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''Stand on Zanzibar'' was innovative within the science fiction genre for mixing narrative with entire chapters dedicated to providing background information and [[worldbuilding]], to create a sprawling narrative that presents a complex and multi-faceted view of the story's future world. Such information-rich chapters were often constructed from many short paragraphs, sentences, or fragments thereof—pulled from in-world sources such as slogans, snatches of conversation, advertising text, songs, extracts from newspapers and books, and other cultural detritus.
''Stand on Zanzibar'' was innovative within the science fiction genre for mixing narrative with entire chapters dedicated to providing background information and [[worldbuilding]], to create a sprawling narrative that presents a complex and multi-faceted view of the story's future world. Such information-rich chapters were often constructed from many short paragraphs, sentences, or fragments thereof—pulled from in-world sources such as slogans, snatches of conversation, advertising text, songs, extracts from newspapers and books, and other cultural detritus.


The narrative itself follows the lives of a large cast of characters, chosen to give a broad cross-section of the future world. Some of these interact directly with the central narratives, while others add depth to Brunner's world. Brunner appropriated this basic narrative technique from the ''[[U.S.A. trilogy|USA Trilogy]]'', by [[John Dos Passos]].<ref>{{cite web | url = http://www4.ncsu.edu/~tenshi/influ.html | title = The Works that Most Influenced Science Fiction, 1963–1992 | accessdate = 2009-02-22 }}</ref>{{sfn|Clute|Nicholls|1995|p=166–167}}{{sfn|Pringle|1990|p=295}} On the first page of the novel, Brunner provides a quote from [[Marshall McLuhan]]'s ''[[The Gutenberg Galaxy]]'' that approximates such a technique, entitling it "the [[Harold Innis|Innis]] mode" as an apparent label.
The narrative itself follows the lives of a large cast of characters, chosen to give a broad cross-section of the future world. Some of these interact directly with the central narratives, while others add depth to Brunner's world. Brunner appropriated this basic narrative technique from the ''[[U.S.A. trilogy|USA Trilogy]]'', by [[John Dos Passos]].<ref>{{cite web | url = http://www4.ncsu.edu/~tenshi/influ.html | title = The Works that Most Influenced Science Fiction, 1963–1992 | access-date = 2009-02-22 }}</ref>{{sfn|Clute|Nicholls|1995|p=166–167}}{{sfn|Pringle|1990|p=295}} On the first page of the novel, Brunner provides a quote from [[Marshall McLuhan]]'s ''[[The Gutenberg Galaxy]]'' that approximates such a technique, entitling it "the [[Harold Innis|Innis]] mode" as an apparent label.


===Title===
===Title===
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Thirty years after its initial publication, [[Greg Bear]] praised ''Stand on Zanzibar'' as a science fiction novel that, unusually, has not become dated since its original appearance: "It's not quite the future we imagined it to be, but it still reads as fresh as it did back in 1968, and that's an amazing accomplishment!"<ref>"Greg Bear: Continuing the Dialog", [[Locus (magazine)|''Locus'']], February 2000, p. 78.</ref> In a retrospective review for ''[[The Guardian]]'' in 2010, [[Sam Jordison]] found the novel a "skilfully realised future dystopia", writing that it allowed Brunner "to express his most interesting ideas regarding corporate ethics, free will, the question of whether scientific progress is always good for humanity and the conflict between the individual and the state".<ref>[https://www.theguardian.com/books/booksblog/2010/feb/26/stand-on-zanzibar-john-brunner "Back to the Hugos: ''Stand on Zanzibar''{{-"}}], ''The Guardian'', February 26, 2010</ref> [[List of Guggenheim Fellowships awarded in 2011|Ursula K. Heise]] declared that "''Stand on Zanzibar'', to some extent, sets the tone for literary texts from the 1980s and 1990s that reengage the issue of population growth against the background of a multitude of interacting political, social, economic, ecological, and technological problems".<ref>Heise, ''Sense of Place and Sense of Planet'', [[Oxford University Press]], 2008</ref>
Thirty years after its initial publication, [[Greg Bear]] praised ''Stand on Zanzibar'' as a science fiction novel that, unusually, has not become dated since its original appearance: "It's not quite the future we imagined it to be, but it still reads as fresh as it did back in 1968, and that's an amazing accomplishment!"<ref>"Greg Bear: Continuing the Dialog", [[Locus (magazine)|''Locus'']], February 2000, p. 78.</ref> In a retrospective review for ''[[The Guardian]]'' in 2010, [[Sam Jordison]] found the novel a "skilfully realised future dystopia", writing that it allowed Brunner "to express his most interesting ideas regarding corporate ethics, free will, the question of whether scientific progress is always good for humanity and the conflict between the individual and the state".<ref>[https://www.theguardian.com/books/booksblog/2010/feb/26/stand-on-zanzibar-john-brunner "Back to the Hugos: ''Stand on Zanzibar''{{-"}}], ''The Guardian'', February 26, 2010</ref> [[List of Guggenheim Fellowships awarded in 2011|Ursula K. Heise]] declared that "''Stand on Zanzibar'', to some extent, sets the tone for literary texts from the 1980s and 1990s that reengage the issue of population growth against the background of a multitude of interacting political, social, economic, ecological, and technological problems".<ref>Heise, ''Sense of Place and Sense of Planet'', [[Oxford University Press]], 2008</ref>


