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Steve Lukather
Steve Lukather stands on a stage playing a green electric guitar.
Steve Lukather, July 2007 in Walker, Minnesota
Background information
Born (1957-10-21) October 21, 1957 (age 67)
San Fernando Valley, California, U.S.
GenresHard rock, pop rock, jazz fusion
Occupation(s)Musician, songwriter, producer
Instrument(s)Guitar, vocals
Years active1975–present
LabelsMascot Records
Websitehttp://www.stevelukather.net/

Steve "Luke" Lukather (born October 21, 1957, San Fernando Valley, California) is an American guitarist, singer, songwriter, arranger, and record producer best known for his work with the rock band Toto. A prolific session musician, Lukather has recorded guitar tracks for more than 1,500 albums representing a broad array of artists and genres. He has also contributed to albums and hit singles as a songwriter, arranger, and producer.[1] Lukather has released six solo studio albums: Lukather (1989), Candyman (1994), Luke (1997), Santamental (2003), Ever Changing Times (2008) and All's Well That Ends Well (2010).

Keyboardists David Paich and Steve Porcaro and drummer Jeff Porcaro were high school friends with Lukather. Lukather was invited to join in forming their band, Toto, in 1976 when he was nineteen years old. He was a member of Toto from that time until the band split up in 2008, and has been involved in their periodic reunion tours. Lukather's reputation as a guitarist and his association with Paich and Porcaro, who were also established artists, allowed him to secure a solid flow of session work in the 1970s and 1980s. Lukather has been nominated for twelve Grammy awards, and has won five times.[2][3] While his work with Toto was predominantly based on pop rock music and his solo work ventures into progressive rock and hard rock, many of Lukather's side-projects are focused on jazz fusion. He held a long-time collaboration with jazz great Larry Carlton that produced a Grammy-winning live album, and he was a member of the jazz fusion band Los Lobotomys, a collaboration of notable session musicians.

Influenced by blues-rock guitarists such as Jimi Hendrix and Jimmy Page, and jazz fusion players such as Al Di Meola and Frank Gambale, Lukather is known for a "melodic and intense" playing style. Lukather is known for his efficiency in the studio, often recording tracks in one take using minimal sound processing. While he once used many guitar effects in the studio and on stage, he now frequently disparages such practice, and instead advocates clean tones and minimal studio processing. Lukather plays primarily a signature electric guitar manufactured by Ernie Ball Music Man bearing his nickname, Luke. He also plays Ovation Adamas acoustic-electric acoustic guitars.

Biography

Early life

Lukather stands on stage with a black Ernie Ball Music Man "Luke" electric guitar and raises his arms to the crowd.
Lukather in 2003

Steven Lee Lukather was born on October 21, 1957 in San Fernando Valley, California. He first played keyboards and drums, and then taught himself how to play the guitar starting at age seven, when his father bought him a Kay acoustic guitar and a copy of The Beatles album Meet the Beatles. Lukather claims that the album "changed his life" and that he was greatly influenced by the guitar playing of George Harrison in particular.[4][5]

In high school, Lukather met David Paich and the Porcaro brothers (Jeff, Steve, and Mike),[6] all of whom eventually became members of Toto. Lukather, who had been a self-taught musician until then, began taking guitar lessons from Jimmy Wyble. Wyble expanded Lukather's knowledge of wider aspects of music, such as orchestration. It was during this period that Lukather became interested in the idea of becoming a session musician, a vocation that provided opportunities to play with a variety of famous musicians.[4]

Jeff Porcaro, who was playing drums with Steely Dan at the time, became a mentor to Lukather and furthered his interest in session work. Lukather's first job in the music industry was studio work with Boz Scaggs,[7] after which Paich and Jeff Porcaro—who had become prominent session musicians in their own right[8]—asked Lukather to join them in forming Toto in 1976 along with Bobby Kimball, David Hungate, and Steve Porcaro.[4] Lukather turned down an offer to join Miles Davis' band to accept their invitation.[9]

Toto

See also: Toto (band)

