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Born 1950 in [[Ermatingen]], Switzerland, as the youngest of four children (Eveline, Doris, Susan), Ammann became an art collector while still a teenager. Aged 18 he went to work at Galerie [[Bruno Bischofberger]] in Zurich. It was during this time of apprenticeship that Ammann first met <ref>Bischofberger, Bruno: ''Andy Warhol's Visual Memory'', page 6. Edition Bruno Bischofberger, 2001.</ref> [[Andy Warhol]] who would become a close friend. <!--[http://www.telegraph.co.uk/news/uknews/3212838/Andy-Warhols-Skulls-up-for-auction.html dead link--> In 1977 Ammann went into business for himself. His combination of knowledge, eye for quality, charm, humor, looks <ref>Gimelson, Deborah: ''Ammann for all Seasons'', page 36-38,40-41, The Connoisseur Magazine, London, V.221, N. 953, June 1991.</ref> and discretion took him to the top of the art world by his mid 30s <ref>Artnewsletter, Vol. XVIII, No. 22, ''Collector and Modern Art Dealer Thomas Ammann'', 22 June 1993.</ref> (Skis with Valentino, dines with [[Audrey Hepburn]] and [[Elizabeth Taylor]] ... lives on the Concorde. He was named to the [[International Best Dressed List]] Hall of Fame in 1988.<ref>[https://www.vanityfair.com/culture/bestdressed/bestdressed_men ''Vanity Fair''] {{webarchive|url=https://web.archive.org/web/20120601052941/http://www.vanityfair.com/culture/bestdressed/bestdressed_men |date=1 June 2012 }}</ref> |
Born 1950 in [[Ermatingen]], Switzerland, as the youngest of four children (Eveline, Doris, Susan), Ammann became an art collector while still a teenager. Aged 18 he went to work at Galerie [[Bruno Bischofberger]] in Zurich. It was during this time of apprenticeship that Ammann first met <ref>Bischofberger, Bruno: ''Andy Warhol's Visual Memory'', page 6. Edition Bruno Bischofberger, 2001.</ref> [[Andy Warhol]] who would become a close friend. <!--[http://www.telegraph.co.uk/news/uknews/3212838/Andy-Warhols-Skulls-up-for-auction.html dead link--> In 1977 Ammann went into business for himself. His combination of knowledge, eye for quality, charm, humor, looks <ref>Gimelson, Deborah: ''Ammann for all Seasons'', page 36-38,40-41, The Connoisseur Magazine, London, V.221, N. 953, June 1991.</ref> and discretion took him to the top of the art world by his mid 30s <ref>Artnewsletter, Vol. XVIII, No. 22, ''Collector and Modern Art Dealer Thomas Ammann'', 22 June 1993.</ref> (Skis with Valentino, dines with [[Audrey Hepburn]] and [[Elizabeth Taylor]] ... lives on the Concorde. He was named to the [[International Best Dressed List]] Hall of Fame in 1988.<ref>[https://www.vanityfair.com/culture/bestdressed/bestdressed_men ''Vanity Fair''] {{webarchive|url=https://web.archive.org/web/20120601052941/http://www.vanityfair.com/culture/bestdressed/bestdressed_men |date=1 June 2012 }}</ref> |
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Ammann died on 9 June 1993, aged 43,<ref>{{cite |
Ammann died on 9 June 1993, aged 43,<ref>{{cite news|url=https://www.nytimes.com/1993/06/11/obituaries/thomas-ammann-modern-art-dealer-and-a-collector-43.html|title=Thomas Ammann, Modern Art Dealer And a Collector, 43|first=Rita|last=Reif|newspaper=The New York Times|date=11 June 1993|publisher=|accessdate=1 October 2017}}</ref> and a memorial service for friends and family was held at [[The Solomon R. Guggenheim Museum]] in New York City on 18 November 1993, with speakers [[Patricia Phelps de Cisneros]], [[Thomas Krens]], [[William H. Luers]], [[Ernst Beyeler]], [[Robert Wilson (director)]], [[Bob Colacello]], [[Bianca Jagger]] and artists [[Ross Bleckner]], [[Francesco Clemente]] and [[Eric Fischl]].{{citation needed|date=October 2017}} |
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==Gallery== |
==Gallery== |
