Curly Howard

For other people named Curly Howard, see Curly Howard (disambiguation).

Curly Howard
Curly in a publicity photo for the film Nutty But Nice
Born	Jerome Lester Horwitz
Other names	Curley Howard Jerry Howard
Spouse(s)	Valerie Newman (1947-1952) Marion Buxbaum (1945-1946) Elaine Ackerman (1937-1940) Julia Rosenthal (1930)

Curly Howard (October 22, 1903 – January 18, 1952) was an American comedian and vaudevillian, best known as a member of the American slapstick comedy team the Three Stooges, along with his older brothers Moe Howard and Shemp Howard, and actor Larry Fine. Curly was more or less the breakout character of the Stooges and is generally considered the most popular and recognizable of the three. He is well known for his high-pitched voice, vocal expressions ("nyuk-nyuk-nyuk!" and "woo-woo-woo!"), as well as his inventive physical comedy, hilarious improvisations, and athleticism.

An untrained actor and natural comedian, Curly borrowed (and significantly exaggerated) the "woo woo" from "nervous" and soft-spoken comedian Hugh Herbert, but was otherwise an original and inspired performer. Curly's unique version of "woo-woo-woo" was firmly established by the time of the Stooges' second film Punch Drunks in 1934.

Early life

Curly was born Jerome Lester Horwitz in Brownsville, a section of Brooklyn, New York. He was the fifth of the five Horwitz brothers and of Levite and Lithuanian Jewish ancestry. Because he was the youngest, his brothers called him "Babe" to tease him. The nickname stuck with him all his life, although when Shemp married Gertrude Frank, who was also nicknamed "Babe," the brothers started calling him Curly to avoid confusion. His full formal Hebrew name was "Yehudah Lev son of Shelomo Natan the Levite."

A quiet child, Curly rarely caused problems for his parents (something older brothers Moe and Shemp excelled in). The shy Howard brother was a mediocre student academically, but excelled as an athlete on the school basketball team. He did not graduate from high school, but kept himself busy with odd jobs, and constantly followed his older brothers around wherever they roamed. The graceful Stooge was also an accomplished ballroom dancer and singer, and regularly turned up at the Triangle Ballroom in Brooklyn, occasionally bumping into George Raft.

When Curly was 12, he accidentally shot himself in the ankle while cleaning a rifle. Moe rushed him to the hospital and saved his life. He suffered a slight limp afterward, but was so frightened of surgery that he never got it corrected. While with the Stooges, he developed his famous exaggerated walk to mask the limp on screen.

Curly was interested in music and comedy, and would watch his brothers Shemp and Moe perform as stooges in Ted Healy's vaudeville act. Curly also liked to hang around backstage, though he never participated in any of the routines.

Early career and the Three Stooges

From an early age, Curly was always "in demand socially," as brother Moe put it. He was also a ladies' man and could not resist a beautiful woman. Curly married his first wife, Julia Rosenthal, on August 5, 1930. Very little is known of his first union, except for the fact that the two divorced shortly afterwards.

In 1928, Curly's break onto the stage was as a comedy musical conductor for the Orville Knapp Band. Moe later recalled that Curly's performances usually overshadowed those of the band. Though Curly enjoyed the gig, he watched as older brothers Moe and Shemp (and partner Larry Fine) made it big as one of Ted Healy's "stooges." Vaudeville star Ted Healy had a very popular stage act, in which he would try to tell jokes or sing, only to have his stooges wander on stage and interrupt him. By 1930, Healy and company appeared in their first feature film, Rube Goldberg's Soup to Nuts.

Shemp, however, never liked Healy's abrasiveness and drunken bouts of anger. In 1932, luck came Shemp's way, when he was offered the role of "Knobby Walsh" in the Joe Palooka series, produced by Vitaphone back in Brooklyn. Shemp was thrilled to be away from Healy, but, as was his nature, worried incessantly about brother Moe and partner Larry. Moe, however, told Shemp to pursue this opportunity:

In 1932, Shemp got the opportunity to play the character Knobby in Joe Palooka pictures out on the coast. And it seemed like a great opportunity for Shemp. And he was reluctant about leaving, he said, 'Well, what are you gonna do for a third man?' I said, 'Shemp, don't worry about that. Grab your opportunity and we'll get the kid brother Curly in.' And Curly was working with a band called Orville Knapp and his Band, he was a comedy guest conductor. And it got a big laugh, so we got in touch with Curly and said, 'Give your man two weeks notice and come on, you're gonna join with us.'