Lukather was the original lead guitarist for Toto, serving in that capacity for the band's entire history, as well as a lead and backing vocalist and composer. Lukather won three of his five Grammy awards for work with Toto, twice as an artist and once as a producer.[3] In the early years of the band's history, David Paich wrote most of the songs that appeared on Toto records and in the charts. Lukather also credits Jeff Porcaro for his leadership within the band during that period. However, Lukather's role in Toto evolved over time owing to the changing needs of the band. Following Porcaro's death, for example, Lukather felt that he needed to step up and make sure the band kept going. Thus, he began taking more of a leadership role.[4]

Lukather crouches on stage and intently plays the neck of a black Ernie Ball Music Man "Luke" electric guitar.
Lukather solo with Toto

Toto went through several lead vocalists over the years, including Kimball, Fergie Frederiksen, and Joseph Williams. After the 1990 dismissal of their fourth vocalist, Jean-Michel Byron, Toto was without a lead singer until around 1997; Lukather assumed most of the vocal duties for the band during that time. He performed lead vocals for every track on 1992's Kingdom of Desire and 1995's Tambu except for two instrumental tracks. The Tambu single "I Will Remember", co-written by Lukather and Stan Lynch, reached #64 on UK charts.[4] Some Tambu reviewers contrasted Lukather's vocals with those of former singers such as Bobby Kimball (and indeed, panned the entire album),[10] some concert reviewers noted that he struggled vocally on certain songs, and a number of backup singers and guest vocalists accompanied the band's live shows during that period.[11] It was not until Toto brought back former lead singers Joseph Williams and Bobby Kimball to collaborate on 1998's Toto XX that Lukather returned to predominantly backup vocals.[4]

Lukather's songwriting contributions grew from a smattering of tracks on early Toto albums to almost every track starting in the late 1980s. He wrote very few of Toto's songs by himself, an exception being the hit single "I Won't Hold You Back" from Toto IV. Lukather has admitted that writing lyrics is not one of his strengths. Thus, he collaborated with other band members to complete song ideas and make them into viable album tracks.[12] Lukather contributed to all but one song on Toto's 2006 album Falling in Between.

By 2008, Lukather was the only remaining original Toto member still performing with the band. In June of the same year, Lukather decided to leave Toto.[13] This decision directly led to the official dissolution of the band. In a 2011 interview discussing his career with Toto, Lukather indicated that the band had evolved too far from its original incarnation and that he was dealing with the physical and mental toll of recording and performing.[1] In February 2010, the band announced that they would reunite to support Toto bassist Mike Porcaro, who was diagnosed with Lou Gehrig's disease.[14] They continued to tour on a limited basis in 2011 and 2012;[15] however, Lukather has indicated that the band will not record any further material.[1]

Session work

Lukather achieved notability in the 1970s and 1980s as one of the most sought-after session guitarists in Los Angeles,[16] playing with a wide range of artists from Aretha Franklin to Warren Zevon.[16][17] He has performed on over 1,500 records spanning 36 years.[1] Music journalist Jude Gold noted, "It's hard to name a guitarist who has had a more prolific and fulfilling career than Steve Lukather."[16] He credits fellow Toto members David Paich and Jeff Porcaro for getting him exposure in the industry. Lukather has lamented that opportunities for session musicians have curtailed in recent years: "There is no 'session guy' thing any more—not like it was. It's not like the old days when I was doing 25 sessions a week. All the studios are gone. The budgets are gone. The record companies are all gone."[1] His own output as a session musician has slowed along with the rest of the industry—as of 2009, Lukather stated he was only doing a few sessions a year.[13]

Named by Gibson Guitar Corporation as one of the top 10 session guitars of all time,[18] Lukather has performed on many notable tracks. He performed the guitar solo for Olivia Newton-John's popular 1981 single "Physical", which was Billboard's #1 single of the 1980s. Other notable session performances include: Michael Jackson's "Beat It"[6] and "Human Nature" (co-written by Toto member Steve Porcaro), Stevie Nicks' "Stand Back" single from Nicks' 1983 album The Wild Heart, several tracks from the Don Henley album I Can't Stand Still, several tracks from the Jackson Browne album Lives in the Balance, two tracks from the Lionel Richie album Can't Slow Down, the Richard Marx album Repeat Offender, and the Spinal Tap song "Break Like the Wind".[19] Lukather and Jeff Porcaro were heavily involved in the recording of virtuall all of Michael Jackson's Thriller.[6][13] In addition to recording guitar tracks, Lukather has also written or produced music for Lionel Richie, Richard Marx, Chicago, Donna Summer, and The Tubes.[19][20] He won won a Grammy award for the George Benson song "Turn Your Love Around".[20][3]

