Jump to content

Claudia Rosiny: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
m clean up spacing around punctuation, replaced: , → , using AWB
 
(35 intermediate revisions by 21 users not shown)
Line 1: Line 1:
{{Short description|German academic}}
{{Orphan|date=February 2017}}
[[File:Foto Claudia Rosiny 1.jpg|thumb|Claudia Rosiny, Bern]]
[[File:Claudia Rosiny 2021 .jpg|thumb|upright=1.10|Claudia Rosiny (2021)]]


'''Claudia Rosiny''' (born February 15, 1960 in [[Bad Godesberg]]) is a German-Swiss academic in Dance and [[Media studies]], a festival director and cultural manager. She became internationally known as an expert on video dance. Having served as a co-director of the Berne Dance Days (Berner Tanztage) for many years, she teaches at the [[University of Bern]] and at the [[Lucerne University of Applied Sciences and Arts]] and is in charge of Dance and Theatre at the Federal Office for Culture, Berne.<ref name="admin1">{{cite web|url=http://www.bak.admin.ch/kulturschaffen/04237/index.html?lang=en |title=FOC - Federal Office of Culture -Dance |website=Bak.admin.ch |date= |accessdate=2017-04-25}}</ref>
'''Claudia Rosiny''' (born February 15, 1960, in [[Bad Godesberg]]) is a German-Swiss academic in Dance and [[Media studies]], a festival director and [[cultural manager]]. She became internationally known as an expert on video dance. Having served as a co-director of the Berne Dance Days for many years, she is in charge of the Performing Arts at the [[Federal Office of Culture]] Berne<ref>https://www.bak.admin.ch/bak/en/home.html/Federal Office of Culture</ref> and teaches at the [[Lucerne University of Applied Sciences and Arts]].


==Biography==
==Biography==
⚫
Claudia Rosiny grew up the eldest of six siblings in the ''Herler Mühle'', an old water mill in Cologne-Buchheim. Her father, Nikolaus Rosiny (born July 19, 1926, in Mülheim an der Ruhr, Germany, died March 16, 2011, in Cologne) was an architect, her mother Johanna Rosiny née Riedel (born June 4, 1936, in Prague), a psychotherapist for children and adolescents. After completing her training as a gymnastics teacher, Rosiny studied Theatre, Film and Television, German and Education at the [[University of Cologne]]<ref>Rosiny, Claudia: Tanz im Fernsehen. Transferprobleme dargestellt an den Fernsehaufzeichnungen des Wuppertaler Tanztheaters, [Masch.-schr.] Magisterarbeit, Köln 1989</ref> (1983–1989). For three semesters, she also attended the Play-Music-Dance (Spiel-Musik-Tanz) course as a guest student at the [[German Sport University Cologne]] (Deutsche Sporthochschule Köln). In 1987/88 she did one semester of Theatre Studies at the [[University of Amsterdam]]. In 1997, she did a PhD with her dissertation being on Video Dance at the Institute of Theatre Studies at the University of Berne.<ref>Rosiny, Claudia: Videotanz. Analyse einer intermedialen Kunstform anhand einer Auswertung der Filmbeiträge zum Dance Screen von 1990–1994, Diss. Phil.-hist. Fak. Bern 1997</ref>
Claudia Rosiny grew up the eldest of six siblings in the {{ill|Herler Mühle|de}}, an old water mill in Cologne-Buchheim. Her father, {{ill|Nikolaus Rosiny|de}}
⚫
(born July 19, 1926 in Mülheim an der Ruhr, Germany, died March 16, 2011 in Cologne) was an architect, her mother Johanna Rosiny née Riedel (born June 4, 1936 in Prague), a psychotherapist for children and adolescents. After completing her training as a gymnastics teacher, Rosiny studied Theatre, Film and Television, German and Education at the [[University of Cologne]]<ref>Rosiny, Claudia: Tanz im Fernsehen. Transferprobleme dargestellt an den Fernsehaufzeichnungen des Wuppertaler Tanztheaters, [Masch.-schr.] Magisterarbeit, Köln 1989</ref> (1983–1989). For three semesters, she also attended the Play-Music-Dance (Spiel-Musik-Tanz) course as a guest student at the [[German Sport University Cologne]](Deutsche Sporthochschule Köln). In 1987/88 she did one semester of Theatre Studies at the [[University of Amsterdam]]. In 1997, she did a PhD with her dissertation being on Video Dance at the Institute of Theatre Studies at the University of Berne.<ref>Rosiny, Claudia: Videotanz. Analyse einer intermedialen Kunstform anhand einer Auswertung der Filmbeiträge zum Dance Screen von 1990–1994, Diss. Phil.-hist. Fak. Bern 1997</ref>


Since her studies Claudia Rosiny has devoted herself to her specialist fields of ''Video Dance'' and ''Intermediality'' in Dance: "Inter- and transdisciplinary cultural studies are needed in an art context of convergence, in which the disciplines come together, connect and enable new experiences of perception. (...) If time travel was possible, I would like to talk to the pioneers of film and dance, like [[Georges Méliès]] or [[Loie Fuller|Loïe Fuller]], and ask them what, back then, fascinated them most in the interplay of movement of dance and film."<ref name="transcript-verlag1">{{cite web|url=http://www.transcript-verlag.de/978-3-8376-2329-1/tanz-film |title=Tanz Film &#124; Film, Foto und analoge Medien &#124; Medienwissenschaft &#124; Kulturwissenschaften &#124; Programmbereiche &#124; transcript Verlag |website=Transcript-verlag.de |date=2013-06-24 |accessdate=2017-04-25}}</ref>
Since her studies Claudia Rosiny has devoted herself to her specialist fields of ''Video Dance'' and ''Intermediality'' in Dance: "Inter- and transdisciplinary cultural studies are needed in an art context of convergence, in which the disciplines come together, connect and enable new experiences of perception.(...) If time travel was possible, I would like to talk to the pioneers of film and dance, like [[Georges Méliès]] or [[Loie Fuller|Loïe Fuller]], and ask them what, back then, fascinated them most in the interplay of movement of dance and film."<ref name="transcript-verlag1">{{cite web|url=http://www.transcript-verlag.de/978-3-8376-2329-1/tanz-film |title=Tanz Film &#124; Film, Foto und analoge Medien &#124; Medienwissenschaft &#124; Kulturwissenschaften &#124; Programmbereiche &#124; transcript Verlag |website=Transcript-verlag.de |date=2013-06-24 |accessdate=2017-04-25}}</ref>


She is married to Reto Clavadetscher (born 1961), they have a daughter and live in [[Bern]].
She is married to Reto Clavadetscher (born 1961), they have a daughter and live in [[Bern]].


==Awards==
==Awards==
* 2005 Cultural Prize Canton of Berne (Berne Dance Days) [Kulturpreis Kanton Bern (Berner Tanztage)]<ref>{{cite web|url=http://www.be.ch/web/kanton-mediencenter-mm-detail?id=6137&linkName=Berner%20Tanztage%20erhalten%20den%20Kulturpreis%202005%20des%20Kantons%20Bern |title=Berner Tanztage erhalten den Kulturpreis 2005 des Kantons Bern (Medien) Kanton Bern - Kanton Bern |website=Be.ch |date=2016-06-29 |accessdate=2017-04-25}}</ref>
* 2005 Cultural Prize Canton of Berne (Berne Dance Days) [Kulturpreis Kanton Bern (Berner Tanztage)]
* 1992 Cultural Prize Municipality of Berne (Berne Dance Days) [Kulturpreis Burgergemeinde Bern (Berner Tanztage)]<ref>{{cite web|url=https://www.bgbern.ch/burgergemeinde/kulturfoerderung/kulturpreis/verliehene-kulturpreise |title=Verliehene Kulturpreise — Burgergemeinde Bern |language=de|website=Bgbern.ch |date= |accessdate=2017-04-25}}</ref>
* 1992 Cultural Prize Municipality of Berne (Berne Dance Days) [Kulturpreis Burgergemeinde Bern (Berner Tanztage)]


==Berne Dance Days (Berner Tanztage)==
==Berne Dance Days==
This festival of contemporary dance was established in 1987 by Reto Clavadetscher and co-directed by Claudia Rosiny from 1991 to 2007. Highlights of the Berne Dance Days include the themed festivals ''Danseimage'' (1996, re. dance and film) and ''Kunststückkörper'' (1997, re. dance and diverse body forms, including disabilities), and guest performances by renowned dance artists such as {{ill|Maguy Marin|de}}, [[Wim Vandekeybus]], [[Sasha Waltz]], [[Meg Stuart]]
This festival of [[contemporary dance]] was established in 1987 by Reto Clavadetscher and co-directed by Claudia Rosiny from 1991 to 2007. Highlights of the Berne Dance Days include the themed festivals ''Danseimage'' (1996, re. dance and film) and ''Kunststückkörper'' (1997, re. dance and diverse body forms, including disabilities), and guest performances by renowned dance artists such as Maguy Marin, [[Wim Vandekeybus]], [[Sasha Waltz]], [[Meg Stuart]] and many others. The Berne Dance Days are documented on several media platforms:
[[File:Btt07 sujet rgb.jpg|thumb|left|Poster 20 Years ''Berne Dance Days'']]
and many others. The Berne Dance Days are documented on several media platforms:
* Around 250 video recordings of performances and projects from the years 1988 to 2007 were digitised and handed over to the ''Swiss Dance Archive'' (Schweizer Tanzarchiv/Collection Suisse de la Danse, today SAPA Swiss Archive of the Performing Arts) at the Zurich branch. Thus these recordings of historic significance were preserved and made available to interested members of the public.