[[Jonathan Nolan]] was partially inspired by ''Stand on Zanzibar'' in developing the content for the [[Westworld (season 3)|third season]] of the television show ''[[Westworld (TV series)|Westworld]]''.<ref>{{cite web | url = https://www.insider.com/westworld-rehoboam-name-meaning-stand-on-zanzibar-jonathan-nolan-interview-2020-4 |title = Jonathan Nolan reveals the surprising sci-fi reference behind the mysterious 'Westworld' AI system 'Rehoboam' | first = Kim | last =Renfro |date = April 13, 2020 | accessdate = April 14, 2020 | work = [[Insider (website)|Insider]] }}</ref>
[[Jonathan Nolan]] was partially inspired by ''Stand on Zanzibar'' in developing the content for the [[Westworld (season 3)|third season]] of the television show ''[[Westworld (TV series)|Westworld]]''.<ref>{{cite web | url = https://www.insider.com/westworld-rehoboam-name-meaning-stand-on-zanzibar-jonathan-nolan-interview-2020-4 |title = Jonathan Nolan reveals the surprising sci-fi reference behind the mysterious 'Westworld' AI system 'Rehoboam' | first = Kim | last =Renfro |date = April 13, 2020 | access-date = April 14, 2020 | work = [[Insider (website)|Insider]] }}</ref>


==See also==
==See also==
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'''Bibliography'''
'''Bibliography'''
{{refbegin}}
{{refbegin}}
* {{cite book | authorlink = John Clute | last = Clute | first = John | authorlink2 = Peter Nicholls (writer) | first2 = Peter | last2 = Nicholls | title = The Encyclopedia of Science Fiction | location = New York | publisher = St. Martin's Griffin | year = 1995 | isbn = 0-312-13486-X | ref = harv }}
* {{cite book | author-link = John Clute | last = Clute | first = John | author-link2 = Peter Nicholls (writer) | first2 = Peter | last2 = Nicholls | title = The Encyclopedia of Science Fiction | location = New York | publisher = St. Martin's Griffin | year = 1995 | isbn = 0-312-13486-X }}
* {{cite book | authorlink = David Pringle | last = Pringle | first = David | title = The Ultimate Guide to Science Fiction | location = London | publisher = Grafton Books | year = 1990 | isbn = 0-246-13635-9 | ref = harv }}
* {{cite book | author-link = David Pringle | last = Pringle | first = David | title = The Ultimate Guide to Science Fiction | location = London | publisher = Grafton Books | year = 1990 | isbn = 0-246-13635-9 }}
{{refend}}
{{refend}}


Revision as of 00:42, 25 December 2020

Stand on Zanzibar
Cover of first edition (hardcover)
AuthorJohn Brunner
Cover artistS. A. Summit, Inc.
LanguageEnglish
GenreScience fiction, dystopian
PublisherDoubleday
Publication date
1968
Publication placeUnited Kingdom
Media typeHardback & paperback
Pages582
ISBN0-09-919110-5

Stand on Zanzibar is a dystopian New Wave science fiction novel written by John Brunner and first published in 1968. The book won a Hugo Award for Best Novel at the 27th World Science Fiction Convention in 1969, as well as the 1969 BSFA Award and the 1973 Prix Tour-Apollo Award.