Solo albums

Lukather stands on stage, playing a black Ovation Adamas acoustic-electric guitar and singing into a microphone.
Lukather performing as vocalist and guitarist in Osnabrück, Germany, 2004

Lukather has released six solo studio albums: Lukather (1989), Candyman (1994), Luke (1997), Santamental (2003), Ever Changing Times (2008) and All's Well That Ends Well (2010).[21]

1989–1997: Lukather, Candyman, and Luke

1989's Lukather came about after Toto had been recording and playing for 11 years, and the consensus among the band members was to take a break. As Lukather had written a number of songs that did not appear on Toto albums, he decided to pursue a solo album, with the intention of presenting a dimension of his music that fans would be unfamiliar with. He collaborated with many notable musicians, including Eddie Van Halen, Richard Marx, Jan Hammer, Steve Stevens, and fellow Toto members Jeff Porcaro and David Paich. Lukather has said that the album was produced very simply, and that a lot of ambient studio noise, such as counting off on various tracks, is audible on it. He also credits bands Pink Floyd, Cream, Led Zeppelin, and guitarists Jimi Hendrix, David Gilmour, Jeff Beck, and Eric Clapton as influences on the album. The single "Swear Your Love" came from the album.[22]

Candyman, recorded and mastered from March 1993 through November 1993, was a collaboration of musicians who were for the most part also in Lukather's band Los Lobotomys.[23] Toto familiars Simon Phillips and David Paich participated as well as David Garfield, John Peña, Chris Trujillo, Lenny Castro, Larry Klimas, Fee Waybill, Richard Page, and Paul Rodgers. Lukather recorded the album in mostly live takes with little overdubbing.[24] Some international fans were confused about whether Candyman was a Steve Lukather album or a Los Lobotomys album. The Japanese and US releases of Candyman were under the Los Lobotomys name rather than Lukather's; the Japanese release also featured a version of the Hendrix song "Red House." The European release of Candyman was credited to Lukather alone. Additionally, the touring band for the album was sometimes introduced as "Steve Lukather and Los Lobotomys" and sometimes as just "Los Lobotomys."[25] The song "Borrowed Time" was released as a single in Europe and included "Red House" as a B-side.[24]

Released in 1997, Luke is a much different and more introspective album than Lukather's previous two solo efforts. The album is a concentrated collection of many of Lukather's musical influences, and he deliberately let those influences come out on the album. Luke is an experimental album, and like Candyman it was recorded mostly in live sessions with minimal overdubbing and processing afterwards. Luke also features instrumentation not heard on previous Lukather albums such as pedal steel, harmonicas, Mellotrons, and experimental guitar, bass, and drum sounds. The US version of Luke includes a version of the Jeff Beck song "The Pump". The song "Hate Everything About U" was released as a single.[26]

2003: Santamental

Santamental, released in October 2003,[27] is a collaborative project featuring several prominent musicians such as guitarists Edward Van Halen, Slash, and Steve Vai and drummer Gregg Bissonette.[28] When Lukather's record company, Bop City Records, approached him about recording a Christmas album, he quipped, "Why me? Do I look like Father Christmas to you mofos?" The company wanted him to do the record knowing he would approach the project with a unique angle and produce something different from the typical Christmas album. Lukather recruited keyboardist Jeff Babko and guitarist Larry Carlton, who Lukather had worked with previously, to help arrange the songs. The project was a challenge to Lukather, who had to be creative to turn the traditionally simple songs into something interesting for listeners without altering the fundamental structures. He said of the album, "But I never dreamt in a million years that I'd do a Christmas record."[16]

