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  • music editor and the 'temp track' as blueprint for the score, source music, and scource music of films". Popular Music. Cambridge University Press. v t e...
    1 KB (124 words) - 09:21, 1 April 2023
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    (Hetero)sexuality – Diva-ness and Discipline in Electronic Dance Music". Popular Music. Cambridge University Press. Volume 20. Number 3. pp. 349–357. ISSN 0261-1430...
    10 KB (1,051 words) - 08:41, 29 October 2024
  • Frith, Simon (6 February 1998). Performing Rites: On the Value of Popular Music. Cambridge: Harvard University Press. p. 165. ISBN 9780674661967. "Part of...
    6 KB (563 words) - 17:45, 5 November 2024
  • and Social Science, ix (1941), 17–48 D. Brackett: Interpreting Popular Music (Cambridge, 1995) Brøvig-Hanssen, Ragnhild & Danielsen, Anne (2016). Digital...
    51 KB (6,093 words) - 23:43, 3 December 2024
  • google.com. Retrieved 2016-04-15. Moore, Allan F. (2003). Analyzing Popular Music. Cambridge University Press. ISBN 978-1-139-43534-5. Wikiquote has quotations...
    13 KB (1,403 words) - 19:57, 18 October 2024
  • Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press. Holt, Fabian (2007) Genre...
    26 KB (3,481 words) - 09:42, 11 December 2024
  • Thumbnail for The Cars
    Retrieved September 10, 2017. Moore, Allan F. (2003). Analyzing Popular Music. Cambridge, England: Cambridge University Press. pp. 188–190. ISBN 978-0-521-77120-7...
    31 KB (2,819 words) - 01:06, 24 November 2024
  • Research Bibliography in 2012. Moore, Allan, ed. (2003). Analyzing Popular Music. Cambridge University Press. p. 2. ISBN 978-0-521-77120-7. 'Popular musicology'...
    28 KB (3,415 words) - 00:54, 7 December 2024
  • Apothegms and Four Instances, in Allan Moore, ed., The Analysis of Popular Music (Cambridge: Cambridge University Press, 2003), pp. 16–38. Deep Jazz: Notes...
    4 KB (370 words) - 12:40, 30 October 2023
  • JSTOR 3134178 (registration required) "Eileen Southern," by David Horn, Popular Music (Cambridge University Press), Vol. 22, No. 3, October 2003, pps. 378–379;...
    13 KB (1,317 words) - 23:19, 10 December 2024
  • Dealer 9 June 1978: Friday 28 Moore, Allan F. (2003). Analyzing Popular Music. Cambridge, England: Cambridge University Press. pp. 188–190. ISBN 978-0-521-77120-7...
    15 KB (1,484 words) - 23:31, 7 December 2024
  • Retrieved 17 September 2020. Moore, Allen F. (2003). Analyzing Popular Music. Cambridge University Press. p. 67. ISBN 052177120X. "DVD Verdict Review –...
    20 KB (1,953 words) - 00:00, 10 December 2024
  • Through Constant Sorrow". Singing for Themselves: Essays on Women in Popular Music. Cambridge Scholars Publishing, 26 March 2009. p. 56 Stephen Holden 1994 "Dylan's...
    21 KB (2,266 words) - 19:22, 3 December 2024
  • cultural nationalism and the failure of popular musical praxis", Popular Music. Cambridge University Press, 2008, 27:341-365. Komozi Woodard Amiri Baraka...
    5 KB (457 words) - 02:52, 15 March 2023
  • Press. ISBN 978-0-3453-3669-9. Moore, Allen F. (2003). Analyzing Popular Music. Cambridge University Press. ISBN 978-1-1394-3534-5. Sanders, Stephen (2010)...
    13 KB (1,428 words) - 20:05, 14 November 2024
  • ISBN 978-0-7546-4057-8. OCLC 57893942. Moore, Allan F. (June 16, 2003). Analyzing Popular Music. Cambridge University Press. ISBN 978-0-521-77120-7. OCLC 49626566....
    18 KB (1,691 words) - 14:27, 6 August 2023
  • Harper Prism. ISBN 9780061053863. Moore, Alan F. (2009). Analyzing Popular Music. Cambridge University Press. Quayson, Ato (2005). "Postcolonialism and Postmodernism"...
    18 KB (2,279 words) - 14:13, 20 November 2024
  • at the Wayback Machine Home page at nyu.edu Bloomsbury Academic Bloomsbury Popular Music Cambridge University Press NYU Press Palgrave Macmillan v t e...
    4 KB (414 words) - 21:36, 2 January 2024
  • (February 1, 2010). The Producer as Composer: Shaping the Sounds of Popular Music. Cambridge, Massachusetts: MIT Press. p. 77. ISBN 978-0-262-51405-7. Archived...
    111 KB (9,861 words) - 14:58, 26 November 2024
  • 'n' roll, and the musico-linguistic creation of the 'outside'". Popular Music; Cambridge. 33 (2): 243–267. doi:10.1017/S0261143014000294. ISSN 0261-1430...
    10 KB (990 words) - 08:30, 10 November 2024
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