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4AD discography

[edit]
Year Artist Title Notes
AXIS
1980 Fast Set Junction One AXIS 1[1]
1980 Bearz She's My Girl AXIS 2
1980 Bauhaus Dark Entries AXIS 3
1980 SHOX No Turning Back AXIS 4
4AD
1980-03-31 Rema-Rema Wheel in the Roses
1980-05-12 Modern English Swans on Glass
1980-05-12 In Camera Final Achievement / Die Laughing
1980-06-02 Bauhaus Terror Couple Kill Colonel
1980-07-07 Cupol Like This for Ages
1980-08-04 The The Controversial Subject
1980-09-01 Various artists Presage(s)
1980-10-13 The Birthday Party The Friend Catcher
1980-10-20 Mass You and I
1980-10-27 Modern English Gathering Dust
1980-11-03 Bauhaus In the Flat Field
1980-11-10 Gilbert and Lewis 3R4
1980-12-01 Bauhaus Telegram Sam
1980-12-01 Dance Chapter Anonymity
1980-12-15 In Camera IV Songs
1981-02-02 Sort Sol Marble Station [2]
1981-03-02 The Past Seven Days Raindance
1981-03-09 Gilbert and Lewis Ends with the Sea
1981-04-06 The Birthday Party Prayers on Fire
1981-04-06 Modern English Mesh & Lace
1981-04-06 Mass Labour of Love
1981-06-01 Colin Newman Provisionally Entitled The Singing Fish / Not
1981-07-06 Dif Juz Huremics
1981-07-27 The Birthday Party Release the Bats
1981-08-01 The The Burning Blue Soul
1981-08-03 Modern English Smiles and Laughter
1981-08-10 Rene Halkett / David Jay Nothing
1981-09-07 The Birthday Party Mr. Clarinet
1981-09-14 Dance Chapter Chapter II
1981-10-05 Dif Juz Vibrating Air
1981-10-05 Various artists Natures mortes
1982-01-11 Colin Newman Not To [3]
1982-02-15 The Birthday Party / Lydia Lunch Drunk on the Pope's Blood / The Agony Is the Ecstacy
1982-03-01 Tones on Tail Tones on Tail
1982-03-15 The Happy Family Puritans
1982-04-12 In Camera Fin
1982-05-03 Modern English After the Snow
1982-05-10 The Birthday Party Junkyard
1982-06-07 Modern English Life in the Gladhouse
1982-07-01 Colin Newman We Means We Starts
1982-08-09 Modern English I Melt with You
1982-09-01 Cocteau Twins Garlands
1982-09-01 Rowland S. Howard / Lydia Lunch Some Velvet Morning
1982-11-01 The Man on Your Street The Happy Family
1982-11-01 Cocteau Twins Lullabies
1982-11-01 Colourbox Breakdown
1983-03-14 The Birthday Party The Bad Seed [4]
1983-04-04 Cocteau Twins Peppermint Pig
1983-04-11 Xmal Deutshland Fetisch
1983-05-02 Colourbox Breakdown (Second Version)
1983-06-20 Xmal Deutshland Qual
1983-07-04 The Birthday Party The Friend Catcher
1983-07-18 The Birthday Party Hee Haw
1983-08-01 The Wolfgang Press The Burden of Mules
1983-09-01 Modern English Someone's Calling
1983-09-01 This Mortal Coil Song to the Siren
1983-09-19 Xmal Deutshland Incubus Succubus II
1983-11-07 Cocteau Twins Sunburst and Snowblind
1983-11-07 Colourbox Colourbox
1984-01-01 Modern English Chapter 12 [5]
1984-02-06 Modern Engish Rocochet Days
1984-03-01 Colourbox Say You
1984-04-02 Cocteau Twins The Spangle Maker
1984-06-04 Colourbox Punch
1984-06-25 Xmal Deutshland Tocsin
1984-08-01 This Mortal Coil Kangaroo
1984-08-13 The Wolfgang Press Scarecrow
1984-10-01 This Mortal Coil It'll End in Tears
1985-03-04 Cocteau Twins Aikea-Guinea [6]
1985-03-04 The Wolfgang Press Water
1985-05-01 Clan of Xymox A Day
1985-07-01 Clan of Xymox Clan of Xymox
1985-07-01 Dif Juz Extractions
1985-07-15 The Wolfgang Press The Legendary Wolfgang Press and Other Tall Stories
1985-07-22 The Wolfgang Press Sweatbox
1985-08-05 Colourbox The Moon Is Blue
1985-08-12 Colourbox Colourbox
1985-11-01 Cocteau Twins Time Dynamine
1985-11-01 Cocteau Twins Echoes in a Shallow Bay
1986-01-13 Cocteau Twins The Pink Opaque [7]
1986-01-13 Richenel L'esclave Endormi
1986-04-01 The Bulgarian State Radio & Television Female Vocal Choir Le mystere de voix bulgares, Vol. 1
1986-04-07 Colourbox Baby I Love You So
1986-04-14 Cocteau Twins Victorialand
1986-04-21 Colourbox The Official Colourbox World Cup Theme
1986-05-01 The Wolfgang Press Standing Up Straight
1986-09-01 Dead Can Dance Spleen and Ideal
