Eucharis (fiction)

Eucharis, who does not appear in Greek mythology, was one of the nymph Calypso's attendants in Fénelon's novel Les Aventures de Télémaque, (1699). In Fénelon's modern prose epic, an improvisation upon Homeric themes, Telemachus while searching for his father, Odysseus, has been shipwrecked on Calypso's island, and there has fallen in love with Eucharis but must leave her, dutifully to pursue his quest. Fénelon, in charge of the education of the heir to the French throne, offered his novel, "not as a frivolous novel, that is offered here, reader, for your idleness, but a learned parable". Its theme of the conflict between duty and love is a persistent one, central in French 17th-century classical theater, but peripheral to the Odyssey in spite of its erotic episodes. A sub-theme in Les Aventures de Télémaque, of spiritual education, is summed up by Mentor who says, "He who has not felt his weakness and the violence of his passions is not yet wise; for he does not yet understand himself and does not know how to distrust himself."

The story is perhaps best known from David's painting The Farewell of Telemachus and Eucharis, painted during David's exile in Brussels (1818), and now at the J. Paul Getty Museum.

She is depicted in Frederick Leighton's Eucharis - A Girl with a Basket of Fruit (ca. 1863).

She also appears, somewhat elliptically, in Rimbaud's Après le déluge

• Puis, dans la futaie violette, bourgeonnante, Eucharis me dit que c'était le

 printemps.

• Then, in the violet wood, budding, Eucharis said to me it was Spring.

Etymology

The primary meaning of the word Eucharis comes from the Greek kharisma, meaning grace or charm {the prefix "eu" denoting good or beautiful}. There may also be a connotation of granting sexual favors (from the verb charizein).

External link

• Mary Vidal, "David's 'Telemachus and Eucharis' : Reflections on love, learning and history" in The Art Bulletin, December 2000.