīl Vanam''
|''8. Kīḻ Vanam''
|The eastern sky has become white,<br />
|The eastern sky has become white,<br />
The buffaloes are free to walk and graze,<br />
The buffaloes are free to walk and graze,<br />
Line 184: Line 191:
From Him who killed the wrestlers,
From Him who killed the wrestlers,
Sent to kill him,<br />
Sent to kill him,<br />
From Narayana, who is first among the deities,<br />
From the Narayana, who is first among the Gods,<br />
And prostrate before him..
And prostrate before him..
Please hear what we tell.<br />
Please hear what we tell.<br />
Line 193: Line 200:
| Oh my uncle's daughter, who sleeps,<br />
| Oh my uncle's daughter, who sleeps,<br />
In the soft cotton bed,<br />
In the soft cotton bed,<br />
In the pearl filled villa,<br />
In the pearl filled Villa,<br />
Well lit from all sides,<br />
Well lit from all sides,<br />
And full of the smoke of incense,<br />
And full of the smoke of incense,<br />
Line 217: Line 224:
He would give us gifts, many,<br />
He would give us gifts, many,<br />
He is the same who is holy in times ancient,<br />
He is the same who is holy in times ancient,<br />
Who killed Kumbhakarna,<br />
Sent Kumbhakarna to his death,<br />
After beating him in the field of war.<br />
After beating him in the field of war.<br />
Did that ogre give you his sleep,<br />
Did that ogre give you his sleep,<br />
Line 233: Line 240:
And makes his enemies lose their strength,<br />
And makes his enemies lose their strength,<br />
Oh Golden tendril,
Oh Golden tendril,
Oh lass who has the Mount of Venus,<br />
Oh lass who has the mount of venus,<br />
Like the hood of the snake,
Like the hood of the snake,
Wake up and come,<br />
Wake up and come,<br />
When your flock of friends,<br />
When your flock of friends,<br />
Have come to your courtyard,
Have come to your courtyard,
And sing of Vishnu,<br />
And sing of Krishna,<br />
Who has the colour of the cloud,
Who has the colour of the cloud,
Oh rich, rich lady,<br />
Oh rich, rich lady,<br />
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In the dripping fog,
In the dripping fog,
And sing about Him,<br />
And sing about Him,<br />
Who killed Ravana,<br />
Who killed in anger the king of Southern Lanka,<br />
And who is very dear one,<br />
And who is very dear one,<br />
But open your mouth, you don't..<br />
But open your mouth, you don't..<br />
Line 267: Line 274:
|The lasses have reached,<br />
|The lasses have reached,<br />
The place of prayer for Pavai,<br />
The place of prayer for Pavai,<br />
Singing the fame of Vishnu.<br />
Singing the fame of our deity.<br />
Who killed the ogre who came like a stork.<br />
Who killed the ogre who came like a stork.<br />
And who cut off the heads of the bad ogre,
And who cut off the heads of the bad ogre,
Line 283: Line 290:
<br />
<br />
|-
|-
|''14. Ungal Pulakkadai''
|''14. Ungal Puḻakkadai''
|In the pond in the backyard of your house.<br />
|In the pond in the backyard of your house.<br />
The lily in the ponds have opened,<br />
The lily in the ponds have opened,<br />
Line 310: Line 317:
"Gone, think they have gone"<br />
"Gone, think they have gone"<br />
"Please wake up and sing,<br />
"Please wake up and sing,<br />
Of he who killed Kuvalayampida,<br />
Of he who killed the big elephant,<br />
Of him who can remove enmity from enemies,<br />
Of him who can remove enmity from enemies,<br />
And of him who is the holy enchanter,<br />
And of him who is the holy enchanter,<br />
Line 316: Line 323:
|-
|-
|''16. Nayaganāi Ninra''
|''16. Nayaganāi Ninra''
|Hey, He who guards the palace of Nandagopa,<br />
|Hey, He who guards the palace of Nanda Gopa,<br />
Hey, who guards the ornamental door with flags,<br />
Hey, who guards the ornamental door with flags,<br />
Please be kind to open the door with bells,<br />
Please be kind to open the door with bells,<br />
For yesterday the enchanter Vishnu,<br />
For yesterday the enchanter Kannan,<br />
Has promised to give beating drums,<br />
Has promised to give beating drums,<br />
To us the girls from the houses of cow herds.<br />
To us the girls from the houses of cow herds.<br />
Line 332: Line 339:
Who gives water, cloth and food to others,<br />
Who gives water, cloth and food to others,<br />
Please wake up.<br />
Please wake up.<br />
Our lady Yashodha, who is the light of the homes of cow herds,<br />
Our lady Yasodha, who is the light of the homes of cow herds,<br />
She who is dear to all the ladies,
She who is dear to all the ladies,
Please wake up<br />
Please wake up<br />
Hey, Vishnu who is the king of deities,<br />
Hey, Krishna who is the king of Gods,<br />
Who went up tearing the sky.<br />
Who went up tearing the sky.<br />
Please wake up, and do not sleep.<br />
Please wake up, and do not sleep.<br />
Hey Balarama, who wears pure golden anklets,<br />
