Good Omens (TV series)
Good Omens | |
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Genre | Fantasy comedy |
Created by | Neil Gaiman |
Based on | |
Written by |
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Directed by | Douglas Mackinnon |
Starring | |
Voices of | |
Narrated by | Frances McDormand (series 1) |
Music by | David Arnold |
Country of origin | United Kingdom |
Original language | English |
No. of series | 2 |
No. of episodes | 12 |
Production | |
Executive producers |
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Running time | 45–58 minutes |
Production companies |
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Original release | |
Network |
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Release | 31 May 2019 present | –
Good Omens is a British fantasy comedy series created by Neil Gaiman based on his and Terry Pratchett's 1990 novel of the same name. A co-production between Amazon Studios and BBC Studios, the series was directed by Douglas Mackinnon, with Gaiman also serving as showrunner. Michael Sheen and David Tennant lead a large ensemble cast that also includes Adria Arjona, Miranda Richardson, Michael McKean, Jack Whitehall, Nick Offerman, Brian Cox, Mireille Enos, Jon Hamm, and Frances McDormand as the voice of God, who narrates the series.
Like the novel, Good Omens features various Christian themes and figures and follows various characters all trying to either encourage or prevent an imminent Armageddon, seen through the eyes of the angel Aziraphale and the demon Crowley.
All episodes of the first series were released on Amazon Prime Video on 31 May 2019, and aired weekly on BBC Two in the UK between January 15 and 19 February 2020. Although the show's first series was conceived and marketed as a limited series, it was renewed for a second series in June 2021; Sheen and Tennant returned, along with most of the crew. The second series was released in its entirety on Amazon Prime Video on 28 July 2023.
Premise
The first series, set in 2018, follows the demon Crowley (David Tennant) and the angel Aziraphale (Michael Sheen), longtime acquaintances who have grown accustomed to each other's company, and to a pleasant life on Earth as representatives of Heaven and Hell, and who have agreed not to let the conflict between their sides prevent their friendship. When told that Armageddon is about to happen – the final battle between heaven and hell – they team up to prevent the coming of the Antichrist and the end of the pleasant existence they enjoy on Earth.[1]
The second series, set post-lockdown, concerns the Archangel Gabriel arriving without his memories to Aziraphale's workshop. Aziraphale and Crowley attempt to find out what happened to Gabriel and to also hide him from Heaven and Hell, both of which are eager to find him.[2]
Cast and characters
Main
Starring
- Michael Sheen as Aziraphale, an angel who has lived on Earth since the dawn of creation. He guarded the East gate entrance to the Garden of Eden with a flaming sword, which he gave to Adam and Eve on their expulsion from the Garden out of concern for their well-being. He has grown to love the finer things of human life, enjoys haute cuisine and owns an antiquarian bookshop in London.
- David Tennant as Crowley, a demon who has lived on Earth since the dawn of creation. Originally called "Crawly", he is the Serpent who tempted Eve with the apple from the tree of knowledge of good and evil.[3]
- Sam Taylor Buck as Adam Young (series 1), the reluctant Antichrist accidentally placed in the custody of the Young family.
- Jon Hamm as Gabriel, the leader of the forces of Heaven. While Gabriel was only mentioned once in the original novel, his role was meant to be expanded in the unfinished sequel to Good Omens; Gaiman incorporated parts of the planned sequel into the TV series's plot.[1] In the novel, the leader of the forces of Heaven was the Metatron.
Recurring co-stars
- Daniel Mays as Arthur Young (series 1), father of Adam.
- Siân Brooke as Deirdre Young (series 1), mother of Adam.
- Ned Dennehy as Hastur (series 1), a demon.
- Ariyon Bakare as Ligur (series 1), a demon.
- Nick Offerman as Thaddeus Dowling (series 1), the US Ambassador to the UK and father of Warlock.
- Anna Maxwell Martin (series 1) and Shelley Conn (series 2) as Beelzebub, the leader of the forces of Hell.
- Nina Sosanya as:
- Sister Mary Loquacious (series 1), a nun of the Chattering Order of St. Beryl, a satanic order of nuns who had to switch a human baby with the Antichrist. After the convent burns down, she becomes manager of the business management centre established on the same site.
- Nina (series 2), a coffee shop owner across the street from Aziraphale's bookstore.
- Maggie Service as:
- Sister Theresa Garrulous (series 1), a nun of the Chattering Order of St. Beryl.
- Maggie (series 2), Aziraphale's tenant and a record shop owner.
- Doon Mackichan as Michael, an archangel.
- Frances McDormand as the voice of God, the narrator of the first series.
- Adria Arjona as Anathema Device (series 1), Agnes Nutter's last descendant and an occultist who eventually teams up with Newton Pulsifer to try and stop the end of the world.
- Miranda Richardson as:
- Madame Tracy (series 1), a part-time medium and courtesan.
- Shax (series 2), a demon and confidante of Crowley's.
- Michael McKean as Witchfinder Sergeant Shadwell (series 1), the last officer of the once-proud witchfinder army.
- Jack Whitehall as Newton Pulsifer (series 1), a struggling computer engineer and descendant of witchfinder Thou-Shalt-Not-Commit-Adultery Pulsifer.
- Whitehall also portrays Thou-Shalt-Not-Commit-Adultery Pulsifer, the witchfinder who burned Agnes Nutter at the stake.[3]
- Mireille Enos as War (series 1), one of the Four Horsemen of the Apocalypse that appears in the form of war correspondent Carmine "Red" Zingiber.
- Bill Paterson as R.P. Tyler (series 1), a member of the Tadfield Neighbourhood Watch and neighbour of the Young family.