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Due to Ammann's discretion and secrecy in business, only a few prime examples of artworks which found way into the world's great museums through his hands are known, such as [[Max Ernst]]'s ''The Blessed Virgin Chastises the Infant Jesus Before Three Witnesses''<ref>http://www.metmuseum.org/special/Max_Ernst/view_1.asp?item=4&view=l/</ref> in the collection of the [[Ludwig Museum]] in Cologne or [[Vincent van Gogh]]'s ''Portrait of Joseph Roulin''<ref>http://moma.org/collection/provenance/items/196.89.html</ref> which Ammann sold<ref>Kimmelman, Michael: ''[https://query.nytimes.com/gst/fullpage.html?res=950DE6DC1531F93AA35753C1A96F948260&sec=&spon=&pagewanted=all How the MoMA got the Van Gogh]'', New York Times, 9 October 1989.</ref> to the [[Museum of Modern Art]] in New York. Ammann was a major player in the international art auctions in London and New York. The press noted "his presence in the worlds salesrooms created a mood of optimism, whatever the market conditions, and his enthusiastic bids for paintings by [[Cy Twombly]] and [[Andy Warhol]] were driven by genuine passion as much as potential profit".<ref>Canatsey, Christopher: ''The Art of Ammann'', W Magazine, 1991.</ref> Ammann started organizing at his gallery from 1987. |
Due to Ammann's discretion and secrecy in business, only a few prime examples of artworks which found way into the world's great museums through his hands are known, such as [[Max Ernst]]'s ''The Blessed Virgin Chastises the Infant Jesus Before Three Witnesses''<ref>http://www.metmuseum.org/special/Max_Ernst/view_1.asp?item=4&view=l/</ref> in the collection of the [[Ludwig Museum]] in Cologne or [[Vincent van Gogh]]'s ''Portrait of Joseph Roulin''<ref>http://moma.org/collection/provenance/items/196.89.html</ref> which Ammann sold<ref>Kimmelman, Michael: ''[https://query.nytimes.com/gst/fullpage.html?res=950DE6DC1531F93AA35753C1A96F948260&sec=&spon=&pagewanted=all How the MoMA got the Van Gogh]'', New York Times, 9 October 1989.</ref> to the [[Museum of Modern Art]] in New York. Ammann was a major player in the international art auctions in London and New York. The press noted "his presence in the worlds salesrooms created a mood of optimism, whatever the market conditions, and his enthusiastic bids for paintings by [[Cy Twombly]] and [[Andy Warhol]] were driven by genuine passion as much as potential profit".<ref>Canatsey, Christopher: ''The Art of Ammann'', W Magazine, 1991.</ref> Ammann started organizing at his gallery from 1987. |
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Thomas Ammann Fine Art was directed by Ammann's second oldest sister Doris, who co-founded the gallery in 1977 and worked as its financial administrator.<ref name="Doris1">{{cite web |last1=Greenberger |first1=Alex |title=Doris Ammann, Influential Swiss Art Dealer, Has Died |url=https://www.artnews.com/art-news/news/doris-ammann-dead-swiss-dealer-1234587478/ |website=artnews.com |access-date=24 March 2021}}</ref><ref name="auto">White, Edmund: ''Ammann of Style'', page 69-74, 114-116. Vanity Fair, January 1988</ref> until her brother died in 1993. Thomas Ammann Fine Art exclusively represents the work of Brice Marden in Europe and since 1999 works closely with The Willem de Kooning Foundation, New York and represents the artist's work in Europe.{{citation needed|date=October 2017}} Doris died in 2021.<ref name="Doris1" /> |
Thomas Ammann Fine Art was directed by Ammann's second oldest sister Doris, who co-founded the gallery in 1977 and worked as its financial administrator.<ref name="Doris1">{{cite web |last1=Greenberger |first1=Alex |title=Doris Ammann, Influential Swiss Art Dealer, Has Died |url=https://www.artnews.com/art-news/news/doris-ammann-dead-swiss-dealer-1234587478/ |website=artnews.com |date=24 March 2021 |access-date=24 March 2021}}</ref><ref name="auto">White, Edmund: ''Ammann of Style'', page 69-74, 114-116. Vanity Fair, January 1988</ref> until her brother died in 1993. Thomas Ammann Fine Art exclusively represents the work of Brice Marden in Europe and since 1999 works closely with The Willem de Kooning Foundation, New York and represents the artist's work in Europe.{{citation needed|date=October 2017}} Doris died in 2021.<ref name="Doris1" /> |
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Tobias Mueller Ammann, his sole nephew, is managing director of Zurich's Galerie [[Bruno Bischofberger]] since 1995, after working for [[Christie's]]<ref>Sotheby's Institute of Art alumni association, News, Summer 2007.</ref> in London and Athens. |
