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Under the Shadow of a Foreign Sun

by Piah Mater

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Alrihkh
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Alrihkh I don’t believe I can say anything better than what has been said already. Well done compositions that drift through multiple genres that complement each other well. Indeed, reminiscent of early-Opeth. Just lend an ear and let the music speak for itself. Thx, Piah Mater! 8+/10.
Carsten Pieper
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Carsten Pieper Found this gem of a prog metal and more album from Brazil via recommendation of Drowning Steps Caio Claro. Thanks a lot, Caio!

Think early Opeth, but add a guesting string section or an occasional sax or a flute and you'll get a really rich mixture. Great songs and variability! Favorite track: As Islands Sink.
Jono Schneider
Jono Schneider thumbnail
Jono Schneider Very sick prog death madness. Songs are incredibly focused as they sprawl and scatter across the landscape like man eating crabs. Synths add a layer of awesomeness to everything. Guitars are insane.
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    Deluxe 12" LP version . Pressed on classic black vinyl. Insert with full lyrics.

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  • Compact Disc (CD) + Digital Album

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1.
Abandoned by the light If we die here Lay me by the river We feel the orbits realign Watching as islands sink And everything we love burn to the ground Muting The cries of abhorrence The smoke clears the way in the night Amidst a whelm of treacherous adoration Burying Defiled memories South of where the cinders fall Bringing forth The semblance of consolation Through the veil of darkness A cold serenity Reveals all but The promise of a coming day Ominous is the waters’ elegy A harbor that’s long been denied To bestow Penance or condonation Across the night eternal We close our eyes to see An ivory tower Collapsing in the heart of every man In perennial defiance of the wild Not from the echoes of the deep (Nor from the rustling of fire) The crowds so feebly were deafened from the serpent’s song Not by the moonlight over hill (Nor by the outlines of pyres) Our eyes glimmer to shards of lacerating northern stars Abandoned by the light If we die here Lay me by the river We feel the orbits realign Watching as islands sink And everything we love lost on the ground Like captives of the night When we die here Let us be delivered (set us free) Our eyes become a satellite Watching this island sink And the strain within Grow until we drown
2.
Born to this fallow garden A gallery of ashes in a gilded cage Bare of the mother vices Belated like the crop of a sunken soil Sworn to a frayed alliance The tides of tradition so swiftly turn Unlearned till our inner moths are Summoned by the light of a foreign sun Falling away into the blue Need I be the first to dive To sever the ties and come on through Departing the heartland’s wilderness Should fate befall These garden halls Grown in this fallow garden A fatalistic refuge in a maze of death Allowed to this funeral stride yet Silenced by the hand that bears the scythe No, no escape in sight No remnant of volition to seize Trapped in this sinking island Where all life begins and ends Far and away in tides unknown You might be the last to run Fearing the burden lies on you To harvest the endless sky Empires fall The silent spring dawns on earth
3.
4.
In Fringes 08:43
Time Bridges all things Feel the sun forever falling Grace, Like the coming dawn, The spell you’re under halts the night There From the crimson tide Winds have come through westward waters Strange How the years go by And still the waves have seized your eyes Irreversible the surge
 See the parallels of the earth cross Silences are the farewell sign But time is a river It rages on towards the borderlines it forms… What it forms is a glaring ideal A wistful mountain
 Of coal and ashes It invites the spirit
 To roam beyond the city lights To scale that summit
 And gaze at the abyss Though nightfall still
 Bears the stain of common fears
 The moonlit path unfolds in every step And like the darkness
 The soul too shall ravish When hope triumphs gravity Silences are the farewell sign But time is a river It rages on towards the borderlines it forms A canvas to bear the final light To whichever battle That wages on across the motherland we part If only in my mind…
5.
Terra Dois 10:07
Fire leans over me Eternity Quilted by the night Far beyond the sea Old reveries Wither Late to our return The seasons turn Ever so divine Stained but hallowed still The land I yield Is severed Over this faded line One step too deep into the mire A reaching hand A deafening sigh Until the wails of wolves Remind us of elegies of summers gone And ’til the ground below Devours the firmament whole Beyond the great unknown Horizons are conjuring A fiery storm A war fought alone For a hundred years We heed the silent call Sprout of iron The wreckage of yesteryear In constant bloom Our desolation Is blind to where we lay our fathers A trail of virtue, To sully the purity And brave the fall In dedication To waters sailed long before us To our mothers’ staying power Reeling across this faded line Until the wails of wolves Remind us of elegies of summers gone And ’til the ground below Devours the firmament whole Beyond the great unknown Horizons are conjuring A fiery storm A war fought alone For a hundred years We heed the silent call As the firestorm leaned closer Eternity was painted across the sky Pride would never let this river be our deathbed It belongs to me It belongs to me
6.
Canícula 08:55
Canícula, Sopra na direção Do que ficou E o que ruiu por fim Lava a alma Com o sal da terra E no meu olhar semeia Os ventos do sul Cálida ilusão Em teu ardor, Um cais na travessia Corre ao largo O fino pranto, mas, o que a lágrima perfura é fardo de um só coração Canícula Febre da noite vã Acelerou o curso da sangria Traz à casa O filho manco Por um torpe devaneio Por um facho de luz À margem dos dias sãos Emancipou E caiu aos pés da lida Ah, sereno Teu livramento é Como a foz de um rio seco Dissolve no azul da manhã Memórias que o vento traz E haverá de levar Nas águas de um rio que aqui passou A mágoa que só o tempo há de ferir ou de sanar Ferro e amarras no chão O pensamento voa…

