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Police raids were a common risk of the trade for Griffith.  One night, he and his dancers were arrested, only to return and open up the same night.<ref name=":3" />
Police raids were a common risk of the trade for Griffith.  One night, he and his dancers were arrested, only to return and open up the same night.<ref name=":3" />


Miami officials revoked his business license, but Griffith, undeterred, would pop into his box office briefly, only for police to enter and arrest him for operating a theater.  "I would get in the police car.  We were arrested 24 times, I think, in one night."<ref name=":3" />  He blamed his frequent skirmishes with municipalities on "politicians wanting their name in the papers.  You have those problems in this business."<ref name=":3" />
Miami officials once revoked his business license, but Griffith, undeterred, popped into his box office briefly, only for police to enter and arrest him for operating a theater:  "I would get in the police car.  We were arrested 24 times, I think, in one night."<ref name=":3" />  He blamed his frequent skirmishes with municipalities on "politicians wanting their name in the papers.  You have those problems in this business."<ref name=":3" />


=== v. The City of Indianapolis ===
=== v. The City of Indianapolis ===

Revision as of 06:05, 7 December 2024

Leroy Griffith
Griffith with a club performer
Born (1932-03-26) March 26, 1932 (age 92)
Poplar Bluff, Missouri, U.S.
Occupations
Years active1949–present
Known forStage shows (Hello Burlesque, This Was Burlesque, etc.); chief executive officer of Club Madonna
Spouses
  • Joy Hodges Maci (div.)
  • Juanita Gilreath (div.)
  • Linda Rivera (m. 1989)
Children5
Military career
Allegiance United States
Service / branch United States Army
RankFirst lieutenant

Leroy Charles Griffith (born March 26, 1932) is an American theater and nightclub proprietor, former Broadway and off-Broadway theater producer and director, and burlesque and film producer. In a career spanning 75 years, he has owned, leased, or operated more than 70 stage and cinematic theaters across the United States, dating from the burlesque era of the 1950s to the present day.

During burlesque's heyday, Griffith was a prolific producer of live stage shows featuring showgirls, strippers, comedians, vaudevillians, and other stars of the era. As burlesque declined in popularity, he made the crossover to exhibiting as well as producing adult films and operating strip clubs, notably past and present Miami-area clubs such as Club Madonna, Deja Vu, and Wonderland.

His business endeavors in the adult entertainment industry have, for decades, put him at odds with restrictive municipalities, and he has taken legal action, often successfully, to defend his constitutional rights and be able to operate his establishments.

Early years

Griffith was born in Poplar Bluff, Missouri, to Stella Duncan and Floyd Roy Griffith. His father was a theater owner. The younger Griffith began as a projectionist, cashier, and usher at a local theater in his hometown.

At 17, he left for St. Louis and a job working concessions at the Grand Burlesque Theatre for East Coast-based theater concessions magnate Oscar Markovich (1895-1982). At the Grand, Griffith started as a "candy butcher," hawking candy and trinkets to burlesque audiences before and during intermission.[1] "In those days," Griffith recalled in a 1993 interview, "they had probably 30 people in the cast, a chorus line, an orchestra, two comics, a singer, a vaudeville act, and then five exotic dancers. It was a good show."[2]

At age 17, Griffith left a small town and got his big-city start selling candy in the now-demolished Grand Burlesque Theatre in St. Louis, Mo.

Griffith discovered that any profit to be made was not from the show itself but from the concession stand: "That's where I was. In between acts, the pitchman would sell prize packages, candy, stuff like that. Concessions was where the real money was, just like it is with regular movies today."[2] After working his way up to concessions manager, Griffith began accruing money for higher ambitions.

A June 1955 Billboard magazine column noted that the 23-year-old "Leroy Griffith, concession manager at the Folly [Theater], Kansas City, Mo., is now the owner of the Missouri Coffee Shop with an enlarged dining room and a new air-conditioned system."[3]

Military service

In 1955, Griffith began service with the U.S. Army in Hot Springs, Arkansas. While stationed at Elmendorf Air Force Base in Anchorage, Alaska, he worked with Bob Hope's USO show (featuring Jerry Colonna, Mickey Mantle, and Ginger Rogers, among others) when Hope was on tour there in December 1956.

Career

Portland's Star Theater

After discharge from the military, Griffith acquired his first theater, the Star,[4][5] in Portland, Oregon. After a limited operation of a Kansas City, Missouri, restaurant and another period of short-term employment with Markovich, he opened a theater in Detroit, Michigan. He was in his mid-twenties.

According to a 1959 Billboard article, Griffith was described as one of the "brigade of regulars" employed by the popular King Reid Shows, a carnival that traveled the New England and Canada circuit and which was founded by Vermont showman and state legislator "King" Reid Lefèvre (1904-1968).[6] Griffith managed the carnival's popular "Club 17 Revue," which featured burlesque shows.[7]

Theater and club owner

Outside his Roxy Theater (today, Club Madonna) in Miami Beach, Fla., c.1975.

Identifying "legitimate theaters" that were going out of business, Griffith began acquiring them. "These places would go under," he said in a 1993 interview, "and I'd go in and take over and make them successful with an adult policy."[2] He gradually acquired scores of theaters throughout the United States.

Converting such theaters to adult fare proved popular and lucrative. He recounted to the New York Times in 1970 that he built a brand new theater and showed The Sound of Music, but lost money. Upon switching to an adult policy, he reaped $4,000 the first week (equivalent to $32,000 in 2024).[8]

Burlesque producer

From the late 1950s to the late 1960s, Griffith was one of the nation's leading producers of burlesque entertainment. Nightly, and during daytime matinees, the curtains went up in his circuit of theaters throughout the country — from small cities such as Fort Wayne, Indiana, to metropolises like Chicago and New York City — with live shows spotlighting showgirls, strippers, comedians, vaudevillians, and other performing stars of the era.