1986-09-08 This Mortal Coil Come Here My Love / Drugs
1986-09-22 This Mortal Coil Filigree & Shadow
1986-10-13 Cocteau Twins Love's Easy Tears
1986-11-01 Clan of Xymox Medusa
1986-11-10 Cocteau Twins and Harold Budd The Moon and the Melodies
1987-01-05 Throwing Muses Throwing Muses [8]
1987-01-12 Throwing Muses Chains Changed
1987-04-06 The Wolfgang Press Big Sex
1987-06-15 Various artists Lonely Is an Eyesore
1987-07-27 Dead Can Dance Within the Realm of a Dying Sun
1987-08-03 M/A/R/R/S Pump Up the Volume
1987-09-28 Pixies Come On Pilgrim
1987-10-05 Frazier Chorus Sloppy Heart
1987-10-12 Pieter Nooten and Michael Brook Sleeps with the Fishes
1987-11-01 Clan of Xymox Blind Hearts
1988-02-22 The Bulgarian State Radio & Television Female Vocal Choir Le mystere de voix bulgares, Vol. 2 [9]
1988-03-21 Pixies Surfer Rosa
1988-03-21 Pixies Surfer Rosa & Come On Pilgrim
1988-03-21 Throwing Muses House Tornado / The Fat Skier
1988-04-25 Gilbert and Lewis "8" Time
1988-08-22 The Wolfgang Press King of Soul
1988-08-22 Pixies Gigantic / River Euphrates
1988-08-22 Ultra Vivid Scene She Screamed
1988-09-19 Cocteau Tiwns Blue Bell Knoll
1988-10-24 Dead Can Dance The Serpent's Egg
1988-10-31 Ultra Vivid Scene Ultra Vivid Scene
1988-11-07 The Wolfgang Press Bird Wood Cage
1989-01-23 Throwing Muses Hunkpapa [10]
1989-02-13 Throwing Muses Dizzy
1989-03-20 Pixies Monkey Gone to Heaven
1989-04-17 Pixies Doolittle
1989-04-24 Ultra Vivid Scene Mercy Seat
1989-05-02 The Wolfgang Press Raintime
1989-06-01 Pixies Here Comes Your Man
1989-07-10 The Birthday Party Mutiny / The Bad See E.P.
1989-09-04 Ultra Vivid Scene Something to Eat
1989-09-18 Pale Saints Barging into the Presence of God
1989-10-09 Lush Scar
1990-02-12 Pale Saints The Comforts of Madness [11]
1990-02-26 Lush Mad Love
1990-04-09 Ultra Vivid Scene Staring at the Sun
1990-05-07 Ultra Vivid Scene Joy 1979–1990
1990-05-29 The Breeders Pod
1990-06-11 Dead Can Dance Aion
1990-06-25 His Name Is Alive Livonia
1990-07-16 Pixies Velouria
1990-08-13 Pixies Bossanova
1990-08-28 Cocteau Twins Iceblink Luck
1990-09-17 Cocteau Twins Heaven or Las Vegas
1990-10-15 Lush Sweetness and Light
1990-10-22 Pixies Dig for Fire
1990-10-29 Pale Saints Half-Life
1990-11-12 Ultra Vivid Scene Special One
1990-12-03 Lush Gala
1991-01-07 Pale Saints Mrs. Dolphin [12]
1991-01-28 Throwing Muses Counting Backwards
1991-02-18 Throwing Muses The Real Ramona
1991-04-02 The Wolfgang Press Time
1991-04-08 Spirea X Chlorine Dream
1991-04-08 This Mortal Coil You and Your Sister
1991-04-22 This Mortal Coil BLood
1991-05-13 The Wolfgang Press Mama Told Me Not to Come
1991-05-20 Spirea X Speed Reaction
1991-05-28 Pixies Planet of Sound
1991-06-24 Pale Saints Flesh Balloon
1991-07-25 Heidi Berry Love
1991-08-05 The Wolfgang Press Queer
1991-09-09 His Name Is Alive Home Is in Your Head
1991-09-23 Pixies Trompe le monde
1991-10-07 Lush Black Spring
1991-10-14 Dead Can Dance A Passage in Time
1991-10-28 Spirea X Fireblade Skies
1991-11-04 Cocteau Twins Cocteau Twins Singles Collection
1991-11-04 Throwing Muses Not Too Soon
1991-12-31 Lush For Love
1992-01-01 Various artists Lilliput [13]
1992-01-27 Lush Spooky
1992-03-23 Pale Saints In Ribbons
1992-04-06 The Breeders Safari
1992-04-20 His Name Is Alive The Dirt Eaters
1992-05-11 Pale Saints Throwing Back the Apple
1992-05-18 The Wolfgang Press A Girl Like You
1992-06-01 Michael Brook Cobalt Blue
1992-06-29 Michael Brook Live at the Aquarium
1992-06-29 Belly Slow Dust EP
1992-07-20 Swallow Blow
1992-07-20 Throwing Muses Firepile
1992-08-10 Throwing Muses Red Heaven
1992-08-17 Unrest Imperial F.F.R.R.
1992-09-14 Red House Painters Down Colorful Hill
1992-09-28 Swallow Blowback
1992-10-06 Underground Lovers Leaves Me Blind
1992-10-12 The Birthday Party Hits
1992-10-09 Belly Gepetto
1992-11-16 Ultra Vivid Scene Rev
1992-11-16 Throwing Muses The Curse
1992-11-16 In Camera 13 (Lucky for Some)