* Around 250 video recordings of performances and projects from the years 1988 to 2007 were digitised and handed over to the ''Swiss Dance Archive'' (Schweizer Tanzarchiv/Collection Suisse de la Danse) at the Zurich branch. Thus these recordings of historic significance were preserved and made available to interested members of the public.
* An extensive collection of documents on the companies that performed at the Berne Dance Days, a complete set of posters and programmes as well as other relevant documents were handed over to the ''Swiss Dance Archive'' (Schweizer Tanzarchiv/Collection Suisse de la Danse, today SAPA Swiss Archive of the Performing Arts) at the Lausanne branch for research purposes.
⚫
* In 2007, Rosiny, together with Reto Clavadetscher, published ''Contemporary Dance. Bodies, Concepts, Cultures – a Survey'' (Zeitgenössischer Tanz. Körper, Konzepte, Kulturen – eine Bestandsaufnahme).<ref>Zeitgenössischer Tanz. Körper, Konzepte, Kulturen – eine Bestandsaufnahme, mit Beiträgen von Gabriele Klein, Marianne Mühlemann, Claudia Rosiny, Gerald Sigmund und Christina Thurner, erschienen in der Buchserie «Tanz Scripte» des Transcript Verlags (Bielefeld), {{ISBN|3-89942-765-3}}</ref> The book was published on the occasion of the 20th anniversary and final staging of the Berne Dance Days, in the meantime can be downloaded for free on the publisher’s website and is the first to be dedicated to contemporary dance in the German-speaking world.
* An extensive collection of documents on the companies that performed at the Berne Dance Days, a complete set of posters and programmes as well as other relevant documents were handed over to the ''Swiss Dance Archive'' (Schweizer Tanzarchiv/Collection Suisse de la Danse) at the Lausanne branch for research purposes.
⚫
* In 2007, Rosiny, together with Reto Clavadetscher, published ''Contemporary Dance. Bodies, Concepts, Cultures – a Survey'' (Zeitgenössischer Tanz. Körper, Konzepte, Kulturen – eine Bestandsaufnahme)<ref>Zeitgenössischer Tanz. Körper, Konzepte, Kulturen – eine Bestandsaufnahme, mit Beiträgen von Gabriele Klein, Marianne Mühlemann, Claudia Rosiny, Gerald Sigmund und Christina Thurner, Erschienen in der Buchserie «Tanz Scripte» des Transcript Verlags (Bielefeld), {{ISBN|3-89942-765-3}}</ref> The book was published on the occasion of the 20th anniversary and final staging of the Berne Dance Days and is the first to be dedicated to contemporary dance in the German-speaking world.


==Kornhausforum Bern==
==Kornhausforum Bern==
Since its foundation in 1998, the Kornhausforum<ref>{{cite web|url=http://www.kornhausforum.ch/veranstaltungen.html |title=Veranstaltungen |website=kornhausforum.ch |date= |accessdate=2017-04-25}}</ref> has been a venue for design and social politics. The concept for its occupancy, demonstrating a pronounced bias towards culture, was determined via a referendum of the Bernese people. Over ten years (1998–2007) – first as a co-director (with Peter Eichenberger), then, from 2006 onwards, solely in charge – Claudia Rosiny steered its development as a cultural centre focusing on architecture, design, photography, video, new media and socio-political issues. In addition to around 300 events per year, more than 100 exhibitions were held during this time, including:
Since its foundation in 1998, the Kornhausforumhas been a venue for design and social politics. The concept for its occupancy, demonstrating a pronounced bias towards culture, was determined via a referendum of the Bernese people. Over ten years (1998–2007) – first as a co-director (with Peter Eichenberger), then, from 2006 onwards, solely in charge – Claudia Rosiny steered its development as a cultural centre focusing on architecture, design, photography, video, new media and socio-political issues. In addition to around 300 events per year, more than 100 exhibitions were held during this time, including:
* ''Playfulness & Clarity. Swiss Architecture, Graphic Arts and Design 1950–2006 '' (Spielwitz & Klarheit. Schweizer Architektur, Grafik und Design 1950–2006), 2006
* ''Playfulness & Clarity. Swiss Architecture, Graphic Arts and Design 1950–2006 '' (Spielwitz & Klarheit. Schweizer Architektur, Grafik und Design 1950–2006), 2006
* ''Sex Work. An Exhibition on Prostitution'' (Sexarbeit. Eine Ausstellung zum Thema Prostitution), 2007
* ''Sex Work. An Exhibition on Prostitution'' (Sexarbeit. Eine Ausstellung zum Thema Prostitution), 2007


==Swiss Dance Archive==
==Swiss Dance Archive==
From 2009 to 2012, Rosiny worked as a specialist consultant on [[modern dance]] for the Swiss Dance Archive (Schweizer Tanzarchiv) in Zurich, where she co-ordinated lecture programmes, acquired, amongst others, the Nachlass (estate) of [[Sigurd Leeder]] in 2011, oversaw a video project on early [[contemporary dance]] in Western Switzerland and, until the end of 2010, project-managed the fusion<ref>{{cite web|url=http://www.tanzarchiv.ch/de/home/ueber-uns.html |title=Home &#124; Ueber Uns &#124; Nationales Kompetenzzentrum Kulturgüterrettung Tanz &#124; Tanzarchiv |website=Tanzarchiv.ch |date= |accessdate=2017-04-25}}</ref> of the ''Archives suisses de la danse'' in Lausanne with the ''mediathektanz.ch'' in Zurich into the ''Swiss Dance Archive ''(Schweizer Tanzarchiv/Collection suisse de la danse) with branches in [[Zürich]] and [[Lausanne]]. It has existed in this new form since January 1, 2011.
From 2009 to 2012, Rosiny worked as a specialist consultant on [[modern dance]] for the Swiss Dance Archive in Zurich, where she co-ordinated lecture programmes, acquired, amongst others, the Nachlass (estate) of [[Sigurd Leeder]] in 2011, oversaw a video project on early [[contemporary dance]] in Western Switzerland and, until the end of 2010, project-managed the fusion<ref>{{cite web |url=http://www.tanzarchiv.ch/de/home/ueber-uns.html |title=Home &#124; Ueber Uns &#124; Nationales Kompetenzzentrum Kulturgüterrettung Tanz &#124; Tanzarchiv |website=Tanzarchiv.ch |accessdate=2017-04-25 |archive-url=https://web.archive.org/web/20170415072425/http://www.tanzarchiv.ch/de/home/ueber-uns.html |archive-date=2017-04-15 |url-status=dead }}</ref> of the ''Archives suisses de la danse'' in Lausanne with the ''mediathektanz.ch'' in Zurich into the ''Swiss Dance Archive ''(Schweizer Tanzarchiv/Collection suisse de la danse) with branches in [[Zürich]] and [[Lausanne]]. It has existed in this new form since January 1, 2011. In 2018, it was merged with the Swiss Theatre Collection to form the SAPA – Swiss Archive of the Performing Arts.<ref>{{cite web|title=SAPA Stiftung Schweiz {{!}} Schweizer Archiv der Darstellenden Künste|periodical=|publisher=|url=https://sapa.swiss/|url-status=|format=|access-date=|archive-url=|archive-date=|last=|date=|year=|language=de-DE|pages=|quote=}}</ref>


