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“An adult life...is a slowly emerging design, with shifting components, occasional dramatic disruptions, and fresh creative arrangements.”
Jill Ker Conway
“Her ideas were expressions of her inability to accept her own personal tragedy and her quest for some certainty on which she could rest a troubled spirit. Her her lack of education was a real handicap, because she had no historical or philosophical perspective from which to analyze her own experience of grief and loss. Because we lived in a cultural wasteland of suburbia, there were no schools or evening classes she might have attended which could offer an intellectually disciplined approach to her quest. Nor were there any churches which might have offered comfort through the beauty of their liturgy.”
Jill Ker Conway, The Road from Coorain
“I learned that time manages the most painful partings for us. One has only to set the date, buy the ticket, and let the earth, sun, and moon make their passages through the sky, until inexorable time carries us with it to the moment of parting.”
Jill Ker Conway, The Road from Coorain
“would place beside her in my mind’s eye the young competent woman, proud, courageous, and generous, I’d known as a child. I was living with a tragic deterioration brought about because there was now no creative expression for this woman’s talents. Lacking a power for good, she sought power through manipulating her children. The mind that once was engaged in reading every major writer of the day now settled for cheap romances, murder mysteries, and a comfortable fuzz of tranquilizers and brandy at the end of the day. No one had directly willed her decline. It was the outcome of many impersonal forces, which had combined to emphasize her vulnerabilities. The medical fashion of the day decreed that troubled middle-aged women be given tranquilizers and sedatives. She, once a rebel, had acquiesced in settling down to live the life of an affluent woman.”
Jill Ker Conway, The Road from Coorain
“Above all I needed to be made to think about what it meant that I was a woman, instead of acting unreflectingly as though I were a man, bound to live out the script of a man’s life.”
Jill Ker Conway

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