Hey Baladeva, who wears pure golden anklets,<br />
Please wake up along with your brother,<br />
Please wake up along with your brother,<br />
<br />
<br />
Line 344: Line 351:
|''18. Undhu Madha Kalitran''
|''18. Undhu Madha Kalitran''
|Hey, Who is the fair daughter-in-law,<br />
|Hey, Who is the fair daughter-in-law,<br />
Of Nandagopa, who has several elephants,<br />
Of Nanda gopa, who has several elephants,<br />
And who is a great hero who never ran away from his enemies,<br />
And who is a great hero who never ran away from his enemies,<br />
Hey Rukmini, who has hair surrounded by holy scent,<br />
Hey Lady Nappinnai, who has hair surrounded by holy scent,<br />
Please be kind to open the door.<br />
Please be kind to open the door.<br />
The cocks are everywhere waking us up,<br />
The cocks are everywhere waking us up,<br />
The koels flock on the jasmine landals,<br />
The koels flock on the jasmine Pandals,<br />
And coo so that we all wake up,<br />
And coo so that we all wake up,<br />
Hey woman who happily plays ball,<br />
Hey Lady who happily plays ball,<br />
To help us sing your deities fame,<br />
To help us sing your Lords fame,<br />
With your hands with tingling bangles,<br />
With your hands with tingling bangles,<br />
Please open the door with happiness,<br />
Please open the door with happiness,<br />
Line 361: Line 368:
On the ornamental four legged ivory cot,<br />
On the ornamental four legged ivory cot,<br />
On the soft bed filled with cotton,<br />
On the soft bed filled with cotton,<br />
Reclining on the busts of Rukmini,<br />
Reclining on the busts of Nappinnai,<br />
You sleep, Oh he who has a flower like heart,<br />
You sleep, Oh he who has a flower like heart,<br />
Please open your mouth.<br />
Please open your mouth.<br />
Line 372: Line 379:
|-
|-
|''20. Muppatu Muvar <br />''
|''20. Muppatu Muvar <br />''
|Please wake up Oh, Vishnu,<br />
|Please wake up Oh, deity,<br />
Who removed sorrow and fear,<br />
Who removed sorrow and fear,<br />
From the thirty three gods,<br />
From the thirty three sections of Devas,<br />
Even before they approached you,<br />
Even before they approached you,<br />
Oh Vishnu, Who is glittering like gold,<br />
Oh deity, Who is glittering like gold,<br />
Oh deity, who has inimitable valour,
Oh deity, who has inimitable valour,
Please wake up,<br />
Please wake up,<br />
Oh Rukmini,
Oh Lady Nappinnai,
Who has desirable busts like golden pots.<br />
Who has desirable busts like golden pots.<br />
Who has little red mouth,<br />
Who has little red mouth,<br />
Line 395: Line 402:
That always the milking vessel got overflowed,
That always the milking vessel got overflowed,
Please wake up.<br />
Please wake up.<br />
Oh Vishnu, who is full of mercy,<br />
Oh deity, who is full of mercy,<br />
Oh Vishnu, who is better than the best,<br />
Oh deity, who is better than the best,<br />
Oh lord, who is the light that began the world,<br />
Oh lord, who is the light that began the world,<br />
Please wake up.<br />
Please wake up.<br />
Line 406: Line 413:
|-
|-
|''22. Angan Mā Jnalathu''
|''22. Angan Mā Jnalathu''
|Like all the famous rulers<br />
|Like all the famous kings<br />
Of the wide world, that is pretty,<br />
Of the wide World, that is pretty,<br />
Have crowded near your cot,<br />
Have crowded near your cot,<br />
After surrendering their ego,<br />
After surrendering their ego,<br />
Line 420: Line 427:
|-
|-
|''23. Māri Malai Muḻainjil''
|''23. Māri Malai Muḻainjil''
|Like a powerful lion wakes up with power,<br />
|Like the majestic lion wakes up with ire,<br />
From the mountain cave in the rainy season,<br />
From the mountain cave in the rainy season,<br />
Looks with powerful sight,<br />
Looks with fiery sight,<br />
And with deep powerful sweat from all the hairs,<br />
And with deep angry sweat from all the hairs,<br />
Turns up its head with awe,<br />
Turns up its head with awe,<br />
And comes out making much din,<br />
And comes out making much din,<br />
Hey deity, who is the colour of the blue lotus,<br />
Hey deity, who is the colour of the blue lotus,<br />
Come from your temple to here,<br />
Come from your temple to here,<br />
And sit on the glorious royal throne,<br />
And sit on the majestic royal throne,<br />
And hear with compassion,<br />
And hear with compassion,<br />
For why we have come here,<br />
For why we have come here,<br />
Line 435: Line 442:
|''24. Anru Ivvulagam''
|''24. Anru Ivvulagam''
|We worship your feet which measured the world then,<br />
|We worship your feet which measured the world then,<br />
We worship your fame of killing Kumbhakarna and Ravana,<br />
We worship your fame of winning over the king of Southern Lanka,<br />
We worship thine valour in breaking<br />
We worship thine valour in breaking<br />