File:Plumb.jpg

Curly models a girdle for Moe and Larry in A Plumbing We Will Go. This short was reportedly Curly's favorite film.

With Shemp gone, Moe suggested that kid brother Jerry fill the role of the third stooge. However, Ted took one look at Jerry, with his chestnut-red locks and elegant waxed mustache and stated that he was not a funny character like Moe and Larry. Jerry left the room and returned minutes later with a shaved head and face. Healy quipped, "Boy, don't you look girlie?" Moe misheard the joke as "curly" and all who witnessed the exchange realized that the nickname "Curly" would be a perfect fit. In one of the few interviews Curly gave in his lifetime, he moaned about the loss of his beloved mane: "I had to shave it off right down to the skin." In 1934, MGM was building Ted Healy up as a solo comedian in feature films and Healy dissolved the act to pursue his own career. Like Shemp, the team of Howard, Fine and Howard were tired of Healy's alcoholism and abrasiveness as well, and renamed their act the "Three Stooges." The same year, they signed on to appear in two-reel comedy short subjects for Columbia Pictures. The Stooges soon became the most popular short-subject attraction, with Curly playing an integral part in the trio's rise to fame.

Prime years

File:3Howards.jpg

Brothers Curly, Shemp and Moe share a laugh on the Columbia lot during the filming of Hoi Polloi.

By the end of the 1930s, Curly was clearly the star of the Three Stooges. His childlike mannerisms and natural comedic charm made him a hit with audiences. Having no formal acting training, his comedic skill was entirely spontaneous. Many times, directors would simply let the camera roll to see what Curly came up with. Jules White, in particular, would leave gaps in the Stooge scripts where Curly could improvise for several minutes. By time the Stooges hit their peak in the late 1930s, films had almost become vehicles for Curly's unbridled comic performances. Classics like A Plumbing We Will Go, We Want Our Mummy, An Ache in Every Stake and Cactus Makes Perfect display Curly's innate ability to take inanimate objects (like food, tools, pipes, etc.) and turn them into comic genius. Moe later confirmed that the fact that Curly often forgot his lines only allowed him to improvise on the spot rather than ruin the shot:

If we were going through a scene and he'd forget his words for a moment, you know. Rather than stand, get pale and stop, you never knew what he was going to do. On one occasion he'd get down to the floor and spin around like a top until he remembered what he had to say.

Curly also developed a set of reactions and expressions that the other Stooges would imitate long after he had left the act:

• "N'yuk, n'yuk, n'yuk" - often used when Curly had amused himself
• "Woo, woo, woo" - used when he was either scared or flirting with a "dame"
• "N'gahh!" - scare reaction (this was the most-oft used reaction by the other Stooges after Curly's departure
• "Ruff, ruff" - a dog bark, used to give an enemy a final push before departing the scene

On several occasions, Moe was convinced that rising star Lou Costello (a close friend of Shemp's) was siphoning routines from Curly. Costello was known to acquire prints of the Stooges' films from Columbia Pictures on occasion, presumably to study Curly. Inevitably, Curly's routines would show up in Abbott and Costello features, much to Moe's chagrin (it did not help that Columbia Pictures president Harry Cohn would not give the Stooges a chance to make feature-length films like contemporaries Laurel and Hardy, the Marx Brothers and Abbott and Costello).

Oddly enough, Curly's offscreen personality was the antithesis of his onscreen manic persona. An introvert, Curly generally kept to himself, rarely socializing with people unless he had consumed several drinks. In addition, he came to life when in the presence of brother Shemp. Curly could not be himself around brother Moe, who treated his younger brother with a fatherly wag of the finger. Never an intellect, Curly simply refrained from engaging in "crazy antics" unless he was in his element: with family, performing, or slightly intoxicated.