The musicians Lukather chose for Santamental, most of whom were involved in the hard rock genre, lent a heavy feel to the album. Van Halen recorded guitar tracks for "Joy to the World" after not having been in the studio for some time but immediately made an impression on Lukather with his level of playing. Vai provided guitar work for "Carol of the Bells" along with Lukather's son Trevor, then 14 years old. Slash, who recorded his part in one take, played on the Lukather/Stan Lynch composition "Broken Heart for Christmas". Lukather spoke highly of Slash after the project, calling him the "Keith Richards of our generation". Well-known session guitarist Michael Landau played on the song "Look Out For Angels",[16] and there is a version of "Jingle Bells" featuring a big band and sung by Sammy Davis, Jr.[16] Santamental was recorded in six days, after which Lukather proclaimed it "his first and last Christmas album".[29]

2008–2010: Ever Changing Times and All's Well That Ends Well

Ever Changing Times, released on February 22, 2008, is a collection of songs Lukather recorded in 2007 while between Toto tours. The album contains contributions from a wide assortment of fellow session musicians such as Bill Champlin, Abe Laboriel, Jr., Leland Sklar, Steve Porcaro, and from Lukather's son Trevor. Joseph Williams provides backing vocals on five of the tracks. Lukather wrote the songs for the album with his son and a handful of other musicians using basic equipment in a hotel room. His song-writing philosophy is that if a song sounds good with only guitars and vocals, it will likely sound good after a full production.[5] Lukather collaborated with Grammy Award-winning engineer and producer Steve MacMillan on the project, with the goal of introducing some new methods and techniques into the recording process. Lukather described the final tracks as "perfectly imperfect", preferring to record with the five-piece backing band in one room and in one take. MacMillan encouraged Lukather to use "organic, vintage tones". As a result, Lukather eschewed effects and played the guitar parts directly through tube amplifiers manufactured by Marshall, Vox, and some boutique brands. Lukather commented that MacMillan served as a valuable "second set of ears" in the studio, often encouraging him to keep parts that he normally would have discarded.[8] As Toto had recently disbanded when Ever Changing Times was released, Lukather embarked on a solo tour in support of the album. The shows featured a mixture of songs from the album, songs written for other side projects, and "a few Toto obscurities".[13]

Lukather's sixth studio album, All's Well That Ends Well, was released on October 11, 2010 in Europe and Japan, and November 16 as a digital download worldwide. The material was written predominantly in collaboration with longtime associate C. J. Vanston, and the album features stalwart musicians from Lukather's touring band. Songwriter Randy Goodrum, who has collaborated with Lukather many times over the years including on the 1986 Toto single "I'll Be over You", contributes to the track "Brody's".[1] All's Well That Ends Well draws from Lukather's personal experiences in the two years since Ever Changing Times. Critic Arlene Weiss noted that the album features three distinct flavors of music: one that "bares [Lukather's] soul and emotional heartache", one that pans elements of popular culture such as TMZ.com, and one that expresses optimism and enthusiasm about the future. While Lukather focused on instrumental writing and production on previous albums but collaborated with lyricists, he wrote much of the lyrics for All's Well That Ends Well himself.[20] Lukather describes the album as being a "real" and "honest" reflection of the difficult period between 2008 and 2010.[1]

Side projects

When not working with Toto, Lukather has participated in numerous side projects such as playing with jazz fusion band Los Lobotomys and with other session musicians, and touring with Edgar Winter, Larry Carlton, Joe Satriani, Steve Vai, and others.

Lukather was a long-time member of the band Los Lobotomys, a collaboration of session musicians including jazz and be-bop player David "Creatchy" Garfield and Toto drummer Jeff Porcaro, replaced after his death by current Toto drummer Simon Phillips. Los Lobotomys formed in the mid-1980s and played regular shows in the Los Angeles area, often inviting whatever session musicians happened to be available and in the area. They recorded an album under the Los Lobotomys name in 1989, and the band was heavily involved in the recording of Lukather's Candyman.[23] Los Lobotomys recorded a live album in 2004 comprising several tracks from Candyman and from the 1989 album.[30]

