Don Steinberg

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Baywatch | ShotOnWhat?

First Assistant Camera: "a" Camera

Baywatch (2017)

Directed by: Seth Gordon

Cinematography by: Eric Steelberg

Edited by: Peter S. Elliot

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

The Accountant | ShotOnWhat?

First Assistant Camera: "a" Camera

The Accountant (2016)

Directed by: Gavin O'Connor

Cinematography by: Seamus McGarvey

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Finest Hours | ShotOnWhat?

A Camera Assistant

The Finest Hours (2016)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Allegiant | ShotOnWhat?

"b" Camera Focus Puller

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

First Assistant Camera: "b" Camera

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

True Detective | ShotOnWhat?

"a" Camera First Assistant / A Camera First Assistant - 10 Episodes, 2014-2019, A Camera First Assistant - 5 Episodes, 2014

True Detective (2014)

Television Series

Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik

Cinematography by: Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister

Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

"True Detective" The Locked Room | ShotOnWhat?

A Camera First Assistant

'True Detective' The Locked Room (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Affonso Gonçalves

"True Detective" Who Goes There | ShotOnWhat?

A Camera First Assistant

'True Detective' Who Goes There (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Affonso Gonçalves

"True Detective" The Long Bright Dark | ShotOnWhat?

A Camera First Assistant

'True Detective' The Long Bright Dark (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Alex Hall

"True Detective" The Secret Fate of All Life | ShotOnWhat?

A Camera First Assistant

'True Detective' The Secret Fate of All Life (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Alex Hall

"True Detective" Seeing Things | ShotOnWhat?

A Camera First Assistant

'True Detective' Seeing Things (2014)

Television Episode

Directed by: Cary Joji Fukunaga

Cinematography by: Adam Arkapaw

Edited by: Alex Hall

The Host | ShotOnWhat?

First Assistant Camera: "a" Camera

The Host (2013)

Directed by: Andrew Niccol

Cinematography by: Roberto Schaefer

Edited by: Thomas J. Nordberg

Cameras: ARRI ALEXA Camera

42 | ShotOnWhat?

First Assistant Camera: "a" Camera

42 (2013)

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Gone | ShotOnWhat?

First Assistant Camera

Gone (2012)

Directed by: Heitor Dhalia

Cinematography by: Michael Grady

Edited by: John Axelrad

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses

Flight | ShotOnWhat?

A Camera First Assistant

Flight (2012)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Priest | ShotOnWhat?

First Assistant Camera: "a" Camera

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Muppets | ShotOnWhat?

A Camera First Assistant

The Muppets (2011)

Directed by: James Bobin

Cinematography by: Don Burgess

Edited by: James Thomas

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Lincoln Lawyer | ShotOnWhat?

First Assistant Camera: "a" Camera

The Lincoln Lawyer (2011)

Directed by: Brad Furman

Cinematography by: Lukas Ettlin

Edited by: Jeff McEvoy

Cameras: Red One MX Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Book of Eli | ShotOnWhat?

"a" Camera First Assistant

The Book of Eli (2010)

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Don Burgess

Edited by: Cindy Mollo

Cameras: Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Gamer | ShotOnWhat?

A Camera First Assistant

Gamer (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Ekkehart Pollack

Edited by: Peter Amundson, Fernando Villena, Doobie White

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Leaves of Grass | ShotOnWhat?

First Assistant Camera: "a" Camera

Leaves of Grass (2009)

Directed by: Tim Blake Nelson

Cinematography by: Roberto Schaefer

Edited by: Michelle Botticelli

Cameras: Red One Camera

Lenses: Angenieux Lenses, Cooke Lenses, Zeiss Lenses

Tropic Thunder | ShotOnWhat?

Camera Operator: "b" Camera, Second Unit

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Shine a Light | ShotOnWhat?

First Assistant Camera

Shine a Light (2008)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: David Tedeschi

Quantum of Solace | ShotOnWhat?

First Assistant Camera

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

First Assistant Camera: Second Unit

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Body of Lies | ShotOnWhat?