The Magnificent Thad Jones, Vol. 3

[edit]
The Magnificent Thad Jones, Vol. 3
Studio album by

The Magnificent Thad Jones, Vol. 3 is an album by American jazz trumpeter Thad Jones primarily recorded on February 2, 1957 and released on Blue Note later that year.

Reception

[edit]

AllMusic gave the album four stars.[14]

Audio Magazine [1]

Mark Stryker of the Detroit Free Press called The Magnificent Thad Jones, Vol. 3—along with Detroit–New York Junction and The Magnificent Thad Jones—"The highlights of Jones’ early discography".[15]

Track listing

[edit]

All tracks are written by Thad Jones, except as noted.

Side 1
No.TitleWriter(s)Length
1."Slipped Again"  
2."Ill Wind"Arlen*, Koehler 
Side 2
No.TitleWriter(s)Length
1."Thadrack"  
2."Let's"  
3."I've Got a Crush on You"Gershwin* 

Personnel

[edit]

Musicians

[edit]

July 14, 1956 ("I've Got a Crush on You")

[edit]

February 2, 1957

[edit]

Technical personnel

[edit]

The Fabulous Fats Navarro, Vol. 1 & 2

[edit]
The Fabulous Fats Navarro
Studio album by
Released1957
Recorded
  • September 26, 1947
  • September 13, 1948
  • October 11, 1948
  • August 9, 1949
GenreBebop
Length36:07
LabelBlue Note
BLP 1531 (Vol. 1)
BLP 1532 (Vol. 2)
Fats Navarro chronology
Fats Bud-Klook-Sonny-Kinney
(1955)
The Fabulous Fats Navarro
(1957)
One Night in Birdland
(1977)
The Fabulous Fats Navarro

The Fabulous Fats Navarro, Vols. 1 & 2 are a pair of separate but related albums by American jazz trumpeter Fats Navarro compiling four sessions he recorded for Blue Note between 1947–1949 and released in 1957.[16] Material for the album came from record dates with a variety of musicians including Tadd Dameron, Ernie Henry, Wardell Gray, Charlie Rouse, Bud Powell, and Howard McGhee.[17][18]

Reception

[edit]
Professional ratings
Review scores
SourceRating
AllMusic (Vol. 1)[17]
AllMusic (Vol. 2)[18]
The Encyclopedia of Popular Music (Vol. 1)[19]
The Encyclopedia of Popular Music (Vol. 2)[19]
The Penguin Guide to Jazz (Vol. 1)[20]
The Penguin Guide to Jazz[20]