==Teaching in higher education==
==Teaching in higher education==
As a lecturer, Rosiny<ref>{{cite web|author=wemove digital solutions |url=http://www.tanzkongress.de/en/who-is-who/who-is-who.html?idx=mnoROBIN |title=Who is Who - Tanzkongress 2016 |website=Tanzkongress.de |date= |accessdate=2017-04-25}}</ref> is strongly committed to integrating dance practice, dance studies and [[film]]. From 1994 to 2005, she led seminars on Video Dance and [[Contemporary dance|Contemporary Dance]] at the Institute for Theatre Studies at the University of Berne, and from 2006 to 2011 proseminars on intermediality, postmodernism, dance, theatre and performance at the Institute for Media Studies at the [[University of Basel]]. From 2002 to 2015, she was a member of the programme management team and a lecturer on the continuing education course TanzKultur (designed for students in employment) at the [[University of Bern]]. Since 2016, she has been working there in the same capacity at the Institute for Theatre Studies on the newly introduced Master of Advanced Studies in Dance/Performing Arts course: "This unique Continuing Education Study Programme, with its interdisciplinary design and international network, will reflect the current state of research."<ref>{{cite web|url=http://www.theaterwissenschaft.unibe.ch/weiterbildung/index_ger.html |title=Institut für Theaterwissenschaft: Weiterbildung - Universität Bern |website=Theaterwissenschaft.unibe.ch |date= |accessdate=2017-04-25}}</ref> She has been teaching Cultural Management Practice (continuing education) at Lucerne University since 2012.<ref>{{cite web|author=Auskunft und Administration |url=https://www.hslu.ch/de-ch/design-kunst/weiterbildung/cas/cas-kulturmanagement-kurs-a/ |title=CAS Kulturmanagement Kurs A &#124; Hochschule Luzern |website=Hslu.ch |date=2016-11-25 |accessdate=2017-04-25}}</ref>
As a lecturer, Rosiny is strongly committed to integrating dance practice, dance studies and [[film]]. From 1994 to 2005, she led seminars on Video Dance and [[Contemporary dance|Contemporary Dance]] at the Institute for Theatre Studies at the University of Berne, and from 2006 to 2011 proseminars on intermediality, postmodernism, dance, theatre and performance at the Institute for Media Studies at the [[University of Basel]]. From 2002 to 2015, she was a member of the programme management team and a lecturer on the continuing education course TanzKultur (designed for students in employment) at the [[University of Bern]]. Since 2016, she has been working there in the same capacity at the Institute for Theatre Studies on the newly introduced Master of Advanced Studies in Dance/Performing Arts course: "This unique Continuing Education Study Programme, with its interdisciplinary design and international network, will reflect the current state of research."<ref>{{cite web | url=https://www.theaterwissenschaft.unibe.ch/index_eng.html | title=Institute of Theatre Studies | date=4 February 2020 }}</ref> She has been teaching Cultural Management Practice (continuing education) at Lucerne University since 2012.<ref>{{Cite web|url=https://www.masterstudies.com/universities/Switzerland/Lucerne-University-of-Applied-Sciences-and-Arts/|title = Lucerne University of Applied Sciences and Arts in Switzerland - Master Degrees}}</ref>


==Dance film programming==
==Dance film programming==
Rosiny curated, academically contextualised and evaluated numerous [[dance film]] programmmes:
Rosiny curated, academically contextualised and evaluated numerous [[dance film]] programmes:
* 1990 Dance films for the ''34th International Summer Academy of Dance Cologne'' (34. Internationale Sommerakademie des Tanzes Köln)
* 1990 Dance films for the ''34th International Summer Academy of Dance Cologne'' (34. Internationale Sommerakademie des Tanzes Köln)
* 1993–1997 Dance films ''Kellerkino Bern''
* 1993–1997 Dance films ''Kellerkino Bern''
Line 42: Line 40:
* 1994 ''Dance Screen Club Dada'' at the ''Styrian Autumn'' Graz
* 1994 ''Dance Screen Club Dada'' at the ''Styrian Autumn'' Graz
* 2000 Selection panel member, Dance for the Camera 6 for the BBC and Arts Council London
* 2000 Selection panel member, Dance for the Camera 6 for the BBC and Arts Council London
* 2003 ''Moving Dance Images'' (Bewegte Tanzbilder), ''Dance Film Festival'' (Tanzfilmfestival) Kino Xenix MGB Zurich
* 2003 ''Moving Dance Images'', ''Dance Film Festival'' Kino Xenix MGB Zurich
* 2012 ''Women in Dance'' (Frauen im Tanz) for the ''Migros Co-operative Federation''
* 2012 ''Women in Dance'' for the ''Migros Co-operative Federation''
* Zurich as part of the ''Steps Dance Festival''
* Zurich as part of the ''Steps Dance Festival''


==Jury and board memberships==
==Jury and board memberships==
Rosiny was on the jury panel of the {{ill|Hans-Reinhart-Ring|de}} of the Swiss Society for Theatre Culture (Schweizerische Gesellschaft für Theaterkultur SGTK) from 2001 to 2006, of the ''German Video Dance Prize'' (Deutscher Videotanzpreis)<ref>{{cite web|url=http://www.kulturpreise.de/web/preise_info.php?cPath=5_81&preisd_id=1989 |title=Deutscher Videotanzpreis |website=Kulturpreise.de |date= |accessdate=2017-04-25}}</ref> 2003–2004, the ''Swiss Dance and Choreography Prize'' (Schweizer Tanz- und Choreographiepreis)<ref>{{cite web|url=http://www.tanzpreis.ch/ |title=– Stiftung Corymbo |website=Tanzpreis.ch |date= |accessdate=2017-04-25}}</ref> 2002–2010 and the ''Dance Screen''<ref>{{cite web|url=http://www.dancescreen.com/ |title=DANCESCREEN – the hub for dance on screen |website=Dancescreen.com |date=2016-06-12 |accessdate=2017-04-25}}</ref> competition in Cologne (1999). She also participated in the pre-selection for the 37th ''Dance on Camera Festival'' New York City (2008/9) and ''VIPER '01'', the International Film & Videofestival Basel<ref>{{cite web|url=http://www.swissfilms.ch/en/information_publications/festival_search/festivaldetails/-/id_festivaledition/1908 |title=SWISS FILMS: VIPER Internationales Festival für Film, Video und neue Medien Basel |website=Swissfilms.ch |date= |accessdate=2017-04-25}}</ref> (2001).
Rosiny was on the jury panel of the [[Hans-Reinhart-Ring]] of the Swiss Society for Theatre Culture (Schweizerische Gesellschaft für Theaterkultur SGTK) from 2001 to 2006, of the ''German Video Dance Prize''<ref>{{cite web|url=http://www.kulturpreise.de/web/preise_info.php?cPath=5_81&preisd_id=1989 |title=Deutscher Videotanzpreis |website=Kulturpreise.de |date= |accessdate=2017-04-25}}</ref> 2003–2004, the ''Swiss Dance and Choreography Prize''<ref>{{cite web |url=http://www.tanzpreis.ch/ |title=Home |website=tanzpreis.ch |access-date=2017-02-10 |archive-date=2016-03-04 |archive-url=https://web.archive.org/web/20160304080850/http://www.tanzpreis.ch/ |url-status=dead }}</ref> 2002–2010 and the ''Dance Screen''<ref>{{cite web|url=http://www.dancescreen.com/ |title=DANCESCREEN – the hub for dance on screen |website=Dancescreen.com |date=2016-06-12 |accessdate=2017-04-25}}</ref> competition in Cologne (1999). She also participated in the pre-selection for the 37th ''Dance on Camera Festival'' New York City (2008/9) and ''VIPER '01'', the International Film & Videofestival Basel (2001).


From 1995 to 2005, she advised the ''Migros Cooperative Aare'' on dance funding and promotion, from 1993 to 2010 she was a board member of the Archives suisses de la danse, Lausanne, and from 1997 to 2003 President of the Commission for Theater and Dance, Canton of Berne. Since 2009, she has been a board member of ''Teatro San Materno'',<ref>{{cite web|url=http://www.nzz.ch/sanktuarium-des-ausdruckstanzes-1.7123160 |title=Das Teatro San Materno in Ascona als frühes Meisterwerk der modernen Theaterarchitektur: Sanktuarium des Ausdruckstanzes - NZZ |website=Nzz.ch |date= |accessdate=2017-04-25}}</ref> [[Ascona]].
From 1995 to 2005, she advised the ''Migros Cooperative Aare'' on dance funding and promotion, from 1993 to 2010 she was a board member of the Archives suisses de la danse, Lausanne, and from 1997 to 2003 President of the Commission for Theater and Dance, Canton of Berne. Since 2009, she has been a board member of ''Teatro San Materno'',<ref>{{cite web|url=http://www.nzz.ch/sanktuarium-des-ausdruckstanzes-1.7123160 |title=Das Teatro San Materno in Ascona als frühes Meisterwerk der modernen Theaterarchitektur: Sanktuarium des Ausdruckstanzes - NZZ |website=Nzz.ch |date= |accessdate=2017-04-25}}</ref> [[Ascona]].


==Federal Office for Culture (Bundesamt für Kultur) Berne==
==Federal Office of Culture Berne==
Since 2012, Claudia Rosiny has been in charge of
Since 2012, Claudia Rosiny has been in charge of dance and theatre at the Federal Office for Culture Berne in the Department for Cultural Creation (Sektion Kulturschaffen)<ref>{{cite web|url=http://www.bak.admin.ch/kulturschaffen/index.html?lang=en |title=FOC - Federal Office of Culture -Cultural Creativity |website=Bak.admin.ch |date=2016-11-25 |accessdate=2017-04-25}}</ref> and has been developing the new national awards policy of the federal government for these areas,<ref name="admin1"/> with the aim of recognising the quality of professional artistic dance and theatre practice in all its diversity and strengthening it on a national level.
Dance and Theatre, since 2021 for the Performing Arts at the Federal Office of Culture Berne in the Department for Cultural Creation<ref>{{Cite web|url=https://www.bak.admin.ch/bak/en/home.html|title = Federal Office of Culture}}</ref> and has been developing the new national awards policy of the federal government for these areas, with the aim of recognising the quality of professional artistic dance and theatre practice in all its diversity and strengthening it on a national level.