Even as burlesque's popularity faded in the 1960s, one of Griffith's Florida theaters was reported to be thriving as one of the 20 remaining burlesque theaters in the nation.[9] When finally the genre ceased to be either a popular or profitable attraction, one of its last theatrical producers adapted to changing tastes and times, converting his burlesque houses to adult film theaters and strip clubs.

A promotional poster for Griffith's Broadway revue, Hello Burlesque.

Broadway and off-Broadway producer

This Was Burlesque, a revue conceived by and starring burlesque star Ann Corio, was staged for 124 performances at Griffith's Hudson Theater on Broadway during the 1964–65 season, from March to June 1965.[10][11][12] It went on to tour across the U.S. in various productions over the next two decades.[13]

Griffith also produced Hello Burlesque, a 1965 show featuring showgirl Julie Taylor, "Miss Sex 5th Avenue".

He directed and co-produced The Wonderful World of Burlesque, an off-Broadway show that ran for 211 performances at the Mayfair Theater, from May to June 1965.[14][15]

Signing his Mundo depravados co-stars Tempest Storm and Herb Jeffries (far left) to film contracts in 1967.

Film producer

Griffith produced the sexploitation films Bell, Bare and Beautiful (1963), Lullaby of Bareland (1964), The Case of the Stripping Wives (1966), Mundo depravados (1967), and My Third Wife, George (1968).[16] These films were exhibited in nationwide screenings, then later released in video format.

He was one of the first producers ever to hire a bi-racial couple to star in a film when he cast Tempest Storm and Herb Jeffries, "Hollywood's First Black Singing Cowboy,"[17] as the stars of his 1967 film Mundo depravados. Storm's 1959 marriage to Jeffries, according to the New York Times, "broke midcentury racial taboos, costing her work".[18] Interracial marriage in the U.S. was not declared legal until a 1967 Supreme Court ruling.

Griffith's theaters and clubs

Florida

In addition to various theaters throughout Miami and Miami Beach, Griffith has operated these Florida theaters:

Miami

Griffith's Miami theaters included:

He bought the Boulevard in 1970 for $165,000 and renamed it the Pussycat, creating three different theaters within: the Pussycat, the center theater, was a 900-seat theater that showed adult films; the Kitty Cat featured female performers; and the Tomcat featured male performers. Later rebrandings of the theater-turned-strip club would include the names Wonderland and Gold Rush.

Miami-area theaters of Griffith's included (from left) the Boulevard, Cameo, Carib, Paramount, and Roxy.

Miami Beach

On a visit to Miami Beach in 1961, Griffith noticed the Paris Theater was for sale. He originally leased it, then bought it, and staged burlesque there, under the name Paris Follies. Featured headliners included Tempest Storm and Blaze Starr. He sold it in 1986, then bought it back after its owners failed with the nightclub Paris Moderne, and later sold it again.[2]

But while he staged burlesque at the Paris in the early '60s, Griffith didn't call it "burlesque"; doing so would have been against local law.

"You couldn't even use the word," he recalled three decades later. "I had one big stage show called 'The Top Stars of Burlesque,' with Blaze Starr and all these people. I told the city, 'It's not burlesque. It's the top stars of burlesque. There's no law against the people of burlesque.' The city decided they'd fix me by charging me $1,000 for a special license to do the show. I said fine. I was going to have to pay $1,600 for a regular permit anyway."[2]

In February 1963, Griffith appeared before the Miami Beach city council to plead for live stage burlesque to "liven up a dead town."[19]

Griffith continued to open new venues throughout South Florida, from Broward County in the north to Key West in the south. In addition to bringing in live acts, he began showing movies. He also began producing films and exhibiting them in his theaters nationwide.

"I couldn't even use the word burlesque."[20]

— Griffith, recalling local regulations in 1960s-era Miami Beach

As burlesque was petering out across the rest of the country, Griffith added the Gayety on Collins Avenue to his theater chain in July 1964.[21] In 1965, the Gayety was reported to be thriving as one of the 20 remaining burlesque theaters in the nation.[9] In later years, as a strip club, its names would include SoBe Showgirls and Deja Vu. Across the street, he also operated the 21st Street Adult Theater.

On the city's storied Lincoln Road, he had three theaters:  the Beach, the Carib, and the Flamingo. "I used to do [benefit] shows at the Carib, which seated over 2,000 people," Griffith recounted in a 1993 interview, "and donated the theater, staff, advertising, and helped get talent. This all went to the widows and orphans of the firemen and the policemen."[2]

On the city's other major thoroughfare, Washington Avenue, Griffith operated the Cameo, the Paris, the Plaza Art, and the Roxy. Griffith generated publicity at the Roxy when, in 1967, he publicly invited city officials to a screening of the film, Man and Wife. "It was advertised as the art of making love 49 different ways," he recalled in 1993. "I don't remember inviting them, but I vaguely remember the incident. I think that was the first hard-core movie ever shown down here."[2] According to press accounts at the time, the officials seemed to think the movie was boring, but not obscene.[2]

"One time Sammy Davis Jr. (above left, with Griffith in 1966), Frank Sinatra, and [comedian] Belle Barth came into the Gayety Theater [in Miami Beach] when I was running it. We had a Chinese dinner together, and then started watching the coming attractions for an X-rated film that was going to be running. For fun we shut the sound off and the three of them – Frank, Sammy, and Belle – improvised the sounds to go along with the scenes. They were all moaning and groaning and making funny noises. It was hysterical."[22] — Griffith

