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[[File:20090512 James Earl Jones - Othello (I. iii) at the White House (trimmed).ogv|thumb|The [[American#Adjective|American]] [[actor]] {{w|James Earl Jones}}, noted for his orotund [[voice#Noun|voice]] ''({{senseno|en|voice}})'', reading from {{w|William Shakespeare}}’s [[play#Noun|play]] ''{{w|Othello}}'' at the {{w|White House}} Evening of Poetry, Music, and the Spoken Word on May 12, 2009.]]
[[File:20090512 James Earl Jones - Othello (I. iii) at the White House (trimmed).ogv|thumb|The [[American#Adjective|American]] [[actor]] {{w|James Earl Jones}}, noted for his orotund [[voice#Noun|voice]] ''({{senseno|en|voice}})'', reading from {{w|William Shakespeare}}’s [[play#Noun|play]] ''{{w|Othello}}'' at the {{w|White House}} Evening of Poetry, Music, and the Spoken Word on May 12, 2009.]]


The {{glossary|adjective}} is a {{lbor|en|la|[[ōre]] [[rotundō]]|t=with a round mouth; ''hence,'' clear; loud|nocap=1}} (whence [[w:English language|English]] {{m|en|ore rotundo}}), possibly influenced by {{m|en|rotund|t=having a curved, round, or spherical shape; (''figurative'') of sound: full and rich}}.<ref name="OED">{{R:OED Online|pos=adj.'' and ''n|id=3963140483|date=July 2023|nodot=1}}; {{R:Lexico|pos=adj}}</ref> {{m|la||Õre rotundō}} is derived from {{m|la|ōre}} (the {{glossary|ablative}} {{glossary|singular}} of {{m|la|ōs|t=mouth}}, ultimately from {{der|en|ine-pro|*h₁óh₃s|t=mouth}}) + {{m|la|rotundō|t=to make round}} (from {{m|la|rotundus|t=circular, round}} (possibly from {{m|la|rota|t=wheel}} (ultimately from {{der|en|ine-pro|*Hreth₂-|t=to run}}) + {{m|la|-undus|pos={{glossary|suffix}} forming {{glossary|adjective}}s}}) + {{m|la|-ō|pos=suffix forming first-{{glossary|conjugation}} {{glossary|verb}}s}}). {{doublet|en|ore rotundo}}.
The {{glossary|adjective}} is a {{lbor|en|la|[[ōre]] [[rotundō]]|t=with a round mouth; hence, clear; loud|nocap=1}} (whence [[w:English language|English]] {{m|en|ore rotundo}}), possibly influenced by {{m|en|rotund|t=having a curved, round, or spherical shape; (''figurative'') of sound: full and rich}}.<ref name="OED">{{R:OED Online|pos=adj.'' and ''n|id=3963140483|date=July 2023|nodot=1}}; {{R:Lexico|pos=adj}}</ref> {{m|la||Ōre rotundō}} is composed of {{m|la|ōre}} (the {{glossary|ablative}} {{glossary|singular}} of {{m|la|ōs|t=mouth}}, ultimately from {{der|en|ine-pro|*h₁óh₃s|t=mouth}}) + {{m|la|rotundō}} (the {{glossary|ablative}} {{glossary|singular}} of {{m|la|rotundus|t=circular, round}} (possibly from {{m|la|rota|t=wheel}} (ultimately from {{der|en|ine-pro|*Hreth₂-|t=to run}}) + {{m|la|-undus|pos={{glossary|suffix}} forming {{glossary|adjective}}s}}).