the ogre who came like a cart,<br />
the ogre who came like a cart,<br />
We worship you strength which threw the calf on the tree,<br />
We worship thy strength which threw the calf on the tree,<br />
We worship you goodness in making<br />
We worship thine goodness in making<br />
the mountain as an umbrella,<br />
the mountain as an umbrella,<br />
And we worship the great spear in your hand,<br />
And we worship the great spear in your hand,<br />
Line 448: Line 455:
|-
|-
|''25. Oruti Maganāi Pirandu''
|''25. Oruti Maganāi Pirandu''
|Being born to a woman,<br />
|Being born to woman,<br />
And in the same night in hiding.<br />
And in the same night in hiding.<br />
You became the son of another,<br />
You became the son of another,<br />
Line 454: Line 461:
And wanted to cause more harm to you,<br />
And wanted to cause more harm to you,<br />
And you great one, became,<br />
And you great one, became,<br />
The fire in the stomach of that Kamsa and you killed Kamsa,<br />
The fire in the stomach of that Kamsa,<br />
We have come here with desire for a drum,<br />
We have come here with desire for a drum,<br />
And if you give the drum to us,<br />
And if you give the drum to us,<br />
Line 466: Line 473:
If you ask us what we need,<br />
If you ask us what we need,<br />
In your great grace and great deeds,<br />
In your great grace and great deeds,<br />
For our holy bath of Margali,<br />
For our holy bath of Margaḻi,<br />
We will ask for very many conches<br />
We will ask for very many conches<br />
Like the milk white conch of yours called Panchajanya,<br />
Like the milk white conch of yours called Pancha Janya,<br />
Very many big drums whose sound can be heard everywhere,<br />
Very many big drums whose sound can be heard everywhere,<br />
Several musicians of fame to sing “Pallandu ”<br />
Several musicians of fame to sing “Pallandu ”<br />
Several beautiful pretty lamps,<br />
Several beautiful pretty lamps,<br />
Several flags and cloths to make tents,<br />
Several flags and cloths to make tents,<br />
Oh, He who sleeps on a banyan leaf at time of flood,<br />
Oh, He who sleeps on a banyan leaf at time of deluge,<br />
Please give us them all,<br />
Please give us them all,<br />
<br />
<br />
|-
|-
|''27. Kudārai Vellum''
|''27. Kudārai Vellum''
|Hey Vishnu,<br />
|Hey Govinda,<br />
who is known for victory over enemies,<br />
who is known for victory over enemies,<br />
After singing you we will get drums and many gifts,<br />
After singing you we will get drums and many gifts,<br />
Line 499: Line 506:
And there we would all eat together,<br />
And there we would all eat together,<br />
But We are blessed that you are one of us..<br />
But We are blessed that you are one of us..<br />
Oh Vishnu who does not have any short comings.<br />
Oh Govinda who does not have any short comings.<br />
None can ever break the ties that we have with you, Oh deity,<br />
None can ever break the ties that we have with you, Oh deity,<br />
We are but ignorant girls, who do not know the world,<br />
We are but ignorant girls, who do not know the world,<br />
Line 514: Line 521:
You were born in our family of cow herds,<br />
You were born in our family of cow herds,<br />
And we are but there to obey your every wish,<br />
And we are but there to obey your every wish,<br />
And not come to get only the drums from you, Oh Vishnu.<br />
And not come to get only the drums from you, Oh Govinda.<br />
For ever and for several umpteen births,<br />
For ever and for several umpteen births,<br />
We would be only related to you,<br />
We would be only related to you,<br />
Line 522: Line 529:
|-
|-
|''30. Vanga Kadal Kadaintha''
|''30. Vanga Kadal Kadaintha''
|The one who sings,<br />
|He who sings with out error,<br />
These thirty songs in Tamil,<br />
The thirty odes in sweet Tamil,<br />
Of the story of how the rich women,<br />
Of the story of how the rich ladies,<br />
With faces like moon,<br />
With faces like moon,<br />
Who worshipped and requested,<br />
Who worshipped and requested,<br />
Madhava who is also Keshava,<br />
The Madhava who is also deity Kesava,<br />
Who churned the ocean of milk,<br />
Who churned the ocean of milk,<br />
For getting a drum to worship Vishnu by a Pavai,<br />
For getting a drum to worship Goddess Pavai,<br />
As sung by Godhai (Andal) who is the dear companion,<br />
As sung by Kodhai who is the dear daughter,<br />
Of Vishnuchittar (Periyalvar),<br />
Of Vishnu Chitta the bhattar,<br />
From the beautiful city of Srivilliputhur,<br />
From the beautiful city of Puduvai,<br />
Will be happy and get grace,<br />
Will be happy and get the grace,<br />
Of Vishnu with glorious eyes,<br />
Of our Vishnu with merciful pretty eyes.<br />
And glorious four hands.<br />
And four mountain like shoulders, for ever.<br />
|}
|}