A young Mickey Rourke once worked for Griffith as a cashier and projectionist at one of his Miami Beach theaters.[2]

Controversy over use of Madonna name

In 1994, Griffith converted the Roxy from an adult movie theater to an all-nude strip club (Club Madonna), which it remains today. Griffith successfully withstood an attempt by attorneys for the pop singer Madonna to prevent him from using the name.[23][24] According to an April 1994 item in the Daily Mail —

The singer, who wants to open a parade of strip clubs herself, had her lawyer fire off a letter to the club's owner, Leroy Griffith, telling him he would have to change the name of his establishment "because it gives the impression that my client endorses your club and its activities."  An attorney for the club hit back saying:  "If Madonna wants to take down the sign, she'll have to stop by with a ladder and do it herself."[25]

Newsweek reported that her lawyers claimed she had been "injured" by her perceived association with the club and that its name was "a serious violation of our client's rights" under U.S. trademark law.  Griffith's attorney countered that Madonna is a name "that's been in the public domain for a couple of thousand years."[24]  Griffith declared to a local TV station, "Our name is Club Madonna, Incorporated, and it will be there as long as we're legally allowed to do so, and I think that'll be for a long, long time."[26]

Griffith – once a guest aboard Donald Trump's private helicopter long before Trump became president – hired Trump's one-time sex partner and adult film star Stormy Daniels for a two-night appearance at Club Madonna in 2018, during her “Make America Horny Again” tour. "I got her at the right price," Griffith told a local newspaper.[27]

Mid-Atlantic U.S.

Griffith's theaters in the Mid-Atlantic region included:

Midwest U.S.

Griffith's theaters in the Midwest included:

New York City

Three of Griffith's New York City theaters: The Gayety, Hudson, and Shore.

During the 1960s and 1970s, Griffith operated five theaters in New York City: the Gayety, the Hudson, the Mayfair Burlesque, and the Metropolitan, all in Manhattan; and the Shore on Coney Island in Brooklyn.

The Mayfair Burlesque (now Sony Hall) was previously known as Billy Rose's popular Diamond Horseshoe nightclub, located in the basement level of the Paramount Hotel in Times Square.

Northeast U.S.

Griffith's theaters in the Northeast included:

Griffith once earned the scrutiny of then-U.S. Attorney General Robert F. Kennedy (above) after he promoted his Gayety Burlesque Theater in the nation's capital with a sign that included the abbreviation "F.B.I.".  Kennedy called Griffith to his office at the Justice Department, demanding an explanation.  When Griffith explained that it stood for "Fine Burlesque Inside," Kennedy is said to have laughed.

Ohio

Griffith was co-operator of Toledo's Town Hall Theater with "Queen of Burlesque" Rose La Rose (1916-1972), a nationally-renowned stripper who, having shrewdly saved and invested her earnings, retired in 1958, settled in Toledo, and purchased the Town Hall and, eventually, another local theater.[28] She was one of the rare and earliest women on the burlesque circuit to evolve from performer to independent business owner.

Griffith's other Ohio theaters included:

Southern U.S.

Griffith's theaters in the South included:


     For a detailed table of Griffith's theaters and clubs, click here.

Police raids were a common risk of the trade for Griffith.  One night, he and his dancers were arrested, only to return and open up the same night.[1]

Miami officials once revoked his business license, but Griffith, undeterred, popped into his box office briefly, only for police to enter and arrest him for operating a theater:  "I would get in the police car.  We were arrested 24 times, I think, in one night."[1]  He blamed his frequent skirmishes with municipalities on "politicians wanting their name in the papers.  You have those problems in this business."[1]

v. The City of Indianapolis

Griffith's Ritz Theater, in Indianapolis, Ind., began hosting burlesque performances in 1962 in addition to showing adult films. Outcry from neighborhood residents led to intense scrutiny from city officials and the local newspaper, resulting in the arrest of the show's star and Griffith on indecency charges and the confiscation of 15 film reels in a June 1962 raid. The city revoked the theater's license the next month.[29][30]

v. Linda Lovelace

"If a judge in Washington, D.C., decides that the nekkid female torso isn't indecent, many showmen around the nation will follow the lawsuit brought by Hudson Burlesk producer Leroy Griffith."[31]

— Walter Winchell, in his July 31, 1966, nationally-syndicated gossip column

In 1974, Griffith won a $32,038 judgment for damages against Linda Lovelace, who appeared in the 1972 hardcore film Deep Throat.  He had hired her for $15,000 a week for four weeks[32] to star in a live, Las Vegas-style stage revue at his Paramount Theater in Miami, slated for November 1973, but she failed to appear.  The judge awarded Griffith just half of the amount he sought.[33]

v. The City of Hialeah, Fla.

Griffith turned Hialeah's Atlas Cinema into an X-rated theater in August 1985, outraging Mayor Raul Martinez. "The issue is not censorship," Martinez said at the time. "It is morality. They will bring in derelicts, the sick of mind. They're like herpes – wherever they go, everybody gets infected. We don't need that."[2]

The day after opening, in a pre-emptive strike, Griffith's lawyers sued the city, charging that a Hialeah zoning ordinance banning porn cinemas within 500 feet of residences was unconstitutional. His court challenge failed and the theater was ordered shut down.[2]

v. Dade County, Fla.