==Swiss dance awards==
===Swiss Dance Awards===
The Federal Office for Culture has been awarding the ''Swiss Grand Prix for Dance'' (Schweizer Grand Prix Tanz) (CHF 40,000) every two years, as well as a ''Special Prize for Dance'' (Spezialpreis Tanz) (CHF 40,000), two awards in the category ''Outstanding Female Dancer/Outstanding Male Dancer'' (CHF 25,000 each) and four ''Swiss Dance Prizes'' (Schweizer Tanzpreise) (25,000 Francs each). In addition, the ''June Johnson Dance Prize'' is awarded in partnership with the ''Stanley Thomas Johnson Foundation''<ref>{{cite web|author=Stanley Thomas Johnson Stiftung, Herr Guido Münzel |url=http://www.johnsonstiftung.ch/de/index.html |title=Stanley Thomas Johnson Stiftung |website=Johnsonstiftung.ch |date=2005-09-20 |accessdate=2017-04-25}}</ref> (CHF 25,000). The ''Grand Prix Tanz'' is awarded to honour a recipient's artistic career on the recommendation of the ''Swiss Federal Jury for Dance'' (Eidgenössische Jury für Tanz). The first person to win this prize<ref>{{cite web|url=http://www.tanzpreise.ch/en/|title=Gilles Jobin receives the Swiss Grand Award for Dance 2015|website=Tanzpreise.ch|accessdate=2017-04-25}}</ref> was in 2013 the Swiss choreographer {{ill|Martin Schläpfer|de}},<ref>{{cite web|url=http://www.annettevonwangenheim.de/film18.htm |title=Annette von Wangenheim |website=Annettevonwangenheim.de |date= |accessdate=2017-04-25}}</ref> artistic director of the Ballet am Rhein<ref>{{cite web|url=http://operamrhein.de/en_EN/ballett |title=Ballet - Deutsche Oper am Rhein |website=Operamrhein.de |date= |accessdate=2017-04-25}}</ref> Düsseldorf Duisburg. In 2015, the award went to the Geneva choreographer {{ill|Gilles Jobin|de}}.
The Federal Office of Culture has been awarding the ''Swiss Grand Award for Dance'' (CHF 40,000) from 2013 until 2019 every two years, as well as a ''Special Dance Award'' (CHF 40,000), two awards in the category ''Outstanding Female Dancer/Outstanding Male Dancer'' (CHF 25,000 each) and four ''Swiss Dance Awards'' (25,000 Francs each). In addition, the ''June Johnson Dance Prize'' in partnership with the ''Stanley Thomas Johnson Foundation''<ref>{{cite web |url=http://www.johnsonstiftung.ch/de/index.html |title=Stanley Thomas Johnson Stiftung |website=www.johnsonstiftung.ch |access-date=13 January 2022 |archive-url=https://web.archive.org/web/20170701043300/http://www.johnsonstiftung.ch/de/index.html |archive-date=1 July 2017 |url-status=dead}}</ref> (CHF 25,000). The ''Grand Award for Dance'' is awarded to honour a recipient's artistic career on the recommendation of the ''Swiss Federal Dance Jury''.
[[File: Schweizer Tanzpreis für Martin Schläpfer (2).jpg|thumb|upright=1.20|“Swiss Grand Award for Dance 2013“ for Martin Schläpfer]]


The first person to win this award was in 2013 the Swiss choreographer Martin Schläpfer,<ref>{{Cite web|url=http://www.annettevonwangenheim.de/e_film18.html|title=Annette von Wangenheim}}</ref> former artistic director of the Ballet am Rhein<ref>{{cite web|url=http://operamrhein.de/en_EN/ballett |title=Ballet - Deutsche Oper am Rhein |website=Operamrhein.de |date= |accessdate=2017-04-25}}</ref> of the [[Deutsche Oper am Rhein]] Düsseldorf Duisburg. In 2015, the award went to the Geneva choreographer [[Gilles Jobin]],<ref>{{Cite web|url=https://www.schweizerkulturpreise.ch/awards/en/home/tanz/tanz-archiv/tanz-2015.html|title = 2015}}</ref> in 2017 to [[Noemi Lapzeson]],<ref>{{Cite web|url=https://www.schweizerkulturpreise.ch/awards/en/home/tanz/tanz-archiv/tanz-2017.html|title = 2017}}</ref> Geneva choreographer and founder of ''Vertical Danse'', and 2019 to La Ribot,<ref>{{Cite web|url=https://www.schweizerkulturpreise.ch/awards/en/home/tanz/tanz-archiv/tanz-2019/la-ribot.html|title = La Ribot}}</ref> spanish-swiss choreographer and dancer.
⚫
==Swiss theater awards==

In the field of theatre, the Federal Office for Culture also awards the annual ''Swiss Grand Prix Theatre/Hans-Reinhart-Ring'' (CHF 100,000), a ''Swiss Cabaret (Kleinkunst) Prize'' and four to five ''Swiss Theatre Awards'' (CHF 30,000 each for individuals and CHF 50,000 for groups). In 2014, {{ill|Omar Porras|fr}} was the first recipient of the ''Swiss Grand Prix Theatre'', followed by Stefan Kaegi – [[Rimini Protokoll]] in 2015, and the Zurich-based Theatre {{ill|HORA|de}} in 2016.
⚫
===Swiss Theater Awards===
[[File:Theaterpreise 2019g.JPG |thumb|left|upright=1.5| “Swiss Theater Awards 2019“]]
In the field of theatre, the Federal Office of Culture awarded the annual ''Swiss Grand Award for Theatre/Hans-Reinhart-Ring'' (CHF 100,000), a ''Swiss Cabaret (Kleinkunst) Prize'' and five ''Swiss Theatre Awards'' (CHF 40,000 each). In 2014, Omar Porras was the first recipient of the ''Swiss Grand Award Theatre'',<ref>{{Cite web|url=https://www.schweizerkulturpreise.ch/awards/en/home/theater/theater-archiv/theater-2014.html|title = 2014}}</ref> followed by Stefan Kaegi<ref>{{Cite web|url=https://www.schweizerkulturpreise.ch/awards/en/home/theater/theater-archiv/theater-2015.html|title = 2015}}</ref> – [[Rimini Protokoll]] in 2015, the Zurich-based Theater HORA<ref>{{Cite web|url=https://www.schweizerkulturpreise.ch/awards/en/home/theater/theater-archiv/theater-2016.html|title = 2016}}</ref> in 2016, [[Ursina Lardi]]<ref>{{Cite web|url=https://www.schweizerkulturpreise.ch/awards/en/home/theater/theater-archiv/theater-2017.html|title = 2017}}</ref> in 2017, Theater Sgaramusch in 2018,<ref>{{Cite web|url=https://www.schweizerkulturpreise.ch/awards/en/home/theater/theater-archiv/theater-2018.html|title = 2018}}</ref> Yan Duyvendak<ref>{{Cite web|url=https://www.schweizerkulturpreise.ch/awards/en/home/theater/theater-archiv/theater-2019.html|title = 2019}}</ref> in 2019 and Jossi Wieler<ref>{{Cite web|url=https://www.schweizerkulturpreise.ch/awards/en/home/theater/theater-archiv/theater-2020.html|title = 2020}}</ref> in 2020.