Jazz critic Stephen Cook described Navarro as a "fluid and inventive bebop trumpeter" and considered the album "an essential title for jazz enthusiasts."[21]

According to jazz critic Stephen Cook, "Navarro runs the gamut here, turning in both high-flying solos and gracefully cool statements." He noted that the track listing and personnel of the album had varied between releases.[22]

The authors of The Penguin Guide to Jazz Recordings awarded albums a full 4 stars and a "crown", calling them "one of the peaks of the bebop movement and one of the essential modern-jazz records."[20]

Critic John Fordham described the two volumes as "essential Navarro, and essential bebop generally, featuring a string of dazzling themes illuminated by the trumpeter's glowing tone."[23]

Author Tom Piazza stated that the albums "show instantly what set Dameron's work apart," and commented: "Among bebop dates, these were really something special, full of carefully worked-out ensembles, introductions, and codas, yet still with plenty of stretching room for the soloists."[24]

Saxophonist and writer Benny Green noted Dameron's "ravishing tone" and "precise delivery," and called the recordings "a reminder of the grace of one of the earliest modern pioneers, a grace that was precocious because in the 1940s modernists had still not formulated their own conventions."[25]

Track listing

[edit]

The Fabulous Fats Navarro, Volume 1

[edit]

All tracks are written by Tadd Dameron, except as noted.

Side 1
No.TitleLength
1."Our Delight" (alternate take)3:09
2."Our Delight"3:00
3."The Squirrel" (alternate take)3:22
4."The Squirrel"3:01
5."The Chase" (alternate take)2:59
6."The Chase"2:46
Side 2
No.TitleWriter(s)Length
1."Wail" (alternate take)Bud Powell2:44
2."Bouncing with Bud" (alternate take)Powell3:16
3."Double Talk"5:35
4."Dameronia" (alternate take) 3:15
5."Dameronia" 3:00

The Fabulous Fats Navarro, Volume 2

[edit]

All tracks are written by Tadd Dameron, unless otherwise stated.

Side 1
No.TitleLength
1."Lady Bird" (alternate take)2:53
2."Lady Bird"2:52
3."Jahbero" (alternate take)3:03
4."Jahbero"2:56
5."Symphonette" (alternate take)3:07
6."Symphonette"3:09
Side 2
No.TitleWriter(s)Length
1."Double Talk" (alternate take)
  • Howard McGhee
  • Navarro
5:22
2."Bouncing with Bud" (alternate take)Bud Powell3:07
3."Dance of the Infidels" (alternate take)Powell2:52
4."The Skunk" (alternate take)McGhee, Navarro2:59
5."Boperation"
  • McGhee
  • Navarro
3:07
  1. "Bouncing With Bud" (alternate take) (Bud Powell) – 3:07[26]
  2. "Dance Of The Infidels" (alternate take) (Powell) – 2:52

1989 CD reissues

[edit]
The Fabulous Fats Navarro, Volume 1
No.TitleDate recordedLength
1."The Chase" (alternate take)September 26, 1947 
2."The Chase"September 26, 1947 
3."The Squirrel" (alternate take)September 26, 1947 
4."The Squirrel"September 26, 1947 
5."Our Delight" (alternate take)September 26, 1947 
6."Our Delight"September 26, 1947 
7."Dameronia" (alternate take)September 26, 1947 
8."Dameronia"September 26, 1947 
9."Sid's Delight"January 18, 1949 
10."Casbah"January 18, 1949 
11."John's Delight"April 21, 1949 
12."What's New"April 21, 1949 
13."Heaven's Doors Are Wide Open"April 21, 1949 
14."Focus"April 21, 1949 
The Fabulous Fats Navarro, Volume 2
No.TitleDate recordedLength
1."The Skunk" (LP master)October 11, 19482:54
2."Boperation"October 11, 19482:55
3."The Skunk" (78 master)October 11, 19483:06
4."Double Talk"October 11, 19485:30
5."Double Talk" (alternate take)October 11, 19485:20
6."Jahbero" (alternate take)September 13, 19483:00
7."Jahbero"September 13, 19482:52
8."Lady Bird"September 13, 19482:48
9."Lady Bird" (alternate take)September 13, 19482:50
10."Symphonette"September 13, 19483:05
11."Symphonette" (alternate take)September 13, 19483:03
12."I Think I'll Go Away"September 13, 19482:45