Between 1976 and 1987, the Pussycat was raided 18 times. Efforts by the county to charge him with a felony for screening two obscene movies within 5 years collapsed when Griffith's attorney pointed out that too much time had elapsed between incidents. When prosecutors then indicated they might like to charge him with a simple misdemeanor for the more recent indiscretion (showing the film American Babylon), his attorney argued it had been two years since that film had been confiscated, thus denying Griffith his right to a speedy trial. The judge agreed and threw out the case.[2]

In April 1987, the Dade State Attorney's Office filed a ten-page complaint demanding that the Pussycat be shut down. This time the charge was brought under the Florida Racketeer Influenced and Corrupt Organization Act. Because the Pussycat had been raided 18 times in eleven years, prosecutors contended, it must be an ongoing criminal enterprise. "That's not what the RICO Act was put in for," Griffith retorted. A judge agreed and dismissed the complaint.[2]

v. The City of Miami

In 1987, city officials confiscated movie projectors, a refreshment stand, and other property from Griffith's Pussycat Theater. He had just won a court fight with the city over his right to exhibit a film called Three Ripening Cherries. He was accused of owing more than $50,000 in fines dating back to 1978. The city bungled part of the collection process in a technical snafu, so Griffith ended up accountable for only $21,400.[2]

An auction of his theater equipment was conducted to satisfy that debt. The winning bid came in at $13,500, from Griffith himself, effectively reducing his penalties by another $8,000.[2]

v. The City of Hollywood, Fla.

Griffith's attorneys filed suit in November 1987 against Hollywood, Fla., asking a Broward County judge to declare the city's ordinances banning nude dancing unconstitutional.  They asserted that the city's censorship was a violation of the First Amendment.

"If I was a judge taking bribes, a banker trying to swindle my customers out of bank funds, a doctor selling drugs, I might feel bad. But seeing a nude girl? There's nothing immoral about that. And there are more judges and lawyers and cops and bankers in jail than theater owners. I'm not hurting anyone, or stealing, or anything like that."[2]

— Griffith, in a 1993 interview

The suit followed a series of incidents in 1985 in which police raided Griffith's Cine 1 & 2 Theater a dozen times, dismantling projectors and arresting employees on obscenity charges.[34]

v. The City of Miami Beach

In late 1989, after the cities of Fort Lauderdale and North Miami Beach outlawed alcohol in establishments featuring nude entertainers, Miami Beach officials – led by Mayor Alex Daoud – feared strip club operators would gravitate to their city and that Miami Beach "would be overrun with sex-mad drunken men and immoral, naked women."[2]

Confronting Miami Beach city commissioners in 2009 on the city's ban of alcohol in nightclubs featuring nudity.

The imminent debut of the Gold Club, whose owners had intended to introduce nudity and alcohol in their new building on 5th Street, spurred the City Commission to pass local legislation prohibiting such a mix.[2]

Griffith announced that if the Gold Club was allowed to open with liquor and nudity, he would move his hard-core films from the Gayety Theater to the Roxy, which then was showing second-run movies for general audiences. In turn, he would convert the Gayety into an upscale nude bar to compete with the Gold Club.

Daoud said, "We don't have to sit idly by and watch [adult clubs] open up. It would be detrimental to the growth of our city that has been developing so nicely."[2]

The city passed an ordinance in January 1990 prohibiting not only nudity and alcohol sharing the same room, but also banning any nudity near schools and churches. The Gold Club did open with nude dancers, but soon folded under the handicap of the no-liquor policy.

"There's nothing immoral about the human body. Evil's all in the mind."[2]

— Griffith

Griffith, meanwhile, successfully changed the Gayety into the all-nude, alcohol-free Deja Vu (without local competition), and turned the Roxy into an adult theater, Club Madonna. Daoud was removed from office a year later after being implicated on unrelated corruption charges for which he was later convicted and imprisoned.[2] Daoud said in 2012 that he supported the city's ordinance partly because of fears of a strip club deluge and also because he hoped to squeeze a $25,000 bribe out of the Gold Club's lobbyist, former mayor Harold Rosen.[35] Griffith and Daoud have since become close friends.

Since the early 2000s, Griffith has been involved in legal disputes with the City of Miami Beach over its 1989-1990 ordinances banning the sale of alcohol in any establishment featuring nudity. He sued several city officials in federal court, alleging they conspired to deny him a fair hearing before the City Commission after he sued the wife of one commissioner for libel, slander, and defamation after she waged a campaign against him, claiming, among other things, that he was a tax cheat.[36][37][38]

Film appearances

With actors Britt Ekland and Jason Robards, during the 1967 filming of The Night They Raided Minsky's at his Gayety Theater in New York City.

Griffith played brief cameo parts in some of his films.

His recollections of the burlesque era are included in Leslie Zemeckis's 2010 documentary, Behind the Burly Q.[39]

Interior theater sequences in Norman Lear's 1968 musical comedy film The Night They Raided Minsky's were shot in his Manhattan theater, the Gayety (now the Village East Cinema).[40]

Personal life

Family

Griffith married Linda Rivera in 1989. His children are from two previous marriages.

In May 1964, Griffith saved the life of his 18-month-old son, Cash, after pulling him unconscious from the family pool at their Venetian Islands home. He credited his effort to reading about mouth-to-mouth resuscitation instructions while on an airplane flight the week before.[41]

Griffith's son Charles was convicted of first-degree murder and sentenced to life in prison after the 1985 mercy killing of his three-year-old daughter, who had been in a months-long coma in a Miami children's hospital following a freak accident.  He was granted a retrial and, in 1995, took a deal to plead guilty to second-degree murder; he was released with credit for time served and good behavior.[42][43]  Charles Griffith later published an addiction recovery magazine and opened a sober house for women transitioning from substance rehab, both dedicated as memorials to his late daughter.[44]

Philanthropy

Griffith, for years, hosted annual shows at his Carib Theater benefiting the Miami Beach Police and Firemen's Benevolent Association. In 1969, Miami Beach police chief Rocky Pomerance was disturbed by the publicity from Griffith's $2,200 donation to the association.  Pomerance asked the group to give it back on the premise that "simple ethical morality" demanded it, but he was rebuffed.  The group used the donation to create a scholarship fund for children of police and firemen killed before retirement.[45]

The city's police softball teams and the Miami Beach Policemen's Relief and Pension Fund have also been beneficiaries of Griffith's charitable giving. In 1997, the MBPD recognized Griffith for his donation of bicycles to the department, for use by its bike patrol officers.

