Jump to content

Zvenigora: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Replacing stub tags pending official quality reassessments; article has been submitted in each category
removed two stub templates following my own reassessment as one of the most active users of both projects
Line 45: Line 45:
[[Category:Ukrainian films]]
[[Category:Ukrainian films]]



{{USSR-film-stub}}
{{silent-drama-film-stub}}
{{silent-drama-film-stub}}
{{Ukraine-film-stub}}

Revision as of 18:21, 21 July 2013

Zvenigora
File:Zvenigora poster.jpg
Film poster
Directed byAlexander Dovzhenko
Written byMike (Mykhailo) Johansen
Yurko Tyutyunnyk
Alexander Dovzhenko
StarringSemyon Svashenko
Mykola Nademsky
Georgi Astafyev
Les Podorozhnij
CinematographyBoris Zavelev
A. Pankratyev
V. Horytsyn
Distributed byVUFKU-Odessa
Release date
  • 1928 (1928)
Running time
65 min.
CountrySoviet Union
Languagessilent film
Russian intertitles

Zvenigora (Template:Lang-ru) is a 1928 Soviet silent film by Ukrainian director Alexander Dovzhenko, first shown on April 13, 1928.[1] This was the fourth film by Dovzhenko, but the first one which was widely noticed and discussed in the media. This was also the last film by Dovzhenko where he was not the sole scriptwriter. The script was originally written by Mike Johansen and Yurko Tyutyunnyk, however, eventually, Dovzhenko strongly modified the script himself and took the names of Johansen and Tyutyunnyk off the film.[1]

Regarded as a silent revolutionary epic, Dovzhenko's initial film in his "Ukraine Trilogy" (along with Arsenal and Earth) is almost religious in its tone, relating a millennium of Ukrainian history through the story of an old man who tells his grandson about a treasure buried in a mountain. The film mixes fiction and reality. Although Dovzhenko referred to Zvenigora as his "party membership card".[1] Relationship between an individual and the nature is the main theme of the film, which is highly atypical of the Soviet cinema of the end of the 1920s, mostly influenced by the avantguarde. Dovzhenko states that full submission made the humankind forceless in front of the nature, and understanding of the nature is required to make progress. For him, the October Revolution carries such understanding.[2]

At the time of release, the film was noticed by the media, but generally regarded as not conforming with the Soviet style esthetics. In 1927, even before the release, the Kino newspaper sharply criticized the screenplay calling it "bourgeoise" and "nationalistic".[1]

References

  1. ^ a b c d Маевская, Тереза (April 13, 2011). "Звенигора, ставшая Голгофой для Александра Довженко". Комментарии. Retrieved 20 July 2013. {{cite news}}: Check date values in: |date= (help)
  2. ^ "Довженко Александр Петрович" (in Russian). Кирилл и Мефодий. Retrieved 21 July 2013.