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|occupation=[[Film editor]]
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'''Brent White''' is an American [[film editor]] with credits on feature films dating from 1993 and White has worked on comedy films produced or co-produced by [[Judd Apatow]], and directed by Apatow or [[Adam McKay]].<ref name=NYT>{{cite web|work=[[The New York Times]]|title=The Man Who Makes the World’s Funniest People Even Funnier|first=Jonah|last=Weiner|date=April 15, 2015|url=https://www.nytimes.com/2015/04/19/magazine/the-man-who-makes-the-worlds-funniest-people-even-funnier.html}}</ref>
'''Brent White''' is an American [[film editor]] with credits on feature films dating from 1993 and White has worked on comedy films produced or co-produced by [[Judd Apatow]], and directed by Apatow or [[Adam McKay]].<ref name=NYT>{{cite web|work=[[The New York Times]]|title=The Man Who Makes the World’s Funniest People Even Funnier|first=Jonah|last=Weiner|date=April 15, 2015|url=https://www.nytimes.com/2015/04/19/magazine/the-man-who-makes-the-worlds-funniest-people-even-funnier.html}}</ref>


White's work as an editor on the films directed by Apatow and McKay is unusual because of the importance of the actors' improvisations. Eric Melin's review of the film ''Talladega Nights'' (2006) focuses on this aspect of White's editing, "the MVP of the movie is most definitely editor Brent White. Just as he did with 2004's ''Anchorman: The Legend of Ron Burgundy'', White had to choose the best scenes from hours and hours of wildly different takes to fashion together something with a narrative arc that resembles a movie. It can't be easy work, but he had a little more story to work with than he did in the uneven ''Anchorman''. Minor continuity errors be damned, ''Talladega Nights'' is one funny film."<ref>{{cite web|last=Melin |first=Eric |year=2006 |url=http://www.scene-stealers.com/print-reviews/editing-and-improvisation-keep-talladega-nights-on-track/ |title=Editing and improvisation keep “Talladega Nights” on track |work=scene-stealers.com website |archiveurl=http://www.webcitation.org/5fuYwCJ1M?url=http%3A%2F%2Fwww.scene-stealers.com%2Fprint-reviews%2Fediting-and-improvisation-keep-talladega-nights-on-track%2F |archivedate=2009-04-09 |deadurl=yes |df= }}</ref>
White's work as an editor on the films directed by Apatow and McKay is unusual because of the importance of the actors' improvisations. Eric Melin's review of the film ''Talladega Nights'' (2006) focuses on this aspect of White's editing, <blockquote>the MVP of the movie is most definitely editor Brent White. Just as he did with 2004's ''Anchorman: The Legend of Ron Burgundy'', White had to choose the best scenes from hours and hours of wildly different takes to fashion together something with a narrative arc that resembles a movie. It can't be easy work, but he had a little more story to work with than he did in the uneven ''Anchorman''. Minor continuity errors be damned, ''Talladega Nights'' is one funny film.<ref>{{cite web|last=Melin |first=Eric |year=2006 |url=http://www.scene-stealers.com/print-reviews/editing-and-improvisation-keep-talladega-nights-on-track/ |title=Editing and improvisation keep “Talladega Nights” on track |work=scene-stealers.com website |archiveurl=http://www.webcitation.org/5fuYwCJ1M?url=http%3A%2F%2Fwww.scene-stealers.com%2Fprint-reviews%2Fediting-and-improvisation-keep-talladega-nights-on-track%2F |archivedate=2009-04-09 |deadurl=yes |df= }}</ref></blockquote>