Personnel

[edit]

Musicians

[edit]

September 26, 1947 1 1-8

[edit]

September 13, 1948 2 6-12

[edit]
  • Fats Navarro – trumpet
  • Wardell Gray – tenor saxophone
  • Tadd Dameron – piano
  • Curley Russell – bass
  • Kenny Clarke – drums
  • Chano Pozo – bongos (6, 7)
  • Kenny Hagood (12)
    • recorded at WOR Studios, NYC

October 11, 1948 2 1-5

[edit]
  • Fats Navarro – trumpet
  • Howard McGhee (except 2) – trumpet
  • Ernie Henry – alto saxophone
  • Allen Eager – tenor saxophone
  • Milt Jackson (2) – vibraphone
  • Milt Jackson (except 2), Howard McGhee (2) – piano
  • Curley Russell – bass
  • Kenny Clarke – drums
    • recorded at Harry Smith Studio, NYC

January 18, 1949 1 9-10

[edit]

April 21, 1949 1 11-14

[edit]
  • Miles Davis – trumpet
  • J. J. Johnson – trombone
  • Benjamin Lundy – tenor saxophone
  • Cecil Payne – baritone saxophone
  • Tadd Dameron – piano
  • Curley Russell – bass
  • Kenny Clarke – drums
  • Kay Penton – vocals (13)
    • recorded in NYC

Technical personnel

[edit]

Reissue

[edit]



Socratic method

[edit]

Before Socrates gives his speech, he asks some questions of Agathon regarding the nature of love.

First, he asks Agathon whether it is reasonable for someone to desire what they already have, like for example someone who is in perfect health to wish he were healthy (200a–e). Agathon agrees with Socrates that this would be irrational, but is quickly reminded of his own definition of Love's true desires: youth and beauty. Putting the two together then, for Love to desire youth he must not have it himself, thus making him old, and for him to desire beauty, he himself must be ugly. Agathon has no choice but to agree.

Socrates then relates a story he was told by a wise woman called Diotima. According to her, Eros is not a god but is a spirit that mediates between humans and their objects of desire. Love itself is not wise or beautiful but is the desire for those things. Love is expressed through propagation and reproduction: either physical love or the exchanging and reproducing of ideas. The greatest knowledge, Diotima says, is knowledge of the "form of beauty", which humans must try to achieve.

Diotima of Mantinea

[edit]
In the Symposium, Plato's Socrates attributes his view on love to Diotima, a priestess from Mantinea.

In a departure from the earlier dialogues, Socrates switches from dialectical exchange to storytelling.[27] Socrates tells of a conversation he had with Diotima, who plays the same inquiring/instructing role that Socrates played with Agathon.

Origins of Love
[edit]

Diotima first explains that Love is neither a god, as was previously claimed by the other guests, nor a mortal but a daemon, a spirit halfway between god and man. He was born during a banquet thrown by the gods to celebrate the birth of Aphrodite. One of the guests, Porus, (Ancient Greek: Πόρος, transl. 'Contrivance', lit.'Resource', 'Plenty')—son of Metis (Ancient Greek: Μῆτις, romanizedMêtis, lit.'Wisdom', 'Skill', or 'Craft')—who was passed out from drinking too much nectar, and it so happened that another deity arrived, Poverty, who came to the banquet to beg, and upon seeing Porus lying unconscious took the chance to sleep with him, conceiving a child in the process: Love. Having been conceived at Aphrodite's birthday party, he became her follower and servant, but through his real origins Love acquired a kind of double nature. From his mother, Love became poor, ugly, and with no place to sleep (203c–d), while from his father he inherited the knowledge of beauty, as well as the cunningness to pursue it. Being of an intermediary nature, Love is also halfway between wisdom and ignorance, knowing just enough to understand his ignorance and try to overcome it. Beauty then is the perennial philosopher, the "lover of wisdom" (the Greek word "philia" being one of the four words for love).