The {{glossary|noun}} is derived from the adjective.<ref name="OED"/>
The {{glossary|noun}} is derived from the adjective.<ref name="OED"/>


===Pronunciation===
===Pronunciation===
* {{a|RP}} {{IPA|en|/ˈɒɹə(ʊ)tʌnd/|/ˈɔː-/}}
* {{IPA|en|/ˈɒɹə(ʊ)tʌnd/|/ˈɔː-/|a=RP}}
* {{audio|en|LL-Q1860 (eng)-Vealhurl-orotund.wav|Audio (Southern England)}}
* {{audio|en|LL-Q1860 (eng)-Vealhurl-orotund.wav|a=Southern England}}
* {{a|GA}} {{IPA|en|/ˈɔɹə(ʊ)ˌtʌnd/}}
* {{IPA|en|/ˈɔɹə(ʊ)ˌtʌnd/|a=GA}}
* {{hyphenation|en|or|o|tund}}
* {{hyphenation|en|or|o|tund}}


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# {{senseid|en|voice}} Of a [[voice#Noun|voice]]: [[characterize]]d by [[clarity]], [[fullness]], [[smoothness]], and [[strength]] of [[sound#Noun|sound]]; hence, of a [[person#Noun|person]]: [[have#Verb|having]] a [[clear#Adjective|clear]], [[full#Adjective|full]], and [[strong#Adjective|strong]] voice, [[appropriate#Adjective|appropriate]] for [[public speaking]], [[read#Verb|reading]] [[aloud]], etc.
# {{senseid|en|voice}} Of a [[voice#Noun|voice]]: [[characterize]]d by [[clarity]], [[fullness]], [[smoothness]], and [[strength]] of [[sound#Noun|sound]]; hence, of a [[person#Noun|person]]: [[have#Verb|having]] a [[clear#Adjective|clear]], [[full#Adjective|full]], and [[strong#Adjective|strong]] voice, [[appropriate#Adjective|appropriate]] for [[public speaking]], [[read#Verb|reading]] [[aloud]], etc.
#: {{sense|of a voice}} {{synonyms|en|ore rotundo|resonant|sonorous|Thesaurus:sonorous}}
#: {{sense|of a voice}} {{synonyms|en|ore rotundo|resonant|rotund|Thesaurus:sonorous}}
# {{lb|en|by extension}}
# {{lb|en|by extension}}
## Of [[writing#Noun|writing]], etc.: clear, [[effective#Adjective|effective]], [[powerful#Adjective|powerful]].
## Of [[writing#Noun|writing]], etc.: clear, [[effective#Adjective|effective]], [[powerful#Adjective|powerful]].
## {{lb|en|derogatory}} Of [[speech#Noun|speech]] or writing: [[bombastic]], [[pompous]].
## {{lb|en|derogatory}} Of [[speech#Noun|speech]] or writing: [[bombastic]], [[pompous]].
##: {{synonyms|en|grandiloquent|magniloquent|tumid|turgid}}
##: {{synonyms|en|grandiloquent|magniloquent|tumid|turgid}}
##* {{quote-text|en|author=w:Robert Klitgaard|chapter=Beginning to Move|title=Tropical Gangsters|location=New York, N.Y.|publisher=w:Basic Books|year=1990|page=124|pageurl=https://archive.org/details/tropicalgangster00klit_0/page/124/mode/1up|isbn=978-0-465-08758-7|passage=A series of U.N. and government officials spoke. {{...}} In '''orotund''' turns of phrase—indeed, in spiraling helices of phrase; in snarled fishing lines of phrase; in endless small intestines of phrase--the speakers ingeniously explored and invented connections between ''qwerty'', alphabetical filing, and socioeconomic advance.}}
##* {{quote-book|en|author=w:Robert Klitgaard|chapter=Beginning to Move|title=Tropical Gangsters|location=New York, N.Y.|publisher=w:Basic Books|year=1990|page=124|pageurl=https://archive.org/details/tropicalgangster00klit_0/page/124/mode/1up|isbn=978-0-465-08758-7|passage=A series of U.N. and government officials spoke. {{...}} In '''orotund''' turns of phrase—indeed, in spiraling helices of phrase; in snarled fishing lines of phrase; in endless small intestines of phrase--the speakers ingeniously explored and invented connections between ''qwerty'', alphabetical filing, and socioeconomic advance.}}
