Republic of the Philippines Department of Education DepEd Complex, Meralco Avenue Pasig City
K to 12 Curriculum Guide
MUSIC (Grade 1 to Grade 10) May 2016
K to 12 BASIC EDUCATION CURRICULUM
CONCEPTUAL FRAMEWORK
Both the Music and the Arts curricula focus on the learner as recipient of the knowledge, skills, and values necessary for ar tistic expression and cultural literacy. The design of the curricula is student-centered, based on spiral progression of processes, concepts and skills and grounded in performancebased learning. Thus, the learner is empowered, through active involvement and participation, to effectively correlate music and art to the development of his/her own cultural identity and the expansion of his/her vision of the world.
As Music and Arts are performance-based disciplines, effective learning occurs through active experience, participation, and performance, creative expression, aesthetic valuation, critical response, and interpretation. The skills that are developed include reading/analyzing, listening/observing, performing, (singing, using musical instruments, movement, acting, and playing, using different art materials, techniques and processes, responding, composing, and creating. (See Figure 1 and Figure 2)
The philosophical foundations upon which standards and competencies are based include: A Process of Education by Jerome Bruner, Performance-Based Learning by Cleve Miller, Aesthetic Education by Bennett Reimer, Multiple Intelligences by Howard Gardner, A Structure for Music Education by Ronald Thomas, Gongs and Bamboo by Jose Maceda, Compendium on the Humanities: Musical Arts produced by the N ational Research Council of the Philippines, Cultural Dictionary for Filipinos by Thelma Kintanar and Associates, Creative and Mental Growth by Viktor Lowenfeld and W. Lambert Brittain, Discipline-Based Art Education by Elliot Eisner, Encyclopedia of Philippine Arts and Tuklas Sining, both produced by the Cultural Center of the Philippines.
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 2of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM
PHILOSOPHY AND RATIONALE FOR MUSIC EDUCATION
Music is both an aural and a temporal art. All its elements, when interwoven in the highest artistic order, are likened into a -- tapestry moving in time. The global weavings of this tapestry in historical and cultural contexts are diverse -- having spurred a continued metamorphosis to include a full range of purposes, functions, and identities, from the utilitarian to aesthetic.
However, the basic nature of music does not change. In his book A Structure for Music Education, Ronald Thomas articulates that the nature of music is expressive, ongoing, and creative. Through a language and medium of its own, music conveys ideas and feelings in a way that addresses the human spirit, and has great value in its communicative process. Music, being responsive in interpreting contemporary times, is a continuing art. Aaron Copland describes this characteristic as a continuous state of becoming. Like the other arts, music is a creative avenue for man’s individual quest for self- expression and fulfillment.
On these basic characteristics are founded the rationale of music study. A keen sensitivity to environmental and musical soun ds needs to be developed. The student must learn to ―hear, ―speak, and ―think in the medium of music. Simultaneously, growth and development in the skills that enable the application of the learner’s knowledge should be encouraged, through active involvement in the various musical processes.
Drawing from the development of music pedagogy through the years, the K-10 Music Curriculum embodies the best practices advocated by the SPIRAL, MULTI-CULTURAL, and INTEGRATIVE approaches in music education, as well as current philosophical thought about contemporary general education.
We envision that Music in the K-10 Program will effectively nurture and refine the learner’s artistic expression and cultural literacy, and celebrate his/her national heritage, while it instils, within every individual Filipino learner, pride in his/her own cultural identity.
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 3of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM
Figure 1. The Curriculum Framework of Music and Arts Education
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 4of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM
Grade 12Mastery of Proficiency in the chosen form or genre Grade 11Mastery of Proficiency in the chosen form or genre Grade 10Application of Contemporary Music and Arts Grade 9Application – Western Music and Arts Grade 8Application – Asian Music and Arts Grade 7Application – Philippine Folk Music and Arts Grade 6Application for Appropriate Mastery and Acquisition of Skills Grade 5Exploration – Elements / Processes Grade 4Formal Introduction to Elements / Processes Grade 3Preliminary Acquisition of Basic Knowledge and Skills Grade 2Enhanced Understanding of Fundamental Processes Grade 1Introduction to the Fundamental Processes KindergartenExposure to the Different Music & Art Processes (Experiential Learning)
Figure 2. Content of Music and Arts per Grade Level K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
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K to 12 BASIC EDUCATION CURRICULUM Table 1. Basic Reference for Music Content
Music Elements
Music Processes
-creating)
(including movement)
*No formal instruction in harmony from K to 3
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
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K to 12 BASIC EDUCATION CURRICULUM
LEARNING AREA STANDARD:
The learner demonstrates an understanding of basic concepts and processes in music and art through appreciation, analysis and performance for his/her self-development, celebration of his/her Filipino cultural identity and diversity, and expansion of his/her world vision.
KEY STAGE STANDARDS:
K-3
4-6
7 – 10
The learner demonstrates
The learner demonstrates understanding
The learner demonstrates understanding
understanding of fundamental
of basic elements and concepts through
of salient features of music and art of
processes through
performing, creating, and responding,
the Philippines and the world, through
performing, creating, and responding,
aimed towards the development of
appreciation, analysis, and performance,
aimed towards the development of
appreciation of music and art, and
for self-development, the celebration of
appreciation of music and art, and
acquisition of basic knowledge and skills.
Filipino cultural identity and diversity,
acquisition of basic knowledge and
and the expansion of one’s world vision.
skills.
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 7of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM GRADE LEVEL STANDARDS:
Grade Level Standards
Grade Level Kindergarten
The learner is exposed to the different basic music and art processes through experiential learning.
Grade 1
The learner demonstrates basic understanding of the fundamental processes in music and art, through performing, creating, listening and observing, and responding.
Grade 2
The learner demonstrates understanding of the basic and fundamental processes in music and art, through performing, creating, listening and observing, and responding.
Grade 3
The learner has acquired the basic and fundamental processes through performing, creating, listening and observing, and responding, towards the development of appreciation of music and art, and the acquisition of basic knowledge and skills.
Grade 4
Through the formal introduction of elements, the learner can identify the basic knowledge and skills in music and art, towards self-development, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision.
Grade 5
Through exploration, the learner demonstrates a deeper understanding of basic knowledge and skills in music and art, towards self-development, the celebration of Filipino cultural identity and diversity, and expansion of one’s world vision.
Grade 6
Through application, the learner demonstrates understanding of the basic concepts of and processes in music and art, towards self-development, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision.
Grade 7
The learner demonstrates basic understanding of the fundamental processes in music and the arts through performing, creating, listening and observing, and responding towards appreciation of the cultural richness of the different provinces in the Philippines.
Grade 8
The learner demonstrates understanding of salient features of Asian music and the arts, through appreciation, analysis, and performance for selfdevelopment, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision.
Grade 9
The learner demonstrates understanding of salient features of Western music and the arts from different historical periods, through appreciation, analysis, and performance for self-development, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision.
Grade 10
The learner demonstrates understanding of salient features of contemporary music and the arts, through appreciation, analysis, and performance, for selfdevelopment, the celebration of Filipino cultural identity and diversity, and the expansion of one’s world vision.
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 8of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM GRADE 1 ELEMENTS OF MUSIC
CONTENT FIRST QUARTER I. RHYTHM 1. Distinction Between Sound and Silence 2. Steady Beats 3. Simple Rhythmic Patterns 4. Ostinato
CONTENT STANDARDS demonstrates basic understanding of sound, silence and rhythm
PERFORMANCE STANDARDS responds appropriately to the pulse of the sounds heard and performs with accuracy the rhythmic patterns
LEARNING COMPETENCY
LEARNING MATERIALS Pilot School MTBMLE
1. identifies the difference between sound and silence accurately
MU1RH-Ia-1
Pilot School MTBMLE
2. relates images to sound and silence within a rhythmic pattern
MU1RH-Ib-2
3. performs echo clapping
MU1RH-Ib-3
4. maintains a steady beat when chanting, walking, tapping, clapping, and playing musical instruments 5. claps, taps, chants, walks and plays musical instruments with accurate rhythm in response to sound o in groupings of 2s o in groupings of 3s o in groupings of 4s 6. creates simple ostinato patterns in groupings of 2s, 3s, and 4s through body movements K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
CODE
MU1RH-Ic-4
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.3-8 Pilot School MTBMLE Pilot School MTBMLE
Pilot School MTBMLE
MU1RH-Ic-5
MU1RH-Id-e-6
Pilot School MTBMLE Music, Arts, Physical
Page 9of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT I.
RHYTHM 1. Distinction Between Sound and Silence 2. Steady Beats 3. Simple Rhythmic Patterns 4. Ostinato
SECOND QUARTER II. MELODY 1. Pitch 2. Simple Melodic Patterns
CONTENT STANDARDS demonstrates basic understanding of sound, silence and rhythm
PERFORMANCE STANDARDS responds appropriately to the pulse of the sounds heard and performs with accuracy the rhythmic patterns
LEARNING COMPETENCY
7. performs simple ostinato patterns on other sound sources including body parts 8. plays simple ostinato patterns on classroom instruments 8.1 sticks, drums, triangles, nails, coconut shells, bamboo, empty boxes, etc.
demonstrates basic understanding of pitch and simple melodic patterns
responds accurately to high and low tones through body movements, singing, and playing other sources of sounds
CODE
MU1RH-If-g-7 MU1RH-Ih-8
Pilot School MTBMLE
Pilot School MTBMLE
MU1ME-IIa-1
2. matches the correct pitch of tones with other sound sources MU1ME-IIb-2
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.25-31 Pilot School MTBMLE
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.32-33
1. identifies the pitch of a tone as high or low
3. sings simple melodic patterns 3.1 ( so –mi, mi –so, mi – redo) 4. matches the melody of a song with the correct pitch vocally
LEARNING MATERIALS
MU1ME-IIb-3
MU1ME-IIc-4
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.43-45 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.47-50 Pilot School MTBMLE Pilot School MTBMLE Music, Arts, Physical
Page 10of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT II. MELODY 1. Pitch 1. Simple Melodic Patterns
III.
FORM 1. Musical Lines 2. Beginnings and Endings in Music 3. Repeats in Music
CONTENT STANDARDS demonstrates basic understanding of pitch and simple melodic patterns
demonstrates basic understanding of the concepts of musical lines, beginnings and endings in music, and repeats in music
PERFORMANCE STANDARDS responds accurately to high and low tones through body movements, singing, and playing other sources of sounds
responds with precision to changes in musical lines with body movements
LEARNING COMPETENCY 4.1 greeting songs 4.2 counting songs 4.3 action songs 5. sings in pitch 5.1 rote singing 5.2 greeting songs 5.3 counting songs 5.4 echo singing
6. identifies with body movements the 6.1 beginnings 6.2 endings 6.3 repeats of a recorded music example 7. identifies similar or dissimilar musical lines with the use of: 7.1 body movements 7.2 geometric shapes or objects
8. relates basic concepts of musical forms to geometric shapes to indicate understanding of: 8.1 same patterns 8.2 different patterns 9. chooses the exact geometric shapes that correspond to musical form
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
CODE
LEARNING MATERIALS Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.52-55 Pilot School MTBMLE
MU1ME-IIc-5
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.52-55 Pilot School MTBMLE
MU1FO-IId-1
Pilot School MTBMLE
MU1FO-IIe-2
MU1FO-IIf-3
MU1FO-IIg-h-4
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.72-76 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.72-76 Pilot School MTBMLE
Page 11of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT THIRD QUARTER IV. TIMBRE 1. Quality of Sound in Music 2. Distinction Between Speaking and Singing
CONTENT STANDARDS demonstrates understanding of the basic concepts of timbre
PERFORMANCE STANDARDS distinguishes accurately the different sources of sounds heard and be able to produce a variety of timbres
LEARNING COMPETENCY 1. identifies the source of sounds 1.1 wind, wave, swaying of the trees, animal sounds, sounds produced by machines, transportation, through body movements 2. responds appropriately to differences in sounds heard through body movement 3. replicates the sounds heard from different sources
CODE
Pilot School MTBMLE
MU1TB-IIIa-1
MU1TB-IIIa-2
V.
DYNAMICS 1. Volume of Sound in Music 2. Distinction Between Loudness and Softness in Music
demonstrates understanding of the basic concepts of dynamics
creatively interprets with body movements the dynamic levels to enhance poetry, chants, drama, and musical stories
8. interprets with body movements the dynamics of a song K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.97-102 Pilot School MTBMLE Pilot School MTBMLE
MU1TB-IIIb-3
4. uses voice and other sources of sound to produce a variety of timbres 5. demonstrates dynamic changes with movements 6. uses the terms loud and soft to identify volume changes 7. relates the concepts of dynamics to the movements of animals 7.1 elephant walk – loud 7.2 tiny steps of a mouse – soft
LEARNING MATERIALS
MU1TB-IIIb-4
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.103-106 Pilot School MTBMLE
MU1DY-IIIc-1
Pilot School MTBMLE
MU1DY-IIIc-2
Pilot School MTBMLE Pilot School MTBMLE
MU1DY-IIId-3
MU1DY-IIIe-f-4
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.132-134 Pilot School MTBMLE Music, Arts, Physical
Page 12of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT V. DYNAMICS 1. Volume of Sound in Music 2. Distinction Between Loudness and Softness in Music
FOURTH QUARTER VI. TEMPO 1. Speed of Sound In Music 2. Distinction Between Fastness and Slowness in Music
CONTENT STANDARDS demonstrates understanding of the basic concepts of dynamics
demonstrates understanding of the basic concepts of tempo
PERFORMANCE STANDARDS creatively interprets with body movements the dynamic levels to enhance poetry, chants, drama, and musical stories
performs with accuracy varied tempi through movements or dance steps to enhance poetry, chants, drama, and musical stories
LEARNING COMPETENCY 8.1 small movement – soft 8.2 big movement –loud 9. applies the concepts of dynamic levels to enhance poetry, chants, drama, and musical stories 9.1 small movement – soft 9.2 big movement – loud 1. mimics animal movements 1.1 horse – fast 1.2 carabao – slow
2.
3.
4. 5.
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
CODE
demonstrates the basic concepts of tempo through movements
responds to varied tempo with movements or dance steps 3.1 slow movement with slow music 3.2 fast movement with fast music relates tempo changes to movements uses varied tempo to enhance poetry, chants, drama, and musical stories
LEARNING MATERIALS Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.132-134 Pilot School MTBMLE
MU1DY-IIIg-h5
MU1TP-IVa-1
MU1TP-IVa-2
Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.143-145 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.137-140 Pilot School MTBMLE
MU1TP-IVb-4
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.137-140 Pilot School MTBMLE
MU1TP-IVc-5
Pilot School MTBMLE
MU1TP-IVb-3
Page 13of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT VII.