After describing Love's origins, that provide clues to its nature, Diotima asks Socrates why is it, as he had previously agreed, that love is always that "of beautiful things" (204b). For if love affects everyone indiscriminately, then why is it that only some appear to pursue beauty throughout their lives? Socrates does not have the answer and so Diotima reveals it: Beauty is not the end but the means to something greater, the achievement of a certain reproduction and birth (206c), the only claim that mortals can have on immortality. This is true for men as well as animals that seek an appropriate place to give birth, preferring to roam in pain until they find it. Some men are pregnant in body alone and, just like animals, enjoy the company of women with whom they can have children that will pass on their existence. Others are pregnant in both body and mind, and instead of children they carry wisdom, virtue, and above all, the art of civic order (209a). Beauty is also their guide, but it will be towards the knowledge needed to accomplish their spiritual births.

In conclusion, Diotima gives Socrates a guide on how a man of this class should be brought up from a young age. First, he should start by loving a particular body he finds beautiful, but as time goes by, he will relax his passion and pass to the love of all bodies. From this point, he will pass to the love of beautiful minds, and then to that of knowledge. Finally, he will reach the ultimate goal, which is to witness beauty in itself, rather than representations (211a-b), the true Form of Beauty in Platonic terms.

This speech, in the interpretation of Marsilio Ficino in De Amore (1484), is the origin of the concept of Platonic love.

References

[edit]
  1. ^ "The official website for independent record label 4AD". 4AD. Retrieved 2024-04-24.
  2. ^ "The official website for independent record label 4AD". 4AD. Retrieved 2024-04-24.
  3. ^ "The official website for independent record label 4AD". 4AD. Retrieved 2024-04-24.
  4. ^ "The official website for independent record label 4AD". 4AD. Retrieved 2024-04-24.
  5. ^ "The official website for independent record label 4AD". 4AD. Retrieved 2024-04-24.
  6. ^ "The official website for independent record label 4AD". 4AD. Retrieved 2024-04-24.
  7. ^ "The official website for independent record label 4AD". 4AD. Retrieved 2024-04-24.
  8. ^ "The official website for independent record label 4AD". 4AD. Retrieved 2024-04-24.
  9. ^ "The official website for independent record label 4AD". 4AD. Retrieved 2024-04-24.
  10. ^ "The official website for independent record label 4AD". 4AD. Retrieved 2024-04-24.
  11. ^ "The official website for independent record label 4AD". 4AD. Retrieved 2024-04-24.
  12. ^ "The official website for independent record label 4AD". 4AD. Retrieved 2024-04-24.
  13. ^ "The official website for independent record label 4AD". 4AD. Retrieved 2024-04-24.
  14. ^ Thad Jones - The Magnificent Thad Jones, Vol. 3 Album Reviews, Songs & More | AllMusic, retrieved 2024-01-19
  15. ^ Stryker, Mark. "Thad Jones: 50 years of big band jazz in present tense". Detroit Free Press. Retrieved 2024-01-19.
  16. ^ "Fats Navarro Discography". www.jazzdisco.org. Retrieved 2023-12-28.
  17. ^ a b Fats Navarro - The Fabulous Fats Navarro, Vol. 1 Album Reviews, Songs & More | AllMusic, retrieved 2023-12-28
  18. ^ a b Fats Navarro - The Fabulous Fats Navarro, Vol. 2 Album Reviews, Songs & More | AllMusic, retrieved 2023-12-28
  19. ^ a b Larkin, Colin, ed. (2006). The Encyclopedia of Popular Music. Vol. 6. Oxford University Press. p. 131.
  20. ^ a b c Cook, Richard; Morton, Brian (1994). The Penguin Guide to Jazz on CD, LP and Cassette. Penguin Books. pp. 964–965.
  21. ^ Cite error: The named reference Allmusic was invoked but never defined (see the help page).
  22. ^ Fats Navarro - The Fabulous Fats Navarro, Vol. 2 Album Reviews, Songs & More | AllMusic, retrieved 2023-12-28
  23. ^ Fordham, John (1993). Jazz on CD: The Essential Guide. Kyle Cathie Limited. p. 208.
  24. ^ Piazza, Tom (1995). The Guide to Classic Recorded Jazz. University of Iowa Press. p. 69.
  25. ^ Green, Benny (1973). Drums in My Ears. Davis-Poynter. p. 34.
  26. ^ The masters from this session were released under Bud Powell's name for the album The Amazing Bud Powell
  27. ^ Vlastos, Gregory. Socrates: Ironist and Moral Philosopher (p. 33). Cambridge University Press. Kindle Edition.


Category:Fats Navarro albums Category:Blue Note Records albums Category:1957 albums