==Recital in Thailand==
==Recital in Thailand==


In Thailand, an annual [[Giant Swing]] ceremony known as ''Triyampavai-Tripavai'' was held in major cities until 1935 CE, when it was abolished for safety reasons.<ref>{{cite book |author=M. E. Manickavasagom Pillai |title=Dravidian Influence in Thai Culture |url=https://books.google.com/books?id=soFCAAAAYAAJ |year=1986 |publisher=Tamil University |page=69 }}</ref> The name of the ceremony was derived from the names of two Tamil Hindu songs: [[Tiruvempavai]] (a Shaivite hymn by [[Manikkavacakar]]) and Tiruppavai (a Vaishnavite hymn by [[Andal]])''.'' is known that Tamil verses from ''Thiruvempavai'' and ''Tiruppavai'' were recited at this ceremony, as well as the coronation ceremony of the [[Monarchy of Thailand|Thai rulers]].<ref name="Upendra_1986">{{cite book |author=Upendra Thakur |title=Some Aspects of Asian History and Culture |url=https://books.google.com/books?id=m42TldA_OvAC&pg=PA27 |year=1986 |publisher=Abhinav |isbn=978-81-7017-207-9 |pages=27–28 }}</ref> According to T.P. Meenakshisundaram, the name of the festival shows that Tiruppavai and Tiruvempavai is recited as well.<ref>{{cite book |title=Consider Our Vow: Translation of Tiruppāvai and Tiruvempāvai Into English |author=Norman Cutler |url=https://books.google.com/books?id=2fMOAAAAMAAJ |year=1979 |publisher=Muttu Patippakam |page=13 }}</ref>
In Thailand, an annual [[Giant Swing]] ceremony known as ''Triyampavai-Tripavai'' was held in major cities until 1935, when it was abolished for safety reasons.<ref>{{cite book |author=M. E. Manickavasagom Pillai |title=Dravidian Influence in Thai Culture |url=https://books.google.com/books?id=soFCAAAAYAAJ |year=1986 |publisher=Tamil University |page=69 }}</ref> The name of the ceremony was derived from the names of two Tamil Hindu chants: ''[[Thiruvempavai]]'' (a Shaivite hymn by [[Manikkavacakar]]) and ''Tiruppavai''. It is known that Tamil verses from ''Thiruvempavai'' ''poet pratu sivalai'' ("opening the portals of Shiva's home") — were recited at this ceremony, as well as the coronation ceremony of the [[Monarchy of Thailand|Thai king]].<ref name="Upendra_1986">{{cite book |author=Upendra Thakur |title=Some Aspects of Asian History and Culture |url=https://books.google.com/books?id=m42TldA_OvAC&pg=PA27 |year=1986 |publisher=Abhinav |isbn=978-81-7017-207-9 |pages=27–28 }}</ref> According to T.P. Meenakshisundaram, the name of the festival indicates that Tiruppavai might have been recited as well.<ref>{{cite book |title=Consider Our Vow: Translation of Tiruppāvai and Tiruvempāvai Into English |author=Norman Cutler |url=https://books.google.com/books?id=2fMOAAAAMAAJ |year=1979 |publisher=Muttu Patippakam |page=13 }}</ref>


== See also ==
== See also ==

Latest revision as of 01:58, 1 December 2024

Tiruppavai
Painting of Andal, Sri Appan Venkatachalapati Temple, Cheranmahadevi.
Information
ReligionHinduism
AuthorAndal
LanguageTamil
Period9th–10th century CE
Verses30

The Tiruppavai (Tamil: திருப்பாவை, romanized: Tiruppāvai) is a set of Tamil Hindu hymns attributed to the female poet-saint Andal.[1]

The Tiruppavai consists of thirty stanzas referred to as pasurams in praise of Perumal.[2] It is a part of the Nalayira Divya Prabandham, a collection of the works of the twelve poet-saints called the Alvars, an important part of the devotional genre of Tamil literature. The Tiruppavai has also been translated into Telugu by Mullapudi Venkataramana as Melupalukula Melukolupu.[3] In this work, Andal calls upon to all people to recite the name and glories of Vishnu.[4]

Genre

[edit]

The Tiruppavai belongs to the pāvai genre of songs. This genre referred to the Tamil tradition of unmarried girls performing rites and upholding a vow (vrata) of their performance throughout the month of Margaḻi.[5] This practice assumes special significance during Margaḻi: each day of this month gets its name from one of the thirty verses. There are references to this vow in the late-Sangam era Tamil classic anthology called Paripatal.[6]

Andal's thirty songs contain the cardinal principles of Vaishnavism during the month of Margaḻi. Andal assumes the guise of a cowherd girl in these 30 verses. Andal appears intent upon performing a particular religious vow to marry Vishnu and remain in his everlasting company, inviting of all her friends to join her to serve him with her.[7]

Theme

[edit]

According to the religious hymns the symbolic undertone behind Andal's entreaty to her friends to wake up and seek Krishna subsumes the essence of the three basic mantras in the Vaishnava tradition — the Tirumantram, Dvayam, and Charama Sloka that signify the truth of the paramatma or the Supreme being who dwells in everything. There is a hidden meaning in the 27th pasuram, for example, where Andal explains the importance of an acharya whose guidance is mandatory for a disciple to get these trio of mantras.