TEXTURE
1. Distinction Between Thinness and Thickness in Music 2. Single Melodic Line or Simultaneous Occurrence of Multiple Melodic Lines
CONTENT STANDARDS
PERFORMANCE STANDARDS
demonstrates understanding of the basic concepts of texture
sings songs to involve oneself and experience the concept of texture
LEARNING COMPETENCY 6. identify sounds alone, sounds together 7. demonstrates awareness of texture by using visual images
MU1TX-IVd-1
9. demonstrates the concept of texture by singing two-part round 9.1 Are You Sleeping, Brother John? 9.2 Row, Row, Row Your Boat
LEARNING MATERIALS Pilot School MTBMLE Pilot School MTBMLE
MU1TX-IVe-2
8. distinguishes accurately between single musical line and multiple musical lines which occur simultaneously in a given song
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
CODE
MU1TX-IVf-3
MU1TX-IVg-h-4
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.154-159 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.160-162 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.160-162
Page 14of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM GRADE 2 ELEMENTS OF MUSIC CONTENT FIRST QUARTER I. RHYTHM 1. Distinction Between Sound and Silence 2. Steady Beats 3. Simple Rhythmic Patterns 4. Ostinato
CONTENT STANDARDS demonstrates basic understanding of sound, silence and rhythmic patterns and develops musical awareness while performing the fundamental processes in music
PERFORMANCE STANDARDS responds appropriately to the pulse of sounds heard and performs with accuracy the rhythmic patterns in expressing oneself
LEARNING COMPETENCY
CODE
1. distinguishes aurally and visually between sound and silence
Pilot School MTBMLE
MU2RH-Ia-1
2. relates visual images to sound and silence within a rhythmic pattern MU2RH-Ib-2
3. replicates a simple series of rhythmic sounds (i.e. echo clapping) MU2RH-Ib-3
4. maintains a steady beat when chanting, walking, tapping, clapping, and playing musical instruments 5. claps the written stick notation to show steady beats 5.1 divides the stick notations into measures of 2s, 3s and 4s to show rhythmic patterns K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
LEARNING MATERIALS
MU2RH-Ic-4
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.3-8 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.3-8 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.21-24 Pilot School MTBMLE
Pilot School MTBMLE
MU2RH-Ic-5
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al,
Page 15of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT I.
RHYTHM 1. Distinction Between Sound and Silence 2. Steady Beats 3. Simple Rhythmic Patterns 4. Ostinato
CONTENT STANDARDS demonstrates basic understanding of sound, silence and rhythmic patterns and develops musical awareness while performing the fundamental processes in music
PERFORMANCE STANDARDS responds appropriately to the pulse of sounds heard and performs with accuracy the rhythmic patterns in expressing oneself
LEARNING COMPETENCY 6. creates simple ostinato patterns in measures of 2s, 3s, and 4s with body movements
CODE
2013 pp.25-31 Pilot School MTBMLE
MU2RH-Id-e-6
7. writes stick notation on the board to represent the sound heard MU2RH-If-g-7
8. plays simple ostinato patterns on classroom instruments 8.1 sticks, drums, triangles, nails, coconut shells, bamboo, empty boxes, etc. SECOND QUARTER II. MELODY 1. Pitch 2. Simple Melodic Patterns
demonstrates basic understanding of pitch and simple melodic patterns
performs with accuracy of pitch, the simple melodic patterns through body movements, singing or playing musical instruments
1. identifies the pitch of tones as 1.1 high 1.2 low 1.3 higher 1.4 lower
2. responds to ranges of pitch through body movements, singing, and playing sources of sounds K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
LEARNING MATERIALS
MU2RH-Ih-8
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.25-31 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.22 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.32-33
Pilot School MTBMLE
MU2ME-IIa-1
MU2ME-IIa-2
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.39-42 Pilot School MTBMLE Music, Arts, Physical Education and
Page 16of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT II. MELODY 1. Pitch 2. Simple Melodic Patterns
CONTENT STANDARDS demonstrates basic understanding of pitch and simple melodic patterns
PERFORMANCE STANDARDS performs with accuracy of pitch, the simple melodic patterns through body movements, singing or playing musical instruments
LEARNING COMPETENCY
CODE
Health 2.Illagan, Amelia M. et.al, 2013 pp.43-44 Pilot School MTBMLE
3. demonstrates high and low pitches through singing or playing musical instruments MU2ME-IIb-3
4. sings the following songs with accurate pitch: 4.1 wrote songs 4.2 echo songs 4.3 simple children’s melodies
MU2ME-IIb-4
5. echoes simple melodic patterns through singing or humming MU2ME-IIc-5
6. demonstrates the melodic contour with movement MU2ME-IIc-6
7. demonstrates the melodic contour through 1.7 body staff 1.8 writing the melodic line “on K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
LEARNING MATERIALS
MU2ME-IIc-7
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.42-45, 4750 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.52-55 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.54-55 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.57-58 Pilot School MTBMLE Music, Arts, Physical
Page 17of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT II. MELODY 1. Pitch 2. Simple Melodic Patterns
CONTENT STANDARDS demonstrates basic understanding of pitch and simple melodic patterns
PERFORMANCE STANDARDS performs with accuracy of pitch, the simple melodic patterns through body movements, singing or playing musical instruments
LEARNING COMPETENCY
CODE
the air� 1.9 line notation
Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.58-62 Pilot School MTBMLE
8. relates visual imagery to melodic patterns MU2ME-IIc-8
III.
FORM 1. Musical Lines 2. Beginnings and Endings in Music 3. Repeats in Music
demonstrates understanding of the basic concepts of musical form
performs a song, chosen from among the previously learned songs that shows the basic concepts of musical lines, beginnings, endings and repeats through body movement, vocal sounds, and instrumental sounds
9. identifies the beginning and ending of a song MU2FO-IId-1
10. demonstrates the beginning and ending of a song with 10.1 movements 10.2 vocal sounds 10.3 instrumental sounds
11. identifies musical lines as 11.1 similar 11.2 dissimilar with movements and with the use geometric shapes or objects 12. demonstrates repeated musical lines with movements
LEARNING MATERIALS
MU2FO-IId-2
MU2FO-IIe-3
MU2FO-IIe-4
Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.63-65 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.78-82 Pilot School MTBMLE Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.78-82 Pilot School MTBMLE Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.72-76 Pilot School MTBMLE Music, Arts, Physical
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 18of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
13. recognizes repetitions within a song 14. creates melodic introduction and ending of songs 15. creates rhythmic introduction and ending of songs THIRD QUARTER IV. TIMBRE 1. Quality of Sound in Music 2. Introduction to Voice Production 3. Differentiation in Sound Quality 4. Introduction to Musical Instruments
demonstrates understanding of the basic concepts of timbre
determines accurately the sources of sounds heard, and produce sounds using voice, body, and objects, and be able to sing in accurate pitch
1. identifies the source of sounds e.g. winds, waves swaying of the trees, animals sounds, sounds produced by machines, transportation, etc.
CODE
MU2FO-IIf-5
Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.84-88 Pilot School MTBMLE
MU2FO-IIg-h-6
Pilot School MTBMLE
MU2FO-IIg-h-7
Pilot School MTBMLE Pilot School MTBMLE
MU2TB-IIIa-1
2. replicates different sources of sounds with body movements MU2TB-IIIa-2
3. identifies the common musical instruments by their sounds and image MU2TB-IIIb-3
4. recognizes the difference between speaking and singing
LEARNING MATERIALS
MU2TB-IIIc-4
Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.97-102 Pilot School MTBMLE Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.103-106 Pilot School MTBMLE Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.108-111 Pilot School MTBMLE Music, Arts, Physical
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 19of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT IV. TIMBRE 1. Quality of Sound in Music 2. Introduction to Voice Production 3. Differentiation in Sound Quality 4. Introduction to Musical Instruments
V.
DYNAMICS 1. Volume of Sound in Music 2. Distinction Between Loudness and Softness in Music
CONTENT STANDARDS demonstrates understanding of the basic concepts of timbre
PERFORMANCE STANDARDS determines accurately the sources of sounds heard, and produce sounds using voice, body, and objects, and be able to sing in accurate pitch
LEARNING COMPETENCY
CODE
Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.112-115 Pilot School MTBMLE
5. sings songs with accurate pitch and pleasing vocal quality MU2TB-IIIc-5
demonstrates understanding of the basic concepts of dynamics
creatively applies changes in dynamics to enhance rhymes, chants, drama, and musical stories
6. produces sounds using voice, body, and objects to enhance a given story 7. interprets through body movements the dynamics of a song
MU2TB-IIId-6
8. distinguishes between “loud”, “louder”, “soft” and “softer” in music MU2DY-IIIc-2
10. uses the words loud, louder, K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.121-122 Pilot School MTBMLE Pilot School MTBMLE
MU2DY-IIIc-1
9. relates movements of animals to dynamics E.g. elephant walking – loud dog walking – medium tiny steps of a mouse - soft
LEARNING MATERIALS
MU2DY-IIIc-3
MU2DY-IIIc-4
Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.132-139 Pilot School MTBMLE Music, Arts, Physical Education and Health 2.Illagan, Amelia M. et.al, 2013 pp.132-134 Pilot School MTBMLE Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.132-134 Pilot School MTB-
Page 20of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM
V.
CONTENT
CONTENT STANDARDS
DYNAMICS
demonstrates understanding of the basic concepts of dynamics
1. Volume of Sound in Music 2. Distinction Between Loudness and Softness in Music
PERFORMANCE STANDARDS creatively applies changes in dynamics to enhance rhymes, chants, drama, and musical stories
LEARNING COMPETENCY soft, softer – to identify variations in volume 11. replicates “loud,” “medium,” and “soft” with voice or with instruments
12. sings a given song with appropriate dynamics FOURTH QUARTER VI. TEMPO 1. Speed of Sound In Music 2. Distinction Between Fastness and Slowness in Music
demonstrates understanding of the basic concepts of tempo
uses varied tempito enhance rhymes, chants, drama, and musical stories
1. mimics animal movements 1.1 horse – fast 1.2 carabao – moderate 1.3 turtle – slow
2. responds to the accurate tempo of a song as guided by the hand signal of the teacher E.g.
The teacher’s slow hand movement means “slow”, while fast hand movement means “fast”.
CODE
MLE Pilot School MTBMLE
MU2DYIIId,e,h-5
MU2DY-IIIf-h-6
MU2TP-IVa-1
MU2TP-IVa-2
Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.143-145 Pilot School MTBMLE Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.147-148 Pilot School MTBMLE
MU2TP-IVa-3
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.130-131 Pilot School MTBMLE Pilot School MTBMLE
3. demonstrates changes in tempo with movements
4. responds to variations in
LEARNING MATERIALS
MU2TP-IVb-4
Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.147-148 Pilot School MTBMLE Page 21of 94
*These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT VI.
TEMPO
1. Speed of Sound In Music 2. Distinction Between Fastness and Slowness in Music
CONTENT STANDARDS demonstrates understanding of the basic concepts of tempo
PERFORMANCE STANDARDS
LEARNING COMPETENCY
uses varied tempito enhance rhymes, chants, drama, and musical stories
CODE
tempo with dance steps 4.1 slow movement with slow music 4.2 s music 5. distinguishes “slow,” “slower,”“fast,” and “faster” in recorded music with voice or with instruments
Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.137-140 Pilot School MTBMLE
MU2TP-IVb-5
6. uses the terms “fast,” “faster,” “slow,” and “slower” to identify variations in tempo MU2TP-IVb-6
7. replicates “slow,” “slower,”“fast,” and “faster” with voice or with instruments
VII.
TEXTURE
1. Single Melodic Line or Simultaneous Occurrence of Multiple Melodic Lines 2. Distinction Between Thinness and Thickness in Music
demonstrates understanding of the basic concepts of texture
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
distinguishes accurately between single musical line and multiple musical lines which occur simultaneously in a given song
MU2TP-IVc-7
8. identifies musical texture with recorded music E.g.
8.1 melody with single instrument or voice 8.2 single melody with accompaniment 8.3 two or more melodies sung or played together at the
LEARNING MATERIALS
MU2TX-IVd-f-1
Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.137-140 Pilot School MTBMLE Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.145 Pilot School MTBMLE Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.137-140 Pilot School MTBMLE Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.151-152
Page 22of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT VII. TEXTURE 1. Single Melodic Line or Simultaneous Occurrence of Multiple Melodic Lines 2. Distinction Between Thinness and Thickness in Music
CONTENT STANDARDS demonstrates understanding of the basic concepts of texture
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
PERFORMANCE STANDARDS distinguishes accurately between single musical line and multiple musical lines which occur simultaneously in a given song
LEARNING COMPETENCY
CODE
same time 9. shows awareness of texture by relating visual images to recorded or performed music
LEARNING MATERIALS Pilot School MTBMLE
MU2TX-IVd-f-2
10. distinguishes between single musical line and multiple musical lines which occur simultaneously
MU2TX-IVd-f-3
11. distinguishes between thinness and thickness of musical sound in recorded or performed music
MU2TX-IVg-h-4
Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.154-159 Pilot School MTBMLE Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.156-161 Pilot School MTBMLE Music, Arts, Physical Education and Health 2. Illagan, Amelia M. et.al, 2013 pp.160-162
Page 23of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM GRADE 3 ELEMENTS OF MUSIC
CONTENT FIRST QUARTER I. RHYTHM 1. Sound and Silence 2. Steady Beats 3. Simple Rhythmic Pattern 4. Ostinato
CONTENT STANDARDS demonstrates understanding of the basic concepts of rhythm
PERFORMANCE STANDARDS 1. performs simple ostinato patterns/simple rhythmic accompaniments on classroom instruments and other sound sources to a given song
LEARNING COMPETENCY
CODE
1. relates images with sound and silence within a rhythmic pattern
Pilot School MTBMLE
MU3RH-Ia-1
2. sings songs with correct rhythm 2. maintains a steady beat when chanting, walking, tapping, clapping, and playing musical instruments 3. claps, taps, chants, walks, and plays musical instruments in response to sound with the correct rhythm 3.1 in measures of 2s, 3s, and 4s 3.2 echo clapping 3.3 marching 3.4 dancing the waltz 4. claps the written stick notation on the board representing the sound heard 5. plays simple ostinato patterns with classroom instruments and other sound sources K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
LEARNING MATERIALS
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.14 *Musika at Sining 3. Sunico, Raul M. et al, 2000 pp.3-8 Pilot School MTBMLE
MU3RH-Ib-h-2 Pilot School MTBMLE
MU3RH-Ia-c-3
MU3RH-Id-4
MU3RH-Id-h-5
Pilot School MTBMLE
Pilot School MTBMLE
Page 24of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT I.
RHYTHM 1. Sound and Silence 2. Steady Beats 3. Simple Rhythmic Pattern 4. Ostinato
CONTENT STANDARDS demonstrates understanding of the basic concepts of rhythm
PERFORMANCE STANDARDS 1. performs simple ostinato patterns/simple rhythmic accompaniments on classroom instruments and other sound sources to a given song
LEARNING COMPETENCY 6. creates simple ostinato patterns in measures of 2s, 3s, and 4s through body movements
7. creates ostinato patterns in different meters using combination of different sound sources
1. Pitch 2. Melodic Lines 3. Melodic Patterns andContour
demonstrates understanding of the basic concepts of melody
sings the melody of a song with accurate pitch
LEARNING MATERIALS Pilot School MTBMLE *Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.614
MU3RH-Ie-6
2. sings songs with correct rhythm
SECOND QUARTER II. MELODY
CODE
*Musika at Sining 3. Sunico, Raul M. et al, 2000 pp.14-25 *Umawit at Gumuhit 3. Valdecantos, Emelita C. 1997. pp.12-26 Pilot School MTBMLE
MU3RH-If-7
1. identifies the pitch of a tone as: 1.1 high – higher 1.2 moderately high – higher 1.3 moderately low – lower 1.4 low – lower
*Musika at Sining 3. Sunico, Raul M. et al, 2000 pp.14-25 Pilot School MTBMLE
MU3ME-IIa-1
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.28-34 *Musika at Sining 3. Sunico, Raul M. et al, 2000 pp.52-56 *Umawit at Gumuhit 3.
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 25of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT II.