Tobias Mueller Ammann, his sole nephew, is managing director of Zurich's Galerie [[Bruno Bischofberger]] since 1995, after working for [[Christie's]]<ref>Sotheby's Institute of Art alumni association, News, Summer 2007.</ref> in London and Athens. |
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==Collection== |
==Collection== |
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[[File:Thomas E. Ammann.jpg|thumb|left|Warhol Portrait of Thomas Ammann]] |
[[File:Thomas E. Ammann.jpg|thumb|left|Warhol Portrait of Thomas Ammann]] |
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Besides becoming the leading dealer of his generation <ref>Birnbaum, Daniel: ''Art of the Dealer'', page 6. Artforum, Summer 2001.</ref> by the end of the 1980s and playing in the first league of older dealers such as [[William Acquavella]] and [[Ernst Beyeler]], Ammann was an equally keen supporter and friend of contemporary artists, whose works he exclusively purchased for his own collection. A small selection of his holdings were exhibited at the Kunsthalle Basel in 1985 with the title "From Twombly to Clemente - Selected works from a private collection", curated by the well known art critic and former museum director Jean-Christophe Ammann (no relation). The art world agreed on Thomas Ammann's collection of works of the second half of the twentieth century to be amongst the finest in existence,<ref name="auto"/> with unparalleled <ref>E.T. Associated Press: ''Warhol's Mao sells for record $17.4 M'', MSNBC, 16 November 2006.</ref> workgroups of artists such as [[Andy Warhol]], [[Cy Twombly]], [[Brice Marden]], [[Robert Ryman]], [[Sigmar Polke]], [[Eric Fischl]], [[Francesco Clemente]] and [[Neil Jenney]]. The funding for the collection was provided by his childhood friend and fellow art enthusiast [[Alexander Schmidheiny]], who shared with him the goal of establishing a first-rate collection of contemporary art.<ref>{{cite web|url=https://www.nzz.ch/article8VWXD-1.265825|title=Die Galerie Thomas Ammann Fine Art in Zürich: Künstler- und Sammlerfreundschaften - NZZ|author=|date=16 June 2003|publisher=|accessdate=1 October 2017|via=NZZ}}</ref> Living up to his maxim "You shall not collect what you want to sell", Ammann strictly divided his dealing in early twentieth-century art from his collecting postwar and contemporary works.<ref>Gimelson, Deborah: ''Ammann for all Seasons'', Art and Auction, Vol. X, No. 4, November 1987.</ref> Following the untimely deaths of Alexander Schmidheiny in 1992 and Thomas Ammann in 1993,<ref name="NYT obituary">{{cite |
Besides becoming the leading dealer of his generation <ref>Birnbaum, Daniel: ''Art of the Dealer'', page 6. Artforum, Summer 2001.</ref> by the end of the 1980s and playing in the first league of older dealers such as [[William Acquavella]] and [[Ernst Beyeler]], Ammann was an equally keen supporter and friend of contemporary artists, whose works he exclusively purchased for his own collection. A small selection of his holdings were exhibited at the Kunsthalle Basel in 1985 with the title "From Twombly to Clemente - Selected works from a private collection", curated by the well known art critic and former museum director Jean-Christophe Ammann (no relation). The art world agreed on Thomas Ammann's collection of works of the second half of the twentieth century to be amongst the finest in existence,<ref name="auto"/> with unparalleled <ref>E.T. Associated Press: ''Warhol's Mao sells for record $17.4 M'', MSNBC, 16 November 2006.</ref> workgroups of artists such as [[Andy Warhol]], [[Cy Twombly]], [[Brice Marden]], [[Robert Ryman]], [[Sigmar Polke]], [[Eric Fischl]], [[Francesco Clemente]] and [[Neil Jenney]]. The funding for the collection was provided by his childhood friend and fellow art enthusiast [[Alexander Schmidheiny]], who shared with him the goal of establishing a first-rate collection of contemporary art.<ref>{{cite web|url=https://www.nzz.ch/article8VWXD-1.265825|title=Die Galerie Thomas Ammann Fine Art in Zürich: Künstler- und Sammlerfreundschaften - NZZ|author=|date=16 June 2003|publisher=|accessdate=1 October 2017|via=NZZ}}</ref> Living up to his maxim "You shall not collect what you want to sell", Ammann strictly divided his dealing in early twentieth-century art from his collecting postwar and contemporary works.