- Yusuf Gatewood as Famine (series 1), one of the Four Horsemen of the Apocalypse who appears in the form of dietician and entrepreneur Raven Sable.
- Lourdes Faberes as Pollution (series 1): one of the Four Horsemen of the Apocalypse and appears in the place of Pestilence who has retired as a Horseman upon the discovery of penicillin.
- Brian Cox as Death (series 1), one of the Four Horsemen of the Apocalypse. Jamie Hill physically performs the character while Cox voices him.[4]
Featured
Actors credited in the opening titles of episodes in which they play a significant role.
- Steve Pemberton and Mark Gatiss as Glozier and Harmony respectively, book-buyers for der Führer during World War II.
- Reece Shearsmith as William Shakespeare
- David Morrissey as Captain Vincent, the captain of the cruise ship that runs aground on Atlantis.
- Simon Merrells as Leslie the International Express Man, a man who helps summon the Four Horsemen of the Apocalypse.
- Derek Jacobi as Metatron, the spokesperson for God.
- Johnny Vegas as Ron Ormerod
- Andy Hamilton as the voice of Hell's Usher.
- Benedict Cumberbatch as Satan, the ruler of Hell; Niall Greig Fulton performs motion-capture for the character while Cumberbatch voices him.
Recurring and guest
- Samson Marraccino as Warlock Dowling: the son of the Dowlings, mistakenly thought to be the Antichrist; he's actually Arthur and Deirdre Young's birth son.
- Jill Winternitz as Harriet Dowling: wife of Thaddeus and mother of Warlock.
- Paul Chahidi as Sandalphon (series 1), an Archangel.
- Josie Lawrence as Agnes Nutter, the last true witch in England. Lawrence reprises her role from the Good Omens radio adaptation.
- Amma Ris as Pepper: one of Adam's friends.
- Ilan Galkoff as Brian: one of Adam's friends.
- Alfie Taylor as Wensleydale: one of Adam's friends.
- Gloria Obianyo as Uriel, an Archangel.
- Nicholas Parsons and Elizabeth Berrington as Dagon (series 1). Parsons voices him in episode 1 while Berrington portrays Dagon in episodes 5 and 6.
- Liz Carr as Saraqael (series 2), an Archangel.
- Peter Davison as Job (series 2)
- Andi Osho as Sitis, Job's wife (series 2)
- Sienna Arif-Knights as Keziah, daughter of Job (series 2)
- Cherry Mitra as Jemimah, daughter of Job (series 2)
- Ty Tennant as Ennon, son of Job (series 2)
Jonathan Aris appears as the Quartermaster Angel: an angel who gears up the angels for Armageddon. Adam Bond portrays Jesus, whose crucifixion is witnessed by Crowley and Aziraphale. Sanjeev Bhaskar portrays Giles Baddicombe, a lawyer. Steve Oram plays Horace, a motorist on the M25 hypnotised and burned alive by Crowley's sigil. Paul Kaye and Ben Crowe make vocal cameos: Kaye as a spokesman for an electricity board (impersonating the voice of Terry Pratchett) and Crowe as Freddie Mercury. Jayde Adams and Jenny Galloway play participants at Madame Tracy's seance. Dan Starkey plays a passerby comforting Aziraphale. Alistair Findley and Jim Meskimen cameo as George W. Bush with Findley physically portraying Bush and Meskimen voicing him. Kirsty Wark, Paul Gambaccini and Konnie Huq cameo as TV presenters. James Naughtie cameos as a radio presenter. Neil Gaiman cameos as a sleeping man in the cinema. Terry Pratchett's iconic hat and scarf appear in Aziraphale's bookshop.
Episodes
Series | Episodes | Original release date | Originally aired (UK) | ||
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First aired | Last aired | ||||
1 | 6 | 31 May 2019 | 15 January 2020 | 19 February 2020 | |
2 | 6 | 28 July 2023 | TBA | TBA |
Series 1 (2019)
No. overall | No. in series | Title | Directed by | Written by | Original release date | Original UK air date | |
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1 | 1 | "In the Beginning" | Douglas Mackinnon | Neil Gaiman | 31 May 2019 | 15 January 2020 | |
The angel Aziraphale and demon Crowley meet for the first time at the Garden of Eden as Adam and Eve are expelled after Crowley tempts them with an apple. Fast forward 11 years before Armageddon. Crowley delivers the Antichrist to a satanic convent, where the baby is to be given to an American diplomat and his family. However, a mix-up occurs and the Antichrist ends up with a middle-class English family, the Youngs. Crowley and Aziraphale meet to discuss the coming apocalypse. Aziraphale reluctantly agrees to work with Crowley. They decide that if each works to influence the boy Warlock, whom they believe to be the Antichrist, he will be neither good nor evil, just normal. In the present day, Crowley and Aziraphale attend his 11th birthday party but realize they have the wrong boy when the hellhound fails to appear. Meanwhile, the hellhound has found his master, Adam Young. Adam names him "Dog" (which changes him into a small terrier), unknowingly initiating Armageddon. | |||||||
2 | 2 | "The Book" | Douglas Mackinnon | Neil Gaiman | 31 May 2019 | 22 January 2020 | |
Aziraphale assures his superiors Gabriel and Sandalphon all is well with the Antichrist. A parcel delivery man is sent to gather the Four Horsemen of the Apocalypse; War, in the form of a war correspondent, receives an ancient sword. In 1656, the prophetess Agnes Nutter is burned at the stake by Witchfinder Thou-Shalt-Not-Commit-Adultery Pulsifer; Agnes causes an explosion, killing everyone present. Her book, The Nice and Accurate Prophecies of Agnes Nutter, Witch, is left to her family and passed through the generations. Agnes' descendant, American occultist Anathema Device, studies the prophecies to find the Antichrist and save the world. Pulsifer's descendant, Newt, meets Shadwell, a modern-day witchfinder. Invited to join his crusade, Newt meets Shadwell's landlady, Madame Tracy, a part-time escort, and faux-medium. Visiting the former convent, now a corporate management retreat, Aziraphale and Crowley learn that all records were destroyed in a fire. Drawn to Tadfield, Anathema meets Adam and his friends. Aziraphale and Crowley collide with Anathema on the road and give her a lift home. She mislays her book in Crowley's car and Aziraphale reads it, realizing he holds the key to finding the Antichrist. | |||||||
