'It was a picture in a million' ... Brigitte Bardot. Photograph: Terry O'Neill
Terry O'Neill's best shot
Leo Benedictus
Thursday 18 December 2008
Famous people are normal. Even Frank Sinatra, who I worked with a lot, was normal. They've got faults like anyone else. But it's better if you don't get into that – you can watch from afar.
The Casa Malaparte in Capri has been chosen as the location for the new 2018 Spring/Summer Saint Laurent campaign starring the beautiful Kate Moss. The video was directed by Nathalie Canguilhem who places the top model on the villa’s iconic staircase, an architectural walkway that seems to lead directly to the sky.
Casa Malaparte and its particular thirty-three step staircase are an icon of rationalist Italian architecture. Created between 1938 and 1943 by Adalberto Libera, but showing signs of the influential relationship between the writer Curzio Malaparte and the builder Adolfo Amitrano, it stands on the almost inaccessible promontory of Punta Masullo, one of the most fascinating and mysterious places in Capri.
Brigitte Bardot sunbathes with her pup, Audrey Hepburn sits on a frog, and the moment Grace Kelly and Prince Rainier first met - alongside a tiger. Celebrities and pets on the French Riviera
Stunning private photos of actors, artists and writers and their furry - and not-so-furry - friends on the Cote d'Azur appear in new book
Photographer Edward Quinn lived among the rich and famous in the 50s and 60s
Pablo Picasso and Salvador Dali are seen in rare pictures
By CAROLINE HOWE FOR MAILONLINE
PUBLISHED:| UPDATED:
The Cote d’Azur, also known as the French Riviera, was a star-studded playground of celebrities from show business, the art and business world in the middle of the last century.
Irish photographer Edward Quinn lived and worked there.
Described as a ‘cocktail’ photographer, Quinn charmed the stars vacationing on the strikingly beautiful Mediterranean coastline of the southeast corner of France. They willingly let him photograph them while on holiday, where they brought their furry and no-so-furry friends along or made new ones. Below are some of the exquisite photographs from the new coffee table book Celebrity Pets on the French Riviera in the 50s and 60s publishes by teNeues publishers.
Bathing beauties: French film star Brigitte Bardot sunbathes with her black spaniel, Clown, in 1956 on the French Riviera. Clown was a present from her then husband, film director Roger Vadim. This was the year that the film And God Created Woman launched Bardot to international fame as a sex symbol. Thirty-four years old at the time, she divorced Vadim the following year.
Black and white period: Pablo Picasso loved dogs and owned many but his Dalmatian Perro appeared on canvas in some of his later paintings. He lived in a sumptuous 19th century house, Villa La Californie, in the hills above Cannes with an uninterrupted view of the sea. This photo was taken in 1961
Hold that tiger: American movie star Grace Kelly met Prince Rainier III of Monaco in 1955 for the first time in the private zoo of Rainier’s palace. The photographer, Quinn, suggested that the couple stroll through the zoo as an ice-breaker between the self-conscious couple.The meeting had been arranged by Paris-Match, the French news weekly magazine. Exhausted by a European tour, it is rumored that Grace unsuccessfully tried to cancel this meeting. She returned to Hollywood and their relationship quickly evolved through correspondence. They married the following year.
Leap frog: Audrey Hepburn was in Monaco for the movie Monte Carlo Baby at the very beginning of her film career in 1951. It was here in Monte Carlo that she was spotted on the set of the film outside of the Hotel de Paris and chosen to play the role of Gigi that shot her to international stardom.
Grrrreat: Film star Elizabeth Taylor was in Cannes in 1957 for the Cannes Film Festival with her then third husband, producer Mike Todd. She is the only one laughing in a close encounter with a large lion cub. On the far left is Art Buchwald, famous New York Herald columnist at the time. Todd’s film Around the World in 80 Days won an Oscar for Best Picture that year
Member of the wedding: Bardot relaxes between shooting the film Voulez-vous danser avec moi? (Come Dance With Me) in Nice, 1959. She is pictured with her beloved dog, Guapa, a rescue dog she adopted that had been abused by children in Spain. Guapa, meaning ‘Pretty girl’, became Bardot’s adored dog for the next fifteen years
Giddyup: Frank Sinatra arrived by carriage in Monte Carlo in 1958 where he performed at a charity Gala Evening at the Sporting d’Eté (Sporting Club) for the UN Refugee Children. His album, Come Fly with Me, came out that year and was nominated for Album of the Year along with five other Grammy nominations at the inaugural Grammy Awards in 1959
Ay, Chihuahua! Jayne Mansfield hugs her Chihuahua while taking a dip in Cannes in 1958. She was on the Riviera with her second husband Mickey Hargitay attending the Cannes Film Festival. The Wild, Wild World of Jayne Mansfield, an x-rated ‘documentary’ that followed her wild and sexy adventures through Rome, Cannes, Paris, New York and Los Angeles came out in 1968, a year after her death in a car accident in 1967
Splendid: Film actress Natalie Wood arrived in Cannes in 1962, with her Splendor in the Grass co-star and boyfriend of the hour, actor Warren Beatty. The couple stayed at the Carlton Hotel in Cannes. A dachshund watches their arrival
Winging it: Spanish Catalan Surrealist painter Salvador Dali kept a summer home in Portlligat, Cadaques, a small village on the coast of Spain south of the Riviera. The famous artist gathered the fallen feathers from the swans that lived on the shoreline in front of his house and used them for his experimental painting work with a sea urchin. 1957
Spotted: Italian film star Claudia Cardinale, Italian film director Luchino Visconti and Hollywood movie star Burt Lancaster presented their movie Il Gattopardo at the Cannes Film Festival in 1963 in the company of a large cheetah. The film’s title translated to The Leopard and was nominated for an Oscar
Elizabeth Taylor with her miniature poodle in the summer of 1957 when she and Mike Todd rented the sumptuous Mediterranean style Villa Florentina, Saint-Jean-Cap-Ferrat. Liz would return to La Florentina in 1967 with Richard Burton ten years later
Le Mépris review – Jean-Luc Godard versus marriage and the film industry
Brigitte Bardot reminds us what all the fuss was about, alongside Jack Palance and Michel Piccoli, in this restored version of Godard’s 1963 classic
Jonathan Romney Sunday 3 January 2016 08.00 GMT
Ifirst saw Le Mépris many years ago in a print so faded that everything was pale pink; it felt like gazing at an artefact from an immeasurably distant past. Watching the film now, with its reds and Mediterranean blues restored to their full intensity, the film is still redolent of a lost antiquity, not least because Jean-Luc Godard’s 1963 feature is so steeped in melancholy and a sense of mourning.
