Gondolin
In J.R.R. Tolkien's legendarium, Gondolin is a secret city of Elves in the First Age of Middle-earth, and the greatest of their cities in Beleriand. The story of the Fall of Gondolin tells of the arrival there of Tuor, a prince of Men; of the betrayal of the city to Morgoth by the king's nephew, Maeglin; and of its subsequent siege and catastrophic destruction by Morgoth's armies. It also relates the flight of the fugitives to the Havens of Sirion, the wedding of Tuor and Idril, and the childhood of their son Eärendil.
Scholars have noted the presence of tank-like iron fighting machines in Morgoth's army in early versions of the story, written soon after Tolkien returned from the Battle of the Somme. They have likened the story of the Fall of Gondolin to the sack of Troy in ancient Greek literature, or to Virgil's Aeneid; the role of Tuor's wife Idril has similarly been compared to that of Cassandra or Helen of Troy in accounts of the Trojan War.
City
Foundation
The city of Gondolin[T 1] in Beleriand, in the extreme northwest of Middle-earth, is founded with divine inspiration. The mightiest of the Elvish cities, it is hidden by mountains and endures for centuries before being betrayed and destroyed.[T 2]
Gondolin is founded by King Turgon in the First Age. According to The Silmarillion, the Vala Ulmo, the Lord of Waters, shows Turgon the Vale of Tumladen in a dream. Thus guided, Turgon travels from his kingdom in Nevrast and finds it. Within the Encircling Mountains is a round level plain surrounded by sheer walls; a ravine and tunnel, the Hidden Way, lead out to the southwest. In the middle of the vale is the steep Amon Gwareth, the "Hill of Watch". There Turgon decides to found a city, designed like the Noldor's former city of Tirion in Valinor. Gondolin is built in secret. The Hidden Way is protected by seven gates, all constantly guarded; the first of wood, then stone, bronze, iron, silver, gold, and steel. After it is completed, he brings all his people from Nevrast to dwell in the hidden city—almost a third of the Noldor of Fingolfin's House—and nearly three quarters of the northern Sindar.[T 2]
Customs
[Elrond:] They are old swords, very old swords of the High Elves of the West, my kin. They were made in Gondolin for the Goblin-wars. They must have come from a dragon's hoard or goblin plunder, for dragons and goblins destroyed that city many ages ago. This, Thorin, the runes name Orcrist, the Goblin-cleaver in the ancient tongue of Gondolin; it was a famous blade. This, Gandalf, was Glamdring, Foe-hammer that the king of Gondolin once wore. Keep them well!"[T 3]
Gondolin develops its own Sindarin dialect, containing regional elements and words adapted from another Elvish language, Quenya.[a][T 4]
The Elven smiths of Gondolin make powerful weapons. In The Hobbit, the Gondolin-made swords Orcrist, Glamdring and the dagger later named Sting are found in a Troll-hoard.[T 5] Each of these weapons has the ability to reveal nearby Orcs by glowing; they terrify Orcs in battle.[1]
According to The Book of Lost Tales, the city has seven names: "’Tis said and ’tis sung: Gondobar am I called and Gondothlimbar, City of Stone and City of the Dwellers in Stone; Gondolin the Stone of Song and Gwarestrin am I named, the Tower of the Guard, Gar Thurion or the Secret Place, for I am hidden from the eyes of Melko; but they who love me most greatly call me Loth, for like a flower am I, even Lothengriol the flower that blooms on the plain."[T 6]
Houses and heraldry
The Book of Lost Tales states that the active male Elves of Gondolin belong to one of the 11 "Houses" or Thlim, plus the bodyguard of Tuor, accounted as the twelfth. Each house has a distinct symbol: a mole, a swallow, the heavens, a pillar, a tower of snow, a tree, a golden flower, a fountain, a harp, a hammer and anvil, and finally the triple symbol of the King, namely the moon, sun, and scarlet heart worn by the Royal Guard.[T 8]
Fall