In 1998, Lukather received an invitation to tour Japan with fellow guitarist Larry Carlton after Japanese promoters requested that Carlton's annual tours each be different from the last. Lukather and Carlton exchanged some recorded material and decided that a collaboration would be interesting. Lukather was flattered by the invitation to tour with Carlton, citing him as his favorite guitarist. Lukather speaks highly of their stage efforts, although the two were admittedly outside their normal realm of work. He stated in an interview that "you can hear us having fun on the record—you can hear the smiles on our faces."[31] After several shows, the duo realized that they should record their collaboration even if just for their own use. Guitarist and producer Steve Vai heard one of the subsequent recordings and expressed interest in releasing it under his Favored Nations label, also home to artists such as Eric Johnson and Dweezil Zappa. Vai and Lukather mixed and produced the recording, which is said to be a mixture of jazz, blues, and fusion music.[31] The resulting album, No Substitutions: Live in Osaka, won a 2001 Grammy award for Best Pop Instrumental Album.[32][3] Album reviewers described Lukather as having a heavier style than Carlton.[33] Lukather and Carlton later did an international tour in support of the album.[31]

In 2005, Lukather was noted for his rendition of the Jimi Hendrix song "Little Wing" at a gala 90th birthday celebration for jazz guitarist Les Paul.[34] Returning after a five year absence, the 2012 G3 Tour will feature Lukather alongside Joe Satriani and Steve Vai. [35] In February, 2012, Ringo Starr announced that Lukather will be the guitarist in his All Starr Band for their summer tour.[36]

Lukather periodically contributes material and expertise to instructional and educational enterprises. In 1985, he released the instructional "Star Licks" guitar video featuring many of the guitar parts from the first five Toto studio albums. It was released on DVD in 2005.[37] The guitarist has also been participating in projects such as the Fermatta Master Class Series, an educational cooperative organized by the Fermatta Music Academy in Mexico.[38]

Musical style and equipment

Lukather sits on stage, illuminated by a spotlight, playing a dark grey Ovation Adamas acoustic-electric guitar.
Lukather playing an Ovation Adamas

Influenced by blues-rock guitarists such as Jimi Hendrix and Jimmy Page, and jazz fusion players such as Al Di Meola and Frank Gambale, Lukather is known for a "melodic and intense" playing style.[39] He has also cited Steely Dan as a major long-time influence—one that emerges prominently in later solo work such as All's Well That Ends Well.[40] Journalist Jude Gold notes that his vibrato is very pronounced and his "exaggerated wide bends" are distinctive and quickly recognizable. Well-versed in music theory, Lukather can follow chord charts and changes in a way typical of jazz musicians—this ability enhances his value as a session musician. In interviews, he has explained how he thinks of the guitar in a "chordal cluster" format, and not the typical "linear scale" format.[41]

Lukather's approach to engineering his sound in the studio is usually very simple. He is not known for doing a large number of takes or for incorporating much overdubbing—rather, he has a reputation for doing only single takes for many parts.[42] He has said about this approach:

If a solo didn't work—either because I didn't have the right sound, or because I wasn't inspired at that moment—I'd just move on. A part either works or it doesn't. You can't batter it into submission, or force inspiration to save you. It's always better to just surrender, and then come back later to give it a go with fresh ears.

— Steve Lukather, EQ, February 2009[8]

Although he enjoys the technical mastery that is possible in the studio, Lukather prefers the dynamic of performing live on stage.[43] He has stated that dynamics are the most important element of producing a recording with good sound quality.[44]

Despite being known in the past for having an intricate effects rack, Lukather now claims to play mostly free of effects after seeing some overdone commercial effects processors named after him.[16] Other than some delay, he has not used many effects in recent years.[43] He has held a long association with Bob Bradshaw of Custom Audio Electronics, who designed and manufactured key elements of Lukather's effects rack. Lukather is one of the few official endorsers of EMG pickups, having collaborated on his own Lukather signature "SL20" pickup system. The pickup system is a single unit incorporating two different types of pickups (including a humbucker), single volume and tone knobs, and a pickguard.[45]

Lukather is an endorser of Music Man guitars and has a signature model named "Luke" that incorporates his signature EMG pickup system. The guitar started out with only MusicMan specifications (including a Floyd Rose locking vibrato, later replaced with a vintage-style fulcrum bridge), but in 1998 the manufacturer made several customizations to the model to better fit Lukather's playing style.[46] Music Man also produces a Ball Family Reserve Steve Lukather Model that features upgraded hardware and materials.[47] Lukather has also been known to play Ibanez and Valley Arts guitars. His relationship with Ibanez and Valley Arts yielded an endorsement for a brief time in the 1980s with the release of the Ibanez Roadstar RS1010SL and Valley Arts Custom Pro Steve Lukather Signature guitars in 1984/85.[47]