Ostensibly adapted from Alberto Moravia’s novel Contempt, the film stars Michel Piccoli as writer Paul, selling his soul to work for US producer Prokosch, played by a magnificently overbearing Jack Palance. This tycoon is a philistine so monstrous that he dares rage at no less a deity than the great Fritz Lang (playing himself), whom he’s hired to direct a movie of The Odyssey.
Brigitte Bardot, meanwhile, is Paul’s wife Camille, the Penelope to Paul’s modern-day Ulysses – but she’s also Bardot. The star’s explosive physical appeal is analysed in an opening nude scene that was at once Godard’s sop to his producers, and a self-reflexively overt exercise in sex-symbol objectification. It’s a Godard film, after all: BB, the film reminds us, stands for both Brigitte Bardot and Bertolt Brecht.
Le Mépris features some of the most imposing exteriors in 60s cinema, shot by Raoul Coutard around the extraordinary Villa Malaparte on Capri – not so much a house, more a landscape installation. The centrepiece of the BFI Southbank’s new Godard season, Le Mépris is arguably the director’s only film that could bring tears to your eyes – not least because of Georges Delerue’s sublime score. It’s also a peerless source of style tips – watch Piccoli and learn how to wear your trilby “comme Dean Martin”.
The French actress, who has been an idol for two generations, tells about her life in this interview, starting with her girlhood on the outskirts of Paris to how she became a cinema star, all the way to her years out of the spotlight in Saint-Tropez.
On 28 September 1994, BB turned sixty years old. Here she is spirited and blunt, and she talks about her career and her campaign to defend animals. Brigitte Bardot is direct, and she has no regrets about her career as an actress. She says that she has never felt particularly beautiful. She has always preferred sweetness to sex. While she has no intention of talking about her son who is now an adult, she does speak enthusiastically of her campaign to save the seals as part of her work heading up the foundation that bears her name. These have been memorable campaigns that have also seen practical results, such as less ruthless techniques by poachers in the Great North.
BB is another legend that, unfortunately, is getting older. She (politely) dislikes Sophia Loren who is the same age. Bardot was not happy about the advertising campaign the Italian movie star did for a company that makes furs, and says she could never be friends with that type of woman.
Brigitte Bardot is one of my favourite actress. For me she is personification of femininity.
She was "fashion-revolutionary" and " Many Thanks" her for that! =)
In fashion the Bardot neckline (a wide open neck that exposes both shoulders) is named after her. Bardot popularized this style which is especially used for knitted sweaters or jumpers although it is also used for other tops and dresses.
Bardot is recognized for popularizing bikini swimwear in early films such asManina(Woman without a Veil, 1952), in her appearances at Cannes and in many photo shoots.
Bardot also brought into fashion thechoucroute("Sauerkraut") hairstyle (a sort of beehive hair style) and gingham clothes after wearing a checkered pink dress, designed by Jacques Esterel. She was subject for an Andy Warhol painting.
Bardot starred in 47 films, my favourite are "And God Created Woman" (1956), "Une Parisienne" (1957).
I really wanted to die at certain periods in my life. Death was like love, a romantic escape. I took pills because I didn't want to throw myself off my balcony and know people would photograph me lying dead below.
Brigitte Bardot at 80: still outrageous, outspoken and controversial
Since her first public appearance in 1950, BB, the screen icon who turned her back on film fame, has courted scandal
by Agnès Poirier
The Observer, Saturday 20 September 2014
Brigitte Bardot in 1965. Photograph: Alamy
The woman Paris-Match deemed "immoral, from head to toe" in 1958, is turning 80 in a few days. "The most beautiful woman in the world" may have chosen to leave the limelight in 1973, at the peak of her fame and beauty, to dedicate her life to animals, yet Brigitte Bardot has never ceased to be a controversial figure.
The artist in his studio with Brigitte Bardot during the 1956 International Cannes film festival.
Photograph: Jerome Brierre
The big picture: Brigitte Bardot visits Pablo Picasso in Cannes, 1956
The 21-year-old 'sex kitten' holds her own against the old predator, Picasso, during a visit to his studio at Vallauris, near Cannes, during the film festival in 1956
Peter Conrad Sun 9 May 2010
W
hen the first Daguerreotype photograph was taken in the 1830s, a French artist sonorously prophesied: "From this day, painting is dead." It took Picasso to prove him wrong, by demonstrating the limits of photographic vision. The camera is restricted to surfaces; painting, if it is as aggressive and inquisitorial as Picasso's, can torment and transform the world of appearances, violently metamorphosing matter. "Reality must be torn apart," Picasso told his lover, Françoise Gilot. People, especially women, had to undergo the same painful fate.