===Swiss Performing Arts Awards ===

In 2021, the Swiss Dance Awards and Swiss Theatre Awards were merged under the umbrella of the Performing Arts.<ref>{{Cite web|url=https://www.bak.admin.ch/bak/en/home/cultural-creativity/darstellende-kuenste.html|title = Performing arts}}</ref> The aim of this change is to bring the disciplines of dance, theatre, the various forms that make up other facets of the performing arts such as [[performance]], comedy, contemporary circus, puppet theatre and street arts closer together, and increase the visibility of the performing arts. It will also allow the Hans Reinhart Ring to be presented once again in all areas of the performing arts, notably dance. All awards are listed and archived on the Swiss Cultural Awards.<ref>{{Cite web|url=https://www.schweizerkulturpreise.ch/awards/en/home.html|title = Homepage}}</ref>


==Selected publications==
==Selected publications==
===Monographs===
===Monographs===
* Claudia Rosiny: ''Video Dance: Panorama of an Intermediate Art Form''. (Videotanz. Panorama einer intermedialen Kunstform). Theatrum helveticum, ed. V. ITW Bern, vol. 5, Chronos, Zurich 1999, {{ISBN|978-3-905313-23-9}}
* Claudia Rosiny: ''Video Dance: Panorama of an Intermediate Art Form''. ("{{lang|de|Videotanz. Panorama einer intermedialen Kunstform}}"). Theatrum helveticum, ed. V. ITW Bern, vol. 5, Chronos, Zurich 1999, {{ISBN|978-3-905313-23-9}}
* Margrit Bishop, Claudia Feest, Claudia Rosiny (eds.): ''e_motion'', Series: Dance Research Almanach (Jahrbuch Tanzforschung), Vol. 16 ,: Lit, Münster 2006, {{ISBN|3-8258-9621-8}}, out of stock
* Margrit Bischof, Claudia Feest, Claudia Rosiny (eds.): ''e_motion'', Series: Dance Research Almanach (Jahrbuch Tanzforschung), Vol. 16, Lit, Münster 2006, {{ISBN|3-8258-9621-8}}, out of stock
* Claudia Rosiny and Reto Clavadetscher (Eds.): ''Contemporary Dance. Bodies, Concepts, Cultures – A Survey'', (Zeitgenössischer Tanz. Körper, Konzepte, Kulturen – eine Bestandsaufnahme), Transcript, Bielefeld 2007, {{ISBN|3-89942-765-3}}<ref>{{cite web|url=http://www.transcript-verlag.de/978-3-89942-765-3/zeitgenoessischer-tanz |title=Zeitgenössischer Tanz &#124; Tanzwissenschaft &#124; Theater- und Tanzwissenschaft &#124; Kulturwissenschaften &#124; Programmbereiche &#124; transcript Verlag |website=Transcript-verlag.de |date=2007-12-14 |accessdate=2017-04-25}}</ref>
* Claudia Rosiny and Reto Clavadetscher (Eds.): ''Contemporary Dance. Bodies, Concepts, Cultures – A Survey'', (Zeitgenössischer Tanz. Körper, Konzepte, Kulturen – eine Bestandsaufnahme), Transcript, Bielefeld 2007, {{ISBN|3-89942-765-3}}<ref>{{cite web|url=http://www.transcript-verlag.de/978-3-89942-765-3/zeitgenoessischer-tanz |title=Zeitgenössischer Tanz &#124; Tanzwissenschaft &#124; Theater- und Tanzwissenschaft &#124; Kulturwissenschaften &#124; Programmbereiche &#124; transcript Verlag |website=Transcript-verlag.de |date=2007-12-14 |accessdate=2017-04-25}}</ref>
* Margrit Bishop, Claudia Rosiny (Eds.): ''Concepts of Dance Culture: Knowledge and Methods of Dance Research'' (Konzepte der Tanzkultur. Wissen und Wege der Tanzforschung), Transcript, Bielefeld 2010, {{ISBN|978-3-8376-1440-4}}
* Margrit Bischof, Claudia Rosiny (Eds.): ''Concepts of Dance Culture: Knowledge and Methods of Dance Research'' (Konzepte der Tanzkultur. Wissen und Wege der Tanzforschung), Transcript, Bielefeld 2010, {{ISBN|978-3-8376-1440-4}}
* Hedy Graber, Dominik Landwehr, Veronika Sellier (eds.), Peter Haber and Claudia Rosiny (co-editors): ''Digital Culture. Terms, Backgrounds, Examples '' (Kultur digital. Begriffe, Hintergründe, Beispiele), Merian, Basel 2011, {{ISBN|978-3-85616-530-7}}
* Hedy Graber, Dominik Landwehr, Veronika Sellier (eds.), Peter Haber and Claudia Rosiny (co-editors): ''Digital Culture. Terms, Backgrounds, Examples '' (Kultur digital. Begriffe, Hintergründe, Beispiele), Merian, Basel 2011, {{ISBN|978-3-85616-530-7}}
* Claudia Rosiny: ''Dance Film. Intermedial Relations between Media History and Modern Dance Aesthetics'' (Tanz Film. Intermediale Beziehungen zwischen Mediengeschichte und moderner Tanzästhetik), Transcript, Bielefeld 2013, {{ISBN|978-3-8376-2329-1}}<ref name="transcript-verlag1"/>
* Claudia Rosiny: ''Dance Film. Intermedial Relations between Media History and Modern Dance Aesthetics'' (Tanz Film. Intermediale Beziehungen zwischen Mediengeschichte und moderner Tanzästhetik), Transcript, Bielefeld 2013, {{ISBN|978-3-8376-2329-1}}<ref name="transcript-verlag1"/>
Line 71: Line 78:
===Articles in encyclopediae===
===Articles in encyclopediae===
* ''Video Dance'' (Videotanz), In: Manfred Brauneck, Gérard Schneilin: Encyclopedia of Theatre (Theaterlexikon), 3rd New Edition, Reinbek 1992, pp.&nbsp;1085–1086
* ''Video Dance'' (Videotanz), In: Manfred Brauneck, Gérard Schneilin: Encyclopedia of Theatre (Theaterlexikon), 3rd New Edition, Reinbek 1992, pp.&nbsp;1085–1086
* Encyclopedia articles on: {{ill|Jean Deroc|de}}, ''Ricardo Duse, Susana Janssen''. In: Historical Encyclopaedia of Switzerland (Historisches Lexikon der Schweiz (HLS)): Schwabe Basel, published 2002 onwards in 13 volumes.
* Encyclopedia articles on: Jean Deroc, ''Ricardo Duse, Susana Janssen''. In: Historical Encyclopaedia of Switzerland (Historisches Lexikon der Schweiz (HLS)): Schwabe Basel, published 2002 onwards in 13 volumes.
* Articles on Dance: ''Deroc, Dietrich, Flamencos en route, Fritsche, Kreissig, Malfer, Mattis, Swiss Chamber Ballet (Schweizer Kammerballett), Steps, Susana, Video Dance (Videotanz), Zöllig''. In: Andreas Kotte (Ed.): Encyclopedia of Theatre Switzerland (Theaterlexikon Schweiz), Chronos Zurich, 2005
* Articles on Dance: ''Deroc, Dietrich, Flamencos en route, Fritsche, Kreissig, Malfer, Mattis, Swiss Chamber Ballet (Schweizer Kammerballett), Steps, Susana, Video Dance (Videotanz), Zöllig''. In: Andreas Kotte (Ed.): Encyclopedia of Theatre Switzerland (Theaterlexikon Schweiz), Chronos Zurich, 2005
* ''Change in Perception – From Dance Video to Video Dance'' (Wandel in der Wahrnehmung – Vom Tanzvideo zum Videotanz). In: Frieder Reininghaus & Katja Schneider (Eds.): Experimental Music and Dance Theatre. Compendium of Music in the 20th Century (Experimentelles Musik- und Tanztheater. Handbuch der Musik im 20. Jahrhundert), Volume 7, Laaber-Verlag Laaber, 2004, pp.&nbsp;356–359. New edition ''Change in Perception – From Dance Video to Video Dance'' (Wandel in der Wahrnehmung – Vom Tanzvideo zum Videotanz). In: Siegfried Mauser, Elisabeth Schmierer (Eds.): Handbook of Musical Genres (Handbuch der musikalischen Gattungen), Volume 17,1: Community Music, Wind Music, Movement Music (Gesellschaftsmusik, Bläsermusik, Bewegungsmusik), Laaber-Verlag Laaber, 2009, pp.&nbsp;299–301
* ''Change in Perception – From Dance Video to Video Dance'' (Wandel in der Wahrnehmung – Vom Tanzvideo zum Videotanz). In: Frieder Reininghaus & Katja Schneider (Eds.): Experimental Music and Dance Theatre. Compendium of Music in the 20th Century (Experimentelles Musik- und Tanztheater. Handbuch der Musik im 20. Jahrhundert), Volume 7, Laaber-Verlag Laaber, 2004, pp.&nbsp;356–359. New edition ''Change in Perception – From Dance Video to Video Dance'' (Wandel in der Wahrnehmung – Vom Tanzvideo zum Videotanz). In: Siegfried Mauser, [[Elisabeth Schmierer]] (Eds.): Handbook of Musical Genres (Handbuch der musikalischen Gattungen), Volume 17,1: Community Music, Wind Music, Movement Music (Gesellschaftsmusik, Bläsermusik, Bewegungsmusik), Laaber-Verlag Laaber, 2009, pp.&nbsp;299–301
* ''Lemmata Tanzfilm'' (Lemmata Tanzfilm), ''Video Dance'' (Videotanz), ''Motion Capturing, Amélia, Roseland, Lloyd Newson''. In: Monika Woitas and Annette Hartmann (Eds.): Encyclopedia of Dance (Lexikon des Tanzes), Laaber-Verlag Laaber, 2013
* ''Lemmata Tanzfilm'' (Lemmata Tanzfilm), ''Video Dance'' (Videotanz), ''Motion Capturing, Amélia, Roseland, Lloyd Newson''. In: Monika Woitas and Annette Hartmann (Eds.): Encyclopedia of Dance (Lexikon des Tanzes), Laaber-Verlag Laaber, 2013
* List of Publications Claudia Rosiny (1997–2012)<ref>{{cite web|url=https://rosiny.ch/publica/RosinyClaudiaPublikationen.pdf |format=PDF |title=Publikationsliste |website=Rosiny.ch |accessdate=2017-04-25}}</ref>
* List of Publications Claudia Rosiny (1997–2016)<ref>{{cite web|url=https://rosiny.ch/publica/RosinyClaudiaPublikationen.pdf |title=Publikationsliste |website=Rosiny.ch |accessdate=2017-04-25}}</ref>