Nationally syndicated gossip writer Earl Wilson thanked Griffith in a December 1965 column "for his welcome Christmas check for the 'Earl Wilson Help the Needy Fund' which arrived just in time to aid some deserving folk."[46]

Work

Broadway and off-Broadway stage productions

  • This Was Burlesque (1965) - co-producer
  • Hello Burlesque (1965) - producer
  • The Wonderful World of Burlesque (1965) - co-producer, director

Filmography

  • Bell, Bare and Beautiful (1963) - producer, writer, actor (Theater Manager)
  • Lullaby of Bareland (1964) - producer
  • The Case of the Stripping Wives (1966) - producer
  • Mundo depravados (1967) - producer
  • My Third Wife, George (1968) - producer
  • Behind the Burly Q (documentary, 2010) - interview subject

Awards and recognitions

  • 1970s: Key to the City of Miami Beach (awarded by Mayor Harold Rosen)
  • 1970s: Recognition for "unselfish contributions" to the annual All-Star show (Miami Beach Police and Firemen's Benevolent Association)
  • 1997: Recognition for "outstanding dedication and service" to the Washington Avenue Bike Unit (Miami Beach Police Department)
  • 1999: Recognition for "generous support" for the Miami Beach Police softball teams (Miami Beach Police Department)
  • 2000: Recognition for "generosity and continued support" (Miami Beach Policemen's Relief and Pension Fund)
  • 2007: Best Adult Club in Miami Beach (Club Madonna), The Miami SunPost

List of Griffith's theaters and clubs

Theaters he has owned and operated, been an ownership partner in, leased, and/or managed include these:

Note: Click the "sort" icon at the head of each column to view data in alphabetical order.

State City Name of theater Other names known by Summary
Florida Fort Lauderdale Adam and Eve
Florida Hialeah Atlas Twin Village Formerly located at 1446 W. 49th Street.[47][48]
Florida Hollywood Pussycat Cine Twin Cine 1 & 2 Formerly located at 2315 N. State Road 7.[49][50]
Florida Jacksonville Lake Shore Formerly located at 4509 St. John Ave.[51][52]
Florida Jacksonville Little Harold K. Smith Playhouse Located at 2032 San Marco Boulevard.[53][54] Its landlord, Griffith said in a 1993 interview, "was the county sheriff" at the time.
Florida Jacksonville Roxy Roxy Follies Formerly located at 38 W. Forsyth St.[55][56]
Florida Jacksonville Beach Beach Beach Adult Formerly located at the corner of First Street and Third Avenue North.[57][58]
Florida Key West Monroe Formerly located at 623 Duval Street.[59][60]
Florida Miami 79th Street Twin II Cinema 79th St. Art • Bard • Little River Formerly located at 137 NE 79th Street.[61][62]
Florida Miami

Boulevard

At The Boulevard • Black Gold • Club Madonna II • Gold Rush Cabaret • Kitty Cat • Pussycat • Pussycat II • Shadows • Tomcat • Wonderland Located at 7770 Biscayne Boulevard. Has variously served as a strip club, night club, and adult theater.[63][64]
Florida Miami Dixie Rio Formerly located at 222 NE First Avenue in downtown Miami. Renamed the Rio in 1965.[65][66]
Florida Miami

Paramount

Fairfax Formerly located at 257 East Flagler Street in downtown Miami.[67][68]
Florida Miami Rex Art King Art Cinema • Rosetta • Second Ave. Art Located at 7929 NE Second Avenue. First opened as the Rosetta.[69][70]
Florida Miami Town Formerly located at 265 East Flagler Street.[71][72]
Florida Miami Beach 21st Street Adult Fine Arts Formerly located at 2039 Collins Avenue, at the corner of 21st Street.[73][74]
Florida Miami Beach

Beach

Formerly located at 420 Lincoln Road.[75][76]
Florida Miami Beach Cameo Located at 1445 Washington Avenue.[77][78] It is a nightclub today.
Florida Miami Beach

Carib

Formerly located at 230 Lincoln Road.[79][80]
Florida Miami Beach Flamingo Located at 320 Lincoln Road.[81][82] Converted into a present-day nightclub.
Florida Miami Beach Gayety Burlesque Deja Vu • Fine Arts • Miami Beach Playhouse • SoBe Showgirls Formerly located at 2004 Collins Avenue.
Florida Miami Beach Paris Paris Follies • Paris Moderne • Variety Formerly located at 550 Washington Avenue.[83][84] Griffith's first acquisition upon settling in South Florida in 1961. The Art Deco building's interior has been transformed into an upscale restaurant.
Florida Miami Beach Plaza Art Formerly located at 1265 Washington Avenue.[85][86]
Florida Miami Beach

Roxy

Club Madonna Located at 1527 Washington Avenue.[87][88]
Florida Orlando Luv Located at 355 N. Orange Avenue.
Florida Tampa Casino Casino Follies Located at 1536 7th Avenue in Tampa's Ybor City section. Closed in the 1970s, then was renovated and reopened c. 2000. It is home today to the Tampa Improv Comedy Club.[89][90]
Florida Tampa