3 | 3 | "Hard Times" | Douglas Mackinnon | Neil Gaiman | 31 May 2019 | 29 January 2020 | |
A series of historical events highlights Aziraphale and Crowley's growing relationship ranging from Noah's Ark and the Crucifixion of Jesus through the 1960s Soho. They cross paths in Ancient Rome, Medieval England, Shakespeare's Globe Theatre, Revolutionary France, and London during the Blitz. During their time together they come to an arrangement that lets each do some of the other's work, saving time and travel. In the present day, at Jasmine Cottage, Adam and Dog find Anathema, upset at losing her book. Inviting them inside, she discusses environmental issues, which fascinate Adam. He leaves with a stack of magazines. Aziraphale and Crowley separately contract Shadwell to locate the Antichrist. Newt, the sole member of the "army" is sent to investigate the village of Tadfield. The second Horseman, Famine, in the form of Dr. Raven Sable, receives his package, a set of scales. Crowley and Aziraphale meet to discuss progress on finding the Antichrist. Aziraphale sidesteps the question of knowing his whereabouts. They argue and Aziraphale ends their "arrangement". That night, Adam falls asleep after poring over the magazines. His latent powers cause a nuclear reactor's core to vanish and be replaced with a sherbet lemon. | |||||||
4 | 4 | "Saturday Morning Funtime" | Douglas Mackinnon | Neil Gaiman | 31 May 2019 | 5 February 2020 | |
Adam's dreams bring several magazine articles to life, including Atlantis and the Kraken. His controlling behavior worries his friends. Aziraphale fails to convince Gabriel to stop Armageddon while his superiors question Aziraphale's loyalty after seeing proof of his meetings with Crowley. Crowley tries to talk Aziraphale into leaving Earth together. The last two Horsemen, Pollution and Death, are summoned. Driving to Tadfield, Newton crashes his car, and Adam and his friends take him to Anathema's cottage. Warlock's family arrives in Megiddo. There is no hellhound and Hastur realizes Crowley lied about the Antichrist. Hastur and Ligur confront Crowley at his apartment where Ligur is destroyed by holy water. Aziraphale phones Crowley admitting he's found the Antichrist, but Crowley is preoccupied with Hastur and hangs up. Hastur becomes trapped in Crowley's answering machine while Crowley grabs his keys and runs out. On the street, the angels Michael, Sandalphon, and Uriel physically confront Aziraphale, accusing him of "consorting with the enemy". At his bookshop, Aziraphale contacts God to try to stop Armageddon. Shadwell watches through the letterbox and believing he is a demon, enters and confronts Aziraphale, who accidentally steps into the open portal and is transported to Heaven. As Shadwell leaves, he slams the door knocking over a candle, which ignites the bookshop. | |||||||
5 | 5 | "The Doomsday Option" | Douglas Mackinnon | Neil Gaiman | 31 May 2019 | 12 February 2020 | |
Crowley races through London to find the bookshop in flames, with no sign of Aziraphale. In Heaven, Aziraphale refuses to join the war and, determined to stop Armageddon, leaves without a body. Crowley is getting drunk in a pub when Aziraphale's apparition appears. He learns his bookshop has burned down, but Crowley saved Agnes Nutter's book, with which Aziraphale worked out who and where the Antichrist is. They arrange to meet at Tadfield Airbase after Aziraphale finds a body to inhabit. He chooses Madame Tracy's body during a seance and convinces her and Shadwell to help stop Armageddon. Crowley is stuck on the M25 as a ring of fire surrounds London. Hastur, having escaped from the answering machine, appears next to him. Crowley drives the Bentley through the flames, using his imagination to believe the car is not on fire, while Hastur, without any imagination, is discorporated and returned to Hell. Adam comes fully into his powers, scaring away his friends and Dog. This rejection returns Adam to his "human self". Anathema and Newt arrive at the air base, joining Shadwell, Aziraphale/Madame Tracy, Adam, and his friends. The Four Horsemen arrive and take over the base's global communications hub. Crowley arrives in his flaming Bentley as Adam declares: "I'M HERE." | |||||||
6 | 6 | "The Very Last Day of the Rest of Their Lives" | Douglas Mackinnon | Neil Gaiman | 31 May 2019 | 19 February 2020 | |
Aziraphale is ready to shoot Adam, but the weapon fires into the air when Madam Tracy cannot let him shoot a child. Learning they are two people in one body, Adam separates them. His friends defeat War, Pollution, and Famine, while Death takes his leave. Lord Beelzebub and Gabriel appear to ensure Adam re-starts Armageddon according to God's Great Plan, but he refuses. Aziraphale steps forward and asks if the Great Plan and God's ineffable plan are the same thing. Realizing they are not sure, both sides stand down. Satan emerges, but is renounced by Adam who restores the world including Aziraphale's bookshop, Crowley's Bentley, and the lives recently lost. Found guilty of treason by their respective superiors, Aziraphale is ordered to be destroyed by hellfire, and Crowley is forced to enter a tub of holy water. To everyone's shock, both survive unharmed. Afraid of what Crowley and Aziraphale have become, Heaven and Hell agree to leave them alone on Earth. Sitting on a park bench, Aziraphale and Crowley switch back to their original bodies - Agnes Nutter's final prophesy stated "you must choose your faces wisely" providing the key to surviving their death sentences. Anathema receives an updated book of prophecies but decides to destroy it and get on with her life. Adam still has his abilities. Madame Tracy and Shadwell decide to retire together in a cottage outside of London. The series ends with Aziraphale and Crowley enjoying lunch at the Ritz, making a toast "to the world". |