The Tiruppavai is said to be 'Vedam Anaithukkum Vithagum', meaning it is the seed of the Vedas.[8] As the entire tree and the trees coming from it are hidden in the subtle seed, so is the entire essence of the Vedas is hidden in the Tiruppavai which can be revealed only under the guidance of an acharya or a guru who is well versed in Vedic scriptures.

This entire hidden essence is mentioned in the Andal's verses in the form of poetry.

Overview

[edit]

The first five stanzas provide an introduction to the main theme, its principle and purpose. According to Andal, one should give up luxuries during this season. Sincere prayers to the God would bring abundant rain and thus prosperity. Offering Krishna fresh flowers would expiate sins committed earlier and those that may be committed in future.

In the next ten stanzas she describes the importance of community participation. She invites her friends to gather flowers. She essays the ambience at her village, the chirping of birds, colorful blossoms, the musical sound of butter-churning, herds of cattle with tinkling bells, the sounding of the conch from the temple.

She visits each household and awakens all her friends to join her for a bath in a nearby pond. She also praises the incarnations of the deity. The next five stanzas describe her visit to the temple accompanied by her friends. She desires to render a suprabhatham gently to wake up the deity. The group appeases the temple guards, enters the temple and recites prayers extolling the parents of Krishna and begging them to wake up Krishna and Balarama. Then they approach Niladevi, the consort of the deity, to have a darshana.[9]

The last nine stanzas are on the glories of the deity. On receiving his blessings Andal lists her demands; milk for the vrata, white conch, lamps, flowers, and rich costume and jewellery, plenty of ghee and butter. The concluding stanza is an envoie identifying her as the daughter of Vishnucitthar (Periyalvar) who made this garland of 30 pasurams and says those who recite with devotion will have Krishna's blessings.[10]

Verses and explanation

[edit]

The Tiruppavai also includes three taniyans (literally, 'singletons' or standalone verses) composed by later authors to introduce older texts. The first thaniyan, 'Nila tungastana ... ' in Sanskrit was composed by Parashara Bhattar, and the next two taniyans, 'Anna vayal pudhuvai ... ' and "Choodi kodutha..." (translated below) were composed by Sri Uyyakondar.

Taniyan[11]

This song is a prelude to Tiruppavai and is one of the 3 taniyans.

Andal from the swan filled Puduvai,
Sang she, in her sweet voice,
Several enchanting sweet odes,
For being sung during,
The worship and adulation of Pavai.
They are but a garland to him,
From her who wore them first,
Before presenting them to Him.

Each pasuram (ode to Perumal) of Tiruppavai is generally named by the first few words of the religious hymns. These are given first and a translation into verse given then:-

Hymn name Translation
1. Margaḻi Tingal In this month of Margaḻi,

On this day filled with the light of moon,
Come for bathing,
Oh ladies who are richly dressed,
And Oh ladies in rich homes of cowherds,
For he with the sharp spear,
He who kills his enemies without mercy,
He who is the son of Nanda gopa,
He who is the darling son of Yasodha,
Who wore scented flower garlands,
He who is a lion cub,
He who is pretty in black colour,
He who has small red eyes,
He who has a face like the well-lit moon,
And He, who is our deity Narayana,
Is going to give us protection,
So that we bathe and that is our Pavai (vratam or practice),
In a way that the whole world sings about.

2. Vaiyathu Vaḻvirgal
Oh, people of this world,

Be pleased to hear of those penances,
That we daily do for the worship of Pavai,
We will sing of those holy feet,
Of Him who sleeps in the ocean of milk,
We will not take the very tasty ghee,
We will avoid the health giving milk,
We will daily bathe before the dawn,
We will not wear any collyrium to the eye,
We will not tie flowers in our hair,
We will not do Any act that is banned,
We will not talk ill of any to any one else,
We will give alms and do charity,
As much as we can,
And do all those acts to make others free of sorrow,
This is our vratam (Pavai).

3. Ongi Ulagalandha If we sing the praise of Him,

Who grew big and measured the world,
And worship our Goddess Pavai,
Then would there be at least three rains a month,
And the red paddy plants would grow big,
And in their fields would the fish swim and play,
And the spotted bees after sipping honey,
To their hearts content,
Would sleep in the flower themselves
After having their fill,
And the cows with big udder
Would fill milk pots to the brim,
And healthy cows and never diminishing wealth,
Would fill the country,
And all this I assure by our vratam/practice.

