The former owner referred to this as a "jolt of color" in his case. This ruby specimen glows with intense color, the color they call "pigeon-blood red" over there. It has also an incredible, waxy but glassy lustre that is hard to describe and I think is unique to great corundums. The sum is, it glows and sparkles in a case, with even minimal lighting to backlight it. The color is also consistent throughout except only a very small crystal portion; and you can see the whole specimen is crystallized. Burmese rubies of large size are commonly lumpy, but this shows incredibly intricate faces, particularly on the display view. It is a floater, complete-all-around, if somewhat irregular on the backside. I recall seeing this piece, in Tucson around 2004 when Bill Larson deaccessed this from his extensive Burma collection (certainly the best American collection of gem crystals from that country) and put it out for sale in Tucson. It was the centerpiece of one shelf in his display, as I recall: Just for color, and to attract buyers in. I recall it was priced on request, and frankly I do not believe to this day he really thought it would sell that quickly and wanted to keep it in the end; but it sold three times over on the opening weekend of the Westward Look show. I thought about buying it myself then (a question of budget), and I went back later to negotiate but it was already gone. 2 Years later, I found myself staring at it in a collection, and recognized it immediately. Now I have it back again, from the Tom Hall collection. Tom is a longtime collector, recently retired from working, who since the 1960s has specialized in colorful miniatures and small cabinet pieces of high quality, trying to obtain the best he could in this size range from major, classic finds. His collection was always small but filled with choice beauties such as this. The piece is a very large miniature at 5.5 cm. Ex. Tom Hall and William Larson Collection. Photo by Joe Budd. [1].
Attribution: Rob Lavinsky, iRocks.com – CC-BY-SA-3.0
Vous êtes libre :
de partager – de copier, distribuer et transmettre cette œuvre
d’adapter – de modifier cette œuvre
Sous les conditions suivantes :
paternité – Vous devez donner les informations appropriées concernant l'auteur, fournir un lien vers la licence et indiquer si des modifications ont été faites. Vous pouvez faire cela par tout moyen raisonnable, mais en aucune façon suggérant que l’auteur vous soutient ou approuve l’utilisation que vous en faites.
partage à l’identique – Si vous modifiez, transformez, ou vous basez sur cette œuvre, vous devez distribuer votre contribution sous la même licence ou une licence compatible avec celle de l’original.
Une autorisation pour utiliser ce fichier via la (les) licence(s) ci-dessous a été vérifiée et archivée dans le système VRT ; elle est disponible sous le numéro de ticket #2010022810018255 pour les agents disposant d'un accès sur VRTS. Si vous souhaitez réutiliser ce travail, il n'est pas nécessaire de détenir davantage de permissions que celles données par la licence indiquée sur cette page. Voir aussi cette page pour la réutilisation du contenu hors de Wikimedia. Pour vérifier cette autorisation, n'hésitez pas à contacter un membre de l'équipe VRT.