<ref>Gimelson, Deborah: ''Ammann for all Seasons'', Art and Auction, Vol. X, No. 4, November 1987.</ref> Following the untimely deaths of Alexander Schmidheiny in 1992 and Thomas Ammann in 1993,<ref name="NYT obituary">{{cite news|url=https://www.nytimes.com/1993/06/11/obituaries/thomas-ammann-modern-art-dealer-and-a-collector-43.html|title=Thomas Ammann, Modern Art Dealer And a Collector, 43|first=Rita|last=Reif|newspaper=The New York Times|date=11 June 1993|publisher=|accessdate=1 October 2017}}</ref> the collection was inherited by their siblings. Doris Ammann exhibits some of the inherited works as private loans, while [[Stephan Schmidheiny]] transferred his share to the newly created [[Daros Collection]].<ref>{{cite web|url=http://www.daros.ch/history-22.html|title=History - English|author=|date=|website=www.daros.ch|accessdate=1 October 2017}}</ref> |
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==Personal life== |
==Personal life== |
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Revision as of 22:19, 6 August 2021
Thomas E. Ammann (1950 – 9 June 1993) was a leading Swiss art dealer in Impressionist and twentieth century art, and a collector of post-war and contemporary art.[1]
Life
Born 1950 in Ermatingen, Switzerland, as the youngest of four children (Eveline, Doris, Susan), Ammann became an art collector while still a teenager. Aged 18 he went to work at Galerie Bruno Bischofberger in Zurich. It was during this time of apprenticeship that Ammann first met [2] Andy Warhol who would become a close friend. In 1977 Ammann went into business for himself. His combination of knowledge, eye for quality, charm, humor, looks [3] and discretion took him to the top of the art world by his mid 30s [4] (Skis with Valentino, dines with Audrey Hepburn and Elizabeth Taylor ... lives on the Concorde. He was named to the International Best Dressed List Hall of Fame in 1988.[5]
Ammann died on 9 June 1993, aged 43,[6] and a memorial service for friends and family was held at The Solomon R. Guggenheim Museum in New York City on 18 November 1993, with speakers Patricia Phelps de Cisneros, Thomas Krens, William H. Luers, Ernst Beyeler, Robert Wilson (director), Bob Colacello, Bianca Jagger and artists Ross Bleckner, Francesco Clemente and Eric Fischl.[citation needed]
Gallery
In 1977 Ammann established his own gallery, Thomas Ammann Fine Art[7] which was soon visited by major collectors. Its patrons included Giovanni Agnelli, Gustavo Cisneros, David Geffen, Ronald Lauder, Dinos Martinos, Samuel Newhouse Jr, Stavros Niarchos, Ronald Perelman, Yves Saint Laurent and Baron Hans Heinrich Thyssen-Bornemisza.[8] From his villa by Otto Rudolf Salvisberg[9] on the hill of Zurich, his chalet in Gstaad or his apartment at the Pierre in New York, Ammann dealt mainly in paintings and sculpture by twentieth century artists including Francis Bacon, Balthus, Max Beckmann, Constantin Brâncuși, Georges Braque, Alexander Calder, Alberto Giacometti, Wassily Kandinsky, Ernst Ludwig Kirchner, Paul Klee, Willem de Kooning, Fernand Léger, Henri Matisse, Joan Miró, Barnett Newman, Pablo Picasso and Mark Rothko.[citation needed]
Due to Ammann's discretion and secrecy in business, only a few prime examples of artworks which found way into the world's great museums through his hands are known, such as Max Ernst's The Blessed Virgin Chastises the Infant Jesus Before Three Witnesses[10] in the collection of the Ludwig Museum in Cologne or Vincent van Gogh's Portrait of Joseph Roulin[11] which Ammann sold[12] to the Museum of Modern Art in New York. Ammann was a major player in the international art auctions in London and New York. The press noted "his presence in the worlds salesrooms created a mood of optimism, whatever the market conditions, and his enthusiastic bids for paintings by Cy Twombly and Andy Warhol were driven by genuine passion as much as potential profit".[13] Ammann started organizing at his gallery from 1987.