4. Aḻi Maḻai Kanna Please obey our wishes,

Oh rain God who comes from the sea,
Enter the sea, please, and bring water to your fill,
And with zest and sound take it up,
And like the God of the deluge become black,
And shine like the holy wheel in the hands,
Of The God Padmanabha who has powerful biceps,
And make booming pleasing sounds,
Like the right spiraled conch,
And rain with out stop like the arrow storm,
From Saranga the bow of Vishnu and descend on us,
To make this world happy,
And to help us take bath in month of Margaḻi,

5. Mayanai Mannu To Him the enchanter of all,

To Him the son of Mathura in the north,
To Him who played and frolicked,
In the shores of holy Yamuna,
To Him who is the ornamental lamp,
Of the family of cow herds,
And to the Damodara who made,
His mothers womb holy,
We came after a holy bath,
And offered pure flowers at his feet,
And sang with our mouth,
And brought the thoughts of him in our mind,
And we were sure,
That all our mistakes of the past,
And all that we will do in future,
Will vanish as ashes in fire,

6. Pullum Chilambina Did you not hear alternate twittering birds making loud noises,

Did you not hear the loud sound of white conch,
From the temple of the king of Garuda,
Oh, girls please wake up,
Let us hear the holy sounds of "Hari, Hari".
From the savants and sages,
Calling him who drank the poisonous milk from the ghost,
Him who kicked and killed the ogre of the cart,
And him who sleeps on the great serpent Adi Sesha
So that it goes through our mind,
And make our mind cool

7. Kīsu Kīsu Did you not hear, Oh slow witted girl,

The twittering sound of black birds of the morn,
Which sounds like a talk between them,
Did you not hear the tingling sound,
When the big and small coin like pendants,
Rub against each other,
Did you not hear the sound of vigorous pull,
Of the curd churner being pulled,
By the flower bedecked cow herdesses,
Did you not hear the sound of twirling curd,
When churned using the mixer,
Oh, leader among girls, How can you sleep,
When they sing the names sweetly.
Of Narayana and Kesava,
Oh, She who is sparkling,
Be pleased to open the door,

8. Kīḻ Vanam The eastern sky has become white,

The buffaloes are free to walk and graze,
The remaining lasses, have stopped from going,
All those who wanted to go,
And have come to call you,
Oh girl filled with happiness, Please wake up.
Let us all sing and get gifts,
From Him who has killed the horse like ogre,
By pulling apart his mouth,
From Him who killed the wrestlers, Sent to kill him,
From the Narayana, who is first among the Gods,
And prostrate before him.. Please hear what we tell.
And decide for yourself,

9. Tumani Madaththu Oh my uncle's daughter, who sleeps,

In the soft cotton bed,
In the pearl filled Villa,
Well lit from all sides,
And full of the smoke of incense,
Please open the ornamental door.
Oh aunt, why don't you wake her up,
Is your daughter dumb or deaf, Or down right lazy,
Or she is in trance of deep pleasurable sleep,
Let us all call him the great enchanter,
Madhavan and he who lives in Vaikunta,
By several of His names,
And get benefited,

10. Notru Svargam Oh lady fine, who has entered the heaven,

Due to penance done in last birth,
Won't you reply, please
Won't you open the door, please
If we pray the God Narayana,
Having with him the scented garland,
Made of holy basil,
He would give us gifts, many,
He is the same who is holy in times ancient,
Sent Kumbhakarna to his death,
After beating him in the field of war.
Did that ogre give you his sleep,
Before he went off from here,
Oh lass who is very lazy,
Oh lass, who is like pretty jewels,
Wake up from your sleep, well,
And open the door.

11. Katru Karavai Oh daughter of the cattle baron,

Who milks herds of cows,
And wages war on enemies
And makes his enemies lose their strength,
Oh Golden tendril, Oh lass who has the mount of venus,
Like the hood of the snake, Wake up and come,
When your flock of friends,
Have come to your courtyard, And sing of Krishna,
Who has the colour of the cloud, Oh rich, rich lady,
How can you neither move nor talk, And lie in deep trance,

12. Kanaithilam Katrerumai Hey, sister of the rich one, who owned,

The mooing she buffalo with a calf,
Which took pity on the calf,
And gave out plenty,
Of milk to it through its udder,
And made his courtyard slushy with milk,
We are assembled in thine yard,
In the dripping fog, And sing about Him,
Who killed in anger the king of Southern Lanka,
And who is very dear one,
But open your mouth, you don't..
At least wake up now,
Why this very deep slumber,
For people of all houses around,
Have already become alert

13. Pullin Vāi Kīndanai The lasses have reached,

The place of prayer for Pavai,
Singing the fame of our deity.
Who killed the ogre who came like a stork.
And who cut off the heads of the bad ogre, One by one.
Venus has risen in the morning,
Jupiter has vanished from the sky,
The birds are making lot of sound,
Of beautiful one with wide eyes red as a flower.
Without taking bath by dipping
again and again in ice cold water,
Would you prefer to sleep.
Oh lass, On this holy day,
Do not stay aside, And come to bathe with us.

