Batman: Caped Crusader — Episode 7 Review

Commissioner Gordon and his defense lawyer daughter are bickering. Barbara just won a victory for her client — a client Gordon is convinced was guilty. He insists he belongs in prison; she insists he deserves a second chance. As they’re walking down the front steps of the courthouse, Renee and some other dude who will only appear in this episode tell them they’re not safe. “You need to come with us! We just got a tip that….”

They’re interrupted by the thing they got a tip about. A man from below shouts “HEY GORDON!” and lifts up a gun. Before he can fire, though. Guy Who Will Only Appear In This Episode whips out his own pistol and fires first. Renee could elaborate on the point she was about to make, but it’s clear: someone in the criminal underworld has put a hit out on the Commissioner, and bad guys will be hunting him down to collect.

Gordon’s co-workers have varied ideas on how to handle this. Bullock and Flass want the blunt approach, taking dozens of cop cars to swarm the streets until they find the man who ordered the hit. Barbara wants Gordon to hide in a safe house while a more quiet investigation goes underway. Gordon refuses both solutions. He “won’t let our streets turn into a war zone” and he’s not the type to hide either — he insists this is further proof Gotham needs him, right now, at his desk. Barb, who’s worried for his safety, is unhappy.

Later that evening, she’s trying to come up with solutions when Batman just sneaks into her office and surprises her, as is his style. He’s got the information she needs, even if he had to rough up a few guys to get it: the man who ordered the hit is currently serving time in Blackgate Prison.

And the very next scene is AT that prison, where Batman is just…there, taking out security guards and slamming a crook against the wall until he rats on who the man is. I love how the show doesn’t go into any details on how Batman got in this high-security area or how he plans to get out. How’d he sneak into prison? He’s Batman. How will he get out? He’s Batman. That’s all you need to know.

Anyway, the man behind the hit is someone named Mueller, who’s mad the first hitman failed at the job and has now doubled his price. A team of professionals is now arriving by train in Gotham, led by one of the world’s most expert assassins, Onomatopoeia. “BUM..BUM…BUUUUUMMMM,” he says dramatically.

This guy has the very campy gimmick of yelling his own sound effects, as literal words, and those are also his only lines of dialogue — I suppose it’d translate better in the comics. According to the credits Onomatopoeia was co-created by Kevin Smith. Since Smith loves to flatter himself, I then had to check if he was the one who wrote this episode — he did not. I suppose if he had, Harley Quinn Smith would be playing one of the bit parts.

After a hard day at work, Gordon drives back home to find…Renee, Barbara and Guy Who Will Only Appear In This Episode blocking his front door. “Aw, hell,” he mutters. He realizes they won’t take no for an answer and that he’s headed to a safe house whether he likes it or not. Meanwhile, Batman grilled Mueller and found out some additional info…which he is JUST too late to share with Gordon. The phone rings in his empty house as they all leave.

As Gordon’s friends and family are driving him down a remote road on the side of a hill, he feels headlights behind him and looks back around. “You got me an escort too?” he gripes. “Uh, not me…..” replies Renee. The car speeds up, pulls alongside them and begins firing. Some plan….Gordon couldn’t even get to the house to be safe in the first place!

Thanks to some fancy driving, our heroes are able to dodge the gunfire and evade the car….well, most of them. Guy Who Will Only Appear In This Episode (whose name is Corgan, I should probably start calling him that) notices a bullet winged their driver’s arm. The car’s also in no shape to travel much farther. They need a place to hide, and conveniently, an in-development row of houses is just up the hill.

Batman is monitoring police chatter in the Batmobile, and when he hears “vehicle collision and officer down on Dozier Road, Route 2,” he has his lead. He makes a dramatic U-Turn and heads in their direction….but Onomatopoeia and his thugs are going to get there first.

They surround the model home Gordon is in and start firing Tommy guns into the windows. Being policemen, Gordon’s posse is not unarmed, and the next few minutes are a tense shootout with Renee, Barbara and others trading bullets. As Gordon is reloading, he asks Renee how many are left. “I counted seven,” she tells him. They’re closing in, though; they can’t hold off this many — until Batman appears at that moment, throwing Batarangs and slugging criminals from behind as he doesn’t really “do” guns.

