Harley Jessup: Difference between revisions
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| birth_name = Harley William Jessup |
| birth_name = Harley William Jessup |
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| birth_date = {{birth year and age|1954}} |
| birth_date = {{birth year and age|1954}} |
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| birth_place =Corvallis, Oregon, |
| birth_place = [[Corvallis, Oregon]], U.S. |
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| nationality = [[Americans|American]] |
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| death_date = |
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| death_place = |
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| occupation = Production Designer |
| occupation = Production Designer |
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| yearsactive = 1980–present |
| yearsactive = 1980–present |
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'''Harley Jessup''' (born 1954) is an American production designer and visual effects art director who has been nominated for two visual effects Academy Awards, and won once. Currently working at [[Pixar|Pixar Animation Studios]], Jessup has served as production designer for ''[[Monsters, Inc.]]'' (with Bob Pauley), ''[[Ratatouille (film)|Ratatouille]]'', ''[[Cars 2]]'', ''[[Presto (film)|Presto]]'', ''[[The Good Dinosaur]]'' and Pixar's latest animated feature, ''[[Coco (2017 film)|Coco]]''. Before coming to Pixar, Jessup was production designer on [[Walt Disney Pictures]]' ''[[James and the Giant Peach (film)|James and the Giant Peach]]''. |
'''Harley Jessup''' (born 1954) is an [[Americans|American]] production designer and visual effects art director who has been nominated for two visual effects Academy Awards, and won once. Currently working at [[Pixar|Pixar Animation Studios]], Jessup has served as production designer for ''[[Monsters, Inc.]]'' (with Bob Pauley), ''[[Ratatouille (film)|Ratatouille]]'', ''[[Cars 2]]'', ''[[Presto (film)|Presto]]'', ''[[The Good Dinosaur]]'' and Pixar's latest animated feature, ''[[Coco (2017 film)|Coco]]''. Before coming to Pixar, Jessup was production designer on [[Walt Disney Pictures]]' ''[[James and the Giant Peach (film)|James and the Giant Peach]]''. |
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Jessup was a visual effects art director at [[Industrial Light & Magic]] from 1987 to 1994. From 1991 to 1994 he served as ILM art department creative director. Jessup's visual effects art direction credits include, ''[[Innerspace]]'' (for which he won an Academy Award), ''[[Hook (film)|Hook]]'' (nominated for an Academy Award), ''[[The Hunt for Red October (film)|The Hunt for Red October]]'' (with Steve Beck), ''[[Ghostbusters II]]'', ''[[Joe Versus the Volcano]]'' and ''[[Fire in the Sky]]''. |
Jessup was a visual effects art director at [[Industrial Light & Magic]] from 1987 to 1994. From 1991 to 1994 he served as ILM art department creative director. Jessup's visual effects art direction credits include, ''[[Innerspace]]'' (for which he won an Academy Award), ''[[Hook (film)|Hook]]'' (nominated for an Academy Award), ''[[The Hunt for Red October (film)|The Hunt for Red October]]'' (with Steve Beck), ''[[Ghostbusters II]]'', ''[[Joe Versus the Volcano]]'' and ''[[Fire in the Sky]]''. |
Revision as of 18:16, 18 April 2018
Harley Jessup | |
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Born | Harley William Jessup 1954 (age 69–70) Corvallis, Oregon, U.S. |
Nationality | American |
Occupation | Production Designer |
Years active | 1980–present |
Spouse | Ann Jessup |
Children | 3 |
Harley Jessup (born 1954) is an American production designer and visual effects art director who has been nominated for two visual effects Academy Awards, and won once. Currently working at Pixar Animation Studios, Jessup has served as production designer for Monsters, Inc. (with Bob Pauley), Ratatouille, Cars 2, Presto, The Good Dinosaur and Pixar's latest animated feature, Coco. Before coming to Pixar, Jessup was production designer on Walt Disney Pictures' James and the Giant Peach.
Jessup was a visual effects art director at Industrial Light & Magic from 1987 to 1994. From 1991 to 1994 he served as ILM art department creative director. Jessup's visual effects art direction credits include, Innerspace (for which he won an Academy Award), Hook (nominated for an Academy Award), The Hunt for Red October (with Steve Beck), Ghostbusters II, Joe Versus the Volcano and Fire in the Sky.
In 1985, Jessup won an Emmy Award for best visual effects for The Ewok Adventure, produced by Lucasfilm, Ltd. for ABC Television.
Harley Jessup began his career at Korty Films designing animated short films for Sesame Street, including The Adventures of Thelma Thumb. He served as art director on John Korty's animated feature Twice Upon a Time.
Jessup has written and illustrated three children's books, What Alice Up to? and Grandma Summer for Viking Children's Books and Welcome to Monstropolis for Disney/Egmont. He studied graphic design at Oregon State University (BFA) and Stanford University (MFA).
Oscars
Both films were in the category of Best Visual Effects
- 60th Academy Awards: Innerspace. Award shared with Bill George, Dennis Muren and Kenneth F. Smith. Won.[1]
- 64th Academy Awards: Nominated for Hook, nomination was shared with Eric Brevig, Michael Lantieri and Mark Sullivan. Lost to Terminator 2: Judgment Day.[2]
Selected filmography
- Twice Upon a Time (1983) art director
- Innerspace (1987) visual effects art director
- Ghostbusters II (1989) visual effects art director
- The Hunt for Red October (1990) visual effects art director
- Hook (1991) visual effects art director
- A Bug's Life (1998) additional storyboard artist
- Toy Story 2 (1999) visual development
- Monsters, Inc. (2001) production designer
- Ratatouille (2007) production designer
- Up (2009) lighting art director
- Cars 2 (2011) production designer
- The Good Dinosaur (2015) production designer
- Coco (2017) production designer
References
- ^ "The 60th Academy Awards (1988) Nominees and Winners". oscars.org. Retrieved March 31, 2014.
- ^ "The 64th Academy Awards (1992) Nominees and Winners". Academy of Motion Picture Arts and Sciences. AMPAS. Retrieved March 31, 2014.
External links