MELODY 1. Pitch 2. Melodic Lines 3. Melodic Patterns andContour
CONTENT STANDARDS demonstrates understanding of the basic concepts of melody
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
sings the melody of a song with accurate pitch
Valdecantos, Emelita C. 1997. pp.33-37 Pilot School MTBMLE
2. matches the correct pitch of tones 2.1 with the voice 2.2 with an instrument MU3ME-IIa-2
MU3ME-IIb-3
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.30-31 *Musika at Sining 3. Sunico, Raul M. et al, 2000 pp.58-59 Pilot School MTBMLE
3. relates movements with levels of pitch
4. matches the voice with the pitches of a melody 5. recreates simple patterns and contour of a melody 6. sings entire simple songs with accurate pitch 6.1 Favorite Children’s Songs 6.1.1 “Do – Re – Mi” 6.1.2 “What Can We Do Today” 6.2 Folksongs 6.2.1 “Manang Biday” 6.2.2 “Paruparong Bukid” 6.2.3 “Atin Cu Pung Singsing”
LEARNING MATERIALS
MU3ME-IIb-c-4
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.31 Pilot School MTBMLE
MU3ME-IIb-5
Pilot School MTBMLE Pilot School MTBMLE
MU3ME-IIc-6
Page 26of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT III.
FORM 1. 2.
Musical Lines Musical Beginning, Middle, and End 3. Repeats in music
CONTENT STANDARDS demonstrates understanding of the basic concepts of musical form
PERFORMANCE STANDARDS sings, plays, and performs (through body movements) a chosen song showing the basic concepts of musical lines, beginnings, endings and repeats
LEARNING COMPETENCY 7. identifies the beginning, middle, and ending of a song 8. identifies musical lines as 8.1 similar 8.2 same 8.3 different through movements and geometric shapes or objects
CODE
LEARNING MATERIALS
MU3FO-IId-1
Pilot School MTBMLE Pilot School MTBMLE
MU3FO-IId-2
*Musika at Sining 3. Sunico, Raul M. et al, 2000 pp.96-100 Pilot School MTBMLE
9. recognizes repetitions within a song
MU3FO-IId-3
MU3FO-IIf-5
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.66-68 Pilot School MTBMLE
MU3FO-IIg-h-6
Pilot School MTBMLE
MU3FO-IIe-4
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.64-68 *Musika at Sining 3. Sunico, Raul M. et al, 2000 pp.102-103 Pilot School MTBMLE
10. sings repetitions of musical lines independently
11. plays repetitions of musical lines 12. renders a song confidently, giving appropriate emphasis on the beginning and on the
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.62-68
Page 27of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
LEARNING MATERIALS
ending THIRD QUARTER IV. TIMBRE 1. Voice Production Techniques 2. Variation in Sound Quality 2.1 Similar 2.2 Different 3. Introduction to Musical Instruments
demonstrates understanding of the basic concepts of timbre
applies vocal techniques in singing to produce a pleasing vocal quality: 1. using head tones 2. employing proper breathing 3. using the diaphragm
1. recognizes differences in sound quality coming from a variety of sound sources
Pilot School MTBMLE
MU3TB-IIIa-1
2. responds to differences in sound quality with appropriate movement
MU3TB-IIIa-2
*Musika at Sining 3. Sunico, Raul M. et al, 2000 pp.129134. Pp.135-140 Pilot School MTBMLE *Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.58-79 *Musika at Sining 3. Sunico, Raul M. et al, 2000 pp.129134, pp.135-140 Pilot School MTBMLE
3. recognizes musical instruments through sound
MU3TB-IIIb-3
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.74-79 *Musika at Sining 3. Sunico, Raul M. et al, 2000 pp.129134, pp.135-140
4. identifies and compares the voices of: 4.1 classmates as they sing or K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
MU3TB-IIIb-4
Pilot School MTBMLE *Tunog, Tinig,
Page 28of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT III.
TIMBRE 1. Voice Production Techniques 2. Variation in Sound Quality 2.1 Similar 2.2 Different 3. Introduction to Musical Instruments
CONTENT STANDARDS demonstrates understanding of the basic concepts of timbre
PERFORMANCE STANDARDS applies vocal techniques in singing to produce a pleasing vocal quality: 1. using head tones 2. employing proper breathing 3. using the diaphragm
LEARNING COMPETENCY
CODE
speak 4.2 selected popular singers in recordings
LEARNING MATERIALS Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.72-73 *Manwal ng Guro Umawit at Gumuhit 3. Valdecantos, Emelita C. 1997. pp.64-68 Pilot School MTBMLE
5. compares the use of the voice in speaking and in singing
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.70-72
MU3TB-IIIb-5
*Musika at Sining 3. Sunico, Raul M. et al, 2000 pp.125-128 *Manwal ng Guro Umawit at Gumuhit 3. Valdecantos, Emelita C. 1997. pp.64
6. uses the voice and other sources of sound to produce a variety of timbres
IV.
DYNAMICS
demonstrates understanding of the basic 1. Volume of Sound in concepts of dynamics in Music order to respond to 2. Conducting and conducting gestures using K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
sings songs with proper dynamics following basic conducting gestures
7. interprets the dynamics of a song through body movements 7.1 small movement – soft 7.2 big movement – loud
MU3TB-IIIc-6
*Manwal ng Guro Umawit at Gumuhit 3. Valdecantos, Emelita C. 1997. pp.64 Pilot School MTBMLE
MU3DY-IIId-1
*Tunog, Tinig, Tugtog at Likhang
Page 29of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT Dynamics
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
symbols indicating variances in dynamics
Sining 3. Nera, Fe C. et al, 2000. pp.82-86 Pilot School MTBMLE
8. distinguishes “loud,” “medium,” and “soft” in music MU3DY-IIId-2
9. relates dynamics to the movements of animals e.g. 9.1 elephant walking – loud 9.2 mice scurrying – soft 10. uses terms “loud,” “medium,” and “soft” (louder, softer) to identify changes and variations in volume
E.g.
12. uses varied dynamics to enhance poetry, chants, drama, songs and musical stories K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000. pp.82-86 Pilot School MTBMLE
MU3DY-IIId-3 Pilot School MTBMLE
MU3DY-IIIe-4
11. responds to conducting gestures of the teacher for “loud” and “soft”
11.1 Teacher’s palm down means “soft” and palm up means “loud.” 11.2 Hands moving farther from each other mean sound becomes louder.
LEARNING MATERIALS
MU3DY-IIIe-h5
MU3DY-IIIf-h6
*Manwal ng Guro Umawit at Gumuhit 3. Valdecantos, Emelita C. 1997. pp.73 Pilot School MTBMLE *Umawit at Gumuhit 3. Valdecantos, Emelita C. 1997. pp.73-75
Pilot School MTBMLE
Page 30of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT FOURTH QUARTER V. TEMPO 1. Speed of Sound in Music 1.1 Fast 1.2 Slow 2. Conducting and Tempo
CONTENT STANDARDS demonstrates understanding of the concepts of tempo in order to respond to conducting symbols indicating variations in tempo
PERFORMANCE STANDARDS enhances performance of poetry, chants, drama, musical stories, and songs by using a variety of tempo
LEARNING COMPETENCY 1. mimics animal movements according to speed 1.1 horse – fast 1.2 carabao – slow 1.3 turtle – slow 1.4 rabbit - fast 1.5 dog – fast 2. sings songs with proper tempo following basic conducting gestures
CODE
Pilot School MTBMLE
MU3TP-IVa-1
Pilot School MTBMLE
MU3TP-IVa-2
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.88-89 *Umawit at Gumuhit 3. Valdecantos, Emelita C. 1997. pp.75-80 Pilot School MTBMLE
3. relates movement to changes and variations in tempo MU3TP-IVb-3
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
LEARNING MATERIALS
4. responds with movement to tempo changes 4.1 (i.e. doing locomotor and non-locomotor movements) to a variety of tempo in recorded music
MU3TP-IVb-c-4
5. distinguishes among fast, moderate, and slow in music
MU3TP-IVb-5
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.88-93 Pilot School MTBMLE *Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.90 Pilot School MTBMLE
Page 31of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT V.
TEMPO 1. Speed of Sound in Music 1.1 Fast 1.2 Slow 2. Conducting and Tempo
CONTENT STANDARDS demonstrates understanding of the concepts of tempo in order to respond to conducting symbols indicating variations in tempo
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
enhances performance of poetry, chants, drama, musical stories, and songs by using a variety of tempo
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.88-93 Pilot School MTBMLE
6. uses the terms: fast, moderate, and slow, (faster, slower etc.) to identify tempo changes and variations
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.88-93
MU3TP-IVb-6
E.g.
VI.
TEXTURE
demonstrates understanding of the basic concepts of texture
1. Single Melodic Line or Simultaneous Occurrence of Multiple Melodic Lines K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
sings 1. “two-part rounds” 2. “partner songs”
E.g.
8. demonstrates the concept of texture by singing “two-part rounds”
*Musika at Sining 3.Sunico, Raul M. et al, 2000. pp.111123 *Manwal ng Guro Umawit at Gumuhit 3. Valdecantos, Emelita C. 1997. pp.75 Pilot School MTBMLE
7. sings songs with designated tempo 7.1 Lullaby – slow 7.2 Joyful songs – fast
LEARNING MATERIALS
MU3TP-IVa-c-7
*Tunog, Tinig, Tugtog at Likhang Sining 3. Nera, Fe C. et al, 2000 pp.88-93 Pilot School MTBMLE
MU3TX-IVd-f-1
8.1 “Are You Sleeping, Brother John?” Page 32of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
2. Distinction Between Thinness and Thickness in Music E.g.
8.2 “Row, Row, Row Your Boat” 8.3 “Musika Ay Di Kukupas” 9. demonstrates the concept of texture by singing “partner songs 9.1 9.2 9.3 9.4
“Leron, Leron Sinta” “Pamulinawen” “It’s A Small World” “He’s Got the Whole World in His Hands 10. distinguishes between single musical line and multiple musical lines which occur simultaneously 11. distinguishes between thinness and thickness of musical sound
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
CODE
LEARNING MATERIALS
Pilot School MTBMLE
MU3TX-IVd-f-2
MU3TX-IVd-f-3 MU3TX-IVg-h4
Pilot School MTBMLE
Pilot School MTBMLE
Page 33of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM GRADE 4 ELEMENTS OF MUSIC
CONTENT FIRST QUARTER I. RHYTHM 1. Musical Symbols and Concepts: 1.1 Notes and Rests 1.2 Meters 1.3 Rhythmic Patterns 1.4 Simple Time Signatures 1.5 Ostinato
CONTENT STANDARDS demonstrates understanding of concepts pertaining to rhythm and musical symbols
PERFORMANCE STANDARDS creates rhythmic patterns in: 1. simple time signatures 2. simple one-measure ostinato pattern
LEARNING COMPETENCY
CODE
1. identifies different kinds of notes and rests
MISOSA4module6,7 MISOSA5module1 MU4RH-Ia-1
2. organizes notes and rests according to simple meters (grouping notes and rests into measures given simple meters)
3. states the meaning of the different rhythmic patterns
MU4RH-Ib-2
MU4RH-Ic-3
4. demonstrates the meaning of rhythmic patterns by clapping in time signatures 2 3 4 4, 4, 4
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
LEARNING MATERIALS
*Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.7-9 MISOSA4module8 *Umawit at
Gumuhit 4. Valdecantos, Emelita C. 1999. pp.8-12 MISOSA4module2,8 MISOSA4module3,4,5
MU4RH-Ic-4
*Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C.
Page 34of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
LEARNING MATERIALS 1999. pp.7
I.I. RHYTHM 1. Musical Symbols and Concepts: 1.1 Notes and Rests 1.2 Meters 1.3 Rhythmic Patterns 1.4 Simple Time Signatures 1.5 Ostinato
demonstrates understanding of concepts pertaining to rhythm and musical symbols
creates rhythmic patterns in: 1. simple time signatures 2. simple one-measure ostinato pattern 5. uses the bar line to indicate groupings of beats in 2 3 4 4, 4, 4
MU4RH-Ic-5
6. identifies accented and unaccented pulses
MU4RH-Id-6
7. places the accent (>) on the notation of recorded music
MU4RH-Id-7
8. responds to metric pulses of music heard with appropriate con 9. ducting gestures
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
MISOSA4module3,4,5
MU4RH-Ie-g-8
MISOSA4module1
MISOSA4module3,4 MISOSA5module6
Page 35of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT SECOND QUARTER II. MELODY 1. Musical Symbols and Concepts: 1.1 Intervals 1.2 Scales 1.3 Melodic Contours 1.4 Patterns of successive pitches of a C Major scale
CONTENT STANDARDS
PERFORMANCE STANDARDS
recognizes the musical symbols and demonstrates understanding of concepts pertaining to melody
analyzes melodic movement and range and be able to create and perform simple melodies
LEARNING COMPETENCY
CODE
1. identifies the pitch name of each line and space of the Gclef staff
LEARNING MATERIALS MISOSA4module13
F
D B G E
MU4ME-IIa-1
E C A F 2. identifies the pitch names of notes on the ledger lines and spaces below the G-clef staff (middle C and D)
MISOSA4module13,14
MU4ME-IIb-2
3. recognizes the meaning and use of G- Clef
MISOSA4module13 MU4ME-IIc-3
do re mi fa so la ti do K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 36of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT II.
MELODY 1. Musical Symbols and Concepts: 1.1 Intervals 1.2 Scales 1.3 Melodic Contours 1.4 Patterns of successive pitches of a C Major scale
CONTENT STANDARDS
PERFORMANCE STANDARDS
recognizes the musical symbols and demonstrates understanding of concepts pertaining to melody
analyzes melodic movement and range and be able to create and perform simple melodies
LEARNING COMPETENCY
CODE
4. identifies the movement of the melody as:
MISOSA4module10
- no movement
MISOSA5module8 *Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.2830
- ascending stepwise
- descending stepwise
LEARNING MATERIALS
MU4ME-IId-4
- ascending skip wise
- descending skip wise
5. identifies the highest and lowest pitch in a given notation of a musical piece to determine its range
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
MISOSA4module9
*Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. Page 37of 94 *These materials are in textbooks that have been delivered to schools.
MU4ME-IIe-5
K to 12 BASIC EDUCATION CURRICULUM CONTENT II.
CONTENT STANDARDS
PERFORMANCE STANDARDS
recognizes the musical symbols and demonstrates understanding of concepts pertaining to melody
analyzes melodic movement and range and be able to create and perform simple melodies
LEARNING COMPETENCY
CODE
MELODY 1. Musical Symbols and Concepts: 1.1 Intervals 1.2 Scales 1.3 Melodic Contours 1.4 Patterns of successive pitches of a C Major scale
1999. pp.2430 MISOSA4module12
6. sings with accurate pitch the simple intervals of a melody MU4ME-IIf-6
7. performs his/her own created melody MU4ME-IIg-h7
THIRD QUARTER III. FORM 1. Phrases in a Musical Piece 2. Structure of Musical Sound 2.1 Antecedent (Question) Phrase 2.2 Consequent (Answer) Phrase 2.3 Introduction 2.4 CODA (ending)Phrase
demonstrates understanding of musical phrases, and the uses and meaning of musical terms in form
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
performs similar and contrasting musical phrases
1. identifies aurally and visually the introduction and coda (ending) of a musical piece
*Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.24-31 MISOSA4module12 *Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.30
MISOSA4module16,17 MU4FO-IIIa-1
2. identifies aurally and visually the antecedent and consequent in a musical piece 3. listens to similar and contrasting phrases in recorded music
LEARNING MATERIALS
*Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.38-39
MU4FO-IIIa-2 MU4FO-IIIab-3
Page 38of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
IV.