File:Callingcurz.jpg

Curly (center) was in his glory while filming the dog-themed Calling All Curs. His love of canines was unabated throughout his life.

On June 7, 1937, Curly married Elaine Ackerman, who gave birth to Curly's first child, Marilyn, the following year. The couple divorced in 1940. On the heels of his divorce, Curly began to live more excessively. He gained a tremendous amount of weight and developed hypertension. The fact that Curly always believed that his shaved head made him unappealing to women caused him to drink excessively to mask his insecurities. As such, he took to wearing a hat in public to convey an image of masculinity, saying he felt like a little kid with his hair shaved off. However, he was popular with women all his life. In fact, many who knew him said women were Curly's main weakness. Moe's son-in-law Norman Maurer even went so far as to say he "was a pushover for women. If a pretty girl went up to him and gave him a spiel, Curly would marry them. Then she would take his money and run off. It was the same when a real estate agent would come up and say 'I have a house for you,' Curly would sell his current home and buy another one."

During World War II, for seven months out of each year, the trio's filming schedule would go on hiatus, which allowed them to make personal appearances. The Stooges entertained servicemen constantly, and the intense work schedule took its toll on Curly. Curly never drank while performing in film or on stage, as Moe would not allow it. However, once away from Moe's watchful eye, Curly would find the nearest nightclub, down a few drinks, and make merry. His drinking increased, as did his eating, cigar smoking, and overall carousing. Curly also had difficulties managing his finances, often spending his money on wine, food, women, homes, cars, and especially dogs. Since income from his successful career was carelessly spent, Curly was often near poverty. Moe eventually handled all of Curly's financial affairs, helped him manage his money, and even completed his income tax returns.

Curly found constant companionship in his dogs and often befriended strays whenever the Stooges were traveling. Curly would pick up homeless pups and take them with him from town to town, until finding them homes somewhere else on the tour. When not performing, Curly would usually have a few dogs waiting for him at home as well. Naturally, Curly was in his glory during the filming of Calling All Curs, a dog-themed short in which the Stooges portray successful and highly respected veterinarians.

Slow decline

By 1944, Curly's energy began to wane. Refusing Moe's entreaties that he see a doctor, Curly displayed a diminishing energy on film. Films like Idle Roomers, The Yoke's on Me and Booby Dupes present a Curly whose voice was deeper and his actions slower. After the filming of Idiots Deluxe, Curly finally checked himself into Cottage Hospital in Santa Barbara, California on January 23, 1945 and was diagnosed with extreme hypertension, a retinal haemorrhage and obesity. It is also believed that Curly suffered the first in a series of mild strokes at this time. Realizing how dire the situation had become, Moe pleaded with Harry Cohn to allow Curly some time off upon discharge to regain his strength. Unfortunately, Cohn would not halt the production of his profitable Stooge shorts, and flatly declined Moe's request. Author Michael Fleming later stated that "...it was a disastrous course of action."

Curly's manic performances were now a shadow of their former brilliance. The first film produced after his stroke was the lackluster If a Body Meets a Body, and Curly's actions and mannerisms were noticeably slower. In the hands of a sympathetic director like novice Edward Bernds, Curly could produce decent work. This was because Bernds painstakingly devised ways that the ailing Stooge could still be the star without actually contributing a great deal. Films like Monkey Businessmen (in which Curly had to be coached by Moe on camera), Micro-Phonies and A Bird in the Head were fine examples of Bernds factoring in the reality that Curly was no longer in his prime. Other directors, such as Jules White, simply shifted the action to Moe and Larry. Films like Beer Barrel Polecats and Uncivil War Birds were mediocre at best and clearly showed that Curly was hurting.

Subsequently, Moe urged Curly to find himself a wife, hoping it would convince his brother to finally settle down and allow his health to somewhat improve. After a two-week courtship, Curly married Marion Buxbaum on October 17, 1945, a union which lasted approximately three months. The divorce proceeding was a bitter one, and exacerbated via exploitation in the local media. After this divorce, Curly's health began a rapid and devastating decline.