Description

Stand on Zanzibar was innovative within the science fiction genre for mixing narrative with entire chapters dedicated to providing background information and worldbuilding, to create a sprawling narrative that presents a complex and multi-faceted view of the story's future world. Such information-rich chapters were often constructed from many short paragraphs, sentences, or fragments thereof—pulled from in-world sources such as slogans, snatches of conversation, advertising text, songs, extracts from newspapers and books, and other cultural detritus.

The narrative itself follows the lives of a large cast of characters, chosen to give a broad cross-section of the future world. Some of these interact directly with the central narratives, while others add depth to Brunner's world. Brunner appropriated this basic narrative technique from the USA Trilogy, by John Dos Passos.[1][2][3] On the first page of the novel, Brunner provides a quote from Marshall McLuhan's The Gutenberg Galaxy that approximates such a technique, entitling it "the Innis mode" as an apparent label.

Title

The primary engine of the novel's story is overpopulation and its projected consequences.[2] The title refers to an early twentieth-century claim that the world's population could fit onto the Isle of Wight—which has an area of 381 square kilometres (147 sq mi)—if they were all standing upright. Brunner remarked that the growing world population now required a larger island; the 3.5 billion people living in 1968 could stand together on the Isle of Man [area 572 square kilometres (221 sq mi)], while the 7 billion people who he (correctly) projected would be alive in 2010 would need to stand on Zanzibar [area 1,554 square kilometres (600 sq mi)].[4] Throughout the book, the image of the entire human race standing shoulder-to-shoulder on a small island is a metaphor for a crowded world.

Structure

As in Dos Passos's work, the chapters are headed by one of several rubrics:

  • "Continuity": Most of the linear narrative is contained in these chapters.
  • "Tracking with Closeups": These are similar to Dos Passos's "Camera" sections, and focus closely on ancillary characters before they become part of the main narrative, or simply serve to paint a picture of the state of the world.
  • "The Happening World": These chapters consist of collage-like collections of short, sometimes single-sentence, descriptive passages. The intent is to capture the vibrant, noisy, and often ephemeral situations arising in the novel's world. At least one chapter of the narrative, a party where most of the characters meet and where the plot makes a significant shift in direction, is presented in this way.
  • "Context": These chapters, as the name suggests, provide a setting for the novel. They consist of imaginary headlines, classified ads, and quotations from the works of the character Chad C. Mulligan, a pop sociologist who comments wryly on his surroundings[3] and in one chapter, actual headlines from the 1960s.

Plot

The story is set in 2010, mostly in the United States. A number of plots and many vignettes are played out in this future world, based on Brunner's extrapolation of social, economic, and technological trends. The key main trends are based on the enormous population and its impact: social stresses, eugenic legislation, widening social divisions, future shock and extremism. Certain of Brunner's guesses are fairly close, others not, and some ideas clearly show their 1960s mindset.

Many futuristic concepts, products and services, and slang are presented. A supercomputer named Shalmaneser is an essential plot element. The Hipcrime Vocab and other works by the fictional sociologist Chad C. Mulligan are frequent sources of quotations. Some examples of slang include "codder" (man), "shiggy" (woman), "whereinole" (where in hell?), "prowlie" (an armoured police car), "offyourass" (possessing an attitude), "bivving" (bisexuality, from "ambivalent") and "mucker" (a person running amok). A new technology introduced is "eptification" (education for particular tasks), a form of mental programming. Another is a kind of interactive television that shows the viewer as part of the program ("Mr. & Mrs. Everywhere"). Genetically modified microorganisms are used as terrorist weapons.

The book centres on two New York men, Donald Hogan and Norman Niblock House, who share an apartment.[2] House is a rising executive at General Technics, one of the all-powerful corporations. Using his "Afram" (African American) heritage to advance his position, he has risen to vice-president at age twenty-six.

Hogan is introduced with a single paragraph rising out of nowhere: "Donald Hogan is a spy". Donald shares an apartment with House and is undercover as a student. Hogan's real work is as a "synthesist", although he is a commissioned officer and can be called up for active duty.

The two main plots concern the fictional African state of Beninia (a name reminiscent of the real-life Benin, though that nation in the Bight of Benin was known as the Republic of Dahomey when the book was written) making a deal with General Technics to take over the management of their country, in a bid to speed up development from third world to first world status. A second major plot is a break-through in genetic engineering in the fictional South East Asian nation of Yatakang (an island nation and a former Dutch colony, like Indonesia), to which Hogan is soon sent by the US Government ("State") to investigate. The two plots eventually cross, bringing potential implications for the entire world.