Ritz

Masquerade • Rivoli Located at 1503 E. 7th Avenue in Tampa's Ybor City section. Opened as the Rivoli; expanded in the 1930s as the Ritz and showed movies until 1982. Reopened in 2008 and is used for concerts and special events.[91][92]
Florida Warrington Navy Point Formerly located on Sunset Avenue. Opened after World War II for the entertainment of military families stationed in the Pensacola area.[93][94]
Illinois Chicago Follies Gem • London Dime Museum Located at 450 S. State Street.[95][96]
Illinois Chicago Minsky's Rialto Downtown • Loop End Formerly located at 336 S. State Street, two blocks from the Gayety. Opened as a venue for vaudeville and movies, it was a burlesque house by the 1930s and closed in 1953. It is the site today of Pritzker Park.[97][98]
Indiana Fort Wayne Little Capitol • Little Cinema Formerly at Berry Street and Harrison Street.[99]
Indiana Indianapolis Ritz Middle Earth • Northside Located at 3422 / 3430 N. Illinois Street. Considered one of the leading movie houses in the city. Burlesque took over in 1962. Known as the Northside from 1958 to 1970. Remodeled, it became a rock concert venue and resumed its former name, but closed in 1972.[100][101][102]
Louisiana New Orleans Carrollton Located at 4710 S. Carrollton Avenue. A classic Art Deco-style theater, it suffered water damage during Hurricane Katrina in 2005 but has since been refurbished as a banquet hall.[103][104]
Louisiana New Orleans Cine Royale Center • Wonderland Located at 912 Canal Street. It became an adult theater after 1975.[105][106]
Louisiana New Orleans Sinerama Cinerama Adult • Martin Cinerama • Mike Todd's Cinerama • Pussycat • Trans-Lux Cinerama Formerly located at 3615 Tulane Avenue. Under Griffith's management, it was known as the Pussycat and Sinerama.[107][108]
Maryland Baltimore

Gayety

Formerly located at 405 E. Baltimore Street.[109][110]
Maryland Baltimore Paris
Michigan Detroit Garden Peek-A-Rama • Sassy Cat Located at 3929 Woodward Avenue. A century after its opening, it was undergoing an estimated $14 million makeover.[111][112][113]
Michigan Detroit

National

Gayety • Palace Located at 118 Monroe Street. Has fallen into disrepair.[114][115]
Michigan Flint Michigan Located at 1614 S. Saginaw Street.[116][117]
Missouri Kansas City

Folly

Century • Folly Burlesque • Shubert's Missouri • Standard Located at 300 W. 12th Street.[118][119] Following a renovation in the 1980s, it remains in use today. Was placed on the National Register of Historic Places in 1974.
Missouri Kansas City Strand Located at 3544 Troost Avenue. Oldest still-operating theater in Kansas City. Began showing adult movies in the '70s.[120][121]
New Jersey Newark Luxor Luxor Follies Formerly located at 264 Market Street.[122][123]
New Jersey Newark Treat Cameo Twin Cinema XXX Located at 68 Orange Street.[124][125]
New York New York City

Gayety

Village East Cinema • 12th Street Cinemas • Casino East • Century • Eden • Entermedia • Louis N. Jaffe Art • Molly Picon's Yiddish Folk • Phoenix • Second Avenue • Stuyvesant • Yiddish Art Located at 181 Second Avenue, in Manhattan. Theater sequences for the 1968 film The Night They Raided Minsky's were shot here.[126]
New York New York City

Hudson

Avon-on-the-Hudson • Hudson Burlesk • Savoy Located at 141 W. 44th Street in midtown Manhattan. A former Broadway theater, now a conference center and special event venue. In 1954 it became home to the original version of The Tonight Show with host Steve Allen.[127][128]
New York New York City

Mayfair Burlesque

Billy Rose's Diamond Horseshoe Located at 235 West 46th Street. It was a theater in the basement of the Paramount Hotel. From 1938 to 1951, theatrical impresario and song writer Billy Rose operated his Diamond Horseshoe nightclub there.
New York New York City Metropolitan 14th Street • Arrow • "The Met" Formerly located at 241 East 14th Street.[129][130]
New York New York City

Shore

Loew's Coney Island Located at 1301 Surf Avenue in Coney Island, Brooklyn.[131][132]
New York Syracuse Civic Adam and Eve • Civic Follies • Ritz • Syracuse • System • Top Formerly located at 527 S. Salina Street.[133][134]
North Carolina Charlotte Astor Neighborhood Located at 511 E. 36th Street. Called "The Carolina’s Most Unusual Theater" in newspaper ads in the '60s, it was restored in recent years and today (as the Neighborhood) features bands and musicians.[135][136]
North Carolina Charlotte Climax I and II
North Carolina Charlotte Ritz Formerly located at 1201 Beatties Ford Road.[137][138]
Ohio Cincinnati Gayety Empress • Gayety Burlesk A Vine Street theater that opened as the Empress and became the Gayety in 1922. Its demolition made way for a main library.[139][140]
Ohio Cincinnati Imperial Imperial Follies Located at 282 McMicken Avenue. Presented adult films and later, in the '60s, live burlesque shows.[141][142]
Ohio Cleveland University Circus Maximus • PAT (Performing Arts Theater) • Scrump-Dee-Dump-Dee Formerly located at 10606 Euclid Avenue.[143][144]
Ohio Columbus Little Art Olentangy • Piccadilly • World Located at 2523 N. High Street, it opened in the silent picture era as The Piccadilly. An adult movie theater from the '50s to its demolition.[145][146]
Ohio Columbus Livingston Gayety Located at 1567 East Livingston Avenue. As of late 2012, there were plans to renovate it.[147]
Ohio Columbus Parsons Parsons Follies Located at 1293 S. Parsons Avenue.[148][149]
Ohio Geneva-on-the-Lake, Ohio State Lyceum
Ohio Steubenville Ohio Located on Market Street.[150]
Ohio Toledo Gayety Gayety Burlesk • Guild • Hollywood Burlesk • Strand Located at 322 N. Summit Street.[151][152]
Ohio Toledo Town Hall Formerly located at Orange and St. Clair Streets.[153] Griffith operated this with retired performer Rose La Rose.
Ohio Youngstown Strand Formerly located in Central Square. Closed as a movie house in the 1950s, then reopened featuring live burlesque and adult movies.[154][155]
Oregon Portland Capitol Blue Mouse Located at 626 SW 4th Street. Renamed the Blue Mouse in 1958. Famous stripper Tempest Storm co-owned and operated the Capitol in the 1950s.[156][157][158][159]
Oregon Portland