The editing of ''[[Knocked Up]]'' (2007) was described in a feature article by [[Stephen Rodrick]] in ''The New York Times''. Rodrick emphasizes the many different versions of the film that were created before deciding on the version that was released, "By the end of last month, when the final edit was done, I had seen five or six versions of ''Knocked Up.'' While the arc of the film remained the same, seemingly every line had been traded in and out..."<ref>Rodrick, Stephen (2007). [https://query.nytimes.com/gst/fullpage.html?res=9F04E3DF1F31F934A15756C0A9619C8B63 "Judd Apatow's Family Values"], ''The New York Times'' May 27, 2007; online version retrieved July 9, 2008.</ref>
The editing of ''[[Knocked Up]]'' (2007) was described in a feature article by [[Stephen Rodrick]] in ''The New York Times''. Rodrick emphasizes the many different versions of the film that were created before deciding on the version that was released, "By the end of last month, when the final edit was done, I had seen five or six versions of ''Knocked Up.'' While the arc of the film remained the same, seemingly every line had been traded in and out".<ref>Rodrick, Stephen (2007). [https://query.nytimes.com/gst/fullpage.html?res=9F04E3DF1F31F934A15756C0A9619C8B63 "Judd Apatow's Family Values"], ''The New York Times'' May 27, 2007; online version retrieved July 9, 2008.</ref>


White received his bachelor's degree in film production from the [[BYU College of Fine Arts and Communications]] ([[Brigham Young University]]) in 1983.<ref>{{cite web |url=http://tma.byu.edu/index.php?id=712 |title=Alumni Updates: Class of 1980-89 |publisher=Brigham Young University, College of Fine Arts and Communications |date=August 2008 |archiveurl=https://web.archive.org/web/20091209010824/http://tma.byu.edu/index.php?id=712 |archivedate=2009-12-09}}</ref> He is married and has four children. He lives in the Los Angeles area.
White received his bachelor's degree in film production from the [[BYU College of Fine Arts and Communications]] ([[Brigham Young University]]) in 1983.<ref>{{cite web |url=http://tma.byu.edu/index.php?id=712 |title=Alumni Updates: Class of 1980-89 |publisher=Brigham Young University, College of Fine Arts and Communications |date=August 2008 |archiveurl=https://web.archive.org/web/20091209010824/http://tma.byu.edu/index.php?id=712 |archivedate=2009-12-09}}</ref> He is married and has four children. He lives in the Los Angeles area.

Revision as of 00:52, 25 July 2017

Brent White
Born
United States
Alma materBrigham Young University
OccupationFilm editor
Years active1993–present
Children4

Brent White is an American film editor with credits on feature films dating from 1993 and White has worked on comedy films produced or co-produced by Judd Apatow, and directed by Apatow or Adam McKay.[1]

White's work as an editor on the films directed by Apatow and McKay is unusual because of the importance of the actors' improvisations. Eric Melin's review of the film Talladega Nights (2006) focuses on this aspect of White's editing,

the MVP of the movie is most definitely editor Brent White. Just as he did with 2004's Anchorman: The Legend of Ron Burgundy, White had to choose the best scenes from hours and hours of wildly different takes to fashion together something with a narrative arc that resembles a movie. It can't be easy work, but he had a little more story to work with than he did in the uneven Anchorman. Minor continuity errors be damned, Talladega Nights is one funny film.[2]

The editing of Knocked Up (2007) was described in a feature article by Stephen Rodrick in The New York Times. Rodrick emphasizes the many different versions of the film that were created before deciding on the version that was released, "By the end of last month, when the final edit was done, I had seen five or six versions of Knocked Up. While the arc of the film remained the same, seemingly every line had been traded in and out".[3]

White received his bachelor's degree in film production from the BYU College of Fine Arts and Communications (Brigham Young University) in 1983.[4] He is married and has four children. He lives in the Los Angeles area.

Selected filmography

References

  1. ^ Weiner, Jonah (April 15, 2015). "The Man Who Makes the World's Funniest People Even Funnier". The New York Times.
  2. ^ Melin, Eric (2006). "Editing and improvisation keep "Talladega Nights" on track". scene-stealers.com website. Archived from the original on 2009-04-09. {{cite web}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  3. ^ Rodrick, Stephen (2007). "Judd Apatow's Family Values", The New York Times May 27, 2007; online version retrieved July 9, 2008.
  4. ^ "Alumni Updates: Class of 1980-89". Brigham Young University, College of Fine Arts and Communications. August 2008. Archived from the original on 2009-12-09.

Further reading


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