TIMBRE 1. Variations of Sound 1.1 Vocal 1.2 Instrumental
CONTENT STANDARDS
demonstrates understanding of variations of sound in music (lightness and heaviness) as applied to vocal and instrumental music
PERFORMANCE STANDARDS
participates actively in a group performance to demonstrate different vocal and instrumental sounds
LEARNING COMPETENCY 4. identifies similar and contrasting phrases in vocal and instrumental music from the previous lessons 4.1 melodic 4.2 rhythmic 5. sings similar and contrasting phrases in music 5.1 melodic 5.2 rhythmic 6. distinguishes vocal and instrumental sounds
CODE
MU4FO-IIIc-4
MU4FO-IIId-5 MISOSA4module18 MU4TB-IIIe-1
7. identifies as vocal or instrumental, a recording of the following: 7.1 solo 7.2 duet 7.3 trio 7.4 ensemble 8. identifies aurally and visually different instruments
*Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.39-49 MISOSA4module19
MU4TB-IIIe-2
MISOSA4module19 MU4TB-IIIf-3
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
LEARNING MATERIALS
*Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.45-49
Page 39of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT IV.
TIMBRE 1. Variations of Sound 1.1 Vocal 1.2 Instrumental
V.
DYNAMICS 1. Volume of Sound in Music
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
demonstrates understanding of variations of sound in music (lightness and heaviness) as applied to vocal and instrumental music
participates actively in a group performance to demonstrate different vocal and instrumental sounds
9. classifies the various musical instruments as: 9.1 string 9.2 woodwind 9.3 brass wind 9.4 percussion
recognizes the musical symbols and demonstrates understanding of concepts pertaining to volume in music
applies forte and piano to designate loudness and softness in a musical example 1. singing 2. playing instrument
10. recognizes the use of the symbol p (piano) and f (forte) in a musical score
1.
Speed / Flow of Music
demonstrates understanding of concepts pertaining to speed/flow of music demonstrates understanding of concepts
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
creates and performs body movements appropriate to a given tempo creates and performs body movements
1. relates body movements to the tempo of a musical example
LEARNING MATERIALS MISOSA4module19
MU4TB-IIIf-h4
MU4DY-IIIf-1
11. uses appropriate musical terminology to indicate simple dynamics 11.1 forte 11.2 piano
FOURTH QUARTER VI. TEMPO
CODE
MU4DY-IIIf-h2
*Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.4549 MISOSA4module20 *Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.5254 MISOSA4module20 *Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.52-54
MISOSA4module21 MU4TP-IVa-1
*Manwal ng Guro Umawit at Gumuhit 4.
Page 40of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS pertaining to speed/flow of music
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
appropriate to a given tempo
Valdecantos, Emelita C. 1999. pp.57 MISOSA4module21
2. uses appropriate musical terminology to indicate variations in tempo
2.1 largo 2.2 presto
VII.
TEXTURE 1. Simultaneous Occurrence of Multiple Melodic Lines 2. Distinction Between Thinness and Thickness in Music
VIII.
HARMONY 1. Simultaneous Sounding of Two Tones / Pitches
demonstrates understanding of concepts pertaining to texture in music
demonstrates understanding of harmonic intervals
sings two-part rounds and partner songs with others
performs examples of harmonic interval with others
3. identifies aurally the texture of a music example 4. identifies aurally and visually an ostinato or descant in a musical example 5. recognizes aurally and visually, examples of 2-part vocal or instrumental music
MU4TP-IVb-2
*Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.56
MU4TX-IVc-1 MU4TX-IVd-2
MU4TX-IVe-3
6. identifies harmonic interval (2 pitches) in a musical example MU4HA-IVf-1
7. recognizes aurally and visually, examples of harmonic intervals MU4HA-IVg-2
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
LEARNING MATERIALS
*Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.59-63 *Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.59-63 *Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.59-63
Page 41of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
LEARNING MATERIALS
MU4HA-IVh-3
*Manwal ng Guro Umawit at Gumuhit 4. Valdecantos, Emelita C. 1999. pp.59-63
8. creates examples of harmonic interval (2 pitches) with others
GRADE 5 ELEMENTS OF MUSIC
CONTENT FIRST QUARTER I. RHYTHM Musical Symbols and Concepts 1. Notes and Rests 2. Meters 3. Rhythmic Patterns 4. Simple Time Signatures
CONTENT STANDARDS recognizes the musical symbols and demonstrates understanding of concepts pertaining to rhythm
PERFORMANCE STANDARDS performs with a conductor, a speech chorus in simple time signatures 1. choral 2. instrumental
LEARNING COMPETENCY 1. identifies visually and aurally the kinds of notes and rests in a song
MU5RH-Ia-b-1
LEARNING MATERIALS MISOSA5module1,2 *Musika at Sining 5.
2. recognizes rhythmic patterns using quarter note, half note, dotted half note, dotted quarter note, and eighth note in simple time signatures 3. identifies accurately the duration of notes and rests in 2 3 4
4, 4, 4 time signatures
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
CODE
Sunico, Raul M. et al, 2000. pp.8 MISOSA5module7,2
MU5RH-Ia-b-2
MISOSA5module3,4,5 MU5RH-Ic-e-3
*Musika at Sining 5.
Sunico, Raul M. et al, 2000. pp.8-10
Page 42of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
4. creates different rhythmic patterns using notes and rests in time signatures as:
LEARNING MATERIALS MISOSA5-module7 MISOSA4-module8
2 3 4 4, 4, 4
*Musika at Sining 5.
MU5RH-If-g-4
Sunico, Raul M. et al, 2000. pp.8-10 *Manwal ng Guro
I.
RHYTHM Musical Symbols and Concepts 3. Notes and Rests 4. Meters 5. Rhythmic Patterns 6. Simple Time Signatures
SECOND QUARTER II. MELODY Musical Symbols and Concepts 1. Accidentals 2. F-Clef
recognizes the musical symbols and demonstrates understanding of concepts pertaining to rhythm
performs with a conductor, a speech chorus in simple time signatures 1. choral 2. instrumental
5. responds to metric pulses of music heard with appropriate conducting gestures
MU5RH-Ih-5
Umawit at Gumuhit 3. Valdecantos, Emelita C. 1999. pp.4-9 MISOSA5module6,7
*Musika at Sining 5.
Sunico, Raul M. et al, 2000. pp.4-6
*Manwal ng Guro Umawit at Gumuhit 3. Valdecantos, Emelita C. 1999. pp.4-6
recognizes the musical symbols and demonstrates understanding of concepts pertaining to melody
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
accurate performance of songs following the musical symbols pertaining to melody indicated in the piece
1. recognizes the meaning and uses of F-Clef on the staff
MU5ME-IIa-1
Page 43of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
3. Intervals 4. Scales (Pentatonic, C major, G major) 5. Melodic Contours
CODE
LEARNING MATERIALS
2. identifies the pitch names of each line and space on the F-Clef staff MU5ME-IIa-2
II.
MELODY Musical Symbols and Concepts 1. Accidentals 2. F-Clef 3. IntervalsScales 4. Scales (Pentatonic, C major, G major) 5. Melodic Contours
recognizes the musical symbols and demonstrates understanding of concepts pertaining to melody
accurate performance of songs following the musical symbols pertaining to melody indicated in the piece
G
A B C D E F G A sol la ti do re mi fa sol la 3. identifies the symbols: sharp (# ), flat (♭), and natural (♮)
MISOSA4-module15 MU5ME-IIb-3
4. recognizes aurally and visually, examples of melodic interval MU5ME-IIc-4
5. identifies the notes of the intervals in the C major scale prime
*Musika at Sining 5. Sunico, Raul M. et al, 2000. pp.21-25 MISOSA5-module10 *Manwal ng Guro Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.18-19 MISOSA5-modules 9,10,11,12 *Manwal ng Guro
MU5ME-IIc-5
Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.18
2nd
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 44of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
LEARNING MATERIALS
3rd
4th III.
MELODY Musical Symbols and Concepts 1. Accidentals 2. F-Clef 3. Intervals 4. Scales (Pentatonic, C major, G major) 5. Melodic Contours
recognizes the musical symbols and demonstrates understanding of concepts pertaining to melody
accurate performance of songs following the musical symbols pertaining to melody indicated in the piece 5th
octave
6. identifies successive sounding of two pitches 7. identifies the beginning melodic contour of a musical example 8. determines the range of a musical example 8.1 wide 8.2 narrow
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
MU5ME-IId-6 MU5ME-IId-7
MU5ME-IIe-8
Page 45of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
9. reads / sings notes in different scales - Pentatonic scale
LEARNING MATERIALS MISOSA4-modules 12,14,15 MISOSA5-module6
III.
MELODY Musical Symbols and Concepts 1. Accidentals 2. F-Clef 3. Intervals 4. Scales (Pentatonic, C major, G major) 5. Melodic Contours
THIRD QUARTER IV. FORM Structure of Musical Sound 1. Strophic 2. Unitary
recognizes the musical symbols and demonstrates understanding of concepts pertaining to melody
demonstrates understanding of the uses and meaning of musical terms in Form
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
accurate performance of songs following the musical symbols pertaining to melody indicated in the piece
performs the created song with appropriate musicality
C major scale MU5ME-IIf-9
-
*Manwal ng Guro Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.23-31
G major scale
10. creates simple melodies
MU5ME-IIg-10
11. performs his/her own created melody
MU5ME-IIh11
1. recognizes the design or structure of simple musical forms: 1.1 unitary(one section) 1.2 strophic(same tune with 2 or more sections and 2 or more verses)
*Manwal ng Guro Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.30-33 *Manwal ng Guro Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.30-33
MU5FO-IIIa-1
Page 46of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
V.
TIMBRE Vocal and Instrumental Sounds
CONTENT STANDARDS
demonstrates understanding of variations of sound density in music (lightness and heaviness) as applied to vocal and instrumental music
PERFORMANCE STANDARDS
participates in a group performance to demonstrate different vocal and instrumental sounds
LEARNING COMPETENCY 2. creates a 4- line unitary song 3. creates a 4 –line strophic song with 2 sections and 2 verses 4. describes the characteristics of each type of voice
CODE
LEARNING MATERIALS
MU5FO-IIIb-2 MU5FO-IIIcd-3 *Musika at Sining 5. Sunico, Raul M. et al, 2000. pp.44-46
MU5TB-IIIe-1
5. identifies the following vocal timbres: 5.1 soprano 5.2 alto 5.3 tenor 5.4 bass
*Manwal ng Guro Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.44-45 MISOSA4module18 *Musika at Sining 5. Sunico, Raul M. et al, 2000. pp.4446
MU5TB-IIIe-2
*Manwal ng Guro
Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.44-45 6. identifies aurally and visually different instruments in: 6.1 rondalla 6.2 drum and lyre band 6.3 bamboo group/ensemble (Pangkat Kawayan) K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
*Musika at Sining 5. Sunico, Raul M. et al, 2000. pp.47-50
MU5TB-IIIf-3 *Manwal ng Guro Umawit at Gumuhit 5. Valdecantos,
Page 47of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
V.
TIMBRE Vocal and Instrumental Sounds
FOURTH QUARTER VI. DYNAMICS Variations of Volume in Musical Sound
CONTENT STANDARDS
PERFORMANCE STANDARDS
demonstrates understanding of variations of sound density in music (lightness and heaviness) as applied to vocal and instrumental music
participates in a group performance to demonstrate different vocal and instrumental sounds
demonstrates understanding of concepts pertaining to volume in music
applies dynamics to musical selections
LEARNING COMPETENCY 6.4 other local indigenous ensembles 7. participates actively in musical ensemble 7.1 choral 7.2 instrumental 8. creates a variety of sounds emanating from the environment using available sound sources
1. identifies the different dynamic levels used in a song heard 2. uses appropriate musical terminology to indicate variations in dynamics, specifically: 2.1 piano (p) 2.2 mezzo piano (mp) 2.3 forte(f) 2.4 mezzo forte (mf) 2.5 crescendo
CODE
LEARNING MATERIALS Emelita C. 1999. pp.46-47
MU5TB-IIIg-4 MU5TB-IIIgh-5
MU5DY-IVa-b1
MU5DY-IVa-b2
*Manwal ng Guro Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.49-50 MISOSA4-module20 *Musika at Sining 5. Sunico, Raul M. et al, 2000. pp.5455
2.6 decrescendo
VII.
TEMPO
recognizes the musical symbols and demonstrates Variations of Speed in understanding of concepts Musical Sound pertaining to speed in music recognizes the musical K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
applies appropriately, various tempo to vocal and instrumental performances applies appropriately,
3. identifies the various tempo used in a song heard
MISOSA4-module21 MU5TP-IVc-1
*Musika at Sining 5. Sunico, Raul M. et al, 2000. pp.62 Page 48of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT VII.
TEMPO
CONTENT STANDARDS
PERFORMANCE STANDARDS
symbols and demonstrates understanding of concepts pertaining to speed in music
various tempo to vocal and instrumental performances
LEARNING COMPETENCY
CODE
*Manwal ng Guro Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.54-56 *Musika at Sining 5. Sunico, Raul M. et al, 2000. pp.62
Variations of Speed in Musical Sound
VIII. TEXTURE Densities of Musical Sound
demonstrates understanding of concepts pertaining to texture in music
recognizes examples of horizontal 3-part vocal or instrumental texture, aurally and visually
4. uses appropriate musical terminology to indicate variations in tempo: 4.1 largo 4.2 presto 4.3 allegro 4.4 moderato 4.5 andante 4.6 vivace 4.7 ritardando 4.8 accelerando 5. identifies aurally the texture of a musical piece
MU5TP-IVc-d2
MU5TX-IVe-1
6. performs 3-part rounds and partner songs MU5TX-IVe-2
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
LEARNING MATERIALS
*Manwal ng Guro
Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.54-58 *Musika at Sining 5. Sunico, Raul M. et al, 2000. pp.65 *Manwal ng Guro
Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.60-61 *Musika at Sining 5. Sunico, Raul M. et al, 2000. pp.68 *Manwal ng Guro Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.59
Page 49of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT VIII. HARMONY Introduction to Major Triad
CONTENT STANDARDS recognizes the musical symbols and demonstrates understanding of harmonic intervals
PERFORMANCE STANDARDS performs a vocal or instrumental ensemble using the following major triads( I, IV, V )
LEARNING COMPETENCY
CODE
7. identifies the intervals of the following major triads:
LEARNING MATERIALS *Musika at Sining 5. Sunico, Raul M. et al, 2000. pp.71-74
7.1 tonic (I)
*Manwal ng Guro Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.64-69
7.2 subdominant (IV) MU5HA-IVf-g1
7.3 dominant (V)
8. uses the major triad as accompaniment to simple songs
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
MU5HA-IVh-2
*Musika at Sining 5. Sunico, Raul M. et al, 2000. pp.71
Page 50of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM GRADE 6 ELEMENTS OF MUSIC
CONTENT FIRST QUARTER I. RHYTHM Musical Symbols and Concepts: 1. Notes and Rests 2. Meters 3. Rhythmic Patterns 4. Time Signatures 5. Conducting
CONTENT STANDARDS
PERFORMANCE STANDARDS
demonstrates understanding of the concept of rhythm by applying notes and rests, rhythmic patterns, and time signatures
responds to beats in music heard with appropriate conducting patterns of 6 and 2 3 4
4, 4, 4
LEARNING COMPETENCY
CODE
1. identifies the notes / rests used in a particular song
LEARNING MATERIALS MISOSA4Module6
2 3 4 4, 4, 4
MISOSA5module1
8
*Musika at Sining
MU6RH-Ia-1
6. Sunico, Raul M. et al, 2000. pp.8-10 *Umawit at
Gumuhit 6. Valdecantos, Emelita C. 1999. pp.5-16, pp.2526 MISOSA5module6
2. differentiates among
6
and 8 time signatures
*Musika at Sining
MU6RH-Ib-e-2
6. Sunico, Raul M. et al, 2000. pp.8-10 *Umawit at
Gumuhit 6. Valdecantos, Emelita C. 1999. pp.5-20
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 51of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM
I.
CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
RHYTHM
demonstrates understanding of the concept of rhythm by applying notes and rests, rhythmic patterns, and time signatures
responds to beats in music heard with appropriate conducting patterns of 6 and 2 3 4
Musical Symbols and Concepts: 1. Notes and Rests 2. Meters 3. Rhythmic Patterns 4. Time Signatures 5. Conducting
4, 4, 4
LEARNING COMPETENCY
CODE
3. demonstrates the conducting gestures of 2 3 4 and
LEARNING MATERIALS MISOSA5module6
4, 4, 4 6 time signatures 8
MISOSA6module7 Ritmo22, module 8 Ritmo 2-4, 3-4, 4-4
8
MU6RH-Ib-e-3
*Musika at Sining
6. Sunico, Raul M. et al, 2000. pp.8-10 *Umawit at
Gumuhit 6. Valdecantos, Emelita C. 1999. pp.5-20 4. identifies through conducting the relationship of the first and lastmeasure in an incomplete measure 5. creates rhythmic patterns in 2 3 4 and 6
4, 4, 4
MU6RH-If-4
8
time signatures MU6RH-Ig-h-5
MISOSA5module3 F Mayor, module4 G Mayor, module5 tonong La *Umawit at
Gumuhit 6. Valdecantos, Emelita C. 1999. pp.5-20 K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 52of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT SECOND QUARTER II. MELODY 1. Intervals 2. Major Scales 3. Minor Scales
CONTENT STANDARDS demonstrates the concept of melody by using intervals in major scales and in the minor scales
PERFORMANCE STANDARDS applies learned concepts of melody and other elements to composition and performance
LEARNING COMPETENCY
CODE
1. demonstrates the ability to sing, read, and write simple musical notations in the:
MISOSA4modules13,14 MISOSA6module5 Tonong La, module6 Melodiya
1.1 Key of C Major
1.2 Key of G Major
LEARNING MATERIALS
MU6ME-IIa-1
1.3 Key of F Major
2. analyzes the melodic patterns of songs in C Major, G major, and F Major keys
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
MISOSA4module14 MU6ME-IIa-2
MISOSA6module1,2,3,4 3. sings and plays solo or with MISOSA6group, melodies/songs in C module3 F Major, G Major, and F Major Mayor, module4 MU6ME-IIa-3 G Mayor, module6 Melodiya Page 53of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT II.
MELODY 1. Intervals 2. Major Scales 3. Minor Scales
CONTENT STANDARDS demonstrates the concept of melody by using intervals in major scales and in the minor scales
PERFORMANCE STANDARDS applies learned concepts of melody and other elements to composition and performance
LEARNING COMPETENCY 4. creates simple melodies in: 4.1 C Major, 4.2 G Major, and 4.3 F Major scales
5. sings self-composed melodies in C Major, G major, and F Major keys
THIRD QUARTER III. FORM 1. Structure of Musical Forms 1.1 binary (AB) 1.2 ternary (ABA) 1.3 rondo (ABACA) 2. Repeat Marks 2.1 Da Capo (D.C.) 2.2 Dal Segno (D.S.) 2.3 Al Fine (up to the end) 2.4 D.C. al Fine (repeat from the beginning until the word Fine) 2.5║: :║ 2.6 ┌───┐┌───┐ 2.7 1 2 (ending 1, ending 2)
demonstrates understanding of the concept of musical forms and musical symbols (repeat marks) indicated
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
performs accurately the design or structure of a given musical piece
1. identifies simple musical forms 1.1 binary (AB) -has 2 contrasting sections (AB) 1.2 ternary (ABA)-has 3 sections, the third section similar to the first; (ABC) – has 3 sections 1.3 rondo (ABACA) -has contrasting sections in between repetitions of the A section (ABACA)
CODE
LEARNING MATERIALS MISOSA5module12
MU6ME-IIa-4
MU6ME-IIa-5
MISOSA6module3 F Mayor, module4 G Mayor, module6 Melodiya MISOSA6module3 F Mayor, module4 G Mayor, module6 Melodiya MISOSA4module17 *Manwal ng Guro
MU6FO-IIIab-1
Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.34-38
*Manwal ng Guro
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.37-40 Edukasyong Pangkatawan, Kalusugan at
Page 54of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT III.
FORM
1. Structure of Musical Forms 1.1 binary (AB) 1.2 ternary (ABA) 1.3 rondo (ABACA) 2. Repeat Marks 2.1 Da Capo (D.C.) 2.2 Dal Segno (D.S.) 2.3 Al Fine (up to the end) 2.4 D.C. al Fine (repeat from the beginning until the word Fine) 2.5║: :║ 2.6 ┌───┐┌───┐ 2.7 1 2 (ending 1, ending 2)
CONTENT STANDARDS
PERFORMANCE STANDARDS
demonstrates understanding of the concept of musical forms and musical symbols (repeat marks) indicated
performs accurately the design or structure of a given musical piece
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
LEARNING COMPETENCY
CODE
LEARNING MATERIALS Musika I. Abejo, Mary Placid. 1994. pp.304-306
2. analyzes the musical forms of the following songs: 2.1 Leron,Leron,Sinta;
MISOSA4module23
Sitsiritsit
2.2 Silent Night 2.3 Happy Birthday 2.4 Joy to the World 2.5Bahay Kubo 2.6Ili-iliTulogAnay 2.7ParuparongBukid 2.8Ang Bayan Ko 2.9Pamulinawen 2.10Tinikling 2.11LupangHinirang 3. uses the different repeat marks that are related to form: 3.1 Da Capo (D.C.) 3.2 Dal Segno (D.S.) 3.3 Al Fine (up to the end) 3.4 D.C. al Fine (repeat from the beginning until the word Fine) 3.5║: :║ 3.6 ┌───┐┌───┐ 1 2 (ending 1, ending 2)
MU6FO-IIIab-2
MISOSA4module17 *Manwal ng Guro
MU6FO-IIIc-3
Umawit at Gumuhit 5. Valdecantos, Emelita C. 1999. pp.39
*Manwal ng Guro
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.38-40
Page 55of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM
IV.
CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
TIMBRE
demonstrates understanding of the concept of timbre through recognizing musical instruments aurally and visually
aurally determines the sound of a single instrument in any section of the orchestra
Introduction of Musical Instruments
LEARNING COMPETENCY
CODE
4. identifies visually and aurally the instrumental sections of the Western orchestra
*Manwal ng Guro
MU6TB-IIId-1
5. distinguishes aurally the sound of each section of the Western orchestra
MU6TB-IIIde-2
DYNAMICS Variations in Dynamics
demonstrates understanding of the concept of dynamicsthrough a wide variety of dynamic levels
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
applies the appropriate dynamic levels in vocal and instrumental music
8. distinguishes varied dynamic levels in a music heard 8.1 piano (p) 8.2 mezzo piano (mp) 8.3 pianissimo (pp) 8.4 forte (f) 8.5 mezzo forte (mf)
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.47-48
*Manwal ng Guro
MU6TB-IIId-3
V.
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.47-48 *Manwal ng Guro
6. identifies the characteristics of each instrument in each section of the orchestra
7. describes the distinct sound quality of the different instruments of the orchestra
LEARNING MATERIALS
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.47-48 *Manwal ng Guro
MU6TB-IIIde-4
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.47-48 MISOSA5module16
MU6DY-IIIf-g1
*Musika at Sining
6. Sunico, Raul M. et al, 2000. pp.51-57
Page 56of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT V.
DYNAMICS Variations in Dynamics
CONTENT STANDARDS
PERFORMANCE STANDARDS
demonstrates understanding of the concept of dynamics through a wide variety of dynamic levels
applies the appropriate dynamic levels in vocal and instrumental music
LEARNING COMPETENCY
CODE
8.6 fortissimo (ff) 8.7 crescendo 8.8 decrescendo
*Manwal ng Guro
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.48-52
9. uses varied dynamic levels in a song
*Manwal ng Guro
MU6DY-IIIh-2
FOURTH QUARTER VI. TEMPO
demonstrates understanding of the various tempo
Variations of Tempo
performs a given song, using tempo marks appropriately
1. identifies the different tempo in a given song or music: -allegro -andante -ritardando -accelerando -largo -presto -vivace
LEARNING MATERIALS
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.48-52
*Musika at Sining
6. Sunico, Raul M. et al, 2000. pp.59-61
MU6TX-IVa-b1
2. distinguishes between ritardando and accelerando as used in a song
*Manwal ng Guro
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.53-54
*Musika at Sining
MU6TX-IVa-b2
6. Sunico, Raul M. et al, 2000. pp.61 *Manwal ng Guro
Umawit at Gumuhit 6. K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 57of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
LEARNING MATERIALS Valdecantos, Emelita C. 1999. pp.53-57
3. demonstrates the different kinds of tempo by following tempo marks in a familiar song Ex: “Pandangguhan” VII.
TEXTURE
Variations in Texture 1. Monophony 2. Homophony 3. Polyphony
demonstrates the concept of texture as: 1. monophonic (one voice) 2. homophonic (voice and accompaniment) 3. polyphonic (many voices)
performs accurately a given song with monophonic, homophonic, and polyphonic textures
*Manwal ng Guro
MU6TX-IVa-b3
4. identifies aurally the texture of musical pieces 4.1 monophonic 4.2 homophonic 4.3 polyphonic
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.54-55 EASE MUSICmodule6
Edukasyong Pangkatawan, Kalusugan at Musika I. Abejo, Mary Placid.1994. pp.224-229 *Musika at Sining
MU6TX-IVc-d1
6. Sunico, Raul M. et al, 2000. pp.70-72
*Manwal ng Guro
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.61
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 58of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT VII.
TEXTURE
Variations in Texture 1. Monophony 2. Homophony 3. Polyphony
VIII.
HARMONY
1. Primary Chords 2. Harmony in Group Performances
CONTENT STANDARDS demonstrates the concept of texture as: 1. monophonic (one voice) 2. homophonic (voice and accompaniment) 3. polyphonic (many voices)
demonstrates understanding of the concepts of harmony through the intervals that constitute the primary chords of major and minor scales in music
PERFORMANCE STANDARDS performs accurately a given song with monophonic, homophonic, and polyphonic textures
demonstrates harmony in group performances 1. choir 2. rondalla 3. lyre band
LEARNING COMPETENCY 5. Identifies different textures 5.1 Vocal 5.1.1 solo voice 5.1.2 solo voice with accompaniment 5.1.3 duet, partner songs, round songs 5.2 Instrumental 5.2.1 solo 5.2.2 ensemble 6. distinguishes monophonic, homophonic, and polyphonic textures 7. applies primary chords (I, IV, V) as accompaniment to simple songs
CODE
LEARNING MATERIALS OHSP MUSIC *Manwal ng Guro
MU6TX-IVc-d2
MU6TX-IVc-d3
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.59-62 EASE MUSICmodule6 *Manwal ng Guro
MU6TX-IVc-d4
8. identifies the intervals of the following major triads:
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.63-65 *Musika at Sining
6. Sunico, Raul M. et al, 2000. pp.78-81 *Manwal ng Guro
tonic ( I )
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
MU6HA-IVe-1
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.63-65
Page 59of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT VIII.
HARMONY
1. Primary Chords 2. Harmony in Group Performances
CONTENT STANDARDS demonstrates understanding of the concepts of harmony through the intervals that constitute the primary chords of major and minor scales in music
PERFORMANCE STANDARDS demonstrates harmony in group performances 1. choir 2. rondalla 3. lyre band
LEARNING COMPETENCY
CODE
LEARNING MATERIALS
subdominant ( IV )
dominant ( V )
9. identifies the primary chords of its relative minor scales 9.1 A minor (Am) 9.2 D minor (Dm) 9.3 E minor (Em)
A minor
MU6HA-IVf-2
E minor
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 60of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
LEARNING MATERIALS
D minor 10. distinguishes the sound of a major chord from a minor chord
11. uses the major triad as accompaniment to simple songs
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
*Manwal ng Guro
MU6HA-IVe-f3
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.64-65 *Manwal ng Guro
MU6HA-IVg-h4
Umawit at Gumuhit 6. Valdecantos, Emelita C. 1999. pp.67
Page 61of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM GRADE 7 MUSIC OF THE PHILIPPINES
CONTENT FIRST QUARTER Music of Luzon ( Lowlands) Geographical and Cultural Background
1. Vocal Music
a) Performance practice; b) Folk songs; c) Sacred (Liturgical and
CONTENT STANDARDS
The Learner‌ demonstrates understanding of the musical characteristics of representative music from the lowlands of Luzon
PERFORMANCE STANDARDS
The Learner...
LEARNING COMPETENCY
CODE
The learner . . . 1.
performs music of the lowlands with appropriate pitch, rhythm, expression and style
identifies the musical characteristics of representative music selections from the lowlands of Luzon after listening;
EASE-module2 OHSP Music Module Q1 MU7LU-Ia-1
Devotional) music: Mass,
Pastores, Senakulo, Pasyon, Salubong, Flores de Mayo, Santacruzan; d) Secular music: Harana, Balitaw, Kumintang, Polka; e) Art music: Kundiman.
2.
analyzes the musical elements of some Lowland vocal and instrumental music selections; MU7LU-Ia-2
2. Instrumental Music a) Rondalla;
b) c) d) e) f)
Brass Band;
Musikong Bumbongl Bamboo organ; Angklung ensemble; Himig Pangkat Kawayan.
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
3.
explains the distinguishing characteristics of representative Philippine music selections from Luzon in relation to its culture and geography;
LEARNING MATERIALS
MU7LU-Ib-3
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.248-250 EASE-module2 *Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.248-250 EASE-module1 *Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.236-248
Page 62of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT Music of Luzon ( Lowlands) Geographical and Cultural Background
1. Vocal Music a) Performance practice; b)Folk songs; c)Sacred (Liturgical and
CONTENT STANDARDS demonstrates understanding of the musical characteristics of representative music from the lowlands of Luzon
Devotional) music: Mass,
Pastores, Senakulo, Pasyon, Salubong, Flores de Mayo, Santacruzan; d)Secular music: Harana, Balitaw, Kumintang, Polka; e)Art music: Kundiman. 2. Instrumental Music a) Rondalla; b)Brass Band; c) Musikong Bumbongl d)Bamboo organ; e) Angklung ensemble; Himig Pangkat Kawayan.
PERFORMANCE STANDARDS performs music of the lowlands with appropriate pitch, rhythm, expression and style
LEARNING COMPETENCY 4.
5.
6.