Series 2 (2023)
No. overall | No. in series | Title | Directed by | Written by | Original release date | Original UK air date | |
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7 | 1 | "The Arrival" | Douglas Mackinnon | Neil Gaiman and John Finnemore | 28 July 2023 | TBA | |
In the beginning, the angel Crowley creates the universe, and grows deeply disappointed when the angel Aziraphale informs him that his creation is intended merely for the entertainment of humans, and will be destroyed in 6000 years. In modern times, the Archangel Gabriel arrives naked and without any memories to Aziraphale's bookshop, carrying only a large box with a fly inside. Meanwhile, up in heaven, Gabriel has disappeared, and both Heaven and Hell are eager to find him. Aziraphale and Crowley perform a miracle to hide Gabriel from Heaven and Hell, but accidentally tip off Heaven to the location of Gabriel. | |||||||
8 | 2 | "The Clue" | Douglas Mackinnon | Neil Gaiman and John Finnemore | 28 July 2023 | TBA | |
In 2500 BCE, God sends Job horrific disasters intended to test Job's faith. Hell sends Crowley to carry out the destruction of everything Job loves. Aziraphale, feeling pity for him, is horrified by the prospect of destroying Job's children, and he and Crowley trick the angels into thinking that Job's children are dead (in reality they are alive but temporarily hidden in the form of lizards). Aziraphale feels great guilt for thwarting the will of God, and wonders if he did the right thing. | |||||||
9 | 3 | "I Know Where I'm Going" | Douglas Mackinnon | Neil Gaiman and John Finnemore | 28 July 2023 | TBA | |
Heaven sends an angel, Muriel, who tries to blend in as a human constable (in vain); the pair trick Muriel into believing that Aziraphale enchanted a human woman into falling in love. In 19th century Edinburgh, Crowley and Aziraphale chance upon a poor girl, Elspeth, who robs graves and sells the corpses to doctors to make money to support herself and her friend Morag. Aziraphale believes this is wrong, and Crowley argues that the circumstances of Elspeth's life have pushed her to do bad things and thus she cannot be judged harshly for trying to survive. Aziraphale sabotages her. However, after speaking with a doctor, who explains that he buys corpses to better study how to treat living humans, he changes his mind about Elspeth's deeds. Elspeth, Morag, Crowley, and Aziraphale go to a graveyard to try to dig up another corpse, but Morag accidentally triggers a lethal trap and is killed. After selling Morag's corpse to a doctor, Elspeth tries to die by poison, but Crowley drinks it instead, gets drunk, and encourages Elspeth to live a better life. In the present day, Aziraphale tries to investigate what happened to Gabriel. | |||||||
10 | 4 | "The Hitchhiker" | Douglas Mackinnon | Neil Gaiman and John Finnemore | 28 July 2023 | TBA | |
The demon Shax hitchhikes in Crowley's Bentley as Aziraphale is driving it and figures out that Gabriel is hiding in the bookshop. She informs Beelzebub, and they plan to storm the bookshop. Meanwhile in the 1940s, three Germans (who were also present in the first season) go to Hell. An official of Hell offers to resurrect them as zombies, in order to spy on Crowley and Aziraphale and gain proof that the two are consorting and present the proof to Hell, in exchange for the Germans avoiding eternal damnation. Aziraphale gets invited to perform magic on the West End, and plans to perform a dangerous trick that may be lethal. The official blocks the abilities of Crowley and Aziraphale to perform miracles, yet, with the help of Crowley, Aziraphale successfully performs the trick. The zombies summon the official and he successfully gains his proof in the form of a photo, but Aziraphale switches the photo with a West End poster, making a fool out of the official. | |||||||
11 | 5 | "The Ball" | Douglas Mackinnon | Neil Gaiman and John Finnemore | 28 July 2023 | TBA | |
Aziraphale hosts a party in the style of a ball, inviting all the shop owners on the street. Shax gathers 70 demons and prepares to storm the bookshop, but cannot cross the threshold of the shop (due to it belonging to an angel). Shax threatens to kill all the humans in the shop unless they surrender Gabriel. Gabriel surrenders himself, but the demons don't recognize him due to the miracle Aziraphale and Crowley performed in episode 1, and continue to threaten to murder the humans. Crowley stalls for time and evacuates the humans, and at the end of the episode, forces Muriel to arrest him and bring him to heaven. | |||||||
12 | 6 | "Every Day" | Douglas Mackinnon | Neil Gaiman and John Finnemore | 28 July 2023 | TBA | |
While Aziraphale and two humans, Nina and Maggie, fend off the demons, Crowley discovers the reason for Gabriel's disappearance: he refused to support Armageddon, and was demoted from his position as an Archangel and wiped of all his memories. He returns to the bookshop, where Aziraphale has successfully fended off the demons and accidentally declared war on hell. Beelzebub appears, revealing Gabriel's memories were hidden inside of the fly inside of the box Gabriel was carrying, and Gabriel's memories - including those of him conducting a romance with Beelzebub - are restored. He and Beelzebub choose to abandon Heaven and Hell and leave, presumably for Alpha Centauri. Meanwhile, the Metatron offers to Aziraphale Gabriel's former position and the ability to restore Crowley's status as an angel. At Nina and Maggie's urging, Crowley prepares to confess his feelings to Aziraphale. Aziraphale tells him what has been offered, and Crowley begs him not to return to Heaven and instead abandon Heaven and Hell with him, just as Gabriel and Beelzebub did. Aziraphale begs Crowley to come to Heaven with him. They kiss. Aziraphale chooses to leave Earth and Crowley to go work for Heaven, although the Metatron informs him that his task will be to enact the Second Coming. |
Minisodes
