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Down to the Marshes
Studio album by David Lance Callahan
Released	27 September 2024 (2024-09-27)
Genre	Psychedelic folk singer-songwriter experimental rock
Length	44:04
Label	Tiny Global Productions
Producer	David Lance Callahan
David Lance Callahan chronology
English Primitive II (2022) Down to the Marshes (2024)

Down to the Marshes is the third studio album by David Lance Callahan. It was released through Tiny Global Productions in September 2024.

Background and production

Described in the press release as being "somewhat brighter, almost optimistic" in comparison to its two predecessors, Down to the Marshes continues Callahan's exploration of "strands of vaguely arcane British Isles folk music [in which] the album's subjects, tone and references are almost entirely modern; the presence of Indian modalities, for example, seems to dutifully acknowledge the country's post-war multi-cultural make-up... modern music made with an eye to the future, whatever that may bring." Other musical components of the album include West African music, blues and post-punk.

Writing in an "appreciation" elsewhere in the album presskit, Stewart Lee describes Down to the Marshes as "a more worldly standalone album" as well as one composed of "fractured, detuned visions" in which Callahan "continu[es] to invent his own folklore that fully applies to the modern world, and his own folk music to accompany it... The songs are still imbued with the scenes and lives of historic and contemporary London, making magical realism out of cold, hard reality... [This is] an album that makes its own genres and rules, and that will haunt your days and nights."

Subject matter for the songs includes coupledom set against the challenges of inexorable ageing and "acknowledging that you can never really know anyone"; the potentially explosive Thames estuary shipwreck of the SS Richard Montgomery; and (in "Father Thames & Mother London") the "friction between the visitors and residents of a gothic capital who never quite get to know each other". Influences beside the musical ones include the writer/curator Rachel Lichtenstein; the author Hilary Mantel; and W.H Auden, whose poem about "the bureaucratic nightmare of stateless refugees turning darker with each turn of the political wheel" is adapted for the song "Refugee Blues".

Callahan's regular collaborator Daren Garratt (Pram/The Nightingales/The Fall) returned as drummer; and another longtime Callahan cohort, Terry Edwards, played horns on one track. Otherwise, Down to the Marshes features a new set of musicians. Mel Draisey (of The Clientele) performs backing vocals and violin, while Catherine Gerbrands (7-Headed Raven, Swell Maps, etc) played musical saw on one track. The majority of the music was recorded at Estudio Elefante in València, Spain, and made use of Spanish musicians: keyboard/bass player Cris Belda, singer Anna Ferrándiz, the horn section of David Cases and Manu Pardo; and a string quartet. Rory Atwell (Callahan's co-recorder/mixer on English Primitive II) returned to help with additional overdubs at the Studio with No Name in Homerton, London, as well as editing and mixing.

The cover design depicts "The Wanderer", an artwork by Kit Boyd.

Release

Down to the Marshes was released by Tiny Global Productions on 29 September 2024.

The track "Robin Reliant" (compared both to Callahan's former band Moonshake and to William Blake) was released via Bandcamp on 12 July 2024 to promote the album. A second track, "The Spirit World", was released on 13 August 2024.

Critical reception

Professional ratings

Review scores
Source	Rating
Mojo
Record Collector
Silent Radio	(excellent)

Writing in Mojo, Kieron Tyler described the album as "a multi-layered rumination which takes a while to beguile," and noting that "the past echoes through the present [and] Down to the Marshes explores this psycho-temporal terrain... Tuareg-style blues, dives into raga-esque extemporisation and English folk-informed balladry are seamlessly woven together. 'Refugee Blues' uses WH Auden's writing on stateless refugees to show that today's headline issue is nothing new. Album opener 'The Spirit World' finds 'the air of the dead' suffusing those with a yen for good old Fahrenheit rather than that pesky import Centigrade. It ends with 'Island State', where the key phrase 'I'll go it alone' butts up against recognising the impossibility of doing so. Fittingly, recording was completed in València, underscoring the notion of the Essex-born Callahan as an outsider considering post-Brexit Britain."

Defining Down to the Marshes as "a late-career high" in Record Collector, Johnnie Johnstone noted that "despite Callahan's unflinching socio-political commentary (best exemplified on 'Refugee Blues') and bittersweet nostalgia-drenched lyrics ('Robin Reliant') there's an optimistic air to the album. 'The Spirit World' is a fantastic opener with graceful brass and violin, and the title track boasts marvellous avant-folk guitars..."

Writing in Silent Radio, Andrew Neal hailed Down to the Marshes as "an absolute delight.. [stirring] together arcane folk, Indian modalities and complex post-Beefheart blues with pop melodicism to create an intoxicating brew. Callahan remains one of the sharpest contemporary lyricists providing a distinctive slant on politics, character sketches and nature. He has set himself a high bar but this is certainly among his finest work."

Track listing

All tracks written by David Lance Callahan, except "Refugee Blues" (words by WH Auden, music written and arranged by David Lance Callahan).

No.	Title	Length
1.	"The Spirit World"	4:57
2.	"Down to the Marshes"	5:21
3.	"Refugee Blues"	6:30
4.	"Kiss Chase"	5:42
5.	"The Montgomery"	5:29
6.	"Father Thames and Mother London"	5:06
7.	"Robin Reliant"	5:39
8.	"Island State"	5:20
Total length:		44:04

Personnel

(Credits adapted from album liner notes.)

• David Lance Callahan – vocals, electric & acoustic guitars, handclaps & fingerpops (7)

with

• Daren Garratt – drums & percussion, xylophone (3)
• Mel Draisey – backing vocals (1,2,7), violin (1)
• Terry Edwards – Sally Army horns (1)
• Catherine Gerbrands – musical saw (1)
• Cris Belda – Hammond organ bass pedals (2,4), piano (2,6,7), electric bass (3), Hammond organ (6,7)
• Mel Draisey – backing vocals (2,7)
• Raquel Campos – violin (2,4)
• Emiliano Pérez – violin (2,4)
• Sara López – viola (2,4)
• Samuel C Ledesma – cello (2,4)
• Anna Ferrándiz – exotic siren singing (5,8)
• David Cases – tenor saxophone (6,7)
• Manu Pardo – trumpet (6,7)

Production

• David Lance Callahan – editing, mixing
• Alberto Díaz – engineering
• Lluis Enguix – engineering
• Jorge Bernabé – engineering
• Rory Attwell – additional overdub engineering, editing, mixing

Artwork and design

• David Lance Callahan – cover concept
• Kit Boyd – cover image