Angels in America
| Angels in America: Millennium Approaches | |
|---|---|
| Written by | Tony Kushner |
| Characters | Joe Pitt Roy Cohn Ethel Rosenberg Homeless Woman Harper Pitt Leatherman Belize Louis Ironson |
| Date premiered | May 1991 |
| Place premiered | Eureka Theatre Company San Francisco, California |
| Original language | English |
| Subject | |
| Genre | Drama |
| Setting | New York City, Salt Lake City and Elsewhere, 1985-1986 |
| Angels in America: Perestroika | |
|---|---|
| Written by | Tony Kushner |
| Characters | Joe Pitt Roy Cohn Ethel Rosenberg Homeless Woman Harper Pitt Leatherman Belize Louis Ironson |
| Date premiered | 8 November1992 |
| Place premiered | Mark Taper Forum Los Angeles, California |
| Original language | English |
| Subject | |
| Genre | Drama |
| Setting | New York City and Elsewhere, 1986-1990 |
Angels in America: A Gay Fantasia on National Themes is a play in two parts by American playwright Tony Kushner. It has been made into both a television miniseries of the same name and an opera by Peter Eötvös. The play is written for eight actors, each of whom plays two or more roles.
Production history
The first part, Millennium Approaches, was commissioned and first performed in May 1990 by the Center Theatre Group at the Mark Taper Forum in Los Angeles, as a workshop. Kushner developed the play with the Mark Taper Forum, with which he has a long association. It received its world premiere in May 1991 in a production performed by the Eureka Theatre Company of San Francisco, directed by David Esbjornson.[1] It debuted in London in a Royal National Theatre production directed by Declan Donnellan in January 1992, which ran for a year.
The second part, Perestroika, was still being developed as Millennium Approaches was being performed. It was performed several times as stage readings by both the Eureka Theatre (during the world premiere of part one), and the Mark Taper Forum (in May 1992). It received its world premiere in November 1992 in a production by the Mark Taper Forum, directed by Oskar Eustis and Tony Taccone. A year later on 20 November 1993, it received its London debut at the National Theatre, again directed by Declan Donnellan, in repertory with a revival of Millennium Approaches.
The play debuted on Broadway at the Walter Kerr Theatre in 1993, directed by George C. Wolfe, with Millennium Approaches being performed in May and Perestroika joining it in repertory in November. Both Millennium Approaches and Perestroika were awarded the Tony Awards for Best Play back to back in 1993 and 1994 respectively. Both parts also won back to back Drama Desk Awards for Outstanding Play.
Plot summary
Set in New York City in the mid-1980s, Act One of Millennium Approaches introduces us to the central characters. As the play opens, Louis Ironson, a neurotic, gay Jew learns his lover, Prior Walter, has AIDS. As the play and Prior's illness progress, Louis becomes unable to cope and moves out. Meanwhile, closeted homosexual Mormon and Republican law clerk Joe Pitt is offered a major promotion by his mentor, the McCarthyist lawyer Roy Cohn. Joe doesn't immediately take the job because he feels he has to check with his Valium-addicted, agoraphobic wife, Harper, who is unwilling to move. Unbeknownst to Joe, Roy is himself deeply closeted and, as Roy himself discovers later, has AIDS.
As the seven-hour play progresses, Prior is visited by ghosts and an angel who proclaim him to be a prophet; Joe finds himself struggling to reconcile his religion with his sexuality; Louis struggles with his guilt about leaving Prior and begins a relationship with Joe; Harper's mental health deteriorates as she realizes that Joe is gay; Joe's mother, Hannah, moves to New York to attempt to look after Harper and meets Prior after a failed attempt by Prior to confront Hannah's son; Harper begins to separate from Joe whom she has depended upon and find strength she was unaware of; and Roy finds himself in the hospital, reduced to the companionship of the ghost of Ethel Rosenberg and his nurse, Belize, a former drag queen and Prior's best friend, who meanwhile has to deal with Louis's constant demands for updates on Prior's health.
The play is deliberately performed so that the moments requiring special effects often show their theatricality. Most of the actors play multiple characters (e.g., the actress playing Prior's nurse also appears as the Angel). There are heavy Biblical references and references to American society, as well as some fantastical scenes including voyages to Antarctica and Heaven, as well as key events happening in San Francisco and at Bethesda Fountain in Central Park.
Film adaptation
In 2003, HBO Films created a miniseries version of the play. Kushner adapted his original text for the screen, and Mike Nichols directed. HBO broadcast the film in various formats: three-hour chunks that correspond to "Millennium Approaches" and "Perestroika," as well as one-hour "chapters" that roughly correspond to an act or two of each of these plays. The first three chapters were initially broadcast on December 7, to international acclaim, with the final three chapters following. "Angels in America" was the most watched made-for-cable movie in 2003 and won both the Golden Globe and Emmy for Best Miniseries.
Kushner made certain edits or changes to his play (especially Part II, "Perestroika") in order for it to work onscreen, but the HBO version is generally a remarkably faithful representation of Kushner's original work. Kushner has been quoted as saying that he knew Nichols was the right person to direct the movie when, at their first meeting, Nichols immediately said that he wanted actors to play multiple roles, as had been done onstage.
The lead cast includes Al Pacino, Meryl Streep, Emma Thompson, Jeffrey Wright, Justin Kirk, Ben Shenkman, Patrick Wilson and Mary-Louise Parker.
Operatic version
Angels in America - The Opera made its world premiere at the Théâtre du Châtelet in Paris, France, on November 23, 2004. The opera was based on both parts of the Angels in America fantasia, however the script was re-worked and condensed to fit both parts into a two and half hour show. Director Peter Eötvös explains: "In the opera version, I put less emphasis on the political line than Kushner...I rather focus on the passionate relationships, on the highly dramatic suspense of the wonderful text, on the permanently uncertain state of the visions." A German version of the opera followed suit in mid 2005. In late 2005, PBS announced that they would air a live filmed version of the opera as a part of its Great Performances lineup. The opera made its U.S. debut in June 2006 at the Stanford Calderwood Pavilion in Boston, Massachusetts.
Awards and nominations
|
|
The play merited inclusion as the very last item in Harold Bloom's controversial list of what he considered to be the most important works of literature, The Western Canon (1994).
References
- ^ "The Public Theater at Stanford Presents: Artistic Team". The Bacchae. Stanford University. 2007. Retrieved 2008-06-26.
External links
- Angels in America: Millennium Approaches at the Internet Broadway Database
- Angels in America: Perestroika at the Internet Broadway Database
- Angels in America at IMDb