about

PIAH MATER, the Brazilian progressive death metal duo, return from the blazing tropical gloom on their new album, 'Under the Shadow of a Foreign Sun'. Six years removed from their latest effort, the band picks up the broad brush of influences that gave their previous two albums a modest cult following and add new colors to the rusty canvas of the genre, aiming towards a landscape that stands as uniquely their own.

'Under the Shadow of a Foreign Sun' sees the band venturing deeper into familiar territory while still managing to bend the expectations of how far the death metal tag can be stretched. Elements of jazz fusion are more pronounced on cuts like 'Fallow Garden', with its extended solo section and interplay between guitars and saxophone, courtesy of Norwegian extraordinaire Jørgen Munkeby (Shinning, Ihsahn) and Brazilian folk music is represented on the closing track, Canícula, an eerie portuguese-sung tune that takes its time to build into the climax of the album.

The artwork for the record was drawn by Romanian artist Rada Niță Josan. Singer and guitar player Luiz Felipe Netto comments on the choice: "In a age where AI generated images seem to be taking up more and more space within the metal community, we felt it was important for the art fronting this record to be unmistakably and unapologetically human. Rada's tracing has so much personality to it and it's so easily recognizable as hers that I knew we had to work together the moment I found her."

Thematically, the album weaves its thread through the six songs therein with a lyrical center point that revolves around feelings of inadequacy and strangeness towards one's own homeland and the inevitable ensuing ambition to escape that place. Netto remarks: "Be it due to climate disasters or a plain cultural shift, be it the exodus of a people, the asylum of a family or the lonely journey of a single individual, these migrations patterns were observed and condensed into these lyrics."

'Under the Shadow of a Foreign Sun' marks the second release by the band to be issued by Italian label Code666 and it's out on both CD and Vinyl July 5th, 2024.

credits

released July 5, 2024

Luiz Felipe Netto - Vocals, Guitars, Keyboards, String Arrangements
Igor Meira - Guitars
Luan Moura - Bass
Pedro Mercier - Drums

Isadora Melo - Vocals on ‘Canícula’
Jørgen Munkeby - Saxophone on ‘Fallow Garden’

Marta Garrett - Backing Vocals on tracks 1, 2 & 5
Jassy Mumin Gabriel - Backing Vocals on track 1
Daniel Albuquerque - Viola on tracks 5 & 6
Ayran Nicodemo - Violin on tracks 4, 5 & 6
Damian Bolotin - Violin on tracks 5 & 6
Joe Zeitlin - Cello on tracks 4 & 6
Bruno Serroni - Cello on track 5
Yuri Vilar - Flute on track 6
Mafram do Maracanã - Percussion on track 6

Drums Recorded at Estúdio Mata, Niterói
Additional Guitar Engineering by Zach Wish

Artwork by Rada Niţă Josan
Design and Layout by Moornebheym

Music by Luiz Felipe Netto, except ‘Terra Dois’ by Luiz Felipe Netto & Igor Meira
Lyrics by Luiz Felipe Netto

Recorded, Produced and Mixed by Luiz Felipe Netto at Recanto do Curió Studios.
Mastered by Tony Lindgren at Fascination Street Studios

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Piah Mater Rio De Janeiro, Brazil

New Album "Under the Shadow of a Foreign Sun" out NOW via Code666.

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