The city stands for nearly 400 years until Maeglin, Turgon's nephew, betrays it to Morgoth. Maeglin is captured while mining outside the Encircling Mountains, against Turgon's orders. Maeglin is promised Lordship as well as Turgon's daughter Idril, whom he had long coveted. Morgoth sends an army over the Encircling Mountains during Gondolin's festival of The Gates of Summer, and sacks the city with relative ease. Morgoth's army consists of orcs, Balrogs, dragons and in early versions of the story iron machines powered by "internal fires". These are used to carry soldiers, to surmount difficult obstacles, and to defeat fortifications.[2] Idril, noted for her intuition, had prepared a secret route out of Gondolin prior to the siege.[3] While her father Turgon perishes as his tower is destroyed, Idril flees the city, defended by her husband Tuor.[T 2]
Analysis
Classical literature
Tolkien scholars including Alexander Bruce and David Greenman have compared the Fall of Gondolin to the sack of Troy, noting that the city was famed for its walls, and likening Tolkien's tale to Virgil's Aeneid. Both have frame stories, situated long after the events they narrate; treachery is implicated in both cases; both have "gods" (Tolkien's Valar) in the action; and both involve an escape.[4][5] Greenman finds it fitting that Tuor, "Tolkien's early quest-hero", escapes from the wreck of an old kingdom and creates new ones, just as Aeneas does, while his later quest-heroes in The Lord of the Rings, the hobbits of the Shire, are made to return to their home, ravaged while they were away, and are obliged to scour it clean, just as Odysseus does in Homer's Odyssey on his return home to Ithaca.[5] Troy was defeated with the help of the Trojan Horse, with Greek soldiers hidden inside; iron dragons, full of Orc soldiers, helped to destroy Gondolin.[5][6]
Greenman compares and contrasts Idril's part in the story to Cassandra and Helen of Troy, two prominent female figures in accounts of the Trojan War: like the prophetess, Idril had a premonition of impending danger and like Helen, her beauty played a major role in instigating Maeglin's betrayal of Gondolin, which ultimately led to its downfall and ruin. Conversely, Greeman notes that Idril's advice to enact a contingency plan for a secret escape route out of Gondolin was heeded by her people, unlike Cassandra's advice, and that she had always rejected Maeglin's advances and remained faithful to Tuor, just as Helen had been faithful.[5]
Bruce writes that Tolkien's tale parallels Virgil's account, but varies the story. Thus, Morgoth attacks while Gondolin's guard is lowered during a great feast, whereas the Trojans were celebrating the Greeks' apparent retreat, with the additional note of treachery. The Trojan Horse carried the Greeks into Troy, where they set fire to it, paralleled by the fire-serpents which carried "Balrogs in hundreds" into Gondolin. Tolkien's serpents are matched by the great serpents with "burning eyes, fiery and suffused with blood, their tongues a-flicker out of hissing maws" which kill the high priest Laocoön and his sons. Aeneas and his wife Creusa become separated during their escape; her ghost pleads with him to leave when he searches for her, and he travels to Italy; in contrast, Tuor and Idril escape to Sirion together, eventually sailing from there to Valinor.[4]
Tolkien appears to have based one scene on another classical source, Euripides' play The Trojan Women. Maeglin tries to throw Idril's son Eärendil from the city wall, just as Hector's son Astyanax is thrown down from Troy's walls. Tolkien changes the outcome: Eärendil resists, and Tuor appears just in time to rescue him by throwing Maeglin from the walls instead.[4][5]
British heraldry
The scholar of heraldry Cătălin Hriban writes that the emblems of the houses of Gondolin are simply figurative, depicting everyday objects. He notes that standard British texts on heraldry describe similar devices. He comments that Maeglin the traitor, of the House of Moles, fittingly has the colour black; like the animal, his people are miners, used to living underground in the dark.[7]
Tolkien's wartime experience