7.
explores ways of producing sounds on a variety of sources that is similar to the instruments being studied;
improvises simple rhythmic/melodic accompaniments to selected music from the Lowlands of Luzon; performs instruments/improvised instruments from Luzon lowlands; sings folksongs from the lowlands of Luzon;
CODE
LEARNING MATERIALS EASE-module1
MU7LU-Ib-f-4
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.251
MU7LU-Ic-f-5
MU7LU-Ig-h-6
MU7LU-Ia-h-7
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.236-248
8.
creates appropriate movements or gestures to accompany the music selections of the Lowlands of Luzon; 9. provides harmonic accompaniments to selected music of the Lowlands of Luzon; 10. evaluates music and music performances applying knowledge of musical elements and styles. K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
MU7LU-Ia-h-8
MU7LU-Id-9
MU7LU-Ic-h10
Page 63of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT SECOND QUARTER Music of Cordillera, Mindoro, Palawan, and the Visayas A. Cordillera Geographical, cultural, and historical background 1. Vocal Music; a) Performance practice; b) Representative songs/genre (salidummay, oggayam, ba-diw).
CONTENT STANDARDS The Learner‌ demonstrates understanding of the musical characteristics of representative music from the highlands of Luzon, Mindoro, Palawan, and the Visayas
2. Instrumental Music a) Gangsa ensemble; b) Bamboo solo/ensemble. B. Mindoro and Palawan 1. Vocal Music; a) Performance practice; b) Representative songs/genre (Vocal chants -Ambahan, Igway). 2. Instrumental Music a) Instrumental ensembles: Bamboo / Gong ensemble ; b) Solo instruments. C. Visayas K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
PERFORMANCE STANDARDS The Learner... performs selected vocal and instrumental music of Cordillera, Mindoro, Palawan and the Visayas in appropriate style
LEARNING COMPETENCY The Learner... 1. identifies the musical characteristics of representative selections of Cordillera, Mindoro, Palawan and of the Visayas after listening; 2. analyzes the musical elements of some vocal and instrumental selections from Cordillera, Mindoro, Palawan and of the Visayas after listening; 3. explains the distinguishing characteristics of representative music from Cordillera, Mindoro, Palawan and of the Visayasin relation to its culture and geography; 4. explores ways of producing sounds on a variety of sources similar to instruments being studied;
5. improvises simple rhythmic/melodic accompaniments to selected music from the Cordillera, Mindoro, Palawan and of the Visayas;
CODE
MU7LV-IIa-f-1
MU7LV-IIa-f-2
MU7LV-IIb-f-3
MU7LV-IIb-g-4
MU7LV-IIb-g-5
LEARNING MATERIALS *Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.248-256, pp.265 *Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.265 *Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.248-259 *Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.257-258 *Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999.
Page 64of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT 1. Vocal Music a) Performance practice; b) Representative songs/genre: BalitaoVisayan, PastoresChristmas, KantaFolksong, Ballad, Lullaby, Courtship, and Composo Ilonggo narrative song.
CONTENT STANDARDS demonstrates understanding of the musical characteristics of representative music from the highlands of Luzon, Mindoro, Palawan, and the Visayas
PERFORMANCE STANDARDS performs selected vocal and instrumental music of Cordillera, Mindoro, Palawan and the Visayas in appropriate style
LEARNING COMPETENCY
LEARNING MATERIALS pp.252-265
6. performs instruments/improvised instruments from Cordillera, Mindoro, Palawan and of the Visayas, alone and/or with others’ 7. provides accompaniment to selected music of the Cordillera, Mindoro, Palawan and of the Visayas; 8. sing songs from the Cordillera, Mindoro, Palawan and of the Visayas;
2. Instrumental Music a) Instrumental ensembles: Rondalla, Tultogan, Harp, Band, “Bird Dance” Binanog (Panay, Bukidnon)
CODE
9. creates appropriate movements to accompany music from the Cordillera, Mindoro, Palawan and of the Visayas; 10. evaluates music and music performances applying knowledge of musical elements and style.
MU7LV-IIb-g-6
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.258
MU7LV-IIb-g-7
MU7LV-IIa-f-8
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.252-265
MU7LV-IIc-h-9 MU7LV-IIc-h10
THIRD QUARTER Music of Mindanao A. Islamic Music 1. Vocal music: a) chants;
The Learner… demonstrates understanding of the musical characteristics of
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
The Learner... performs music of Mindanao with appropriate expression and style
The Learner... 1. identifies the musical characteristics of representative music selections from Mindanao after listening;
MU7MN-IIIa-g1
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999.
Page 65of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT b) lullaby.
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
representative music from Mindanao
2. Instrumental Ensemble: a) Kulintang ensemble ; b) bamboo ensemble ; c) solo instruments. 3. Non-Islamic a) Christian; b) Lumad: (Folk songs of Zamboanga, Butuan and Tausug).
pp.252-253 2. analyzes the musical elements of some Mindanao vocal and instrumental music;
3. explains the distinguishing characteristics of representative music selections of Mindanao in relation to its culture and geography; 4. explores ways of producing sounds on a variety of sources that is similar to the instruments being studied;
5. improvises simple rhythmic/melodic accompaniments to selected music from Mindanao; 6. perform instruments/improvised instruments from Mindanao, alone and/or with others; 7. sing songs from Mindanao; 8. creates appropriate movements or gestures to accompany the music K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
LEARNING MATERIALS
MU7MN-IIIa-g2
MU7MN-IIIa-g3
MU7MN-IIIb-h4
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.252-253 *Musika at Sining I. Padro, Alicia N. et al, 1998. pp.23
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.253-254
MU7LV-IIIc-h5
MU7LV-IIIc-h6 MU7LV-IIId-h7 MU7LV-IIIc-8
Page 66of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS demonstrates understanding of the musical characteristics of representative music from Mindanao
FOURTH QUARTER Philippine Festivals a) b) c) d) e) f)
Aklan – Ati-atihan Davao - Kadayawan Marinduque – Moriones Cebu – Sinulog Bicol – Ibalon Batangas – Sublian
Theatrical Forms a) Komedya/Moromoro/Arakyo b) Sarsuela c) Bodabil
The Learner… 1. demonstrates understanding and application of musical skills related to selected Philippine Festivals 2. demonstrates understanding and application of musical skills related to theater
PERFORMANCE STANDARDS performs music of Mindanao with appropriate expression and style
The Learner... 1. performs excerpts/selections from Philippine musical theater 2. performs songs and dances from selected Philippine festivals
LEARNING COMPETENCY
LEARNING MATERIALS
selections of Mindanao; 9. provides accompaniment to selected music of Mindanao; 10. evaluates music selections and music performances applying knowledge of musical elements and style.
MU7LV-IIIc-h9
MU7LV-IIIb-h10
The Learner... 1. identifies musical characteristics MU7FT-IVa-g-1 of selected Philippine festivals and theatrical forms through video or live performances; 2. narrate the origins and cultural background of selected Philippine festival/s; MU7FT-IVa-d-2
3. creates movements to music of a particular Philippine festival; MU7FT-IVa-d-3
4. describes how the music contributes to the performance of the musical production; 5. explains the distinguishing characteristics of representative Philippine festivals and theatrical K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
CODE
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.260 *Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. et al, 1999. pp.260
MU7FT-IVe-h-4 EASE-module1 MU7FT-IVa-h-5
Page 67of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
LEARNING MATERIALS
forms; 6. describes how a specific idea or story is communicated through music in a particular Philippine musical theater; 7. sing selection/s from chosen Philippine musical theater;
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
EASE-module1 MU7FT-IVe-h-6
MU7FT-IVe-h-7
Page 68of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM GRADE 8 MUSIC OF ASIA
CONTENT FIRST QUARTER MUSIC OF SOUTHEAST ASIA Geographical, historical and cultural background
CONTENT STANDARDS
PERFORMANCE STANDARDS
The Learner…
The Learner...
demonstrates understanding of common musical characteristics of the region as well as unique characteristics of a particular Southeast Asian country.
performs Southeast Asian songs with appropriate pitch, rhythm, expression and style.
LEARNING COMPETENCY The Learner... 1. explains how the music of a Southeast Asian country relates to its geography and culture;
1.
Indonesia-Gamelan a. Javanese; b. Balinese.
2.
Thailand-Piphat
3.
Cambodia-Pinpeat
3.
4.
Myanmar-Saung Gauk
4.
2.
listens perceptively to music of Southeast Asia; sings songs of Southeast Asia; analyzes musical elements of selected songs and instrumental pieces heard and performed;
CODE
OHSP Q2
MU8SE-Ia-h-1
MU8SE-Ia-h-2 MU8SE-Ic-h-3
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
explores ways of producing sounds on a variety of sources that would simulate instruments being studied;
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. Et al, 1999. pp.299-308 OHSP Q2
OHSP Q2 OHSP Q2
MU8SE-Ib-h-4
5.
LEARNING MATERIALS
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. Et al, 1999. pp.299-305, pp.308-312 OHSP Q2
*Edukasyong Pangkatawan, MU8SE-Ic-h-5 Kalusugan at Musika III. Adriano, Celia T. Et al, 1999. pp.305-308, Page 69of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT MUSIC OF SOUTHEAST ASIA Geographical, historical and cultural background 1.
Indonesia-Gamelan a. Javanese; b. Balinese.
2.
Thailand-Piphat
3.
Cambodia-Pinpea
4.
Myanmar-Saung Gauk
SECOND QUARTER Music of East Asia 1. 2. 3.
China Japan Korea
a) Geographical, historical and cultural background b) Traditional instruments (idiophones, aerophones, membranophones, and chordophones) c) Instrumental pieces (solo and ensemble) d) Folksongs and ritual music e) K-Pop and J-Pop
CONTENT STANDARDS demonstrates understanding of common musical characteristics of the region as well as unique characteristics of a particular Southeast Asian country.
PERFORMANCE STANDARDS performs Southeast Asian songs with appropriate pitch, rhythm, expression and style.
LEARNING COMPETENCY
6.
7.
demonstrates understanding of common and distinct musical characteristics of East Asian countries
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
The Learner... performs East Asian music with appropriate pitch, rhythm, expression and style
LEARNING MATERIALS pp.312-313
8.
The Learner‌
CODE
improvises simple accompaniment to selected Southeast Asian music; performs on available instruments from Southeast Asia; evaluates music and music performances applying knowledge of musical elements and style.
OHSP Q2 MU8SE-Ic-h-6
MU8SE-Ic-h-7
OHSP Q2
MU8SE-Ic-h-8
The Learner... 1. explains how East Asian music relates to its geography and culture;
OHSP Q2
MU8SE-IIa-g-1
2.
listens perceptively to music of East Asia;
OHSP Q2
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. Et al, 1999. pp.267, 274, 282 OHSP Q2
*Edukasyong Pangkatawan, Kalusugan at MU8SE-IIa-h-2 Musika III. Adriano, Celia T. Et al, 1999. pp.289 Page 70of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT Music of East Asia 1. 2. 3. a) b)
c) d) e)
China Japan Korea
CONTENT STANDARDS demonstrates understanding of common and distinct musical characteristics of East Asian countries
Geographical, historical and cultural background Traditional instruments (idiophones, aerophones, membranophones, and chordophones) Instrumental pieces (solo and ensemble) Folksongs and ritual music K-Pop and J-Pop
PERFORMANCE STANDARDS performs East Asian music with appropriate pitch, rhythm, expression and style
LEARNING COMPETENCY
LEARNING MATERIALS OHSP Q2
3.
sings songs of East Asia;
MU8SE-IIc-h-3
4.
analyzes musical elements of selected songs and instrumental pieces heard and performed; MU8SE-IIc-h-4
5.
6. 7.
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
CODE
explores ways of producing sounds on a variety of sources that would simulate instruments being studied;
improvises simple accompaniment to selected East Asian music; performs on available instruments from East Asia;
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. Et al, 1999. pp.268-270, 278279, 284-286, OHSP Q2 *Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. Et al, 1999. pp.267-270, 274280, 283-286 OHSP Q2
*Edukasyong Pangkatawan, Kalusugan at MU8SE-IIb-h-5 Musika III. Adriano, Celia T. Et al, 1999. pp.271-272, 280282, 286-289 OHSP Q2 MU8SE-IIc-h-6
OHSP Q2 MU8SE-IIb-h-7
Page 71of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT Music of East Asia 1. 2. 3. a) b)
c) d) e)
China Japan Korea
CONTENT STANDARDS demonstrates understanding of common and distinct musical characteristics of East Asian countries
PERFORMANCE STANDARDS performs East Asian music with appropriate pitch, rhythm, expression and style
LEARNING COMPETENCY 8.
evaluates music and music performances applying knowledge of musical elements and style.
Geographical, historical and cultural background Traditional instruments (idiophones, aerophones, membranophones, and chordophones) Instrumental pieces (solo and ensemble) Folksongs and ritual music K-Pop and J-Pop
THIRD QUARTER Music of South Asia and Middle East 4. India 5. Israel
a) Geographical, historical and cultural background;
CODE
OHSP Q2
MU8SE-IIb-h-8
The Learner‌ demonstrates an understanding of common and distinct musical characteristics of South Asia and the Middle East.
The Learner... performsSouth Asia and the Middle East music with appropriate pitch, rhythm, expression and style.
The Learner... 1. explains how music of a South Asian and the Middle East country relate to its geography and culture; 2.
b) Traditional instruments
(idiophones, aerophones, membranophones, and chordophones) ; c) Instrumental pieces (solo and ensemble); d) Folksongs and ritual music
3. 4.
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
listens perceptively to music of South Asia and the Middle East;
sings songs of South Asia and the Middle East; analyzes musical elements of selected songs and
LEARNING MATERIALS
MU8WS-IIIag-1
MU8WS-IIIah-2
MU8WS-IIIcg-3 MU8WS-IIIch-4
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. Et al, 1999. pp.267-287
*Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. Et al, 1999. pp.291 *Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. Et al, 1999. pp.297
*Edukasyong Pangkatawan,
Page 72of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT Music of South Asia and Middle East 4. India 5. Israel
CONTENT STANDARDS demonstrates an understanding of common and distinct musical characteristics of South Asia and the Middle East.
PERFORMANCE STANDARDS performs South Asia and the Middle East music with appropriate pitch, rhythm, expression and style.
a) Geographical, historical and cultural background; b) Traditional instruments (idiophones, aerophones, membranophones, and chordophones) ; c) Instrumental pieces (solo and ensemble); d) Folksongs and ritual music
LEARNING COMPETENCY instrumental pieces heard and performed;
5.
6.
7.
8.
FOURTH QUARTER Traditional Asian Theater Music 1. Wayang Kulit; 2. Kabuki; 3. Peking Opera.
The Learner‌ demonstrates understanding and application of musical skills related to selected traditional Asian theater
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
The Learner... performs excerpts from traditional Asian theater with appropriate pitch, rhythm, expression, and style
CODE
explores ways of producing sounds on a variety of sources that would simulate instruments being studied; improvises simple accompaniment to selected South Asia and the Middle East music; performs on available instruments from South Asia and Middle East; evaluates music and music performances applying knowledge of musical elements and style.
The Learner... 1. identifies musical characteristics of selected Asian musical theater through video films or live performances; 2. sing selection/s from chosen Asian musical theater;
MU8WS-IIIch-5
LEARNING MATERIALS Kalusugan at Musika III. Adriano, Celia T. Et al, 1999. pp.291-295 *Edukasyong Pangkatawan, Kalusugan at Musika III. Adriano, Celia T. Et al, 1999. pp.296-297
MU8WS-IIIbh-6 MU8WS-IIIbh-7
MU8WS-IIIch-8
MU8TH-IVa-g1
MU8TH-IVa-g2
Page 73of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT Traditional Asian Theater Music 1. Wayang Kulit; 2. Kabuki; 3. Peking Opera.