No. | Title | Directed by | Written by | Original release date | |
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1 | "Good Omens: Lockdown" | Douglas Mackinnon | Neil Gaiman | 1 May 2020 | |
Aziraphale and Crowley talk over the phone about how they’re dealing with the lockdown, during the COVID-19 pandemic. | |||||
2 | "A Companion to Owls" | Douglas Mackinnon | John Finnemore | 28 July 2023 | |
In 2500 BCE, Crowley is sent to torment Job. Aziraphale discovers Crowley has permission from God, who is trying to settle a bet with Satan. Crowley and Aziraphale end up working together to save Job’s children, leading to Aziraphale’s first taste of earthly pleasures, and his first defiance of Heaven. Presented as part of “The Clue”. | |||||
3 | "The Resurrectionists" | Douglas Mackinnon | Cat Clarke | 28 July 2023 | |
In 1827 Edinburgh, Aziraphale and Crowley encounter a poor grave robber and find the line between good and bad deeds on Earth isn’t always clear. | |||||
4 | "Nazi Zombie Flesheaters" | Douglas Mackinnon | Jeremy Dyson and Andy Nyman | 28 July 2023 | |
In 1941 London, Crowley comes to Aziraphale’s aid when his books and magic career are threatened by three Nazis resurrected by Hell as zombies. |
Good Omens: Lockdown was released via YouTube close to the thirtieth anniversary of the original novel’s publication. The series two minisodes are not released separately, but incorporated into episodes two, three and four as extended flashbacks.
Production
Development
Pratchett and Gaiman had planned to adapt Good Omens as a movie for years, with various directors and writers attached to the project along the way. In 2011, a television series, written by Terry Jones and Gavin Scott, was first reported to be in the works but no further plans were announced.[5] After Pratchett's death, Gaiman refused to ever consider working on the adaptation alone but changed his mind when he received a letter from Pratchett, written to be sent after his death, urging him to finish the project.[6]
On 19 January 2017, it was announced that Amazon Prime Video had given a green-light to a television series adaptation of the novel to be co-produced with the BBC in the United Kingdom. Executive producers were set to include Gaiman, Caroline Skinner, Chris Sussman, Rob Wilkins, and Rod Brown. Gaiman was also set to adapt the novel for the screen and serve as showrunner for the series. Production companies involved with the series were slated to consist of BBC Studios, Narrativia, and The Blank Corporation. Distribution of the series was to be handled by BBC Worldwide.[7]
On 29 June 2021, the series was renewed for a second series consisting of six episodes.[8]
Casting
On 14 August 2017, it was announced that Michael Sheen and David Tennant had been cast in the lead roles of Aziraphale and Crowley, respectively.[9] On 14 September 2017, Gaiman revealed on Twitter that Nina Sosanya, Ned Dennehy, and Ariyon Bakare had joined the main cast.[10] A day later, Jack Whitehall, Michael McKean, Miranda Richardson, and Adria Arjona were announced as series regulars.[11] A week after that, Sam Taylor Buck, Amma Ris, Ilan Galkoff, Alfie Taylor, Daniel Mays, and Siân Brooke were also cast.[12] In October 2017, it was reported that Jon Hamm, Anna Maxwell Martin, Mireille Enos, Lourdes Faberes, and Yusuf Gatewood had joined the main cast.[13][14] In November 2017, it was reported that Reece Shearsmith and Nicholas Parsons had also been cast.[15][16] On 15 December 2017 it was reported that Derek Jacobi would voice the Metatron.[17]
On 9 February 2018 it was announced that Steve Pemberton and Mark Gatiss had joined the series.[18] On 6 March 2018, it was announced that Nick Offerman had been cast in a series regular role.[19] On 20 July 2018, it was announced during Amazon's San Diego Comic-Con panel that Frances McDormand had been cast as the voice of God as well as the series' narrator.[20] On 13 February 2019, Neil Gaiman announced that Benedict Cumberbatch would voice Satan, with the character itself being computer-generated imagery (CGI).[21]
Filming
The 109 days of principal photography for the series took place over a six-month period beginning 18 September 2017 and ending in early March 2018.[22][23] Shooting began throughout the UK with subsequent filming taking place in and around Cape Town, South Africa.[23] In October 2017, the production was spotted filming in Surrey.[24] The series also filmed in St James's Park and Tavistock Square in London and Hambleden.[25] The Soho area of London representing the street and Aziraphale's bookshop was created and shot in Hertfordshire at Bovingdon Airbase.[23] A vacant building in Weybridge, Surrey served as Heaven's corporate headquarters, and Hogback Wood, the location for Adam and his friends, was also filmed in Surrey. Bulstrode Park, just outside Gerrards Cross in Buckinghamshire, with its mansion and grounds, was used for the satanic convent/hospital and later the corporate training center. The American Army base was located and filmed in Upper Heyford, in Oxfordshire. The Weald and Downland Living Museum in West Sussex was used to film Agnes Nutter's burning at the stake. It was shot over a two-day period in October 2017.[22]
The car in the novel is a 1926 Bentley, but neither Gaiman nor Pratchett really knew what a 1926 model looked like when they wrote Good Omens. For the television series, a 1933 model which had more of the look Gaiman had in mind was used.[26] The Bentley used in filming is valued at £250,000.[22] The second series began filming in later 2021 in Scotland.[27]
Title sequence
Good Omens' opening title sequence, created by the London-based Peter Anderson Studio, features music by David Arnold.[28] When Douglas Mackinnon approached Anderson about the title sequence, Mackinnon said that he wanted something "over the top". His idea was to communicate the coming of Armageddon while also showing the humor and "fantastical tone", Crowley and Aziraphale's friendship, and the idea that good and evil are in everyone.[29] The project was a new style of design by Anderson and his studio, and a unique design for a television series. Anderson described the result as "a totally bonkers mishmash of all animation styles in a way where they feel as if they belong together".[30][31]