Illness

A thinner, ailing Curly (far left) struggles to get through his dialogue in Rhythm and Weep.

By early 1946, Curly's fragile health had taken a sharp nosedive. His voice had become twice as coarse as before, and he had increasing difficulty remembering even the simplest dialogue. The quality of his performances seriously declined, as his strength and energy plummeted. Harry Cohn's decision to not allow Curly a brief vacation time off to recuperate and rest resulted in Curly's final 12 films becoming the nadir of his once-bright career. He had lost a considerable amount of weight and lines had creased his baby face.

Two of Jules White's efforts—Three Loan Wolves and Rhythm and Weep—clearly display a sick Curly as indicated by his much slower movements. Ed Bernds, however, was lucky enough to capture the ailing Stooge on an "up" day when filming Three Little Pirates. Curly seemed better and there had been some hope that his illness was finally under control. "I guess I should be thankful that Curly was in one of his 'up' periods," Bernds said later. "In Three Little Pirates, he was terrific. It was the last flash of the old Curly."

The end came soon enough. On May 6, 1946, while filming Half-Wits Holiday, Curly suffered a massive stroke on the set. He had completed most of the film, except for the pie-fight scene, which occurred at the end of the film. Moe recalled that director Jules White called for Curly, but got no answer. Moe sought out his brother, finding him sitting with his head slumped over on his shoulder. Curly was crying profusely, but unable to speak and Moe knew instantly that his already ill brother had suffered a severe stroke. Curly was immediately driven to the local hospital, while White quietly scrambled to shoot the final scene around Curly's absence. Moe later recalled that immediately following the day's filming, he drove directly to the hospital while still wearing his studio makeup and tuxedo wardrobe. Curly soon took residence at the Motion Picture Country Home and Hospital in Woodland Hills, California.

File:Curlyshempholdf.jpg

Curly makes a cameo, in Hold That Lion!, after his career-ending stroke. This marked the only instance in which brothers Curly, Moe and Shemp appeared together on screen. Curly's cameo appearance, from Hold That Lion, was recycled in the 1953 remake, Booty and the Beast, one year after Curly had died.

Curly had to leave the team to recuperate. Shemp returned to the trio, to replace Curly in the Columbia shorts; an extant copy of the Stooges' 1947 Columbia Pictures contract was signed by all four Stooges and stipulated that Shemp's joining "in place and stead of Jerry Howard" would be temporary, until Curly recovered sufficiently to return to work full time. During the last two years of Curly's career, Shemp had been recruited occasionally to substitute for Curly during live performances. Now the replacement became permanent.

Curly made a brief cameo appearance (doing his barking-dog routine), in the third film after brother Shemp returned to the trio, Hold That Lion!. It was the only film that featured Larry Fine and all three Howard brothers, Moe, Shemp and Curly, simultaneously; director Jules White later said he spontaneously staged the bit during Curly's impromptu visit to the soundstage:

It was a spur of the moment idea. Curly was visiting the set; this was sometime after his stroke. Apparently he came in on his own, since I didn't see a nurse with him. He was sitting around, reading a newspaper. As I walked in, the newspaper, which he had in front of his face, came down and he waved hello to me. I thought it would be funny, to have him do a bit in the picture and he was happy to do it.

File:MaliceInThePalace.jpg

Theatrical poster for Malice in the Palace; a skinny, moustached Curly can be seen in the bottom left corner. His appearance was deleted from the final product.

Curly filmed a second cameo as an irate chef two years later for the short Malice in the Palace, but his scenes were eventually cut. A lobby card for the short shows Curly with a large mustache, ready to attack Larry and the other Stooges.

Retirement and happy marriage

Still not fully recovered from his stroke, Curly met Valerie Newman, whom he married on July 31, 1947. A friend later recalled, "Valerie was the only decent thing that happened to Curly and the only one that really cared about him." Although his health worsened after the marriage, Valerie gave birth to a daughter, Janie, in 1948. In later years, Janie said that he and her mother had a good marriage and that she regretted that he did not live long enough for her to know him as an adult, so she could speak to him about various things. She also stated that Curly told her he hoped she found what made her happy as her life progressed, because he had finally found what made him happy.