Discography

Solo

Main article: Steve Lukather discography
  • Lukather (1989)
  • Candyman (1994)
  • Luke (1997)
  • No Substitutions: Live in Osaka (2001)
  • Santamental (2003)
  • Ever Changing Times (2008)
  • All's Well That Ends Well (2010)

With Toto

Main article: Toto discography

With Los Lobotomys

  • Los Lobotomys (1989)

Awards

References

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  2. ^ Wolff, Robert (May 1, 2004), How to Make It in the New Music Business, Billboard Books, p. 63, ISBN 0823079546
  3. ^ a b c d Grammy Award Winners, The Recording Academy, retrieved 2009-08-16 Note: User search required.
  4. ^ a b c d e f Slagman, Arend; Slagman, Kay, Steve Lukather Biography, Slagman.com, retrieved 2007-09-26
  5. ^ a b Molenda, Michael (2008), "Steve Lukather", Guitar Player, vol. 45, no. 2, pp. 14–16, ISSN 0017-5463 {{citation}}: Unknown parameter |month= ignored (help)
  6. ^ a b c "Ex-Hitmen Hold the Line", New Zealand Herald, APN Newspapers, February 23, 2008
  7. ^ Johan, Rizal (March 7, 2008), "Toto's last fling", The Star, Star Publications, retrieved 2009-07-30
  8. ^ a b c Holland, Dave (2009), "Steve Lukather's 7 Ways To Tonal Bliss", EQ, vol. 20, no. 2, pp. 30–31, ISSN 1050-7868 {{citation}}: Unknown parameter |month= ignored (help)
  9. ^ Ickkhanian, Levon (2007), "Sessions", Canadian Musician, vol. 29, no. 6, pp. 44–47, ISSN 0708-9635 {{citation}}: Unknown parameter |month= ignored (help)
  10. ^ Abrahams, Andrew (June 10, 1996), "Tambu", People Weekly, vol. 45, no. n23, p. 27, ISSN 0093-7673
  11. ^ Borzillo, Carrie (July 24, 1993), "Toto", Billboard, vol. 105, no. 30, pp. 15(2), ISSN 0006-2510
  12. ^ Slagman, Arend; Slagman, Kay, Songwriting Lukather on Toto and Lukather albums, Slagman.com, retrieved 2009-07-27
  13. ^ a b c d Hogan, Ray (August 22, 2008), "Lukather of Toto fame steps out on own", Connecticut Post, Hearst Corporation
  14. ^ "TOTO temporarily reforming in July 2010". Toto99.com. February 27, 2010. Retrieved 2010-10-22.
  15. ^ "TOTO Tour Dates Summer 2012". Toto99.com. February 25, 2012. Retrieved 2012-03-06.
  16. ^ a b c d e f g Gold, Jude (2001), "Christmas Carols in Peril.", Guitar Player, vol. 38, no. 1, pp. 85(3), ISSN 0017-5463 {{citation}}: Unknown parameter |month= ignored (help)
  17. ^ Slagman, Arend; Slagman, Kay, Steve Lukather Discography, Slagman.com, retrieved 2009-07-27
  18. ^ Hall, Russell (March 5, 2009). "10 All-Time Great Session Guitarists". Gibson.com. Gibson Guitar Corporation. Retrieved 2012-03-07.
  19. ^ a b Reece, Doug (November 29, 1997), "Popular Uprisings", Billboard, vol. 109, no. 48, p. 16, ISSN 0006-2510
  20. ^ a b c Weiss, Arlene (October 11, 2010). "Steve Lukather "All's Well That Ends Well" Album Review". Guitar International. Guitar International Group. Retrieved 2010-10-22.
  21. ^ Slagman, Arend; Slagman, Kay, SteveLukather.net Home, Slagman.com, retrieved 2010-03-16
  22. ^ Slagman, Arend; Slagman, Kay, Lukather, Slagman.com, retrieved 2009-07-27
  23. ^ a b Los Lobotomys, LosLobotomys.com, retrieved 2012-03-06
  24. ^ a b Slagman, Arend; Slagman, Kay, Candyman, Slagman.com, retrieved 2009-07-27