==References==
==References==
Line 81: Line 88:


==Further reading==
==Further reading==
⚫
* UIrich Völker: [http://www.tanznetz.de/blog/25919/excellentes-fachbuch-zum-schmoekern ''An Excellent Reference Book for Browsing'' (Excellentes Fachbuch zum Schmökern)] {{Webarchive|url=https://web.archive.org/web/20150721224712/http://www.tanznetz.de/blog/25919/excellentes-fachbuch-zum-schmoekern |date=2015-07-21 }}.
* Alexandra Marschner: [http://www.theaterforschung.de/rezension.php4?ID=406 ''Contemporary Dance: Bodies – Concepts – Cultures'' (Zeitgenössischer Tanz: Körper – Konzepte – Kulturen)]. In: Theatre Research (Theaterforschung)
⚫
* UIrich Völker: [http://www.tanznetz.de/blog/25919/excellentes-fachbuch-zum-schmoekern ''An Excellent Reference Book for Browsing'' (Excellentes Fachbuch zum Schmökern)].
* Peter Dahms: [http://www.dahms-projekt.de/cp400/_rubric/detail.php?nr=4670&rubric=Empfehlungen&PHPSESSID=k746orei1lnd9q24h91tins1i5 ''Dance Film'' (Tanzfilm)].
* Peter Dahms: [http://www.dahms-projekt.de/cp400/_rubric/detail.php?nr=4670&rubric=Empfehlungen&PHPSESSID=k746orei1lnd9q24h91tins1i5 ''Dance Film'' (Tanzfilm)].
* Richard John Ascárate: [http://archiv.ub.uni-marburg.de/ep/0002/article/view/1333/1255 ''In Focus:'Dance Film'' (Im Blickpunkt. Tanz Film)]. In: MEDIENwissenschaft 04/2013, University of Marburg
* Richard John Ascárate: [http://archiv.ub.uni-marburg.de/ep/0002/article/view/1333/1255 ''In Focus: Dance Film'' (Im Blickpunkt: Tanz Film)]. In: MEDIENwissenschaft 04/2013, University of Marburg
* Kristina Köhler: [http://www.filmmusik.uni-kiel.de/KB11/KB11-RezKoehler.pdf ''Reviews of Claudia Rosiny Tanz Film'' (Rezensionen zu Claudia Rosiny Tanz Film)]. In: Kiel Contributions to Film Music Research (Kieler Beiträge zur Filmmusikforschung) 11/2014
* Kristina Köhler: [http://www.filmmusik.uni-kiel.de/KB11/KB11-RezKoehler.pdf ''Reviews of Claudia Rosiny Tanz Film'' (Rezensionen zu Claudia Rosiny Tanz Film)] {{Webarchive|url=https://web.archive.org/web/20151126173315/http://www.filmmusik.uni-kiel.de/KB11/KB11-RezKoehler.pdf |date=2015-11-26 }}. In: Kiel Contributions to Film Music Research (Kieler Beiträge zur Filmmusikforschung) 11/2014
* Helmut Dworschak: [http://www.landbote.ch/winterthur/stadtkultur/Der-Trend-zum-dokumentarischen-Theater-haelt-an-/story/19642429 ''The trend towards documentary theatre continues'' (Der Trend zum dokumentarischen Theater hält an)], Interview. In: Der Landbote, May 29, 2015
* Helmut Dworschak: [http://www.landbote.ch/winterthur/stadtkultur/Der-Trend-zum-dokumentarischen-Theater-haelt-an-/story/19642429 ''The trend towards documentary theatre continues'' (Der Trend zum dokumentarischen Theater hält an)], Interview. In: Der Landbote, May 29, 2015

===Interviews===
* Claudia Rosiny, Interview: [http://www.landbote.ch/winterthur/stadtkultur/Der-Trend-zum-dokumentarischen-Theater-haelt-an-/story/19642429 ''The trend towards documentary theater continues'' (Der Trend zum dokumentarischen Theater hält an)]
* Claudia Rosiny, [http://www.transcript-verlag.de/978-3-8376-2329-1/tanz-film ''Interview about her book Dance Film. Intermedial Relations between Media History and Modern Dance Aesthetics'' (Interview zu ihrem Buch Tanz Film. Intermediale Beziehungen zwischen Mediengeschichte und moderner Tanzästhetik)]


==External links==
==External links==
* [http://www.bak.admin.ch/index.html?lang=enFederal Office of Culture (Bundesamt für Kultur BAK)]
* [https://www.bak.admin.ch/bak/en/home/cultural-creativity/darstellende-kuenste.html/ Federal Office of Culture, Department for Cultural Creation]
* [http://www.bak.admin.ch/kulturschaffen/04237/04629/index.html?lang=en Swiss Dance Awards (Schweizer Tanzpreise)]
* [https://www.schweizerkulturpreise.ch/awards/en/home.html/ Swiss Cultural Awards]
* [http://www.tanztage.ch/ Berne Dance Days (Berner Tanztage)]
* [https://www.sapa.swiss/ SAPA Archive for the Performing Arts]
* [http://www.tanzarchiv.ch/ Swiss Dance Archive (Schweizer Tanzarchiv)]
* [http://www.tanztage.ch/ Berne Dance Days]
* [https://www.unibe.ch/index_eng.html University of Berne]
* [http://www.theaterwissenschaft.unibe.ch/weiterbildung/index_ger.html University of Berne – Institute for Theater Studies – Continuing Education MAS Dance/Performing Arts (Universität Bern – Institut für Theaterwissenschaft – Weiterbildung MAS Dance/Performing Arts)]

===You Tube ===
* [https://www.youtube.com/watch?v=47e1uWHZo3Q Development of the art form Dance Video. How the Camera Gets Its Own Role in Dance (Entwicklung der Kunstform Tanzvideo. Wie die Kamera eine eigene Rolle bekommt). Contributor: Claudia Rosiny. Broadcast in 2001 on 3sat]
* [https://www.youtube.com/watch?v=47e1uWHZo3Q Development of the art form Dance Video. How the Camera Gets Its Own Role in Dance (Entwicklung der Kunstform Tanzvideo. Wie die Kamera eine eigene Rolle bekommt). Contributor: Claudia Rosiny. Broadcast in 2001 on 3sat]
* [http://www.digitalbrainstorming.ch/de/multimedia/audio/digikult3-06-claudia-rosiny Presentation by Claudia Rosiny: Dance in Silent Movies and on Youtube. Analogue Attractions in the Digital Medium (Referat von Claudia Rosiny: Tanz im Stummfilm and auf Youtube. Analoge Attraktionen im Digitalen Medium)]
* [http://www.digitalbrainstorming.ch/de/multimedia/audio/digikult3-06-claudia-rosiny Presentation by Claudia Rosiny: Dance in Silent Movies and on Youtube. Analogue Attractions in the Digital Medium (Referat von Claudia Rosiny: Tanz im Stummfilm and auf Youtube. Analoge Attraktionen im Digitalen Medium)]

{{Authority control}}


{{DEFAULTSORT:Rosiny, Claudia}}
{{DEFAULTSORT:Rosiny, Claudia}}
[[Category:Dance research]]
[[Category:Dance scholars]]
[[Category:Dance]]
[[Category:Dance in film]]
[[Category:Dance in film]]
[[Category:Lecturers]]
[[Category:Academic staff of the University of Bern]]
[[Category:People from Bern]]
[[Category:1960 births]]
[[Category:1960 births]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:German expatriates in Switzerland]]

Latest revision as of 02:24, 15 February 2024

Claudia Rosiny (2021)

Claudia Rosiny (born February 15, 1960, in Bad Godesberg) is a German-Swiss academic in Dance and Media studies, a festival director and cultural manager. She became internationally known as an expert on video dance. Having served as a co-director of the Berne Dance Days for many years, she is in charge of the Performing Arts at the Federal Office of Culture Berne[1] and teaches at the Lucerne University of Applied Sciences and Arts.