Later that year, Curly suffered a second massive stroke, which left him partially paralyzed. He was confined to a wheelchair by 1950 and was fed boiled rice and apples as part of his diet. His doctors hoped weight reduction would diminish the risk of another stroke and Curly's weight dropped significantly as a result. When Curly's condition failed to improve, Valerie admitted him into the Motion Pictures Country House and Hospital, in Woodland Hills, on August 29, 1950. After several months of treatment and medical tests, Curly was released, though he would return periodically up until his passing.

Curly returned home confined to his bed, where Valerie nursed him. When his health worsened in February 1951, Curly was placed in a nursing home; he suffered another stroke one month after entering the home. Within a few days, the nursing home closed, due to not meeting state fire codes. By April, Curly took up residence at the North Hollywood Hospital and Sanitarium.

Final months and death

In December 1951, the North Hollywood Hospital and Sanitarium supervisor advised the Howard family that Curly was becoming a problem to the nursing staff due to his mental deterioration. They admitted they could no longer care for him, and suggested Curly be placed in a mental hospital. Moe, however, reacted vehemently, declaring under no circumstance would his baby brother be placed in a mental institution. Instead, Moe decided to relocate Curly to the Baldy View Sanitarium in San Gabriel, California.

On January 7, 1952, Moe was contacted on the Columbia set while filming He Cooked His Goose to assist in moving Curly for what would be the last time. 11 days later, on January 18, Curly died of a massive cerebral hemorrhage; he was 48. Curly was given a Jewish funeral and was laid to rest at Home of Peace Cemetery in East Los Angeles.

Legacy

Curly is considered by many Stooge fans to be their favorite of the Three Stooges. Even Larry said Curly was his favorite Stooge. In a 1972 interview, Larry recalled, "Personally, I thought Curly was the greatest, because he was a natural comedian who had no formal training. Whatever he did, he made up on the spur of the moment. When we lost Curly, we took a hit." Curly's mannerisms, behaviour and personality, along with his catchphrases of "n'yuk, n'yuk, n'yuk" and "woo, woo, woo", have become a part of American pop culture. Steve Allen went on to say that Curly was one of the "most original yet seldom recognized comic geniuses."

In 2000, long-time Stooges fan, Mel Gibson, produced a TV-movie for ABC about the life and careers of the Stooges. (In an interview promoting the film, Gibson revealed that Curly was his favorite of the Stooges.) In the film, Curly was played by Michael Chiklis.

Filmography

Features

• Turn Back the Clock (1933)
• Broadway to Hollywood (1933)
• Meet the Baron (1933)
• Dancing Lady (1933)
• Myrt and Marge (1933)
• Fugitive Lovers (1934)
• Hollywood Party (1934)
• The Captain Hates the Sea (1934)
• Start Cheering (1938)
• Time Out for Rhythm (1941)
• My Sister Eileen (1942)
• Good Luck, Mr. Yates (1943) (scenes deleted)
• Rockin' in the Rockies (1945)
• Swing Parade of 1946 (1946)
• Stop! Look! and Laugh! (1960) (scenes from Stooge shorts)