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  26. ^ Slagman, Arend; Slagman, Kay, Luke, Slagman.com, retrieved 2009-07-27
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  28. ^ Leigh, Bill (December 1, 2005), "Holiday Happenings – Steve Lukather and Friends – Santamental", Bass Player, p. 57, ISSN 1050-785X
  29. ^ "Rocker Lukather Celebrates Chrismas in June on New Album", World Entertainment News Network, Comtex, December 23, 2003
  30. ^ Releases, LosLobotomys.com, retrieved 2009-07-30
  31. ^ a b c Marshall, Clay (March 10, 2001), "Vai's Favored Nations Captures Carlton/Lukather Live In Japan", Billboard, vol. 113, no. 10, p. 14, ISSN 0006-2510
  32. ^ "And the Grammy Award Goes to..", The New York Times, The New York Times Company, February 28, 2002
  33. ^ Woodard, Josef (2001), "Fission: All That Funkin' Jazz", JAZZIZ, vol. 18, no. 8, pp. 26(2), ISSN 0741-5885 {{citation}}: Unknown parameter |month= ignored (help)
  34. ^ Sprague, David (June 22, 2005), "Les Paul 90th Birthday Salute", Daily Variety, vol. 287, no. 58, p. 5, ISSN 0011-5509
  35. ^ Bosso, Joe (November 23, 2011), "G3 2012 dates annouced: Joe Satriani, Steve Vai and Steve Lukather", MusicRadar, Future Publishing, retrieved 2012-03-06
  36. ^ Casino, Fallsview (March 5, 2012), "Ringo Starr and All-Starr Band Returning to Fallsview to Launch North American Tour", Sacramento Bee, McClatchy Company, retrieved 2012-03-06
  37. ^ Slagman, Arend; Slagman, Kay, Steve Lukather – Master session, Slagman.com, retrieved 2009-09-02
  38. ^ "Escuelas de Música – Acerca de la Academia de Música Fermatta", Fermatta.edu.mx (in Spanish), Fermatta Music Academy, retrieved 2012-03-06
  39. ^ Lourdes, Marc (October 4, 2008), "Guitar rocker for one and all", New Straits Times, New Straits Times Press
  40. ^ Blackett, Matt (2011), "Steve Lukather", Guitar Player, pp. 78+, ISSN 0017-5463 {{citation}}: Unknown parameter |month= ignored (help)
  41. ^ Gold, Jude (2003), "Steve Lukather's vicious triplets", Guitar Player, vol. 37, no. 2, p. 19, ISSN 0017-5463 {{citation}}: Unknown parameter |month= ignored (help)
  42. ^ Staff (2007), "Legend Luke", Guitar Buyer, vol. 34, no. 6, pp. 43–48 {{citation}}: Unknown parameter |month= ignored (help)
  43. ^ a b Blackett, Matt (2000), "Pickups: Steve Lukather", Guitar Player, vol. 34, no. 6, pp. 47–48, ISSN 0017-5463 {{citation}}: Unknown parameter |month= ignored (help)
  44. ^ Mettler, Mike (2008), "Toto Recall with Steve Lukather", Sound & Vision, vol. 73, no. 4, p. 6, ISSN 1537-5838 {{citation}}: Unknown parameter |month= ignored (help)
  45. ^ "The Pro Series", Music Trades, vol. 154, no. 10, p. 52, 2006, ISSN 0027-4488 {{citation}}: Unknown parameter |month= ignored (help)
  46. ^ "Music Man", Music Trades, p. 186, 1998, ISSN 0027-4488 {{citation}}: Unknown parameter |month= ignored (help)
  47. ^ a b Molenda, Michael (2008), "Gear Roundup: Music Man Ball Family Reserve", Guitar Player, vol. 42, no. 1, pp. 150–151, ISSN 0017-5463 {{citation}}: Unknown parameter |month= ignored (help)
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