The actual production used physical props, animation, illustration, 3D and some live-action motion, to depict the approaching apocalypse and clash between Heaven and Hell.[31] Studio employees were filmed in costume, on green screen; they were then cut out and animations were created.[31] Each of the characters has either Crowley's or Aziraphale's face.[29]
The title sequence incorporates all the characters from the series as they move towards the Apocalypse.[30] Included are Crowley's Bentley in front of Aziraphale's bookshop, the Chattering Order of St. Beryl's nuns, Shadwell and Madame Tracy, the hellhound, flying saucers, the appearance of Death, and the Four Horsemen of the Apocalypse. Crowley's work on London's M25 is featured in the parade, along with various towns and areas of the world.[32] In the end, characters fall from earth, landing either in Heaven or Hell,[30] leading into the Good Omens title artwork.[29] The entire sequence runs one minute and 40 seconds.[30]
Costumes
Claire Anderson was costume designer for Good Omens.[33] She received a 2019 Emmy nomination for Outstanding Fantasy/Sci-Fi Costumes for Episode 3, Hard Times.[34] Early design centered on main characters Aziraphale and Crowley; Anderson worked closely with actors Michael Sheen and David Tennant to design their modern-day looks.[22] Once created, they were an important influence on their other attire throughout history.[33]
Crowley's look reflects his transformation into human form from a serpent. The costume is modern, black, almost goth-like in style, including a "snake head" belt buckle. He often wears dark glasses to conceal his serpent eyes.[35] His outfits always have a hint of red, including red soles on his shoes or red lining on his gloves, representing his demon snake's red belly. His jackets had a red lining on the underside of the collar.[36] Aziraphale's outfits were the opposite of Crowley's, reflecting his ethereal nature.[35] His angel-inspired costumes included cuff-links, a signet ring, and a pocket watch, all containing angel wings.[36] His off-white color palette and style maintained a Victorian Era look through modern times, with oversized lapels and shoulders representing his Angel wings.[36]
Other costume inspirations came from details described in the Pratchett/Gaiman 1990 book. The modern-day character, Anathema Device, distantly related to prophetess Agnes Nutter, wears a Victorian "witchy look." Actor Jack Whitehall, as would-be witch-hunter Newt Pulsifer, was dressed with coat badges and epaulets with the accent color mustard, merging modern geeky Newt with his 17th-century ancestor.[22] He also wanted the "odd socks" from the book incorporated into his costume.[33] Claire Anderson's idea for Jon Hamm, as Angel Gabriel, was to look perfect. She found the material on Bond Street; it was "light, ethereal and ephemeral."[37] The suits were cashmere and made by Italian label Zegna. Hamm wore lilac contact lenses to emphasize the lilac in his "pearl gray" suit.[37] The Satanic Nuns of the Chattering Order's costumes were created to look like regular nun habits but with a demonic undertone. Anderson looked at nuns through the years and chose to use "peaky hats", which had a more witch-like feeling rather than an evil one.[22] The costumes included a luciferian pendant and symbolic watches.[36] The demons from Hell, Lord Beelzebub, Duke Hastur and Ligur, wore carefully blackened clothing with shredded hems to appear as if scorched in Hell.[22] Mr and Mrs. Young, the Antichrist Adam's parents, were dressed in a nostalgic, "timeless and comforting" 1950s look to represent their dependability. Anderson used her own parents' friends as inspiration.[22] Sergeant Shadwell is "grubby", wearing drab colors reflecting it. His defining look is a jacket with elements of a uniform to represent his Witchfinder Army role.[22] Madame Tracy wore costumes reflecting her dual jobs as psychic reader and sex worker. "Flowing gowns" and colours reflecting "kookiness" were used for her mystic persona, while an ostentatious kimono represented her "lady of the night" role.[22] Many costumes had visual effects, added later, which required small tape markers in the shape of green crosses on people's bodies.[38]
The cold opening, featuring a flashback through history in Episode 3, required costumes representing historical periods from the Garden of Eden in 4004 BC to Soho, London in 1967.[39] Anderson took inspiration from pre-Raphaelite paintings, and from hippie clothes from the movie Serpico.[39] Throughout the epochs, each costume reflected the period as well as the Angel/Demon aspect of the characters. The scene with Crowley and Aziraphale in armor has black throughout Crowley's armor while Aziraphale's is silvery and light.[36] A snakeskin-like texture is part of the robes and gowns Crowley wears in ancient times.[35]
Special effects
London-based Milk VFX was chosen to create all the visual effects for Good Omens.[40] Jean-Claude Deguara, co-founder, began work in the pre-production, pre-script stage of the series. During pre-production, the six scripts were broken down to work out how the visual effects (VFX) could interact effectively with the story in each episode.[41] Neil Gaiman was a constant source of help as he could quote from the book to help with creative decisions.[41] The goal was to use in-camera shots wherever possible.[22] The Noah's Ark scene in Episode 3 used live-action elements wherever possible, including the smaller animals; larger animals were added in post-production.[42] Special effects were to be used as part of the scene and "grounded in reality", not to stand out on their own. Sixty visual-effect specialists, the most Milk had used on a single project, worked over a two-year period to create a wide range of effects;[42] 650 CGI shots were created for the six episodes.[43] Post-production time was five months.[41]
