User:Wunkt2/sandbox/Hira

Tem LIVE Kyoku

Categories:

   1954 births
   Living people
   Musicians from Tokyo
   Progressive rock musicians
   Post-punk musicians
   New Wave musicians
   World music musicians
   New Age musicians
   Japanese singer-songwriters
   Japanese music arrangers
   Japanese rock musicians
   Japanese electronic musicians
   Synthpop musicians
   Electronica musicians
   Ambient musicians
   Japanese multi-instrumentalists
   Japanese composers
   Anime composers
   Japanese record producers
   Japanese keyboardists
   Japanese guitarists
   Japanese male singers
   Japanese vegetarians

See also

• Barry Andrews
• John Barry
• David Bowie
• David Byrne
• Wendy Carlos
• Deep Forest
• Danny Elfman
• Enigma
• Brian Eno
• Robert Fripp
• Peter Gabriel
• Geinoh Yamashirogumi
• Haruomi Hosono
• Kitarō
• Clint Mansell
• Mark Mothersbaugh
• Colin Newman
• Gary Numan
• Andy Partridge
• A. R. Rahman
• Mark E. Smith
• Split Enz
• Tangerine Dream
• Isao Tomita
• Ryuichi Sakamoto
• Synergy
• Van Halen
• Vangelis
• XTC
• Zuntata

13:56

| influences = The Ventures, Pink Floyd, King Crimson, Yes, XTC, Barry Andrews, Sex Pistols, Wendy Carlos

Soul Home

The song was also used on a Suntory Old Whisky commercial.

Each sold in a set of four volumes in a total of 12 times in all 39 fan club Volume

And the Next Stop: EUROPE.

He now look forwards to bringing the same to the U.S. & Europe.

Yūrashia 21 Degrees Centigrade Harudin Hoteru

訪問者

It seems to be a Japanese indie version of Devo. <Mr. Uehara of ASTRO NOTE> The members are three; Pevo #1, Pevo #2, Pevo #3, and they are the band from Planet Pevo. They play the instruments of Planet Pevo. The catch copy of the first album was "Here comes the techno alien Pevo.", and the jacket has the illustration of the three with Devo-ish hats. The lyrics are Pevo language with heavy Japanese accents and the jacket has mini dictionary of Pevo language. The sound is exactly techno pop and very unique. As it was produced by Susumu Hirasawa, this is a novelty which the entertaining mind of Hirasawa created.

Taltess

PSYCHOID to NO ROOM - 6:20

Sora Rei - all KIMI

()

• "Sairen *Siren*", by Susumu Hirasawa on the 1996 album SIREN
• "Siren *Seiren*", by Susumu Hirasawa on the 1996 album SIREN

• SIREN Susumu Hirasawa album, 1996

• INTERACTIVE LIVE SHOW Vol.5 SIREN, a Susumu Hirasawa concert
  • Unreal Soprano ~ INTERACTIVE LIVE SHOW "SIREN", the home video release of the concert

Puropera

Sampler (P-MODEL) Susumu Hirasawa is, has a remark to this effect, such as booklet accompanying CD "OOPARTS" of (SYUN) Shun its own separate project. By the way, according to such booklet said, the first half of the 1980s, Hirasawa is to own the system simple and easy using a keyboard and a tape echo machine "HEAVENIZER (Hevunaiza)" that he demonstrate the fact that to a pseudo representation of the sampler place, "seems to have hit the lottery Hirasawa (that is, the introduction of high-priced sampler lottery winnings)" rumors to the effect that that stood in the music industry. ^ That said, as has been told in Fall year keyboard magazine 2010, merely "without changing (Emulator) was so high Emulator, was substituted by a digital delay" Shunichi Miura of P-MODEL and the original it was about "than the previous model is still cheap" called.

Riki Chōshū (and Riki Fukuda) "Power-hole" entrance song is. Wrestling because there is no interest at all in pro wrestling, Susumu Hirasawa of the composer did not know at all about the Choshu, made ​​with only the image of the venue wrestling in my head, "have received the request is and be. "made ​​suitably hate because [citation needed]. This song is the same as at the time the phrase is repeated endlessly was unusual entrance song techno style. The pseudonymous (typo of strange offenses warts, warts Cicindela) "Extract prisoners half-credit" is that the composer has been used [12]. Incidentally, the "tiger beetle wart" Tsukeru thing was the image of a figure such as the tiger beetle insect final Iboibo favorite Hirasawa. Was produced for the same song on Hirasawa also be ordered in terms of the contract purchase copyright from the outset, was convinced by its terms, do not come in the royalties to the song itself Hirasawa also be used. In an interview with magazine wrestling Pyeongtaek, he commented on retirement match ", and so" I want to hear it with flowers "I want Tsukurinaoshi if there is a request (Power Hall), so was not able to satisfactory" after, one I also did not realize.