14. Ungal Puḻakkadai In the pond in the backyard of your house.

The lily in the ponds have opened,
The night flowers have closed,
The white toothed sages,
Who wear clothes as red as,
The powder of brick, Are going to their temples.
To sound the conch.
You who promised to wake us up, Please wake up,
Are you not ashamed, You chatter box,
Let us all sing about the lotus eyed one,
Who has a holy conch and disc in his hands,

15. Elle Ilam kiliye

"Hey, little bird, Are you still sleeping?"
"Don't disturb my sleep, Lasses, I will just come".
"You are good in your speech, We know what you mean."
"You be good, but leave me alone"
"Come quickly, why is it different for you?"
"Have every one gone?" "Gone, think they have gone"
"Please wake up and sing,
Of he who killed the big elephant,
Of him who can remove enmity from enemies,
And of him who is the holy enchanter,

16. Nayaganāi Ninra Hey, He who guards the palace of Nanda Gopa,

Hey, who guards the ornamental door with flags,
Please be kind to open the door with bells,
For yesterday the enchanter Kannan,
Has promised to give beating drums,
To us the girls from the houses of cow herds.
We have come after purification,
To wake Him up with song,
So do not talk of this and that, Hey dear man,
And open the door with closed latches,

17. Ambarame Tannīre Hey Nandagopa, who does good deeds and charity,

Who gives water, cloth and food to others,
Please wake up.
Our lady Yasodha, who is the light of the homes of cow herds,
She who is dear to all the ladies, Please wake up
Hey, Krishna who is the king of Gods,
Who went up tearing the sky.
Please wake up, and do not sleep.
Hey Baladeva, who wears pure golden anklets,
Please wake up along with your brother,

18. Undhu Madha Kalitran Hey, Who is the fair daughter-in-law,

Of Nanda gopa, who has several elephants,
And who is a great hero who never ran away from his enemies,
Hey Lady Nappinnai, who has hair surrounded by holy scent,
Please be kind to open the door.
The cocks are everywhere waking us up,
The koels flock on the jasmine Pandals,
And coo so that we all wake up,
Hey Lady who happily plays ball,
To help us sing your Lords fame,
With your hands with tingling bangles,
Please open the door with happiness,

19. Kuttu Vilakeriya In the light of the oil lamp,

On the ornamental four legged ivory cot,
On the soft bed filled with cotton,
Reclining on the busts of Nappinnai,
You sleep, Oh he who has a flower like heart,
Please open your mouth.
She who has, wide black eyes with collyrium.
We know that you will never allow him to wake up,
For you can never bear to be away from Him,
This is not that good,
And cannot be accepted by us.

20. Muppatu Muvar
Please wake up Oh, deity,

Who removed sorrow and fear,
From the thirty three sections of Devas,
Even before they approached you,
Oh deity, Who is glittering like gold,
Oh deity, who has inimitable valour, Please wake up,
Oh Lady Nappinnai, Who has desirable busts like golden pots.
Who has little red mouth,
And who has thin narrow hips,
Please wake up, Oh Goddess of wealth.
Please give mirror and fan,
Just now to your consort,
And allow us to take bath,

21. Etra Kalangal Oh son of him,

Who owned several cows,
Which gave so much milk,
That always the milking vessel got overflowed, Please wake up.
Oh deity, who is full of mercy,
Oh deity, who is better than the best,
Oh lord, who is the light that began the world,
Please wake up.
Like your flock of defeated enemies,
Falling at your feet in surrender,
We came praising you, So that we get fame,

22. Angan Mā Jnalathu Like all the famous kings

Of the wide World, that is pretty,
Have crowded near your cot,
After surrendering their ego,
We also have come near.
Will not the sight,
Of your red eyes which is like the lotus
Fall little by little on us?
If you see us using those eyes,
Which are like sun and the moon,
All the curse on us will vanish,

23. Māri Malai Muḻainjil Like the majestic lion wakes up with ire,

From the mountain cave in the rainy season,
Looks with fiery sight,
And with deep angry sweat from all the hairs,
Turns up its head with awe,
And comes out making much din,
Hey deity, who is the colour of the blue lotus,
Come from your temple to here,
And sit on the majestic royal throne,
And hear with compassion,
For why we have come here,

24. Anru Ivvulagam We worship your feet which measured the world then,

We worship your fame of winning over the king of Southern Lanka,
We worship thine valour in breaking
the ogre who came like a cart,
We worship thy strength which threw the calf on the tree,
We worship thine goodness in making
the mountain as an umbrella,
And we worship the great spear in your hand,
which led to your victory,
We have come here to sing always for ever your praises,
And get as gift the drums to sing,

25. Oruti Maganāi Pirandu Being born to woman,

And in the same night in hiding.
You became the son of another,
But this he could not tolerate,
And wanted to cause more harm to you,
And you great one, became,
The fire in the stomach of that Kamsa,
We have come here with desire for a drum,
And if you give the drum to us,
We would sing about thine great fame and wealth,
And would end our sorrows and become happy,