Thomas Ammann Fine Art was directed by Ammann's second oldest sister Doris, who co-founded the gallery in 1977 and worked as its financial administrator.[14][15] until her brother died in 1993. Thomas Ammann Fine Art exclusively represents the work of Brice Marden in Europe and since 1999 works closely with The Willem de Kooning Foundation, New York and represents the artist's work in Europe.[citation needed] Doris died in 2021.[14]
Tobias Mueller Ammann, his sole nephew, is managing director of Zurich's Galerie Bruno Bischofberger since 1995, after working for Christie's[16] in London and Athens.
Collection
Besides becoming the leading dealer of his generation [17] by the end of the 1980s and playing in the first league of older dealers such as William Acquavella and Ernst Beyeler, Ammann was an equally keen supporter and friend of contemporary artists, whose works he exclusively purchased for his own collection. A small selection of his holdings were exhibited at the Kunsthalle Basel in 1985 with the title "From Twombly to Clemente - Selected works from a private collection", curated by the well known art critic and former museum director Jean-Christophe Ammann (no relation). The art world agreed on Thomas Ammann's collection of works of the second half of the twentieth century to be amongst the finest in existence,[15] with unparalleled [18] workgroups of artists such as Andy Warhol, Cy Twombly, Brice Marden, Robert Ryman, Sigmar Polke, Eric Fischl, Francesco Clemente and Neil Jenney. The funding for the collection was provided by his childhood friend and fellow art enthusiast Alexander Schmidheiny, who shared with him the goal of establishing a first-rate collection of contemporary art.[19] Living up to his maxim "You shall not collect what you want to sell", Ammann strictly divided his dealing in early twentieth-century art from his collecting postwar and contemporary works.[20] Following the untimely deaths of Alexander Schmidheiny in 1992 and Thomas Ammann in 1993,[21] the collection was inherited by their siblings. Doris Ammann exhibits some of the inherited works as private loans, while Stephan Schmidheiny transferred his share to the newly created Daros Collection.[22]
Personal life
Ammann was gay.[23] At the time of his death, at the Bircher-Benner Clinic in Zurich, his family said that he had died of cancer,[21] but he died of AIDS.[23][24]
Concerns
Ammann was an early supporter in the fight against AIDS, the illness many prominent figures from the artworld fell victim to. The evening of 2 May 1988, following the auction of the Andy Warhol Collection at Sotheby's in New York, Ammann orchestrated a benefit auction which raised nearly two million US dollars. Ammann convinced artist friends from Jasper Johns to Cy Twombly to donate works to the auction he co-hosted with Patricia Buckley, the proceeds of which went to the supportive care programme of St. Vincent's Hospital and Medical Center of New York.[25]
In 1991 as chairman of the international programme, Thomas Ammann organized and hosted the Art Against Aids (AmFAR) gala dinner and 1.5 million dollar fund-raiser at the opening of the art fair Basel with Elizabeth Taylor and Audrey Hepburn for some 500 guests, among them the biggest names from the art and entertainment worlds.[26]
Andy Warhol catalogue raisonné
It was in 1977 that Ammann envisioned a catalogue raisonné[27] of all of Andy Warhol's paintings, sculptures and drawings, and with the artist's consent, started the vast undertaking of assembling the material needed for such a project to finally create a comprehensive, scholarly and authoritative publication. The initial volumes were eventually published in 2002 and 2004 by Phaidon Press in a joint effort of Thomas Ammann Fine Art and the Andy Warhol Foundation for the Visual Arts Inc, New York.[citation needed]
Publications
- From Twombly to Clemente - Selected works from a Private Collection, Kunsthalle Basel, 1985
- Andy Warhol Catalogue Raisonné Vol. I (1961-1963)
- Andy Warhol Catalogue Raisonné Vol. II (1964-1969)
- Andy Warhol Catalogue Raisonné Vol. III (1970-1974)
References
- ^ Ammann, Jean-Christophe: Thomas Ammann, FAZ, page 18, Frankfurt, 16 June 1993.