Deguara and his crew created a wide range of effects including creatures, environments, and fire.[42] Among the environments created was a penthouse for Heaven with "ever-changing" views of the famous landmarks of the world.[22] The escalator to Hell was filmed in a modern office building in London using real-time cinematography as well as a green screen for special effects depicting Crowley's descent from the lobby.[22] The Soho site for Aziraphale's bookshop, built at Bovington Airfield, used a green screen to extend the streets in post-production. The site was used because Aziraphale's bookshop had to burn down with real fire, not just visual effects, which wasn't possible in Soho.[22] The opening scene of Episode 1 at the Garden of Eden, filmed in South Africa, included "many green screen and interactive VFX" to create a big visual effects scene.[44] Episode 4 featured a visual effect of Crowley (David Tennant) flying through the telephone system, chased by Hastur, the Duke of Hell (Ned Dennehy).[22] Tennant was in a rig that allowed him to "twist and roll at speed", while Dennehy used a wire. Digitally-created "glitch-type movements" were created to make Tennant's part look realistic and to hide the rig.[41]
Crowley's Bentley, prominently seen through the series, is often shown racing through London at speeds over 100 mph.[42] The car had to look authentic, but no real Bentley would have been able to go this fast.[26] The filming was one of the first effects Milk VFX learned about. After locating a real Bentley, CGI assets were created for the scenes on the street as well as inside the Bentley.[42] The car used is actually a combination of five different CGI, real, and built versions. The Bentley that blew up in Episode 6 is real; the interior was removed and the exterior blown up.[26] Rather than using digital effects to create the scenery as Crowley is driving, director of photography Gavin Finney used an older technique called rear projection. Films are first made of passing scenery from all sides of a moving vehicle; then, on the set, the filmed scenes are projected onto a screen. Finney explained: "It means you see the footage as well as reflections on the glass or the driver's face, say as the vehicle goes under trees, while it also works as a lighting source."[22]
The model for the hellhound was a Great Dane dog with similar coloring to the small dog used later.[42] Using a blue screen, the live dog was filmed, then partially enlarged in CGI to create the monstrous head and neck.[45] The effect was used for a couple of scenes, but the transformation to a small dog used a real dog.[42] The final episode features a confrontation between Adam Young, the child Antichrist, and Satan, his "father who is no longer in Heaven". The original concept of Satan was much more "hellish"; however, Neil Gaiman wanted a more human form of the 500-foot-tall creature, rather than including "hellfire" and over-the-top demonic action.[46] Certain effects were scaled back in the rise of Satan from Hell so that the focus became the more "human" interaction between a father and a rebellious son who rejects him.[47] Sound effects, such as body sounds, rocks, and moving earth, were used to emphasize Satan's size and power.[47] Other visual effects included a short demon named Usher, sacrificed to test holy water; a kraken rising in the sea; wings for Crowley and Aziraphale; and maggots overwhelming a call center when Hastur escapes after being trapped in Crowley's voicemail.[46] Crowley's snake eyes were created using contact lenses for the most part, but were digitally enhanced for close-ups.[42]
Music
Good Omens features music written by Emmy winning composer David Arnold, along with quite a few Queen songs throughout the series. Arnold received two Emmy nominations for Outstanding Main Title theme and for the episode "In the Beginning."[48] He said his work on Good Omens was unlike any he had done.[48] "It might be the hardest I've worked on anything."[48] He described the series as "a universe-sized show in need of a universe-sized score."[49] He called the opening theme "a kind of wicked, slightly, devilish, Mephistophelean waltz—it has a feeling of twirling, out-of-control-ness."[50] He rewrote the main theme for each episode to reflect what happened in it.[51]
Arnold used unusual instrumentation to create themes for episodes and themes,[48] including lutes, lyres, bass brass and drums, and harps, depending on their imagery or emotion.[48] He wanted to combine "heavenly" and "satanic" elements so that when something sounded good, there was also an element of bad. He said, "Whenever there was a sweet violin, there would be its nasty brother lurking alongside it.[51] The use of Queen's music, reflecting a running gag of the novel where every tape Crowley put on this car stereo turned out to be of said band,[52] included a brass band arrangement of "Lazing on a Sunday Afternoon". Arnold was a Queen fan as a teenager, studying how they created sounds,[49] and said the choirs and chorale sounds in certain parts of the series reflected this influence.[48]
Release
The six episodes of the first series were released on Amazon Prime Video on 31 May 2019,[53] and aired weekly on BBC Two between January 15 and 19 February 2020.[54][55]
David Tennant and Michael Sheen reprised their respective roles in voice-only form for a 3-minute short titled "Good Omens: Lockdown" which was released on YouTube on 1 May 2020. The short imagines how their characters might be doing in isolation during the COVID-19 pandemic.[56]
The second series was released in its entirety on Amazon Prime Video on 28 July 2023.[57]
Marketing