In his book Tolkien and the Great War, John Garth states that Tolkien wrote his 1917 story "The Fall of Gondolin" in hospital after returning to England from the Battle of the Somme. In his view, the tale's first half seems to reflect Tolkien's "slow acceptance of duty" at the start of the war, while the second half "surely reverberates to his collision with war itself."[2]
To defeat Gondolin, Melkor (at first called Melko) uses monsters, Orcs and Balrogs, supported by "beasts like snakes and dragons of irresistible might that should overcreep the Encircling Hills and lap that plain and its fair city in flame and death". The monstrous beasts are not of flesh and blood, but are made by "smiths and sorcerers". There are three kinds, Garth explains: heavy, slow, bronze dragons that can break gaps in Gondolin's walls; fiery monsters, unable to climb the steep smooth hill on which the city sits; and iron dragons in which Orc-soldiers can ride, and which travel on "iron so cunningly linked that they might flow ... around and above all obstacles", and are armoured so that they clang hollowly when bombarded or attacked with fire. Garth comments that these are not so much like mythical dragons as "the tanks of the Somme", and that to the story's Elf-narrator, a combustion engine would look like "a metal heart filled with flame".[2] Anthony Appleyard similarly likens the mechanical dragons to vehicles driven by internal combustion engines.[8]
Notes
- ^ Tolkien stated that "This differed from the standard [Sindarin] (of Doriath) (a) in having Western and some Northern elements, and (b) in incorporating a good many Noldorin-Quenya words in more or less Sindarized forms. Thus the city was usually called Gondolin (from Q. Ondolin(dë)) with simple replacement of g-, not Goenlin or Goenglin [as it would have been in standard Sindarin]".[T 4]
References
Primary
- ^ "Tolkien explained its origin in his "Name-list to "The Fall of Gondolin" thus: "Gondolin meaneth in Gnomish 'stone of song' (whereby figuratively the Gnomes meant stone that was carven and wrought to great beauty)".Tolkien 1984b p. 216.
- ^ a b c Tolkien 1977, Ch. 23, "Of Tuor and the Fall of Gondolin"
- ^ Tolkien 1937, The Hobbit, ch. 3 "A Short Rest"
- ^ a b Parma Eldalamberon 17, "Words, Phrases and Passages", p. 29
- ^ Tolkien 1937 ch. 3 "A Short Rest"
- ^ Tolkien 1984b p. 158
- ^ a b c Tolkien 1984b, "The Fall of Gondolin" pp. 172–174
- ^ Tolkien, J. R. R. "The Official Name List". Parma Eldalamberon (13): 100–105.
Secondary
- ^ Whetter, K. S.; McDonald, R. Andrew (2006). "'In the Hilt is Fame': Resonances of Medieval Swords and Sword-lore in J.R.R. Tolkien's The Hobbit and The Lord of the Rings". Mythlore. 25 (1): 19–20.
- ^ a b c d Garth, John (2003). "Castles in the air". Tolkien and the Great War: The Threshold of Middle-earth. HarperCollins. pp. 214, 217, 220–221. ISBN 978-0-00711-953-0.
- ^ Rawls, Melanie (1984). "The Feminine Principle in Tolkien". Mythlore. 30 (3–4): 8.
- ^ a b c d e Bruce, Alexander M. (2012). "The Fall of Gondolin and the Fall of Troy: Tolkien and Book II of the Aeneid". Mythlore. 30 (3–4).
- ^ a b c d e Greenman, David (1992). "Aeneidic and Odyssean Patterns of Escape and Release in Tolkien's 'The Fall of Gondolin' and 'The Return of the King'". Mythlore. 18 (2). Article 1.
- ^ Freeman, Austin (2021). "Pietas and the Fall of the City: A Neglected Virgilian Influence on Middle-earth's Chief Virtue". In Williams, Hamish (ed.). Tolkien and the Classical World. Zurich. pp. 131–163. ISBN 978-3-905703-45-0. OCLC 1237352408.
{{cite book}}
: CS1 maint: location missing publisher (link) - ^ Hriban, Cătălin (2011). "The Eye and the Tree. The Semantics of Middle-earth Heraldry". Hither Shore. 8: 198–211.
- ^ Appleyard, Anthony (December 1996). "Tolkien and Space Travel". Mallorn (34): 21–24. JSTOR 45321694.
Sources
- Tolkien, J. R. R. (1937). Douglas A. Anderson (ed.). The Annotated Hobbit. Boston: Houghton Mifflin (published 2002). ISBN 978-0-618-13470-0.
- Tolkien, J. R. R. (1977). Christopher Tolkien (ed.). The Silmarillion. Boston: Houghton Mifflin. ISBN 978-0-395-25730-2.
- Tolkien, J. R. R. (1984b). Christopher Tolkien (ed.). The Book of Lost Tales. Vol. 2. Boston: Houghton Mifflin. ISBN 0-395-36614-3.