Demo (computer programming) Because you spread some mainly from Japanese artist, Amiga, which is released in 1985, swept the demoscene in Europe "Megademo" for the Amiga flowed into Japan in the late 1980s through them however. Nakaban in [1], the 1990s is Hiroshi Fujiwara Susumu Hirasawa video jockey, also known as an avid fan of Amiga is flaunting Megademo such as "Jaggler" from people around Kitune Akimoto from around the second half of the 1980s it is, for example, by introducing some of the prominent Megademo such as "State of the Art" in the "BUM" program on Space Shower TV. Even today, PC-demo [citation needed] is now distributed through the Internet, often referred to as "Megademo" general demo relic of that time.

Rotation (LOTUS-2) was nominated for the 8th Animation Kobe Theme Song Award in 2003, it finished last, with 705 of 11,590 votes.

Special human vision (human) - 人間ビジョンスペシャル（にんげん-）

Ⓘ-Location プロレスQ Minna no Uta

Tsuvarukubeseru

Toy Accordion [Virtual] Acoustic Piano [Eagle] Auto Harp [Quiet]

Toppyōshi (突拍子) It is ridiculously out of tune. Is a quirky. "- I bring up a well-thing"

P-MODEL OR DIE MP3 Deluxe lyric sheet arrive you when buying songs.

パワーホール

biosphere Label Sampler Plus Have been remixed radio program in the "techno Testing Workshop" in "AOIFE" recording.

Teacher of the game. Was the shooting ban very sorry. You do not know whether or not said, "Tsu crawl hit you" in mind. (This is what I've also defeated enemy full properly of course) showed me the movement quite playful guts swinging down the sword in places that have no enemies, and guts, that would hit the wall on their own. There is a page of the HP PROMINENCE of "freetalk" this sentence. Please see the December 26 "in late December production diary of Subaru bell" of that place. I can go to the "late December" at the button below. Please in the frame on the left or use the LINK page you can press the "Back" button on your browser when you come back.

アート・ブラインド あー

Vocaloids: Lola, Meiko (CYBORG, Nangfaa Planet Roll Call INTERACTIVE LIVE), Miriam Session 7_1 = Yoko-Nari, Koni-Hira, Hirasawa Session (Heaven 2000?)

DISALLOWED ALBUM (不許可曲集, Fu Kyoka Kyoku Shū)

昔話と日本人の心 (THE JAPANESE PSYCHE～Major Motifs in the Fairy Tales of Japan) Hayao Kawai Newsletter (MOIRE CLUB vol.4) The effect on the "MONSTER"

小久保かよ

3 6 5 2 0 2 4 3 4 4 3 6 7 5

イボハンミョウ

Wiwat Tarasangop (ウィワット・ターラーサンゴップ, Uiwatto Tārāsangoppu, วิวัฒน์ ธาราสงบ) [wíwát thaaraa saŋòp] (Sim City/Susumu Hirasawa) ซึซึมุ ฮิราซาว่า Saksit (ศักดิ์สิทธิ์ [sàksìt]) (Zangai no Fune Saksit/P-MODEL) ムアンタイ・ティー・ラク (เมืองไทยที่รัก [mwaŋ thai thîi rák]) - Dear Thailand (Falling Rain/P-MODEL) Luuktung or Daai (ลูกทุ่ง or ได้) (nano-duplication memorials/Susumu Hirasawa ルーク・サトワン・コンディアオ (ลูก สธวัน คนเดียว [lûuk sathwan khondiaw]) (LIMBO-54/Susumu Hirasawa)

Lighting chiefs (solo) Toshihiro Oe (オオエ) - of I3 Promotion, stopped working with Hirasawa after he left Yamada (山田 [possibly "Shōmei" - 照明, or 証明?]) - Was really good, bought an AMIGA as talks of Commodore going bankrupt were happening, borrowed it to Hirasawa, had a stroke in hotel that he stayed on for the beginning of a new job while drunk and died Kondo (近藤) - Yamada's subordinate オオエ対策 - tentative title of a song that Hirasawa made to challenge Oe. Possibly ended up being "Immortal Man"