On 6 October 2018, the series held a panel at the annual New York Comic Con in New York City. It was moderated by Whoopi Goldberg and featured creator Neil Gaiman, director Douglas Mackinnon, and cast members Michael Sheen, David Tennant, Jon Hamm and Miranda Richardson. During the panel, the series' first trailer was premiered and subsequently released online.[58][59]
AT SXSW 2019, Amazon Prime hosted a Good Omens "Garden of Eden" Party in Austin, Texas during the entire week of the festival. The party was hosted by performers dressed as angels and demons, with free food, hair and nail services, and a complimentary bar. David Tennant, Michael Sheen, Jon Hamm, Douglas Mackinnon and Neil Gaiman made guest appearances, and an episode of the series received an early screening at the Zach Theatre. A party hosted at the Garden by Entertainment Weekly featured a fire-breather and a Queen cover band. Good Omens-branded umbrellas and tote bags were handed out at the pop-up experience, and the Garden featured a petting zoo full of local puppies called "Hell Hounds".[60]
Reception
Critical response
The first series of Good Omens has received positive reviews from critics. On Rotten Tomatoes, it has an approval rating of 84% with an average score of 7.3/10, based on 100 reviews. The website's critical consensus reads, "A smörgåsbord of heavenly imagery and irreverent hilarity, Good Omens works thanks to Michael Sheen and David Tennant's very-nearly-holy (or maybe unholy?) chemistry – though, at only six episodes long, it's a rare adaptation that may have benefited from being a little less faithful to the good book."[61] On Metacritic, it has a score of 66 out of 100 based on 21 reviews, indicating "generally favorable reviews".[62]
The second series also received positive reviews from critics. On Rotten Tomatoes, it has an approval rating of 87% with an average score of 7.3/10, based on 39 reviews. The website's critical consensus reads, "Boding well for the series' longevity, Good Omens' second season is even more splendid than the first."[63] On Metacritic, it has a score of 68 out of 100 based on 16 reviews, indicating "generally favorable reviews".[64]
Petition for cancellation
An online petition erroneously requesting that Netflix cancel Good Omens reportedly received more than 20,000 signatures from people objecting to its content, perhaps unaware that it was actually on Amazon and had already been released in full. The petition, posted as part of a campaign by US religious organization Return to Order, criticized the show's irreverent treatment of topics relating to satanism and the devil, and the use of a female voice for God. The original petition was removed from the site, corrected and reposted.[65][66]
Accolades
Year | Award | Category | Recipient | Result | Ref. |
---|---|---|---|---|---|
2019 | Golden Trailer Award | Best Comedy Poster for a TV/Streaming Series | Good Omens | Nominated | [67] |
Saturn Awards | Best Streaming Science Fiction, Action, & Fantasy Series | Good Omens | Nominated | [68] | |
Best Actor in a Streaming Presentation | David Tennant | Nominated | |||
Best Supporting Actor in a Streaming Presentation | Michael Sheen | Nominated | |||
Primetime Emmy Awards | Outstanding Fantasy/Sci-Fi Costumes | Claire Anderson, Bobbie Edwards, Beth Lewis | Nominated | [69] | |
Outstanding Music Composition for a Limited Series, Movie or Special (Original Dramatic Score) | David Arnold | Nominated | |||
Outstanding Original Main Title Theme Music | David Arnold | Nominated | |||
Comedy.co.uk Awards | Best TV Comedy Drama | Good Omens | Won | [70] | |
Best Comedy of the Year | Good Omens | Won | |||
Dragon Award | Best Science Fiction or Fantasy TV Series | Good Omens | Won | [71] | |
Online Film & Television Association (OFTA) Television Award | Best Make-Up/Hairstyling in a Non-Series | Good Omens | Nominated | [72] | |
Best New Theme Song in a Series | Good Omens | Nominated | |||
National Television Award | Best Comedy | Good Omens | Nominated | [73] | |
C21 International Drama Award | Best English Language Drama (Series) | Good Omens | Nominated | [74] | |
TV Times Award | Favourite On-Demand Show | Good Omens | Won | [75] | |
Nebula Award | Ray Bradbury Award for Outstanding Dramatic Presentation | Neil Gaiman (Episode: "Hard Times") | Won | [76] | |
2020 | IFMCA Award | Best Original Score for a Television Series | David Arnold | Nominated | [77] |
BSC Award | Best Cinematography in a Television Drama | Gavin Finney (Episode: "Hard Times") | Nominated | [78] | |
Sandford St Martin Award | Radio Times Readers' Award | Good Omens | Won | [79] | |
Tell-Tale TV Awards | Favorite Limited Series or TV Movie | Good Omens | Won | [80] | |
Favorite Actress in a Limited Series or TV Movie | Frances McDormand | Won | |||
Favorite Actor in a Limited Series or TV Movie | David Tennant | Won | |||
Michael Sheen | Nominated | ||||
Hugo Award | Best Dramatic Presentation, Long Form | Neil Gaiman, Douglas Mackinnon | Won | [81] | |
Peabody Award | Entertainment | Good Omens | Nominated | [82] | |
BAFTA TV Craft Award | Special, Visual & Graphic Effects | Milk Visual Effects, Gareth Spensley, Real SFX | Nominated | [83] | |
Scottish Comedy Award | Best Actor | David Tennant | Won | [84] | |
European Science Fiction Awards | Best Dramatic Presentation | Good Omens | Won | [85] |
Future
Gaiman's initial writing around the announcement of season two mentioned the proposed sequel to Good Omens devised by he and Terry Pratchett during the World Science Fiction Convention in Seattle in 1989, the year before the book was published.[86] In the lead-up to the second season’s release, he clarified that this was not the basis of the second season’s plot, as he “didn’t feel that we could drive straight from season one into that”. Season two is instead a new story, intended to act as a bridge between the original and the sequel, which would form the basis for a third season, if it’s produced.[87]
See also
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{{cite web}}
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