Ghada al-Samman

Ghadah Al-Samman
File:Ghada el-Samman.jpg
Native name	غادة السمّان
Born	1942 (age 82–83) Damascus, Syria.
Occupation	Novelist, journalist
Language	Arabic, English, French
Notable works	No Sea in Beirut The Departure of Old Ports Beirut Nightmares

Ghadah Al-Samman (Template:Lang-ar; born 1942) is a Syrian writer, journalist and novelist born in Damascus in 1942 to a prominent and conservative Damascene family. Her father was Ahmed Al-Samman, a president of the University of Damascus. She is distantly related to poet Nizar Qabbani, and was deeply influenced by him after her mother died at a very young age.

Career

Her father’s appreciation for both Western and Arabic literature deeply influenced her, imbuing her with a unique style that blends elements of both traditions. Raised in the conservative society of Damascus, she encountered challenges that shaped her literary voice. She published her first book of short stories,Your Eyes Are My Destiny (Template:Lang-ar), in 1962, which was moderately successful. Initially, she was categorized alongside traditional feminine writers. However, her subsequent works transcended the confines of romantic and feminine literature, venturing into broader social, feminist, and philosophical themes.

She earned a Bachelor of Arts in English literature from the Syrian University in 1963 and subsequently moved to Beirut to pursue a master’s degree in theatre at the American University of Beirut. After completing her studies, she chose not to return to Damascus. While in Beirut, she worked as a journalist and published her second collection of stories, No Sea in Beirut (Template:Lang-ar) in 1965, reflecting her broadened horizons and experiences. She later traveled across Europe, working as a correspondent. In 1966, she released her third collection of stories, Foreigners’ Nights (Template:Lang-ar).

The Six-Day War had a shock effect on her, as it did on many of her generation. This was evident in her famous article "I Carry My Shame to London" (Template:Lang-ar). After that she did not publish any books for six years. Instead, her journalistic articles became closer to the social reality and made her popular. The articles she wrote during that period became the source of some of her later publications. In 1969 she joined the weekly news magazine of Salim Lawzi, Al Hawadeth, as a correspondent.

In 1973 she published her fourth collection, The Departure of Old Ports (Template:Lang-ar), considered by some critics to be one of her most important works. In this collection of short stories, she described the dilemma of the Arab intellectual and the conflict between his/her thought and actions. She published her first novel, Beirut 75 (Template:Lang-ar), at the end of 1974. The novel describes the complex social problems in Beirut and prophesied the upcoming turmoil a few months before the civil war broke out in Lebanon.

After the publication of two more novels, Beirut Nightmares (Template:Lang-ar) in 1977, which describes life in civil-war-torn Beirut in the mid-Seventies, and The Eve of Billion (Template:Lang-ar) in 1986, some critics began referring to her as the most prominent modern Arab writer.

Personal life

In the late 1960s al-Samman married Bashir Al Daouq, the owner of Dar Al Tali’a publishing house and had her only son, Hazim, which she named after one of her heroes in Foreigners' Nights. She later started her own publishing house and re-published most of her books. Further, she edited all her articles in a series she called “The Unfinished Works” (Template:Lang-ar). She has published fifteen books, nine of them are poetry collections. She has stored her unpublished works including many letters in a Swiss bank, which she promises to publish “when the time is right”.

In 1993 she caused a scene in the literary and political arenas when she published a collection of love letters written to her by Ghassan Kanafani in the sixties when she had a love affair with him, which was no secret at the time. She was condemned for publishing them by some claiming that her intention was to smear the late writer's reputation and/or to negatively affect the Palestinian Cause. Al-Samman has also written a few books of literary criticism, and translated some of her works to other languages. She has lived in Paris since the mid-1980s and regularly writes in an Arabic magazine published in London.

Al-Samman's mother died when she was young, so she was raised by her father for most of her life. When she was an adult, Samman's father died and she lost her job in a short period of time. People in her society had a traditional frame of mind and saw her as a “fallen woman”.

Selected works

Short stories

• Template:Lang-ar, 1962
• Template:Lang-ar, 1965
• Template:Lang-ar, 1966
• Template:Lang-ar, 1973
• Template:Lang-ar, Fayetteville Ark: University of Arkansas Press. 1994

Poetry

• حب (Hubb), “Love”, 1973.
• أعلنت عليك الحب ('Alanat 'Alayk Hubb), “I Declare Love Upon You”, 1976.

Novels

• بيروت 75 (Bayrut 75), “Beirut 75”,1974.
• اعتقال لحظة هاربة~I'tikal Lahzah Haribah (Capturing Freedom's Cry), 1979. Translated into English by Rim Zahra, ph.D. & Razzan Zahra, Ph.D. as Capturing Freedom's Cry: Arab Women Unveil Their Heart, 2019.
• الأبديه لحظة حب~ Al-Abadiyya Lahzet Hubb(Eternity is a Moment of Love), 1999. Translated into English by Rim Zahra, Ph.D. as Arab Women in Love and War: Fleeting Eternities, 2009.
• كوابيس بيروت (Kawabis Bayrut), “Beirut Nightmares”, 1977.
• ليلة المليار (Laylat Al Miliyar), 1986. The Night of the First Billion, translated by Nancy N Roberts. Syracuse N.Y: Syracuse University Press, 2005.
• سهرة تنكرية للموتى (Sahra Tanakuriyah Al Mawta), “A Costume Party for the Dead”, 2003.

Autobiography

• الرواية المستحيلة: فسيفسا ءدمشقية (Al Ruayah Al Mustahilah: Fasifasa' Dimashqiya), The Impossible Novel: Damascene Mosaic, 1997.

See also

• Syrian literature

Sources

• Translated from the Arabic Wikipedia.
• Non official website of the writer al-Samman al-Samman