Short subjects

• Hollywood on Parade (1932)
• Nertsery Rhymes (1933)
• Beer and Pretzels (1933)
• Hello Pop! (1933)
• Plane Nuts (1933)
• Roast Beef and Movies (1934)
• Jailbirds of Paradise (1934)
• Woman Haters (1934)
• The Big Idea (1934)
• Punch Drunks (1934)
• Men in Black (1934)
• Three Little Pigskins (1934)
• Horses' Collars (1935)
• Restless Knights (1935)
• Screen Snapshots Series 14, No. 6 (1935)
• Pop Goes the Easel (1935)
• Uncivil Warriors (1935)
• Pardon My Scotch (1935)
• Hoi Polloi (1935)
• Three Little Beers (1935)
• Ants in the Pantry (1936)
• Movie Maniacs (1936)
• Screen Snapshots Series 15, No. 7 (1936)
• Half Shot Shooters (1936)
• Disorder in the Court (1936)
• A Pain in the Pullman (1936)
• False Alarms (1936)
• Whoops, I'm an Indian! (1936)
• Slippery Silks (1936)
• Grips, Grunts and Groans (1937)
• Dizzy Doctors (1937)
• 3 Dumb Clucks (1937)
• Back to the Woods (1937)
• Goofs and Saddles (1937)
• Cash and Carry (1937)
• Playing the Ponies (1937)
• The Sitter Downers (1937)
• Termites of 1938 (1938)
• Wee Wee Monsieur (1938)
• Tassels in the Air (1938)
• Healthy, Wealthy and Dumb (1938)
• Violent Is the Word for Curly (1938)
• Three Missing Links (1938)
• Mutts to You (1938)
• Flat Foot Stooges (1938)
• Three Little Sew and Sews (1939)
• We Want Our Mummy (1939)
• A Ducking They Did Go (1939)
• Screen Snapshots: Stars on Horseback (1939)
• Yes, We Have No Bonanza (1939)
• Saved by the Belle (1939)
• Calling All Curs (1939)
• Oily to Bed, Oily to Rise (1939)
• Three Sappy People (1939)
• You Nazty Spy! (1940)
• Screen Snapshots: Art and Artists (1940)
• Rockin' thru the Rockies (1940)
• A Plumbing We Will Go (1940)
• Nutty but Nice (1940)
• How High Is Up? (1940)
• From Nurse to Worse (1940)
• No Census, No Feeling (1940)
• Cookoo Cavaliers (1940)
• Boobs in Arms (1940)
• So Long Mr. Chumps (1941)
• Dutiful but Dumb (1941)
• All the World's a Stooge (1941)
• I'll Never Heil Again (1941)
• An Ache in Every Stake (1941)
• In the Sweet Pie and Pie (1941)
• Some More of Samoa (1941)
• Loco Boy Makes Good (1942)
• What's the Matador? (1942)
• Cactus Makes Perfect (1942)
• Matri-Phony (1942)
• Three Smart Saps (1942)
• Even As IOU (1942)
• Sock-a-Bye Baby (1942)
• They Stooge to Conga (1943)
• Dizzy Detectives (1943)
• Spook Louder (1943)
• Back from the Front (1943)
• Three Little Twirps (1943)
• Higher Than a Kite (1943)
• I Can Hardly Wait (1943)
• Dizzy Pilots (1943)
• Phony Express (1943)
• A Gem of a Jam (1943)
• Crash Goes the Hash (1944)
• Busy Buddies (1944)
• The Yoke's on Me (1944)
• Idle Roomers (1944)
• Gents Without Cents (1944)
• No Dough Boys (1944)
• Three Pests in a Mess (1945)
• Booby Dupes (1945)
• Idiots Deluxe (1945)
• If a Body Meets a Body (1945)
• Micro-Phonies (1945)
• Beer Barrel Polecats (1946)
• A Bird in the Head (1946)
• Uncivil War Birds (1946)
• The Three Troubledoers (1946)
• Monkey Businessmen (1946)
• Three Loan Wolves (1946)
• G.I. Wanna Home (1946)
• Rhythm and Weep (1946)
• Three Little Pirates (1946)
• Half-Wits Holiday (1947)
• Hold That Lion! (1947, cameo appearance)
• Malice in the Palace (1949, cameo appearance filmed, but not used)
• Booty and the Beast (1953, recycled footage from Hold That Lion)
• Up in Daisy's Penthouse (1953. recycled footage from 3 Dumb Clucks)

Further reading

• Curly: An Illustrated Biography of the Superstooge, by Joan Howard Maurer (Citadel Press, 1988).
• The Complete Three Stooges: The Official Filmography and Three Stooges Companion, by Jon Solomon [2], (Comedy III Productions, Inc., 2002).
• One Fine Stooge: A Frizzy Life in Pictures, by Steve Cox and Jim Terry [3], (Cumberland House Publishing, 2006).

External links

• [Curly Howard at The Three Stooges Official Website http://www.threestooges.com]
• Biography of Curly on Stoogeworld.com
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