In this interview, Braier discusses the practical and creative challenges of shooting on location at the New York Times building; how she worked to create depth in white walls; how she manipulated and matched fluorescent lights; and how ...See moreIn this interview, Braier discusses the practical and creative challenges of shooting on location at the New York Times building; how she worked to create depth in white walls; how she manipulated and matched fluorescent lights; and how she created interactive lighting while shooting on the production's car stage.
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