Star

Princess • Star Burlesk Located at 13 NW 6th Avenue. Opened as the Princess, screening silent movies. Became the Star Burlesk in 1939, presenting burlesque shows. Refurbished, it remains in operation today.[4][5]
Pennsylvania Philadelphia Aardvark Cayuga Formerly located at 4371 Germantown Avenue. Opened as the Cayuga.[160][161][162]
Pennsylvania Philadelphia Howard Howard Follies Located at 2614 N. Front Street. In the early '60s, it operated with an adults-only policy and advertised as the Howard Follies.[163][164]
Pennsylvania Philadelphia

Trocadero

The Troc • Arch Street Opera House • Park Theater Located at 1003 Arch Street.[165][166]
Pennsylvania Pittsburgh Cameraphone Located at 6202 Penn Avenue.[167][168]
Tennessee Chattanooga Capitol Formerly located at 528 Market Street.[169][170]
Washington Seattle Rivoli Old Seattle • Tivoli Formerly located at First Avenue and Madison Street. Opened as a burlesque theater featuring, among others, Sophie Tucker and Belle Baker. It later presented legit stage theater, then adult movies before its demolition.[171][172]
Wisconsin Superior Tower People's • Tower Arts Formerly located at 1018 Tower Ave.[173][174]
Washington, D.C. Central Gayety • Gayety Burlesque • Imperial • Moore's Garden Theatre Formerly located at 425-433 9th Street NW.[175][176] Opened as The Imperial. Renamed Moore’s Garden Theatre in 1913. Renamed The Central in 1922. Renamed by Griffith as the Gayety Burlesque; presented live burlesque from the 1950s to its closing in the 1970s.