It’s time for the big Batman / Onomatopoeia confrontation. “Swish! Swish!” Onomatopoeia says as he skillfully dodges Batman’s right and left hooks. “Crack!” he spouts when he connects a punch on Bats’s jaw. “Whoosh!” he shouts when he tries to blow dirt in Bat’s face. You can’t hold the upper hand against Batman forever, though. and when he finally lands in a solid hit — striking Onomatopoeia’s vocal cords so he can’t speak — Batman simply quips “Pow” before slugging the man’s lights out.

Oh, guess what — the reason the bad guys always knew where Gordon was, was because they had a man on the inside….and if you guessed it’s Guy Who Will Only Appear In This Episode, you are correct! Corgan suddenly aims his gun at Barbara, confirming his role…..and the surprise reveal that SHE was the target all along (that, I did not guess). “You got a real unhappy former client up in Blackgate,” he tells her. Just as he’s about to shoot, Gordon comes from behind, firing his own gun and stopping his plan for good.

The following day, Barbara meets with Mueller at Blackgate Prison. “Look, I took the hit off ya, so….you can tell your friend that,” he says, clearly shaken by his encounter with Batman. But Barbara looks even more shaken in these closing shots, unsure of what she believes anymore.

“I did the best I could for you….”
“This was the best you could do? I know I made some mistakes, but I don’t deserve to be here!”
“Actually….I think you do….”

Outside of the meeting cell, Barbara just stares at the ground sadly.

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Peter Paltridge

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Avatar of Sailor Krypton
Sailor Krypton

3... 2... 1... Krypton

21 messages 0 likes

I must say, "Moving Target" had all the potential in the world but ended up squandering it. The animation was a letdown, with characters moving like they were stuck in some kind of quicksand. The plot felt rushed, with Batman doing most of his detective work off-screen, which is just lazy storytelling. Barbara's arc was the only saving grace, but even that was overshadowed by the lackluster execution. It's like they forgot what made Batman compelling in the first place. I'm not holding my breath for the next episodes to fix this mess. If this is the direction Caped Crusader is heading, I might just stick to the comics.

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JeffraGray

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Despite the rough edges in "Moving Target," I see a glimmer of hope for the series. Yes, the animation was substandard, and the plot felt a bit thin, but let's not forget the emotional depth with Barbara. Her struggle with the corrupt world around her hints at a broader narrative arc, possibly leading to a Batgirl story. I think this episode, while flawed, sets the stage for character development that we might not fully appreciate yet. Batman's limited screen time was disappointing, but perhaps it's a strategic narrative choice to build suspense. I'm curious to see where they take this, and I'm not ready to write off Caped Crusader just yet.

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Avatar of DapperVibes
DapperVibes

Refined Rebel

385 messages 22 likes

The reveal about Barbara being the target was a twist, but it felt unearned and abrupt. The episode's ending, with Barbara in a reflective, somber mood, was poignant but isolated from the episode's action, making it feel disconnected. This episode was a missed opportunity to weave the compelling threads of Gotham's corruption with Batman's vigilance.

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Avatar of BenjaminBenjaminBenjamin
BenjaminBenjaminBenjamin

New Member

908 messages 30 likes

I'll be honest, "Moving Target" wasn't the best showcase for Caped Crusader, but I'm still on board. The animation? Yeah, it was off, but I'm more invested in the narrative. Barbara's arc was compelling, giving us a glimpse into the personal toll of her fight against Gotham's corruption. I love how they're setting up for potential growth or transformation for her character. Sure, Batman's detective work was mostly unseen, but I appreciate the focus on other characters. Onomatopoeia was a fun addition to the rogue gallery.

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Avatar of Chance
Chance

Member

386 messages 13 likes

The animation was embarrassingly poor, with movements that felt like they were pulled straight from early 2000s Flash animations. The plot seemed like an afterthought, with Batman's investigation happening off-screen, which is just not how you build tension or character in a Batman story. The villains, especially Onomatopoeia, were underdeveloped, serving more as a plot device than actual threats. The twist with Barbara being the target had potential, but the execution was so weak it felt like an afterthought. The emotional scenes with Barbara were the only highlights, showing some promise for character development, but they were too little too late for this episode. If Caped Crusader doesn't pick up its game, it's going to lose fans who've been loyal to the Bat mythos for years.

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LewicForin

New Member

9 messages 0 likes

This episode made me miss the old Batman animated series. "Moving Target" was just... not it. The animation felt like a step back, and where was the iconic Batman we know and love? Barely there. Barbara's storyline was the only thing that held any emotional weight, but it was like an oasis in the desert of this episode. Come on, Bruce Timm, show us what you're really capable of!

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