Biography

[edit]

Claudia Rosiny grew up the eldest of six siblings in the Herler Mühle, an old water mill in Cologne-Buchheim. Her father, Nikolaus Rosiny (born July 19, 1926, in Mülheim an der Ruhr, Germany, died March 16, 2011, in Cologne) was an architect, her mother Johanna Rosiny née Riedel (born June 4, 1936, in Prague), a psychotherapist for children and adolescents. After completing her training as a gymnastics teacher, Rosiny studied Theatre, Film and Television, German and Education at the University of Cologne[2] (1983–1989). For three semesters, she also attended the Play-Music-Dance (Spiel-Musik-Tanz) course as a guest student at the German Sport University Cologne (Deutsche Sporthochschule Köln). In 1987/88 she did one semester of Theatre Studies at the University of Amsterdam. In 1997, she did a PhD with her dissertation being on Video Dance at the Institute of Theatre Studies at the University of Berne.[3]

Since her studies Claudia Rosiny has devoted herself to her specialist fields of Video Dance and Intermediality in Dance: "Inter- and transdisciplinary cultural studies are needed in an art context of convergence, in which the disciplines come together, connect and enable new experiences of perception.(...) If time travel was possible, I would like to talk to the pioneers of film and dance, like Georges Méliès or Loïe Fuller, and ask them what, back then, fascinated them most in the interplay of movement of dance and film."[4]

She is married to Reto Clavadetscher (born 1961), they have a daughter and live in Bern.

Awards

[edit]
  • 2005 Cultural Prize Canton of Berne (Berne Dance Days) [Kulturpreis Kanton Bern (Berner Tanztage)]
  • 1992 Cultural Prize Municipality of Berne (Berne Dance Days) [Kulturpreis Burgergemeinde Bern (Berner Tanztage)]

Berne Dance Days

[edit]

This festival of contemporary dance was established in 1987 by Reto Clavadetscher and co-directed by Claudia Rosiny from 1991 to 2007. Highlights of the Berne Dance Days include the themed festivals Danseimage (1996, re. dance and film) and Kunststückkörper (1997, re. dance and diverse body forms, including disabilities), and guest performances by renowned dance artists such as Maguy Marin, Wim Vandekeybus, Sasha Waltz, Meg Stuart and many others. The Berne Dance Days are documented on several media platforms:

Poster 20 Years Berne Dance Days
  • Around 250 video recordings of performances and projects from the years 1988 to 2007 were digitised and handed over to the Swiss Dance Archive (Schweizer Tanzarchiv/Collection Suisse de la Danse, today SAPA Swiss Archive of the Performing Arts) at the Zurich branch. Thus these recordings of historic significance were preserved and made available to interested members of the public.
  • An extensive collection of documents on the companies that performed at the Berne Dance Days, a complete set of posters and programmes as well as other relevant documents were handed over to the Swiss Dance Archive (Schweizer Tanzarchiv/Collection Suisse de la Danse, today SAPA Swiss Archive of the Performing Arts) at the Lausanne branch for research purposes.
  • In 2007, Rosiny, together with Reto Clavadetscher, published Contemporary Dance. Bodies, Concepts, Cultures – a Survey (Zeitgenössischer Tanz. Körper, Konzepte, Kulturen – eine Bestandsaufnahme).[5] The book was published on the occasion of the 20th anniversary and final staging of the Berne Dance Days, in the meantime can be downloaded for free on the publisher’s website and is the first to be dedicated to contemporary dance in the German-speaking world.

Kornhausforum Bern

[edit]

Since its foundation in 1998, the Kornhausforumhas been a venue for design and social politics. The concept for its occupancy, demonstrating a pronounced bias towards culture, was determined via a referendum of the Bernese people. Over ten years (1998–2007) – first as a co-director (with Peter Eichenberger), then, from 2006 onwards, solely in charge – Claudia Rosiny steered its development as a cultural centre focusing on architecture, design, photography, video, new media and socio-political issues. In addition to around 300 events per year, more than 100 exhibitions were held during this time, including:

  • Playfulness & Clarity. Swiss Architecture, Graphic Arts and Design 1950–2006 (Spielwitz & Klarheit. Schweizer Architektur, Grafik und Design 1950–2006), 2006
  • Sex Work. An Exhibition on Prostitution (Sexarbeit. Eine Ausstellung zum Thema Prostitution), 2007

Swiss Dance Archive

[edit]

From 2009 to 2012, Rosiny worked as a specialist consultant on modern dance for the Swiss Dance Archive in Zurich, where she co-ordinated lecture programmes, acquired, amongst others, the Nachlass (estate) of Sigurd Leeder in 2011, oversaw a video project on early contemporary dance in Western Switzerland and, until the end of 2010, project-managed the fusion[6] of the Archives suisses de la danse in Lausanne with the mediathektanz.ch in Zurich into the Swiss Dance Archive (Schweizer Tanzarchiv/Collection suisse de la danse) with branches in Zürich and Lausanne. It has existed in this new form since January 1, 2011. In 2018, it was merged with the Swiss Theatre Collection to form the SAPA – Swiss Archive of the Performing Arts.[7]

Teaching in higher education

[edit]

As a lecturer, Rosiny is strongly committed to integrating dance practice, dance studies and film. From 1994 to 2005, she led seminars on Video Dance and Contemporary Dance at the Institute for Theatre Studies at the University of Berne, and from 2006 to 2011 proseminars on intermediality, postmodernism, dance, theatre and performance at the Institute for Media Studies at the University of Basel. From 2002 to 2015, she was a member of the programme management team and a lecturer on the continuing education course TanzKultur (designed for students in employment) at the University of Bern. Since 2016, she has been working there in the same capacity at the Institute for Theatre Studies on the newly introduced Master of Advanced Studies in Dance/Performing Arts course: "This unique Continuing Education Study Programme, with its interdisciplinary design and international network, will reflect the current state of research."[8] She has been teaching Cultural Management Practice (continuing education) at Lucerne University since 2012.[9]

Dance film programming

[edit]

Rosiny curated, academically contextualised and evaluated numerous dance film programmes:

  • 1990 Dance films for the 34th International Summer Academy of Dance Cologne (34. Internationale Sommerakademie des Tanzes Köln)
  • 1993–1997 Dance films Kellerkino Bern
  • 1993 Video programming, Gulbenkian Foundation Lisbon
  • 1994 Dance Screen Club Dada at the Styrian Autumn Graz
  • 2000 Selection panel member, Dance for the Camera 6 for the BBC and Arts Council London
  • 2003 Moving Dance Images, Dance Film Festival Kino Xenix MGB Zurich
  • 2012 Women in Dance for the Migros Co-operative Federation
  • Zurich as part of the Steps Dance Festival

Jury and board memberships

[edit]

Rosiny was on the jury panel of the Hans-Reinhart-Ring of the Swiss Society for Theatre Culture (Schweizerische Gesellschaft für Theaterkultur SGTK) from 2001 to 2006, of the German Video Dance Prize[10] 2003–2004, the Swiss Dance and Choreography Prize[11] 2002–2010 and the Dance Screen[12] competition in Cologne (1999). She also participated in the pre-selection for the 37th Dance on Camera Festival New York City (2008/9) and VIPER '01, the International Film & Videofestival Basel (2001).

From 1995 to 2005, she advised the Migros Cooperative Aare on dance funding and promotion, from 1993 to 2010 she was a board member of the Archives suisses de la danse, Lausanne, and from 1997 to 2003 President of the Commission for Theater and Dance, Canton of Berne. Since 2009, she has been a board member of Teatro San Materno,[13] Ascona.

Federal Office of Culture Berne

[edit]

Since 2012, Claudia Rosiny has been in charge of Dance and Theatre, since 2021 for the Performing Arts at the Federal Office of Culture Berne in the Department for Cultural Creation[14] and has been developing the new national awards policy of the federal government for these areas, with the aim of recognising the quality of professional artistic dance and theatre practice in all its diversity and strengthening it on a national level.

Swiss Dance Awards

[edit]

The Federal Office of Culture has been awarding the Swiss Grand Award for Dance (CHF 40,000) from 2013 until 2019 every two years, as well as a Special Dance Award (CHF 40,000), two awards in the category Outstanding Female Dancer/Outstanding Male Dancer (CHF 25,000 each) and four Swiss Dance Awards (25,000 Francs each). In addition, the June Johnson Dance Prize in partnership with the Stanley Thomas Johnson Foundation[15] (CHF 25,000). The Grand Award for Dance is awarded to honour a recipient's artistic career on the recommendation of the Swiss Federal Dance Jury.

“Swiss Grand Award for Dance 2013“ for Martin Schläpfer

The first person to win this award was in 2013 the Swiss choreographer Martin Schläpfer,[16] former artistic director of the Ballet am Rhein[17] of the Deutsche Oper am Rhein Düsseldorf Duisburg. In 2015, the award went to the Geneva choreographer Gilles Jobin,[18] in 2017 to Noemi Lapzeson,[19] Geneva choreographer and founder of Vertical Danse, and 2019 to La Ribot,[20] spanish-swiss choreographer and dancer.

