Clarinete en si  1

FINAL SIN EXPLICACIÓN

Los Chavalitos Sensuales CUMBIA SANJUANERA

= 110         
     
Freedy Macedo

           

1.         2.      
  
        
8

 
          

16


           
     
          
27


     
                  
         
36


1.   2. 
3

     
    
44


     

     a la  y        
54 1. 2.

 
                 

            
63 1.

2.   
       
   
70 1.


             
  
80 2.

      1.        2.       
         
102

©
Clarinete en si  2
FINAL SIN EXPLICACIÓN
Los Chavalitos Sensuales CUMBIA SANJUANERA

= 110        
Freedy Macedo

      
           

1.         2.      
  
        
8

 

          

16


           
    
           
27


       
                 
         
36



3

     
      
 
44 1. 2.

      
     a la  y       
54 1. 2.

 
               1.   

            
63

2.   
           
70 1.


  
              

80 2.

   1.     2.     
       
         
102

©
Saxofón alto 1
FINAL SIN EXPLICACIÓN
Los Chavalitos Sensuales CUMBIA SANJUANERA

= 110
 
Freedy Macedo

         
          
   

        2. 
        

              
 
8 1.


                     
        
15

                      
         
22

                 
            
29


                  
        
   
36

    1.         2. 
   
       
            
43


         1.                 2. 
     
50

           
          
 a la  y 
58


  1.               2.             
         
67


             
          
     
74 1. 2.

©
              
2 FINAL SIN EXPLICACIÓN

             


82

            
            

88

        
                           
 
94

       
        1.     
      
      

101 2.
Saxofón alto 2
FINAL SIN EXPLICACIÓN
Los Chavalitos Sensuales CUMBIA SANJUANERA

= 110
Freedy Macedo

   
         


 
    
 
 

                   
      
        
8 1. 2.

   

                    
         
15

                      
         
22

        
                
29


         
              
36

    1.                       
           
43 2.


         
                  
50 1. 2.

        
 a la  y               
58


              

            
         
67 1. 2.


      
                         
74 1. 2.

©
2 FINAL SIN EXPLICACIÓN

           
            
82

            
             
88

       
                             
94


  
     1.           2.       
             
101
Barítono (clave de sol) 1
FINAL SIN EXPLICACIÓN
Los Chavalitos Sensuales CUMBIA SANJUANERA

= 110
Freedy Macedo


                          

                      
             
8 1. 2.

             

             
14

              
               
20

                            

26

    

  
            
32


  
 
    
                 
39 1.

                            
   
46 2.


     
        a la  y   
53 1. 2.

       
                       
62 1.

                        
    
69 2.

©
2 FINAL SIN EXPLICACIÓN

          
         
 
76 1. 2.

            

            
83

            
             
89

            

              
95

             

             
101 1. 2.

  
   
107
Barítono (clave de sol) 2
FINAL SIN EXPLICACIÓN
Los Chavalitos Sensuales CUMBIA SANJUANERA

= 110
Freedy Macedo

                         
  


                       
          
8 1. 2.

  
                    
           
 
14

         

    
    
    
20

  
                       

26

                


32

                            
 
39 1.

                                  
46 2.

  
                   a la  y   
53 1. 2.

                         
     
62 1.

                                       
69 2.

©
2 FINAL SIN EXPLICACIÓN

  
                       
76 1. 2.

 
                        
    
83

          
 
    
    
 
 
 
 
89

                   

     
95

   

              

              
101 1. 2.

 
    
107
Trompeta en si  1
FINAL SIN EXPLICACIÓN
Los Chavalitos Sensuales CUMBIA SANJUANERA

= 110
Freedy Macedo

        
          
     

1.          2.          
       
8


     
  
     
30


1.      

                      
 
43 2.

                a la  y  

52 1. 2.


                   
               

61


1.         
                       
 
68 2.


            
 

            

 
76 1. 2.

 3 3

         
  
  
 

      
 

85

3 3 3

                
     
92

3 3 3

 
      
104 1. 2.

©
Trompeta en si  2
FINAL SIN EXPLICACIÓN
Los Chavalitos Sensuales CUMBIA SANJUANERA

= 110
Freedy Macedo

     
    
            
 


       
   
            

8 1. 2.


  
           
30



                         
43 1. 2.

  


            
  a la  y 
52 1. 2.

            
                     

61

 


                            
 
68 1. 2.

 

    
   

     

      

 
76 1. 2.



3
3

  
           

     

   
 
85

 

3 3
3

   
                   
92

3

3 3


       
104 1. 2.

©
Trombón tenor 1
FINAL SIN EXPLICACIÓN
Los Chavalitos Sensuales CUMBIA SANJUANERA

= 110         
Freedy Macedo

      
            


1.         2.       
  
          
8


       
                 

15

       
                  

23

        
               

31

          
                

39 1. 2.

                  1.  
        

47


      
    2.  
   a la  y  
55 1.

             
     
       
70 2.


1.    2.          
  
     

78

              
3

 
        

92

3 3 3

©
      
2 FINAL SIN EXPLICACIÓN

 
                  

99 1. 2.

  
   

107
Trombón tenor 2
FINAL SIN EXPLICACIÓN
Los Chavalitos Sensuales CUMBIA SANJUANERA

= 110
     
Freedy Macedo

   
  

          
   

1.         2.       
 
           
8

         
                
15


     

 

         

    

23

             

 

 

 



31

          
  
              
39 1. 2.

               1.  
  
       
 
47


    
        
 a la  y 
55 2. 1.

             
 

          
70 2.


1.          
     
   
 

78 2.

                      
   

92

3 3 3

©
2 FINAL SIN EXPLICACIÓN

        
  
               
99 1. 2.

   





107
Sousafón
FINAL SIN EXPLICACIÓN
Los Chavalitos Sensuales CUMBIA SANJUANERA

= 110
Freedy Macedo

            
         


                     
      
8 1. 2.
3

 
     
 

 

 

     
 
15

   

          
             
22

   

 

  
 
  

 

 
        
29

 


                  
         
36




               
            
44 1. 2.


3

                  
       
51 1. 2.

  

        
 a la  y       
       
 
58

   


                     
       
67 1. 2.




                 
        
74 1. 2.

   

©
2 FINAL SIN EXPLICACIÓN

          
          
81

   

         
            
88

    

          
          
95

      

 
       
        
   
102 1. 2.

    
Percusión
FINAL SIN EXPLICACIÓN
Los Chavalitos Sensuales CUMBIA SANJUANERA

= 110
Freedy Macedo

    
    
1. 2.

     
      a la  y
30 1. 2. 1. 2.

      
     
59 1. 2. 1. 2.

    
        
82 1. 2.