Api Yomiya (黄泉谷アピ)/Hideki Namai (生井秀樹)/平沢裕一/Tōru Akutsu (阿久津徹)/神尾明朗/鎮西正憲/中野泰博/高橋かしこ/Shōtarō Takami (高見詔太郎)/Mika Hirano (平野美歌)/Rihito Yumoto (湯本理人)/Kiyoshi Inagaki (稲垣潔)/Toshifumi Nakai (中井敏文)/Nguyễn Ngọc Hoa/Kazunori Yoshida (吉田和則) Mako Inoue (井上真子)/Tsutomu Noda (野田努)/Eiji Kikuchi (菊地英二)/Akihiro Tomita (冨田明宏) あくつとおる あべふみやす สบายดีหรือ (サバイ+ディー+ルー, how are you)

有真鈴夫 宝島 撮影

Hirasawa's yodeling, while owing a great deal to traditional Alpean stylings, originated from the Kiyari songs sung by the Edo firefighters. Hirasawa was a fan of the yodeler Andore Anī (アンドレ・アニー) and, around the time he was trying the make Monster, was listening the compilation Alps Yodel.

Sampler, Drum machine, Amiga, Personal computer, Programming, Computer programming, Miburi, Laser harp, Zeusaphone, Cello, Drums, Bass, HEAVENIZER, Tubular Hertz, Graviton

Hanmyō Ibo (異母犯妙)|Yoshio Fukurai (福来良夫)|Wiwat Tarasangop (Thai: วิวัฒน์ ธาราสงบ)|Volquice Proladuke (ヴォルキス・プロラデューク, Vorukisu Puroradyūku)|BRIDGE BUILDER (橋大工, Hashi Daiku)|Luuk Sathwan Khondiaw (Thai: ลูก สธวัน คนเดียว)|Shirō Sakata (坂田四郎)|Σ-12|nGiap|Stealthman (ステルスマン, Suterusuman)

Akiro: Grandson of Takeo Arishima (honorable ancestry), son of 行三 [?, either Kōzō or Gyosan]. "Entire Arishima family" (most likely Takeo's children) decided nobody should inherit the surname. 行三 married Yasuko, second daughter of Baron Kamio Mitsuomi, whose title and lineage were inherited by 行三. Akiro, the couple's second son, was initially known as "Akiro Kamio", and at some point later in life reverted his surname to "Arishima". His business card now reads "有島KAMIO明朗".[1]

Musical Stapler (ミュージカル・ホッチキス, Myūjikaru Hotchikisu)

Wondmoova (ワンドムーバ, Wandomūba): The migration team of Sold (ソルド, Sorudo) (1go; also a Meistevphen (マイスタッフェン, Maisutaffen)), Grop (グロップ, Guroppu) (2go) & Meal (ミール, Mīru)

In 1972, while enrolled at Tokyo Designer Gakuin College, he formed Mandrake, a progressive rock band that incorporated elements from heavy metal and krautrock. One of the few Japanese progressive rock bands of its time, Mandrake achieved little success and released no albums during its lifetime. After discovering punk rock and learning to use synthesizers, Hirasawa felt that progressive rock became just entertainment and decided to reform the band as an electropunk unit.

In January 1, 1979, Mandrake became the new wave band P-Model. Appearing during a "technopop boom", the band achieved commercial success with their debut album In a Model Room and the chart-topping Landsale. P-Model spent the following years making decidedly uncommercial post-punk and going through various lineups, all featuring Hirasawa. The 1984 cassette book Scuba reached number 1 at Original Confidence's chart for the format at a time when the band was popular on the Japanese independent music scene. The group kept operating until 1988, when Hirasawa decided to "freeze" it.

Following P-Model's "freezing", Susumu Hirasawa started his solo career, releasing three albums from 1989 to 1991. Working outside of the restraints of a band, his early solo career was marked by a refusal to stick to any particular genre. In September 1991, P-Model was "defrosted", featuring a revamped lineup. Hirasawa worked with the band while concurrently making side albums solo. The "defrosted" version of P-Model ended in October 1993, when it was put into "revision". Hirasawa relaunched his solo career in 1994 with the "second debut" Aurora and later that year launched a "Revised" P-Model

, and were paraded by the media as one of "The Big Three of Techno", alongside Hikashu and Plastics. After two decidedly uncommercial albums and the departure of keyboardist Yasumi Tanaka in 1983, P-Model went through various membership changes and released the concept album

Hirasawa rerecorded "Happening by the Windowsill" as songwriting practice for his solo career, bringing himself closer to the genre he'd abandoned a decade earlier. Because of this, Yasuhiro Nakano described Hirasawa's solo music as "modern progre" in the liner notes of unreleased materials vol.1.