References

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  50. ^ "CinemaTour - Cinemas Around the World - Cine I & II, Hollywood FL". www.cinematour.com. Retrieved 2024-07-06.
  51. ^ "Lake Shore Theatre in Jacksonville, FL - Cinema Treasures". cinematreasures.org. Retrieved 2024-07-16.
  52. ^ "CinemaTour - Cinemas Around the World - Lakeshore Theatre, Jacksonville FL". cinematour.com. Retrieved 2024-07-16.
  53. ^ "Little Theatre". cinematreasures.org. Retrieved 26 September 2013.
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  55. ^ "Roxy Theatre in Jacksonville, FL - Cinema Treasures". cinematreasures.org. Retrieved 2024-07-16.
  56. ^ "CinemaTour - Cinemas Around the World - Roxy Theatre, Jacksonville FL". cinematour.com. Retrieved 2024-07-16.
  57. ^ "CinemaTour - Cinemas Around the World - Beach Theatre, Jacksonville Beach FL". www.cinematour.com. Retrieved 2024-02-26.
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  59. ^ "Monroe Theatre". cinematreasures.org. Retrieved 26 September 2013.
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  61. ^ "79th Street Twin II Cinema". cinematreasures.org. Retrieved 3 December 2013.
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  63. ^ "Boulevard Theatre". cinematreasures.org. Retrieved 26 September 2013.
  64. ^ "Boulevard Theatre". cinematour.com. Retrieved 24 May 2014.
  65. ^ "Rio Theatre". cinematreasures.org. Retrieved 4 December 2013.
  66. ^ "Dixie Theatre". cinematour.com. Retrieved 24 May 2014.
  67. ^ "Paramount Theatre". cinematreasures.org. Retrieved 4 September 2013.
  68. ^ "Paramount Theatre". cinematour.com. Retrieved 24 May 2014.
  69. ^ "Rex Art Theatre". cinematreasures.org. Retrieved 29 November 2013.
  70. ^ "Rosetta Theatre". cinematour.com. Retrieved 24 May 2014.
  71. ^ "Town Theatre". cinematreasures.org. Retrieved 18 July 2014.
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  73. ^ "21st Street Twin". cinematreasures.org. Retrieved 26 September 2013.
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  77. ^ "Cameo Theatre". cinematreasures.org. Retrieved 26 September 2013.
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  79. ^ "Carib Theatre". cinematreasures.org. Retrieved 4 September 2013.
  80. ^ "Carib Theatre". cinematour.com. Retrieved 24 May 2014.
  81. ^ "Flamingo Theatre". cinematreasures.org. Retrieved 26 September 2013.
  82. ^ "Flamingo Theatre". cinematour.com. Retrieved 24 May 2014.
  83. ^ "Paris Theatre". cinematreasures.org. Retrieved 26 September 2013.
  84. ^ "Variety Theatre". cinematour.com. Retrieved 24 May 2014.
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  88. ^ "Roxy Theatre". cinematour.com. Retrieved 24 May 2014.
  89. ^ "Casino Theatre". cinematreasures.org. Retrieved 26 September 2013.
  90. ^ "Improv Comedy Theater". cinematour.com. Retrieved 24 May 2014.
  91. ^ "Ritz Theater". cinematreasures.org. Retrieved 26 September 2013.
  92. ^ "Ritz Theatre". cinematour.com. Retrieved 24 May 2014.
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  98. ^ "Loop End Theatre". cinematour.com. Retrieved 24 May 2014.
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  114. ^ "National Theatre". cinematreasures.org. Retrieved 4 September 2013.
  115. ^ "National Theater". cinematour.com. Retrieved 24 May 2014.
  116. ^ "Michigan Theatre". cinematreasures.org. Retrieved 1 October 2013.
  117. ^ "Michigan Theatre". cinematour.com. Retrieved 24 May 2014.
  118. ^ "Folly Theater". cinematreasures.org. Retrieved 26 September 2013.
  119. ^ "Folly Theater". cinematour.com. Retrieved 24 May 2014.
  120. ^ "Strand Theatre". cinematreasures.org. Retrieved 2 September 2013.
  121. ^ "Strand Theatre". cinematour.com. Retrieved 24 May 2014.
  122. ^ "Luxor Theater". cinematreasures.org. Retrieved 3 December 2013.
  123. ^ "Luxor Theatre". cinematour.com. Retrieved 24 May 2014.
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  125. ^ "Treat Theatre". cinematour.com. Retrieved 24 May 2014.
  126. ^ "Village East Cinema". cinematour.com. Retrieved 24 May 2014.
  127. ^ "Hudson Theatre". cinematreasures.org. Retrieved 2 September 2013.
  128. ^ "Hudson Theatre". cinematour.com. Retrieved 24 May 2014.
  129. ^ "Metropolitan Theatre". cinematreasures.org. Retrieved 4 September 2013.
  130. ^ "Arrow Theatre". cinematour.com. Retrieved 24 May 2014.
  131. ^ "Shore Theatre". cinematreasures.org. Retrieved 4 September 2013.
  132. ^ "Shore Theatre". cinematour.com. Retrieved 24 May 2014.
  133. ^ "Adam and Theatre". cinematreasures.org. Retrieved 20 April 2014.
  134. ^ "Civic Theatre". cinematour.com. Retrieved 24 May 2014.
  135. ^ "Neighborhood Theater". cinematreasures.org. Retrieved 24 May 2014.
  136. ^ "Neighborhood Theatre". cinematour.com. Retrieved 24 May 2014.
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  142. ^ "Imperial Theatre". cinematour.com. Retrieved 24 May 2014.
  143. ^ "University Theatre". cinematreasures.org. Retrieved 26 September 2013.
  144. ^ "University Theatre". cinematour.com. Retrieved 24 May 2014.
  145. ^ "Little Art Theatre". cinematreasures.org. Retrieved 26 September 2013.
  146. ^ "Olentangy Theatre". cinematour.com. Retrieved 24 May 2014.
  147. ^ "Livingston Theatre". cinematreasures.org. Retrieved 26 September 2013.
  148. ^ "Parsons Theatre". cinematreasures.org. Retrieved 26 September 2013.
  149. ^ "Parsons Theatre". cinematour.com. Archived from the original on 25 May 2014. Retrieved 24 May 2014.
  150. ^ "Ohio Theatre". cinematour.com. Retrieved 24 May 2014.
  151. ^ "Gayety Theatre". cinematreasures.org. Retrieved 26 September 2013.
  152. ^ "Gayety Theatre". cinematour.com. Retrieved 24 May 2014.
  153. ^ Hebert, Lou (February 20, 2010). "A Summer's Night In Downtown Toledo". The Toledo Gazette. Retrieved 26 September 2013.
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  156. ^ "Blue Mouse Theatre". cinematreasures.org. Retrieved 4 December 2013.
  157. ^ "Capitol Theatre". silentera.com. Retrieved 4 December 2013.
  158. ^ "Capitol Theatre". cinematour.com. Retrieved 24 May 2014.
  159. ^ "Puget Sound Pipeline: Capitol Theatre". www.pstos.org. Puget Sound Theatre Organ Society. Retrieved 14 December 2015.
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  163. ^ "Howard Theatre". cinematreasures.org. Retrieved 2 September 2013.
  164. ^ "Howard Theatre". cinematour.com. Retrieved 24 May 2014.
  165. ^ "Trocadero Theatre". cinematreasures.com.
  166. ^ "Trocadero Theatre". cinematour.com.
  167. ^ "Cameraphone Theater". cinematreasures.org. Retrieved 20 April 2014.
  168. ^ "Cameraphone Theatre". cinematour.com. Retrieved 24 May 2014.
  169. ^ "Capitol Theatre". cinematreasures.org. Retrieved 17 April 2014.
  170. ^ "Capitol Theatre". cinematour.com. Retrieved 24 May 2014.
  171. ^ "Rivoli Theatre". cinematreasures.org. Retrieved 29 September 2014.
  172. ^ "CinemaTour - Cinemas Around the World - Rivoli Theatre, Seattle WA". www.cinematour.com. Retrieved 2024-02-26.
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Further reading

  • Biondi, Joann (2007). Miami Beach Memories: A Nostalgic Chronicle of Days Gone. Guilford, Conn.: Globe Pequot Press. ISBN 978-0762740666.
  • Zemeckis, Leslie (2013). Behind the Burly Q: The Story of Burlesque in America. Skyhorse Publishing. ISBN 978-1620876916.
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