CONTENT STANDARDS demonstrates understanding and application of musical skills related to selected traditional Asian theater
PERFORMANCE STANDARDS performs excerpts from traditional Asian theater with appropriate pitch, rhythm, expression, and style
LEARNING COMPETENCY 3.
4.
5.
6.
7.
8.
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
describe how the musical elements contribute to the performance of the musical production; identifies the instruments that accompany Kabuki, Wayang Kulit, Peking Opera; explains the distinguishing characteristics of representative Asian musical theater; describe how a specific idea or story is communicated through music in a particular Asian musical theater; creates/improvises appropriate sound, music, gesture, movements, props and costume for performance of a chosen Asian traditional musical and theatrical form; evaluates music and music performances applying knowledge of musical elements and style.
CODE
LEARNING MATERIALS
MU8TH-IVb-h3 MU8TH-IVa-g4
MU8TH-IVa-g5
MU8TH-IVa-g6
MU8TH-IVb-h7
MU8TH-IVc-h8
Page 74of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM GRADE 9 HISTORY OF WESTERN MUSIC
CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
The Learner‌
The Learner...
LEARNING COMPETENCY
CODE
LEARNING MATERIALS
FIRST QUARTER 1. MUSIC OF THE MEDIEVAL PERIOD (700-1400)
a) b) c) d)
Historical and cultural background; Gregorian chants; Troubadour music; Composer - Adam de la Halle.
demonstrates understanding of characteristic features of the Medieval, Renaissance and Baroque period music
2. RENAISSANCE PERIOD (1400-1600) a) Historical and cultural background; b) Mass; c) Madrigal; d) Composers Giovanni da Palestrina and Thomas Morley. 3. MUSIC OF THE BAROQUE PERIOD (1685-1750)
a) Historical and cultural b)
background; Concerto Grosso,
Fugue
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
performs selected songs from Medieval, renaissance and baroque periods
a) Chants; b) Madrigals; c) excerpts from
The Learner... 1.
2.
oratorio;
d) chorales; e) troubadour.
3.
4.
listens perceptively to selected vocal and instrumental music of Medieval, Renaissance and Baroque music; explains the performance practice (setting, composition, role of composers/performers, and audience) during Medieval, Renaissance and Baroque periods;
MU9MRB-Ia-h1
MU9MRB -Ia-h2
relates Medieval, Renaissance and Baroque music to its historical and cultural background through dramatization;
MU9MRB -Ic-f3
sings Medieval chant, troubadour song, madrigal, chorale and selections from oratorio with correct pitch, rhythm, expression and style;
MU9MRB -Ib-h4
*Edukasyong Pangkatawan, Kalusugan at Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.274286 *Edukasyong Pangkatawan, Kalusugan at Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.274283 *Edukasyong Pangkatawan, Kalusugan at Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.274277, 284
Page 75of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
c) Oratorio and chorale d) Composers: Johann Sebastian Bach and George Friedrich Handel
CONTENT STANDARDS demonstrates understanding of characteristic features of the Medieval, Renaissance and Baroque period music
PERFORMANCE STANDARDS performs selected songs from Medieval, renaissance and baroque periods
LEARNING COMPETENCY 5.
describes musical elements of given Medieval, Renaissance and Baroque music;
a) Chants; b) Madrigals; c) excerpts from oratorio;
d) chorales; e) troubadour.
6.
7.
8. 9.
explores other arts and media that portray Medieval, Renaissance and Baroque elements;
improvises appropriate accompaniment to given Medieval and Renaissance songs; create and or perform songs in Gregorian and troubadour styles; play simple melodies of a chorale and provide accompaniment.
CODE
MU9MRB -Ib-f5
MU9MRB -Ib-f6
LEARNING MATERIALS *Edukasyong Pangkatawan, Kalusugan at Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.274283 *Edukasyong Pangkatawan, Kalusugan at Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.274286
MU9MRB -Ib-d7 MU9MRB-Ib-h8
MU9MRB-Ib-h9
*Edukasyong Pangkatawan, Kalusugan at Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.275
SECOND QUARTER MUSIC OF THE CLASSICAL PERIOD (1750-1820)
The Learner‌
The Learner...
demonstrates understanding of
sings and performs themes of symphonies and other
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
The Learner... 1. narrates the life and works of classical composers after video and movie showing;
MU9CL-IIa-f-1
Page 76of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM
a) b)
c)
CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
Historical and cultural background; Sonata, sonata allegro form, concerto, symphony; Composers: Franz Josef Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.
characteristic features of Classical period music
instrumental forms
demonstrates understanding of characteristic features of Classical period music
sings and performs themes of symphonies and other instrumental forms
LEARNING COMPETENCY 2. relates Classical music to its historical and cultural background;
3. explains the performance practice (setting, composition, role of composers/performers, and audience) during Classical period;
4. listens perceptively to selected Classical period music;
5. describes musical elements of given Classical period pieces;
6. analyzes sonata allegro form;
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
CODE
LEARNING MATERIALS
*Edukasyong Pangkatawan, Kalusugan at MU9CL-IIa-f-2 Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.261 *Edukasyong Pangkatawan, Kalusugan at Musika IV. MU9CL-IIa-f-3 Sacdalan, Guinevere I. Et al, 1999. pp.261272 *Edukasyong Pangkatawan, Kalusugan at Musika IV. MU9CL-IIb-g-4 Sacdalan, Guinevere I. Et al, 1999. pp.263264 *Edukasyong Pangkatawan, Kalusugan at MU9CL-IIb-g-5 Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.261-272 *Edukasyong Pangkatawan, Kalusugan at MU9CL-IIe-h-6 Musika IV. Sacdalan, Guinevere I. Et
Page 77of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT MUSIC OF THE CLASSICAL PERIOD (1750-1820)
a) b)
c)
CONTENT STANDARDS
PERFORMANCE STANDARDS
demonstrates understanding of characteristic features of Classical period music
sings and performs themes of symphonies and other instrumental forms
Historical and cultural background; Sonata, sonata allegro form, concerto, symphony; Composers: Franz Josef Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.
LEARNING COMPETENCY
CODE
LEARNING MATERIALS al, 1999. pp.262263
7. sings themes or melodic fragments of given Classical period pieces; 8. explores other arts and media that portrays Classical elements;
MU9CL-IIb-h-7
MU9CL-IIb-h-8
9. improvises appropriate accompaniment to given short and simple Classical pieces.
*Edukasyong Pangkatawan, Kalusugan at Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.268269
MU9CL-IIe-9
THIRD QUARTER INSTRUMENTAL MUSIC OF THE ROMANTIC PERIOD (1820-1900) a) b) c) d)
Historical and cultural background; Program music; Piano music; Composers: Frederic Chopin, Peter Illych Tchaikovsky, Franz Liszt, and Camille Saint-Saens.
The Learner‌ demonstrates understanding of characteristic features of instrumental Romantic music
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
The Learner... sings and performs themes of selected instrumental pieces
The Learner... 1. narrates the life and works of romantic composers after video and movie showing; 2. relates Romantic period music to its historical and cultural background;
3. explains the performance practice (setting, composition, role of composers/performers, and audience) during the Romantic period;
MU9RO-IIIa-h1
MU9RO-IIIa-2
MU9RO-IIIb-h3
*Edukasyong Pangkatawan, Kalusugan at Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.222 *Edukasyong Pangkatawan, Kalusugan at Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.222-
Page 78of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT INSTRUMENTAL MUSIC OF THE ROMANTIC PERIOD (1820-1900) a) b) c) d)
Historical and cultural background; Program music; Piano music; Composers: Frederic Chopin, Peter Illych Tchaikovsky, Franz Liszt, and Camille Saint-Saens.
CONTENT STANDARDS demonstrates understanding of characteristic features of instrumental Romantic music
PERFORMANCE STANDARDS sings and performs themes of selected instrumental pieces
LEARNING COMPETENCY
CODE
229 4. listens perceptively to selected Romantic period music ;
MU9RO-IIIb-h4
5. describes musical elements of given Romantic period pieces; MU9RO-IIIb-h5
6. sings themes or melodic fragments of given Romantic period pieces;
MU9RO-IIIe-h6
7. explores other arts and media that portray Romantic period elements; MU9RO-IIIc-h7
8. improvises appropriate accompaniment to given short and simple Romantic period pieces. K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
LEARNING MATERIALS *Edukasyong Pangkatawan, Kalusugan at Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.226 *Edukasyong Pangkatawan, Kalusugan at Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.222229, 234-242 *Edukasyong Pangkatawan, Kalusugan at Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.228 *Edukasyong Pangkatawan, Kalusugan at Musika IV. Sacdalan, Guinevere I. Et al, 1999. pp.229233
MU9RO-IIIc-h8
Page 79of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
The Learner‌
The Learner...
LEARNING COMPETENCY
CODE
LEARNING MATERIALS
FOURTH QUARTER Vocal Music of the Romantic Period
a) Art song b) Opera c) Composers: Franz Schubert, Guiseppe Verdi, Giacomo Puccini, and Richard Wagner
demonstrates understanding of characteristic features of vocal music of the Romantic period
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
sings and performs themes of selected songs
The Learner... 1. narrates the plot, musical and theatrical elements of an opera after video and movie showing; 2. listens perceptively to selected art songs and excerpts of opera ; 3. sings themes or melodic fragments of given selected songs; 4. explores other arts and media that portray Romantic period elements; 5. creates / improvises appropriate sounds, music, gestures, movements, and costumes for a chosen opera.
MU9OP-IVa-g1 MU9OP-IVa-g2 MU9OP-IVb-h3 MU9OP-IVb-h4 MU9OP-IVb-h5
Page 80of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM MUSIC - GRADE 10 MUSIC OF THE 20TH CENTURY CONTENT FIRST QUARTER A. Impressionism a) b)
Historical and cultural background Composers: Claude Debussy, and Maurice Ravel
CONTENT STANDARDS
The Learner‌
The Learner...
demonstrates understanding of 20th century music styles and characteristic features.
creates musical pieces usingparticular style/s of the 20th Century.
B. Expressionism a) b)
PERFORMANCE STANDARDS
Historical and cultural background Composer: Schoenberg
C. Others a) Electronic music b) Chance music
LEARNING COMPETENCY The Learner... 1. listens perceptively to selected 20th century music;
MU10TC-Ia-h-1
2. describes distinctive musical elements of given pieces in 20th century styles;
3. relates 20th century music to its historical and cultural background;
4. explains the performance practice (setting, composition, role of composers/performers, th and audience) of 20 century music; 5. sings melodic fragments of given Impressionism period pieces; K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
CODE
MU10TC-Ia-h-2
MU10TC-Ia-g-3
MU10TC-Ib-g-4
LEARNING MATERIALS *Edukasyong Pangkatawan, Kalusugan at Musika. Sacdalan, Guinevere IV. et al, 1999. pp.182, 203-208 *Edukasyong Pangkatawan, Kalusugan at Musika. Sacdalan, Guinevere IV. et al, 1999. pp. 203208 *Edukasyong Pangkatawan, Kalusugan at Musika. Sacdalan, Guinevere IV. et al, 1999. pp. 203208 *Edukasyong Pangkatawan, Kalusugan at Musika. Sacdalan, Guinevere IV. et al, 1999. pp. 203208
MU10TC-Ib-5
Page 81of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
A. Impressionism
demonstrates understanding of 20th century music styles and characteristic features.
creates musical pieces usingparticular style/s of the 20th Century.
a) b)
Historical and cultural background Composers: Claude Debussy, and Maurice Ravel
LEARNING COMPETENCY 6. explores other arts and media that portray 20th century elements through video films or live performances; 7. create short electronic and chance music pieces using knowledge of 20th century styles.
CODE
LEARNING MATERIALS
MU10TC-Ic-h-6
B. Expressionism a)
Historical and cultural background b) Composer: Schoenberg
MU10TC-Ic-h-7
C. Others a) Electronic music b) Chance music SECOND QUARTER AFRO-LATIN AND POPULAR MUSIC 1. Historical and (cultural background of African and Latin American music 2. Background of Popular music 3. African music a. Rhythms: Maracatu b. Vocal forms: blues, soul, spiritual, call
The Learner‌
The Learner...
demonstrates understanding of characteristic features of Afro-Latin American music and Popular music
performs vocal and dance forms of Afro-Latin American music and selections of Popular music
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
The Learner... 1. observes dance styles, instruments, and rhythms of Afro Latin American and popular music through video, movies and live performances; 2. describes the historical and cultural background of AfroLatin American and popular music;
MU10AP-IIa-g1
MU10AP-IIa-g2
Page 82of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT
CONTENT STANDARDS
PERFORMANCE STANDARDS
and response 4. Latin American music a. Instruments b. Vocal and Dance form: Cumbia, tango, cha-cha. Rumba, bossanova, reggae, foxtrot, pasa doble 5. Jazz a. Instrumental forms: ragtime, big band, bebop, jazz rock 6. Popular music a. Ballad, standard, rock and roll, alternative music, disco
demonstrates understanding of characteristic features of Afro-Latin American music and Popular music
performs vocal and dance forms of Afro-Latin American music and selections of Popular music
LEARNING COMPETENCY 3. listens perceptively to AfroLatin American and popular music ; 4. dances to different selected styles of Afro-Latin American and popular music; 5. analyzes musical characteristics of Afro-Latin American and popular music; 6. sings selections of Afro-Latin American and popular music in appropriate pitch, rhythm, style, and expression; 7. explores ways of creating sounds on a variety of sources suitable to chosen vocal and instrumental selections; 8. improvises simple vocal/instrumental accompaniments to selected songs; 9. choreographs a chosen dance music; 10. evaluates music and music performances using knowledge of musical elements and style.
THIRD QUARTER CONTEMPORARY The Learner‌ PHILIPPINE MUSIC (Minimum of 4 composers for demonstrates understanding each) of characteristic features of K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
The Learner... sings contemporary songs
The Learner... 1. listens perceptively to excerpts of major Contemporary works;
CODE
LEARNING MATERIALS
MU10AP-IIa-h3 MU10AP-IIa-h4 MU10AP-IIa-h5 MU10AP-IIa-h6
MU10AP-IIa-7
MU10AP-IIe-f8 MU10AP-IIb-d9
MU10AP-IIa-h10
MU10CM-IIIah-1
Page 83of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT 1. Traditional Composers a. Lucio San Pedro b. Antonino Buenaventura c. Antonio Molina d. Alfredo Buenaventura e. Rodolfo Cornejo f. Bernardino Custodio g. Antonio Buencamino h. Hilarion Rubio i. Rosendo Santos j. Ryan Cayabyab
CONTENT STANDARDS contemporary music demonstrates understanding of characteristic features of contemporary music
2. New Music a. b. c. d. e. f. g. h.
Chino Toledo Ramon Santos Jose Maceda Manuel Maramba Lucresia Kasilag Francisco Feliciano Jerry Dadap Jonas Baes
PERFORMANCE STANDARDS
LEARNING COMPETENCY
CODE
LEARNING MATERIALS
sings contemporary songs 2. describes characteristics of traditional and new music; 3. gives a brief biography of selected Contemporary Philippine composer/s ;
4. sings selections of Contemporary music with appropriate pitch, rhythm, style, and expression; 5. explores ways of creating sounds on a variety of sources; 6. improvises simple vocal/instrumental accompaniments to selected songs; 7. create a musical on the life of a selected contemporary Philippine composer;
MU10CM-IIIah-2
MU10CM-IIIcg-3
*Edukasyong Pangkatawan, Kalusugan at Musika. Sacdalan, Guinevere IV. et al, 1999. pp.209220, 247-259
MU10CM-IIIbh-4 MU10CM-IIIde-5 MU10CM-IIIde-5
MU10CM-IIIgh-7
3. Song Composer a. Constancio de Guzman b. Mike Velarde c. Ernani Cuenco d. Restie Umali e. George Canseco f. Levi Celerio g. Angel Pena K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
8. evaluates music and music performances using knowledge of musical elements and style.