he also took to untying his other outlets from P-Model; he changed the names of his management office from "Model House" to "Octave" and (a month after the album's release) of his official fanclub from "Moire Club" to "Hirasawa Bypass" (Moire Club's newsletter's 12th and last issue was dedicated to P-Model's end, detailing the history of the band, reporting on their last show and listing what the other members would do after the band's end; Hirasawa Bypass' 1st, on the other hand, was dedicated to Water in Time and Space, detailing its recording, the support tour and Hirasawa's solo backing band)

from the WiTas press release: 平沢とデュエットする戸川純が、ニーナ・ハーゲンのように可愛く、妖しい。

On a 1994 trip to the Thai city of Phuket, Hirasawa went through a “Thai Shock”, amazed by the country’s culture. The event that marked him the most there was his attendance of the Simon Cabaret, whose performance staff consists entirely of transsexual performers. For years he called them “Kathoey” or “Shemales”, but in 2005 switched to the term “SP-2”, a shortening of “Saopraphetson” (สาวประเภทสอง), rendered in Japanese as 第二の女性, since the former words were discriminatory. Deeply interested by what he experienced, Hirasawa would travel to the city once every three months in the mid-90s, spending most of his time with the SP-2. This translated to his work receiving a heavy influence of Southeast Asian themes and instrumentality, partially recording music in Bangkok, involving the SP-2 singers in his albums & shows and organizing 5 fanclub events in the country.

(休) ワールド・カウンセリングセンター 〒377-07 群馬県吾妻郡高山村大字中山2715-2 tel.0279 (63) 2101

休 could be 体

撮影

age 28 ('82-'83) - Mitsuru Hirose was such a heavy snorer, whenever Hirasawa had to share room with him he'd just spend the night wandering round town with his Walkman

A-・ROR: อะรอร/ารอร

ユニチャーム, サーツブレイク, 後藤久美子 (1st　teardrop　（1987年3月18日） - 1.teardrop - DENON・CDコンポ「CONCEPT」CMソング; 2.若葉のイリュージョン - フジテレビ・夏のキャンペーンソング), ピップツジモト, アクメシステム, SONY VPシリーズ, Mazda Bongo & Mazda Titan, FM 東ツ/サンスイ

National, Pip, Mizuno, Yoru no Drama House

Yoshio Fukurai, named after Japan's own "Mad Scientist", Tomokichi Fukurai Orimo's credited on African Christmas as "Masami Kyōno" (京野昌美)

Electro Sound - possibly on top of the Shimamura (島村楽器) LM Center in Hirai, Edogawa AC Unit 1978 - SH & YT rented out an Akihabara building that the owner rarely visited to create the studio Yamaha of Ginza (銀座のヤマハ) - how SH called the LMC in MIW next to Yamano Music Store - how SH called the LMC in deranged door/unreleased materials

chap

• Music Industrial Wastes (音楽産業廃棄物)
• JACKET MUSEUM
• WELCOME TO THE HOUSE OF "TIME'S LEAKING THROUGH EQUAL DISTANCE CURVE" (時間等曲率漏斗館へようこそ)
• Music Industrial Wastes Collection Station (音楽産業廃棄物回収ステイション) P-MODEL PLANT
• Colonial Psychoid Transition Stories (群体プシコイド変遷記)

• Desktop Ouroboros (卓上のウロボロス)
• DAY SCANNER OF HIRASAWA SUSUMU
• Music Industrial Wastes Collection Station (音楽産業廃棄物回収ステイション) HIRASAWA PLANT
• Root of Spirit (魂のふる里)
• A Door Was Opened by a Half-Man-Half-Woman (トビラは半男半女によって開かれる)

• Takahashi, Kashiko (2010), Music Industrial Wastes Rev.2.4 (3rd ed.), Fascination.

SB Creative's 978-4-7973-0783-2

That month, they enacted Unfixes #0 through #2: a Hibiya Open-Air Concert Hall show and the simultaneous release of "Rocket Shoot", an enhanced maxi-single by the band, and drummer Wataru Kamiryo's debut solo album Karasu (Crow); Unfixes #4 and #6, Kamiryo's work as touring drummer for The Ends (Soft Ballet vocalist Ryoichi Endo's solo project) and Kōji Kikkawa, and Fukuma's earning of a Roland JP-8000 for participating in product announcement shows in Tokyo and Osaka hosted by Roland for their clients.

ความเป็นไปอัน ศักสิทธิ์ khwaam pen pai an saksit

illustrator Katsuya Terada, Trigun/Blood Blockade Battlefront mangaka Yasuhiro Nightow,

• Rockin' on Inc
• Disk Union
• Tokyo Sanseisya
• Super Head Magazine Doll
• Marquee
• Avalon
• Marquee Moon
• genron
• Ongaku no Tomo Sha
• Aspect
• KK Bestsellers