Books within the book

Quotations from books by Chad C. Mulligan, a former sociologist turned iconoclastic social commentator,[3] appear throughout the novel to illustrate or contrast plot points. The books are:

  • The Hipcrime Vocab, a satirical collection of dictionary pseudo-definitions similar to Ambrose Bierce's The Devil's Dictionary. "Hipcrime" is one of Mulligan's neologisms; his definition in the book is: "You committed one when you opened this book. Keep it up. It's our only hope."
  • You're an Ignorant Idiot, a series of pieces poking holes in "common sense" and received wisdom.
  • Better ? than ?
  • You: Beast, a "popular science" book, condensing the science of mob psychology, population pressure, and biological imperative so that readers living in the increasingly populated world can better understand their own environment.

References to history and geography

  • Puerto Rico, referred to by the nickname "Junior-but-one State", and the Sulu Archipelago—renamed "Isola"—are part of the United States.
  • A Vietnam War-like jungle conflict is being fought in the Philippines between US forces and Chinese units based in Yatakang. The latter is described as being spread over more than 100 islands, the largest of which is Shongao, with an area of 1,790 sq mi (4,600 km2), described as being shaped like a sword. The description closely matches Palawan, which lies between the Philippines and Sabah. The war is being fought by conscripted soldiers, and one of the subplots follows a draftee.
  • Several post-colonial countries in Africa have merged to remove the artificial borders imposed by previous colonial powers. Examples include Dahomalia (Dahomey, Upper Volta and Mali), and RUNG, or the Republican Union of Nigeria and Ghana. These new countries have become economic and military rivals, with the fictional country of Beninia caught in the middle.

Critical reception

Algis Budrys declared that Stand on Zanzibar "takes your breath away," saying that the novel "put[s] itself together seemingly without effort [and] paints a picture of the immediate future as it will, Brunner convinces you, certainly be."[5] James Blish, however, received the novel negatively, saying "I disliked everybody in it and I was constantly impeded by the suspicion that Brunner was not writing for himself but for a Prize. ...A man of Brunner's gifts should have seen ab initio that U.S.A. was a stillbirth even in its originator's hands".[6]

Thirty years after its initial publication, Greg Bear praised Stand on Zanzibar as a science fiction novel that, unusually, has not become dated since its original appearance: "It's not quite the future we imagined it to be, but it still reads as fresh as it did back in 1968, and that's an amazing accomplishment!"[7] In a retrospective review for The Guardian in 2010, Sam Jordison found the novel a "skilfully realised future dystopia", writing that it allowed Brunner "to express his most interesting ideas regarding corporate ethics, free will, the question of whether scientific progress is always good for humanity and the conflict between the individual and the state".[8] Ursula K. Heise declared that "Stand on Zanzibar, to some extent, sets the tone for literary texts from the 1980s and 1990s that reengage the issue of population growth against the background of a multitude of interacting political, social, economic, ecological, and technological problems".[9]

Jonathan Nolan was partially inspired by Stand on Zanzibar in developing the content for the third season of the television show Westworld.[10]

See also

References

Notes

  1. ^ "The Works that Most Influenced Science Fiction, 1963–1992". Retrieved 22 February 2009.
  2. ^ a b c Clute & Nicholls 1995, p. 166–167.
  3. ^ a b c Pringle 1990, p. 295.
  4. ^ This figure turned out to be very close to correct. As of 17 June 2010, the US Census Bureau estimates the world population to be 6,827,700,000. "World POPClock Projection" Archived 5 February 2008 at the Wayback Machine
  5. ^ "Galaxy Bookshelf", Galaxy Science Fiction (May 1969), pp.138–40
  6. ^ "The Future in Books", Amazing Stories, September 1969, p. 122
  7. ^ "Greg Bear: Continuing the Dialog", Locus, February 2000, p. 78.
  8. ^ "Back to the Hugos: Stand on Zanzibar", The Guardian, February 26, 2010
  9. ^ Heise, Sense of Place and Sense of Planet, Oxford University Press, 2008
  10. ^ Renfro, Kim (13 April 2020). "Jonathan Nolan reveals the surprising sci-fi reference behind the mysterious 'Westworld' AI system 'Rehoboam'". Insider. Retrieved 14 April 2020.

Bibliography

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