##* {{RQ:NYT|author=Anthony Quinn|title=‘{{w|The Line of Beauty}}’: The last good summer [book review]|archiveurl=https://web.archive.org/web/20231018173416/https://www.nytimes.com/2004/10/31/books/review/the-line-of-beauty-the-last-good-summer.html|date=31 October 2004|passage=He would also, you can't help thinking, have approved [[w:Alan Hollinghurst|[Alan] Hollinghurst]]'s discriminating eye and perhaps even enjoyed the half-facetious, half-adoring tributes Nick pays to his famously '''orotund''' late style, the "plums of periphrasis" Nick likes to slip into his conversation.}}
##* {{RQ:NYT|author=Anthony Quinn|title=‘{{w|The Line of Beauty}}’: The last good summer [book review]|archiveurl=https://web.archive.org/web/20231018173416/https://www.nytimes.com/2004/10/31/books/review/the-line-of-beauty-the-last-good-summer.html|date=31 October 2004|passage=He would also, you can't help thinking, have approved [[w:Alan Hollinghurst|[Alan] Hollinghurst]]'s discriminating eye and perhaps even enjoyed the half-facetious, half-adoring tributes Nick pays to his famously '''orotund''' late style, the "plums of periphrasis" Nick likes to slip into his conversation.}}
##* {{RQ:Guardian|author=w:Steven Pinker|title=Reference and languages books: Steven Pinker: 10 ‘grammar rules’ it’s OK to break (sometimes)|archiveurl=https://web.archive.org/web/20230327152313/https://www.theguardian.com/books/2014/aug/15/steven-pinker-10-grammar-rules-break|date=15 August 2014|passage=When {{w|Groucho Marx}} was once asked a long and '''orotund''' question, he replied, "Whom knows?" {{...}} The popularity of "whom" humour tells us two things about the distinction between "who" and "whom". First, "whom" has long been perceived as formal verging on pompous. Second, the rules for its proper use are obscure to many speakers, tempting them to drop "whom" into their speech whenever they want to sound posh.|footer=Appeared in print in the ''Review'' section (issue 52,240) on 16 August 2014, page 4, column 3.}}
##* {{RQ:Guardian|author=w:Steven Pinker|title=Reference and languages books: Steven Pinker: 10 ‘grammar rules’ it’s OK to break (sometimes)|archiveurl=https://web.archive.org/web/20230327152313/https://www.theguardian.com/books/2014/aug/15/steven-pinker-10-grammar-rules-break|date=15 August 2014|passage=When {{w|Groucho Marx}} was once asked a long and '''orotund''' question, he replied, "Whom knows?" {{...}} The popularity of "whom" humour tells us two things about the distinction between "who" and "whom". First, "whom" has long been perceived as formal verging on pompous. Second, the rules for its proper use are obscure to many speakers, tempting them to drop "whom" into their speech whenever they want to sound posh.|footer=Appeared in print in the ''Review'' section (issue 52,240) on 16 August 2014, page 4, column 3.}}
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====Derived terms====
====Derived terms====
* {{l|en|ororotundity}} {{qualifier|obsolete|rare}}
* {{l|en|ororotundity}} {{qualifier|obsolete|rare}}
* {{l|en|ororotundoism}} {{qualifier|obsolete|rare}}
* {{l|en|orotundity}}
* {{l|en|orotundity}}
* {{l|en|orotundly}}
* {{l|en|orotundly}}
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{{trans-top|of a voice: characterized by clarity, fullness, smoothness, and strength of sound}}
{{trans-top|of a voice: characterized by clarity, fullness, smoothness, and strength of sound}}
* Bulgarian: {{t+|bg|плъ́тен}}, {{t+|bg|звучен}}
* Bulgarian: {{t+|bg|плъ́тен}}, {{t+|bg|звучен}}
* Finnish: {{t-needed|fi}}
* Finnish: {{t|fi|sointuva}}
* Georgian: {{t|ka|ჟღერადი}}
* German: {{t+|de|sonor}}, {{t|de|volltönig}}
* German: {{t+|de|sonor}}, {{t|de|volltönig}}
* Macedonian: {{t-needed|mk}}
* Macedonian: {{t|mk|чист}}, {{t|mk|мило́звучен}}, {{t|mk|зву́чен}}
{{trans-bottom}}
{{trans-bottom}}