26. Māle! Manivanna Oh Vishnu,

Oh lord who is like the blue sapphire,
If you ask us what we need,
In your great grace and great deeds,
For our holy bath of Margaḻi,
We will ask for very many conches
Like the milk white conch of yours called Pancha Janya,
Very many big drums whose sound can be heard everywhere,
Several musicians of fame to sing “Pallandu ”
Several beautiful pretty lamps,
Several flags and cloths to make tents,
Oh, He who sleeps on a banyan leaf at time of deluge,
Please give us them all,

27. Kudārai Vellum Hey Govinda,

who is known for victory over enemies,
After singing you we will get drums and many gifts,
And after being praised by all the people,
Wear we will the golden flower on our hair,
Wear we will golden bracelets,
Wear we will golden ear studs,
Wear we would then the golden flowers on the ear,
Wear we will ornaments on the legs,
Wear we will pretty new dresses,
Eat we will rice mixed with milk,
Covering the rice fully with ghee,
And with the ghee dripping from our forehands,
We will be together and be happy,

28. Karavaigal Pin Chendru Belonging to the ignorant family of cow herds,

Drive we would the cattle to the forest,
And there we would all eat together,
But We are blessed that you are one of us..
Oh Govinda who does not have any short comings.
None can ever break the ties that we have with you, Oh deity,
We are but ignorant girls, who do not know the world,
And in ignorance and love we have called you by name.
So please be not be angry on us,
And please give us drums, Oh deity,

29. Chitram Chiru Kale Please hear why,

In this very early dawn,
We have come to worship,
Your golden holy feet.
You were born in our family of cow herds,
And we are but there to obey your every wish,
And not come to get only the drums from you, Oh Govinda.
For ever and for several umpteen births,
We would be only related to you,
And we would be thine slaves,
And so please remove all our other desires,

30. Vanga Kadal Kadaintha He who sings with out error,

The thirty odes in sweet Tamil,
Of the story of how the rich ladies,
With faces like moon,
Who worshipped and requested,
The Madhava who is also deity Kesava,
Who churned the ocean of milk,
For getting a drum to worship Goddess Pavai,
As sung by Kodhai who is the dear daughter,
Of Vishnu Chitta the bhattar,
From the beautiful city of Puduvai,
Will be happy and get the grace,
Of our Vishnu with merciful pretty eyes.
And four mountain like shoulders, for ever.

Recital in Thailand

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In Thailand, an annual Giant Swing ceremony known as Triyampavai-Tripavai was held in major cities until 1935, when it was abolished for safety reasons.[12] The name of the ceremony was derived from the names of two Tamil Hindu chants: Thiruvempavai (a Shaivite hymn by Manikkavacakar) and Tiruppavai. It is known that Tamil verses from Thiruvempavaipoet pratu sivalai ("opening the portals of Shiva's home") — were recited at this ceremony, as well as the coronation ceremony of the Thai king.[13] According to T.P. Meenakshisundaram, the name of the festival indicates that Tiruppavai might have been recited as well.[14]

See also

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References

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  1. ^ K. K. Nair (1 September 2007). Sages Through Ages - Volume IV: India's Heritage. AuthorHouse. ISBN 978-1-4670-6410-1.
  2. ^ Rajarajan, R. K. K. (January 2017). "Samāpti-Suprabhātam – Reflections on South Indian Bhakti Tradition in Literature and Art". New Delhi: Sharada Publishing House.
  3. ^ Nadadhur, Srivathsan (27 December 2019). "Telugu touch to Thiruppavai goes digital". The Hindu. ISSN 0971-751X.
  4. ^ "Archived copy". Archived from the original on 4 March 2016. Retrieved 17 September 2015.{{cite web}}: CS1 maint: archived copy as title (link)
  5. ^ White, David Gordon (26 June 2018). Tantra in Practice. Princeton University Press. p. 212. ISBN 978-0-691-19045-7.
  6. ^ "Paavai genre of songs". ntyp.org. Archived from the original on 28 December 2001. Retrieved 13 July 2007.
  7. ^ "Importance of Tiruppavai". namperumal.tripod.com. Retrieved 13 July 2007.
  8. ^ "Vedas and Thiruppavai". The Hindu. 21 July 2019. ISSN 0971-751X. Retrieved 23 July 2019.
  9. ^ The Secret Garland: Antal's Tiruppavai and Nacciyar Tirumoli. Oxford University Press. 30 September 2010. p. 12. ISBN 978-0-19-983094-7.
  10. ^ "Thiruppavai - OVerview". Archived from the original on 30 March 2009. Retrieved 13 July 2007.
  11. ^ "Thiruppavai" (DOC). ibiblio.org. Translated by Ramachander, P. R. Composed by Andal. Retrieved 4 January 2024.{{cite web}}: CS1 maint: others (link)
  12. ^ M. E. Manickavasagom Pillai (1986). Dravidian Influence in Thai Culture. Tamil University. p. 69.
  13. ^ Upendra Thakur (1986). Some Aspects of Asian History and Culture. Abhinav. pp. 27–28. ISBN 978-81-7017-207-9.
  14. ^ Norman Cutler (1979). Consider Our Vow: Translation of Tiruppāvai and Tiruvempāvai Into English. Muttu Patippakam. p. 13.