MU10CM-IIIh8
Page 84of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM CONTENT h. Leopoldo Silos i. Santiago Suarez FOURTH QUARTER 20th and 21st century MULTIMEDIA FORMS 1. OPERA
a) La Loba Negra b) Noli Me Tangere c) El Filibusterismo
2.
BALLET
a) Lola Basyang b) Rama Hari
3. MUSICAL PLAY a) Andres Bonifacio b) Atang c) Katy d) Florante at Laura e) Daragang
CONTENT STANDARDS
The Learner‌ 1. demonstrates understanding of characteristic features of 20th and 21st century opera musical play, ballet and other multimedia forms. 2. demonstrates understanding of the relationship among music, technology, and media.
Magayon
f) Noli Me Tangere g) El Filibusterismo h) Magsimula ka
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
PERFORMANCE STANDARDS
The Learner... 1. performs selections from musical plays, ballet, opera in a satisfactory level of performance. 2. creates a musical work using media & technology.
LEARNING COMPETENCY
The Learner... 1. describes how an idea or story in a musical play is presented in a live performance or video; 2. explains how theatrical elements in a selected part of a musical play are combined with music and media to achieve certain effects; 3. sings selections from musical plays and opera expressively; 4. creates / improvises appropriate sounds, music, gestures,movements, and costume using media and technology for a selected part of a musical play; 5. present an excerpt from a 20th or 21st century Philippine musical and highlight its similarities and differences to other western musical play.
CODE
LEARNING MATERIALS
MU10MM-IIIah-1
MU10MM-IIIah-2 MU10MM-IIIch-3
MU10MM-IIIch-4
MU10MM-IIIgh-5
Page 85of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM GLOSSARY Accent
emphasis/stress on a note, making it louder than the other notes
Accelerando
becoming faster
Aerophone
Any musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membrane.
Allegro
fast
Alto
female voice of low range
Alternative music
A type of rock music that originated from the 1980s.
Andante
moderately slow, walking pace
Angklung
An instrument, originally from Indonesia, made of two bamboo tubes attached to a bamboo frame.
Art song
A vocal musical composition usually written for one voice with piano accompaniment.
Ballad
A slow or sentimental romantic song.
Ballet
An artistic dance form performed to music, using precise and highly formalized set steps and gestures.
Barline
a vertical line that divides the staff into measures
Bass
male voice of low range
Beat
regular, recurrent pulsation that divides music into equal units of time
Bebop
Jazz music with complex harmony and rhythms
Big band
A large group of musicians playing jazz or dance music with improvised solos by lead players.
Binary Form
a song or composition with two basic parts or ideas
Blues
A musical style originating from African-Americans and is typically in a twelve-bar sequence; expresses sadness or depression.
Bodabil
A genre of various entertainment composed of song, dance, comedy routines, magic acts, and chorus girls.
Bossa Nova
A style of Brazilian music derived from samba but placing more emphasis on melody and less on percussion.
Cha-cha
A ballroom dance with small steps and swaying hip movements, performed to a Latin American rhythm.
Chance music
Music created by chance and its realization is left to the performer.
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Page 86of 94 *These materials are in textbooks that have been delivered to schools.
K to 12 BASIC EDUCATION CURRICULUM GLOSSARY Chord
combination of three or more tones sounded together
Chordophone
Any musical instrument that produces sound primarily by vibrating strings.
Clef
symbol placed at the beginning of the staff to show the exact pitch of each line and space
Concerto
Musical composition for a solo instrument accompanied by an orchestra.
Concerto Grosso
Musical composition for a group of solo instruments accompanied by an orchestra.
Crescendo
gradually getting louder
Cumbia
Dance music similar to salsa.
Da Capo
repeat from the beginning; an indication usually meaning that the opening section of a piece is to be repeated after the middle section
Decrescendo
gradually softer
Descant
an independent treble melody or counterpoint usually sung or played above a basic melody
Disco
Dance music typically soul-influenced and melodic with a regular bass beat popularized in the late 1970s.
Dynamics
degrees of loudness and softness in music
Electronic music
Music that employs electronic musical instruments and technology in production.
Expressionism
A style which the maker seeks to express the inner world of emotion rather than external reality.
Flat Sign
a symbol that notates the pitch of a note a half step lower
Folksongs
songs handed down from generation to generation
Form
organization of musical ideas in time; structure of a musical composition
Forte (f)
loud
Fortissimo (ff)
very loud
Foxtrot
A ballroom dance with uneven rhythm of alternating slow and quick steps.
Fugue
A contrapuntal composition in which a short melody or phrase is introduced by one part and successively taken up by others; developed by the interweaving of the various parts.
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K to 12 BASIC EDUCATION CURRICULUM GLOSSARY
Gamelan
Indonesian musical ensemble featuring a variety of metallophones (instruments made of metal and played by hitting or striking).
Gangsa Ensemble
An instrumental ensemble that uses metallophones
Grand Staff
combination of the treble and bass staves, used to encompass the wide range of pitches
Harmony
the pleasing sound produced when three or more tones are blended simultaneously
Homophonic Texture
refers to a melody sung or played with chord accompaniment e.g. guitar or piano
Idiophones
A musical instrument that creates sound through its own vibration, without the use of any strings or membrane.
Impressionism
A style or movement that depicts the visual impression of the moment, especially in terms of the shifting effect of light and color.
Interval
distance in pitch between two tones
J-Pop
Japanese popular music.
Jazz
Music originated from African-American people characterized by improvisation, syncopation, and usually a regular or forceful rhythm.
K-Pop
Korean popular music.
Kabuki
Traditional Japanese theater performance.
Key Signature
sharp or flat signs immediately following the clef sign at the beginning of a piece of music, indicating the key in which the music is to be played
Key (tonality)
central note, scale and chord within a piece, in relationship to which all other tones in the composition are heard
Keynote
central tone of a melody or piece of music e.g. when a piece is in the Key of C Major, C is the keynote
Kulintang
A set of gongs usually played by ensembles in Mindanao.
Largo
very slow
Ledger Lines
short, horizontal lines above or below the staff, used to indicate a pitch that falls above or below the range indicated by the staff
Liturgical music
Music composed for and played during liturgical celebrations and worship.
Lumad
Means “native” or “indigenous”.
Madrigal
Music for several voices with elaborate counterpoint; was popular during the Renaissance Period.
Maracatu
A musical style from Brazil.
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K to 12 BASIC EDUCATION CURRICULUM GLOSSARY Measure
the space between two barlines, containing a fixed number of beats
Medieval
Term that refers to the “Middle Ages�.
Melody
the line of music that moves up and down in succession; series of single tones that add up to a recognizable whole
Melodic Contour
the upward and downward direction of the notes
Melodic Pattern
the combination of repeated, similar and contrasting figures, motives and phrases
Melodic Ostinato
group of tones used to accompany a tone or a melody
Membranophone
Any musical instrument that produces sound primarily by a vibrating stretched membrane.
Meter
organization of beats into regular groups
Mezzo piano (mp)
moderately soft
Mezzo forte (mf)
moderately loud
Moderato
moderate tempo
Monophonic Texture
single melodic line without accompaniment
Motive Musical Texture
fragment of a theme, or short musical idea which is developed within a composition; refers to a short melody sung or played which can identify a musical composition refers to the relationship of melodic and harmonic elements in music which produces qualities of thickness and thinness, heaviness or lightness of a melody or sound produced
Musikong Bumbong
An instrumental marching band that uses bamboo instruments.
Natural Sign
symbol used to cancel a previous sharp or flat sign
Notation
system of writing down music so that specific pitches and rhythms can be conveyed
Note
symbol used to indicate pitch
Opera
A dramatic work in one or more acts set to music for singers and instrumentalists.
Oratorio
A large-scale musical work for orchestra and voices, usually narrative and typically on a sacred theme.
Ostinato
motive or phrase that is repeated persistently at the same pitch
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K to 12 BASIC EDUCATION CURRICULUM GLOSSARY
Pangkat Kawayan
An instrumental ensemble that uses different kinds of bamboo instruments.
Pasa doble
A fast-paced ballroom dance based on the Latin American style of marching.
Peking Opera
Traditional Chinese theater performance.
Pentatonic Scale
a five-tone scale, used in folk music and music of the Far East
Phrase
musical statements that express meaning or ideas
Piano (p)
soft
Pianissimo (pp)
very soft; as softly as possible
Pinpeat
A Cambodian instrumental ensemble.
Piphat
A Thai instrumental ensemble which features wind and percussion instruments.
Pitch
relative highness or lowness of a sound
Pitch Range
distance between the highest and lowest tones that a given voice or instrument can produce
Polyphonic Texture
refers to a musical composition with two or more independent melodies sung or played to create a harmonious effect
Program music
Music that is intended to evoke images or to convey the impression of events.
Ragtime
A kind of music which evolved with syncopated melodic line and regularly accented accompaniment.
Reggae
A style of music originally from Jamaica and popularized in the 1960s.
Renaissance
Term that refers to the revival of European art under the influence of Classical Models.
Rest
a symbol that indicates the duration of silence in music
Rhythm
ordered flow of music through time; the pattern of durations of notes and silences in music
Rhythmic Pattern
combinations of long and short sounds, notes and rests
Ritardando
becoming slower
Rock and roll
Popular dance music from the 1950s characterized by heavy beats and simple melodies.
Rondalla
An instrumental ensemble that usually consists of musicians playing banduria, octavina, laud, guitar and double bass.
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K to 12 BASIC EDUCATION CURRICULUM GLOSSARY Round
form of music wherein a melody change from a single-voiced texture to a many-voiced texture; each voice enters in succession; the effect is that of weaving a new and richer rhythmic and harmonic texture
Rumba
A rhythmic dance with Spanish and African elements originally from Cuba.
Sacred music
Music that promotes devotion and faith.
Sarsuela
A musical stage performance popularized in the Philippines during the Spanish colonization.
Saung gauk
An arched harp used in Myanmar.
Scale
series of pitches arranged in ascending or descending order
Secular music
Music for non-religious purposes.
Sharp Sign
symbol that notates the pitch of a note a half step higher
Sonata
A composition for an instrumental soloist, often with a piano accompaniment, typically in several movements with one or more in sonata form.
Sonata-allegro form
A large-scale musical structure popularly used during the middle of the 18th century.
Soprano
female voice of high range
Soul
Musical style that incorporates rhythm and blues and gospel music popularized by African-American people.
Sound
vibrations which are transmitted, usually through air, to the eardrum, which sends impulses to the brain
Staff
a set of five lines and four spaces where notes are positioned or placed
Symphony
An elaborate musical composition for full orchestra, typically in four movements, at least one of which is in sonata form.
Tango
A ballroom dance originating from Buenos Aires, characterized by marked rhythms and postures and abrupt pauses.
Tempo
rate of speed in music
Tenor
male voice of high range
Timbre
quality of sound that distinguishes one instrument or one voice from another
Time Signature
two numbers, one above the other, appearing at the beginning of a staff or the start of a piece, indicating the meter of a piece; the number above refers to the number of beats per measure and the number below represents the kind of note getting one beat.
Tone
sound that has a definite pitch or frequency
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K to 12 BASIC EDUCATION CURRICULUM GLOSSARY Triad
the most basic type of chord, consisting of three alternate tones of the scale e.g. do, mi, so
Troubadour
Street musicians singing of love during the Medieval Period.
Unison
performance of a single melodic line by more than one instrument or voice a t the same pitch
Wayang Kulit
Indonesian puppet shadow theater.
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K to 12 BASIC EDUCATION CURRICULUM CODE BOOK LEGEND Sample: MU7FT-IVe-h-6 LEGEND
SAMPLE Learning Area and Strand/ Subject or Specialization
DOMAIN/ COMPONENT Music
First Entry
Uppercase Letter/s
MU7 Grade Level
Grade 7
Domain/Content/ Component/ Topic
Theatrical Forms
FT -
Roman Numeral
*Zero if no specific quarter
Quarter
Fourth Quarter
IV
Week
Week five to eight
e-h
Competency
Describes how a specific idea or story is communicated through music in a particular Philippine musical theater
6
Lowercase Letter/s
*Put a hyphen (-) in between letters to indicate more than a specific week
Arabic Number
K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
Rhythm Melody Form Timbre Dynamics Tempo Texture Harmony Music of Luzon Music of Cordillera, Mindoro, Palawan, and the Visayas Music of Mindanao Theatrical Forms Music of southeast asia Music of South Asia and Middle East Traditional Asian Theater Music Music of the medieval period Music of the classical period Instrumental music of the romantic period Vocal Music of the Romantic Period 2Oth Century Afro-latin and popular music Contemporary Philippine music Multimedia forms
CODE RH ME FO TB DY TP TX HA LU LV MN FT SE WS TH MRB CL RO OP TC AP CM MM
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K to 12 BASIC EDUCATION CURRICULUM REFERENCES Abeles, Harold, Hoffer, Charles and Klotman, Robert. Foundations of Music Education, (New York: Schirmer Books, 1984) Armstrong, Thomas. "American Institute for Learning and Human Development." Multiple Intelligences. 2010. http://www.thomasarmstrong.com/multiple_intelligences.htm. Bruner, Jerome, The Process of Education. (Cambridge, Mass.: Harvard University Press, 1977) Bureau of Elementary Education, 2002 Basic Education Curriculum. (Pasig City: Department of Education, 2002) Bureau of Elementary Education, 2002 Philippine Elementary Learning Competencies. (Pasig City: Department of Education, 2002) Bureau of Secondary Education, Department of Education. Basic Education Curriculum. Pasig City, 2002. Bureau of Secondary Education, Department of Education Culture and Sports. Desired Learning Competencies New Secondary Education Curriculum. Pasig City, 1991. Bureau of Secondary Education, Department of Education Culture and Sports. Desired Learning Competencies Philippine Secondary Schools Learning Competencies. Pasig City, 1998. Bureau of Secondary Education, Department of Education. Secondary Education Curriculum. Pasig City, 2010. Gardner, Howard. "Multiple Intelligences." Howard Gardner. 2010. http://www.howardgardner.com/MI/mi.html. Gardner, Howard, Multiple Intelligences. (New York: Basic Books Inc., 1991) Miller, Cleve, Performance-Based Learning, (England: Cambridge University Press, 2008) Miller, Cleve. "Performance-Based Learning (Mexico: Cambridge University Press, 2010)." Teaching Business English (audio blog), December 16, 2010. performance-basedlearning.html. Reimer, Bennett. A Philosophy of Music Education Advancing the Vision. 1991 ed. (Aesthetic Education. Upper Saddle River, New Jersey: Prentice Hall, 2003). Reimer, Bennet, Journal of Aesthetic Education, (USA: University of Illinois Press, 1991) Thomas, Ronald, A Structure for Music Education. (Bardonia, N.Y.: Media Materials Inc., 1970) Thomas, Ronald B. MMCP Synthesis: A Structure for Music Education. (Bardonia, N.Y: Sponsored by the U.S. Office of Education Media Materials, 1970). Wade, Bonnie C., Thinking Musically: Experiencing Music, Expressing Culture, (England: Oxford University Press, 2003) K to 12 Music Curriculum Guide May 2016 Learning Materials are uploaded at http://lrmds.deped.gov.ph/.
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