{{trans-top|of a person: having a clear, full, and strong voice}}
{{trans-top|of a person: having a clear, full, and strong voice}}
* Finnish: {{t-needed|fi}}
* Finnish: {{t|fi|sointuvaääninen}}
* Macedonian: {{t-needed|mk}}
* Macedonian: {{t|mk|чист}}
{{trans-bottom}}
{{trans-bottom}}


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===Anagrams===
===Anagrams===
* {{anagrams|en|a=dnoortu|rotundo|round to}}
* {{anagrams|en|a=dnoortu|rotundo|round to}}

{{cln|en|contranyms}}

Latest revision as of 04:10, 28 September 2024

English

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Etymology

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PIE word
*h₁óh₃s
The American actor James Earl Jones, noted for his orotund voice (sense 1), reading from William Shakespeare’s play Othello at the White House Evening of Poetry, Music, and the Spoken Word on May 12, 2009.

The adjective is a learned borrowing from Latin ōre rotundō (with a round mouth; hence, clear; loud) (whence English ore rotundo), possibly influenced by rotund (having a curved, round, or spherical shape; (figurative) of sound: full and rich).[1] Ōre rotundō is composed of ōre (the ablative singular of ōs (mouth), ultimately from Proto-Indo-European *h₁óh₃s (mouth)) + rotundō (the ablative singular of rotundus (circular, round) (possibly from rota (wheel) (ultimately from Proto-Indo-European *Hreth₂- (to run)) + -undus (suffix forming adjectives)).

The noun is derived from the adjective.[1]

Pronunciation

[edit]

Adjective

[edit]

orotund (comparative more orotund, superlative most orotund)

  1. Of a voice: characterized by clarity, fullness, smoothness, and strength of sound; hence, of a person: having a clear, full, and strong voice, appropriate for public speaking, reading aloud, etc.
    (of a voice): Synonyms: ore rotundo, resonant, rotund; see also Thesaurus:sonorous
  2. (by extension)
    1. Of writing, etc.: clear, effective, powerful.
    2. (derogatory) Of speech or writing: bombastic, pompous.
      Synonyms: grandiloquent, magniloquent, tumid, turgid
      • 1990, Robert Klitgaard, “Beginning to Move”, in Tropical Gangsters, New York, N.Y.: Basic Books, →ISBN, page 124:
        A series of U.N. and government officials spoke. [] In orotund turns of phrase—indeed, in spiraling helices of phrase; in snarled fishing lines of phrase; in endless small intestines of phrase--the speakers ingeniously explored and invented connections between qwerty, alphabetical filing, and socioeconomic advance.
      • 2004 October 31, Anthony Quinn, “‘The Line of Beauty’: The last good summer [book review]”, in The New York Times[1], New York, N.Y.: The New York Times Company, →ISSN, →OCLC, archived from the original on 2023-10-18:
        He would also, you can't help thinking, have approved [Alan] Hollinghurst's discriminating eye and perhaps even enjoyed the half-facetious, half-adoring tributes Nick pays to his famously orotund late style, the "plums of periphrasis" Nick likes to slip into his conversation.
      • 2014 August 15, Steven Pinker, “Reference and languages books: Steven Pinker: 10 ‘grammar rules’ it’s OK to break (sometimes)”, in Alan Rusbridger, editor, The Guardian[2], London: Guardian News & Media, →ISSN, →OCLC, archived from the original on 2023-03-27:
        When Groucho Marx was once asked a long and orotund question, he replied, "Whom knows?" [] The popularity of "whom" humour tells us two things about the distinction between "who" and "whom". First, "whom" has long been perceived as formal verging on pompous. Second, the rules for its proper use are obscure to many speakers, tempting them to drop "whom" into their speech whenever they want to sound posh.
        Appeared in print in the Review section (issue 52,240) on 16 August 2014, page 4, column 3.

Derived terms

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[edit]

Translations

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Noun

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orotund (countable and uncountable, plural orotunds) (obsolete)

  1. (countable) A voice characterized by clarity, fullness, smoothness, and strength of sound.
  2. (uncountable) The quality of clarity, effectiveness, and power in speech or writing.

References

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Anagrams

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