- ^ Bischofberger, Bruno: Andy Warhol's Visual Memory, page 6. Edition Bruno Bischofberger, 2001.
- ^ Gimelson, Deborah: Ammann for all Seasons, page 36-38,40-41, The Connoisseur Magazine, London, V.221, N. 953, June 1991.
- ^ Artnewsletter, Vol. XVIII, No. 22, Collector and Modern Art Dealer Thomas Ammann, 22 June 1993.
- ^ Vanity Fair Archived 1 June 2012 at the Wayback Machine
- ^ Reif, Rita (11 June 1993). "Thomas Ammann, Modern Art Dealer And a Collector, 43". The New York Times. Retrieved 1 October 2017.
- ^ "Thomas Ammann Fine Art AG Zurich". www.ammannfineart.com. Retrieved 1 October 2017.
- ^ Artnewspaper, R.B., Thomas Ammann - Major player and patron of artists dies at 43, News, No. 30, page 3, London, July–September 1993.
- ^ Hendel, archINFORM – Sascha. "Otto Rudolf Salvisberg". deu.archinform.net. Retrieved 1 October 2017.
- ^ http://www.metmuseum.org/special/Max_Ernst/view_1.asp?item=4&view=l/
- ^ http://moma.org/collection/provenance/items/196.89.html
- ^ Kimmelman, Michael: How the MoMA got the Van Gogh, New York Times, 9 October 1989.
- ^ Canatsey, Christopher: The Art of Ammann, W Magazine, 1991.
- ^ a b Greenberger, Alex (24 March 2021). "Doris Ammann, Influential Swiss Art Dealer, Has Died". artnews.com. Retrieved 24 March 2021.
- ^ a b White, Edmund: Ammann of Style, page 69-74, 114-116. Vanity Fair, January 1988
- ^ Sotheby's Institute of Art alumni association, News, Summer 2007.
- ^ Birnbaum, Daniel: Art of the Dealer, page 6. Artforum, Summer 2001.
- ^ E.T. Associated Press: Warhol's Mao sells for record $17.4 M, MSNBC, 16 November 2006.
- ^ "Die Galerie Thomas Ammann Fine Art in Zürich: Künstler- und Sammlerfreundschaften - NZZ". 16 June 2003. Retrieved 1 October 2017 – via NZZ.
- ^ Gimelson, Deborah: Ammann for all Seasons, Art and Auction, Vol. X, No. 4, November 1987.
- ^ a b Reif, Rita (11 June 1993). "Thomas Ammann, Modern Art Dealer And a Collector, 43". The New York Times. Retrieved 1 October 2017.
- ^ "History - English". www.daros.ch. Retrieved 1 October 2017.
- ^ a b Edmund White (2014). Inside a Pearl: My Years in Paris. A&C Black. pp. 50–51. ISBN 978-1-4088-2045-2. Retrieved 3 October 2017.
- ^ Simon de Pury (1 January 2017). The Auctioneer: Adventures in the Art Trade. Atlantic Books. pp. 178–179. ISBN 978-1-925575-26-2. Retrieved 3 October 2017.
- ^ Ammann, Thomas Contemporary Art - A Benefit Auction for The Supportive Care Program of St. Vincent's Hospital and Medical Center of New York, Sotheby's New York, 2 May 1988.
- ^ Suzy: Liz Taylor supports artfair to fight AIDS, The Miami Herald, Palm Beach Edition, 5 June 1991.
- ^ "Andy Warhol Catalogue Raisonné, Volume 1 - Art - Phaidon Store". Phaidon. Retrieved 2 October 2017.
External links
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