Swiss Theater Awards

[edit]
“Swiss Theater Awards 2019“

In the field of theatre, the Federal Office of Culture awarded the annual Swiss Grand Award for Theatre/Hans-Reinhart-Ring (CHF 100,000), a Swiss Cabaret (Kleinkunst) Prize and five Swiss Theatre Awards (CHF 40,000 each). In 2014, Omar Porras was the first recipient of the Swiss Grand Award Theatre,[21] followed by Stefan Kaegi[22] – Rimini Protokoll in 2015, the Zurich-based Theater HORA[23] in 2016, Ursina Lardi[24] in 2017, Theater Sgaramusch in 2018,[25] Yan Duyvendak[26] in 2019 and Jossi Wieler[27] in 2020.

Swiss Performing Arts Awards

[edit]

In 2021, the Swiss Dance Awards and Swiss Theatre Awards were merged under the umbrella of the Performing Arts.[28] The aim of this change is to bring the disciplines of dance, theatre, the various forms that make up other facets of the performing arts such as performance, comedy, contemporary circus, puppet theatre and street arts closer together, and increase the visibility of the performing arts. It will also allow the Hans Reinhart Ring to be presented once again in all areas of the performing arts, notably dance. All awards are listed and archived on the Swiss Cultural Awards.[29]

Selected publications

[edit]

Monographs

[edit]
  • Claudia Rosiny: Video Dance: Panorama of an Intermediate Art Form. ("Videotanz. Panorama einer intermedialen Kunstform"). Theatrum helveticum, ed. V. ITW Bern, vol. 5, Chronos, Zurich 1999, ISBN 978-3-905313-23-9
  • Margrit Bischof, Claudia Feest, Claudia Rosiny (eds.): e_motion, Series: Dance Research Almanach (Jahrbuch Tanzforschung), Vol. 16, Lit, Münster 2006, ISBN 3-8258-9621-8, out of stock
  • Claudia Rosiny and Reto Clavadetscher (Eds.): Contemporary Dance. Bodies, Concepts, Cultures – A Survey, (Zeitgenössischer Tanz. Körper, Konzepte, Kulturen – eine Bestandsaufnahme), Transcript, Bielefeld 2007, ISBN 3-89942-765-3[30]
  • Margrit Bischof, Claudia Rosiny (Eds.): Concepts of Dance Culture: Knowledge and Methods of Dance Research (Konzepte der Tanzkultur. Wissen und Wege der Tanzforschung), Transcript, Bielefeld 2010, ISBN 978-3-8376-1440-4
  • Hedy Graber, Dominik Landwehr, Veronika Sellier (eds.), Peter Haber and Claudia Rosiny (co-editors): Digital Culture. Terms, Backgrounds, Examples (Kultur digital. Begriffe, Hintergründe, Beispiele), Merian, Basel 2011, ISBN 978-3-85616-530-7
  • Claudia Rosiny: Dance Film. Intermedial Relations between Media History and Modern Dance Aesthetics (Tanz Film. Intermediale Beziehungen zwischen Mediengeschichte und moderner Tanzästhetik), Transcript, Bielefeld 2013, ISBN 978-3-8376-2329-1[4]

Articles in encyclopediae

[edit]
  • Video Dance (Videotanz), In: Manfred Brauneck, Gérard Schneilin: Encyclopedia of Theatre (Theaterlexikon), 3rd New Edition, Reinbek 1992, pp. 1085–1086
  • Encyclopedia articles on: Jean Deroc, Ricardo Duse, Susana Janssen. In: Historical Encyclopaedia of Switzerland (Historisches Lexikon der Schweiz (HLS)): Schwabe Basel, published 2002 onwards in 13 volumes.
  • Articles on Dance: Deroc, Dietrich, Flamencos en route, Fritsche, Kreissig, Malfer, Mattis, Swiss Chamber Ballet (Schweizer Kammerballett), Steps, Susana, Video Dance (Videotanz), Zöllig. In: Andreas Kotte (Ed.): Encyclopedia of Theatre Switzerland (Theaterlexikon Schweiz), Chronos Zurich, 2005
  • Change in Perception – From Dance Video to Video Dance (Wandel in der Wahrnehmung – Vom Tanzvideo zum Videotanz). In: Frieder Reininghaus & Katja Schneider (Eds.): Experimental Music and Dance Theatre. Compendium of Music in the 20th Century (Experimentelles Musik- und Tanztheater. Handbuch der Musik im 20. Jahrhundert), Volume 7, Laaber-Verlag Laaber, 2004, pp. 356–359. New edition Change in Perception – From Dance Video to Video Dance (Wandel in der Wahrnehmung – Vom Tanzvideo zum Videotanz). In: Siegfried Mauser, Elisabeth Schmierer (Eds.): Handbook of Musical Genres (Handbuch der musikalischen Gattungen), Volume 17,1: Community Music, Wind Music, Movement Music (Gesellschaftsmusik, Bläsermusik, Bewegungsmusik), Laaber-Verlag Laaber, 2009, pp. 299–301
  • Lemmata Tanzfilm (Lemmata Tanzfilm), Video Dance (Videotanz), Motion Capturing, Amélia, Roseland, Lloyd Newson. In: Monika Woitas and Annette Hartmann (Eds.): Encyclopedia of Dance (Lexikon des Tanzes), Laaber-Verlag Laaber, 2013
  • List of Publications Claudia Rosiny (1997–2016)[31]

References

[edit]
  1. ^ https://www.bak.admin.ch/bak/en/home.html/Federal Office of Culture
  2. ^ Rosiny, Claudia: Tanz im Fernsehen. Transferprobleme dargestellt an den Fernsehaufzeichnungen des Wuppertaler Tanztheaters, [Masch.-schr.] Magisterarbeit, Köln 1989
  3. ^ Rosiny, Claudia: Videotanz. Analyse einer intermedialen Kunstform anhand einer Auswertung der Filmbeiträge zum Dance Screen von 1990–1994, Diss. Phil.-hist. Fak. Bern 1997
  4. ^ a b "Tanz Film | Film, Foto und analoge Medien | Medienwissenschaft | Kulturwissenschaften | Programmbereiche | transcript Verlag". Transcript-verlag.de. 2013-06-24. Retrieved 2017-04-25.
  5. ^ Zeitgenössischer Tanz. Körper, Konzepte, Kulturen – eine Bestandsaufnahme, mit Beiträgen von Gabriele Klein, Marianne Mühlemann, Claudia Rosiny, Gerald Sigmund und Christina Thurner, erschienen in der Buchserie «Tanz Scripte» des Transcript Verlags (Bielefeld), ISBN 3-89942-765-3
  6. ^ "Home | Ueber Uns | Nationales Kompetenzzentrum Kulturgüterrettung Tanz | Tanzarchiv". Tanzarchiv.ch. Archived from the original on 2017-04-15. Retrieved 2017-04-25.
  7. ^ "SAPA Stiftung Schweiz | Schweizer Archiv der Darstellenden Künste" (in German).
  8. ^ "Institute of Theatre Studies". 4 February 2020.
  9. ^ "Lucerne University of Applied Sciences and Arts in Switzerland - Master Degrees".
  10. ^ "Deutscher Videotanzpreis". Kulturpreise.de. Retrieved 2017-04-25.
  11. ^ "Home". tanzpreis.ch. Archived from the original on 2016-03-04. Retrieved 2017-02-10.
  12. ^ "DANCESCREEN – the hub for dance on screen". Dancescreen.com. 2016-06-12. Retrieved 2017-04-25.
  13. ^ "Das Teatro San Materno in Ascona als frühes Meisterwerk der modernen Theaterarchitektur: Sanktuarium des Ausdruckstanzes - NZZ". Nzz.ch. Retrieved 2017-04-25.
  14. ^ "Federal Office of Culture".
  15. ^ "Stanley Thomas Johnson Stiftung". www.johnsonstiftung.ch. Archived from the original on 1 July 2017. Retrieved 13 January 2022.
  16. ^ "Annette von Wangenheim".
  17. ^ "Ballet - Deutsche Oper am Rhein". Operamrhein.de. Retrieved 2017-04-25.
  18. ^ "2015".
  19. ^ "2017".
  20. ^ "La Ribot".
  21. ^ "2014".
  22. ^ "2015".
  23. ^ "2016".
  24. ^ "2017".
  25. ^ "2018".
  26. ^ "2019".
  27. ^ "2020".
  28. ^ "Performing arts".
  29. ^ "Homepage".
  30. ^ "Zeitgenössischer Tanz | Tanzwissenschaft | Theater- und Tanzwissenschaft | Kulturwissenschaften | Programmbereiche | transcript Verlag". Transcript-verlag.de. 2007-12-14. Retrieved 2017-04-25.
  31. ^ "Publikationsliste" (PDF). Rosiny.ch. Retrieved 2017-04-25.

Further reading

[edit]
[edit]

You Tube

[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Claudia_Rosiny&oldid=1207534702"