First Assistant Camera: "d" Camera, Washington D.C.

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Seven Pounds | ShotOnWhat?

First Assistant Camera

Seven Pounds (2008)

Directed by: Gabriele Muccino

Cinematography by: Philippe Le Sourd

Edited by: Hughes Winborne

Cameras: Panavision Cameras

National Treasure: Book of Secrets | ShotOnWhat?

First Assistant Camera

National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Feast of Love | ShotOnWhat?

First Assistant Photographer: "b" Camera

Feast of Love (2007)

Directed by: Robert Benton

Cinematography by: Kramer Morgenthau

Edited by: Andrew Mondshein

Next | ShotOnWhat?

First Assistant Camera: "b" Camera

Next (2007)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

Pirates of the Caribbean: At World's End | ShotOnWhat?

First Assistant Camera

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

The Kite Runner | ShotOnWhat?

First Assistant Camera: "b" Camera, San Francisco

The Kite Runner (2007)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Seven Days of Grace | ShotOnWhat?

First Assistant Camera

Seven Days of Grace (2006)

Directed by: Don E. FauntLeRoy

Cinematography by: Don E. FauntLeRoy

Edited by: Chris Reiss, William Rohn, Mary Ann Skweres

Mission: Impossible III | ShotOnWhat?

First Assistant Camera

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

First Assistant Camera

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

xXx: State of the Union | ShotOnWhat?

B Camera First Assistant

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

Christmas with the Kranks | ShotOnWhat?

First Assistant Camera: "b" Camera

Christmas with the Kranks (2004)

Directed by: Joe Roth

Cinematography by: Don Burgess

Edited by: Nick Moore

13 Going on 30 | ShotOnWhat?

A Camera First Assistant

13 Going on 30 (2004)

Directed by: Gary Winick

Cinematography by: Don Burgess

Edited by: Susan Littenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Suspect Zero | ShotOnWhat?

First Assistant Camera

Suspect Zero (2004)

Directed by: E. Elias Merhige

Cinematography by: Michael Chapman

Edited by: John Gilroy, Robert K. Lambert

The Rundown | ShotOnWhat?

B Camera First Assistant

The Rundown (2003)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Richard Pearson

The Hunted | ShotOnWhat?

Assistant Camera

The Hunted (2003)

Directed by: William Friedkin

Cinematography by: Caleb Deschanel

Edited by: Augie Hess

Terminator 3: Rise of the Machines | ShotOnWhat?

First Assistant Camera: "Red" Camera, Second Unit

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Windtalkers | ShotOnWhat?

Second Assistant Camera: "c" Camera

Windtalkers (2002)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Jeff Gullo, Steven Kemper, Tom Rolf

Star Trek: Nemesis | ShotOnWhat?

First Assistant Photographer: "c" Camera

Star Trek: Nemesis (2002)

Directed by: Stuart Baird

Cinematography by: Jeffrey L. Kimball

Edited by: Dallas Puett

The Kid Stays in the Picture | ShotOnWhat?

Second Assistant Camera Steadicam: Los Angeles

The Kid Stays in the Picture (2002)

Directed by: Nanette Burstein, Brett Morgen

Cinematography by: John Bailey

Edited by: Jun Diaz

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Spider-Man | ShotOnWhat?

First Assistant Camera

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

I Spy | ShotOnWhat?

First Assistant Camera

I Spy (2002)

Directed by: Betty Thomas

Cinematography by: Oliver Wood

Edited by: Peter Teschner

The Scorpion King | ShotOnWhat?

First Assistant Camera

The Scorpion King (2002)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Rules of Engagement | ShotOnWhat?

Second Assistant Camera

Rules of Engagement (2000)

Directed by: William Friedkin

Cinematography by: William A. Fraker, Nicola Pecorini

Edited by: Augie Hess

Cameras: Panavision Panaflex Gold II Camera, Technovision Cameras

Lenses: Panavision E Series Anamorphic Lenses

Cast Away | ShotOnWhat?

Second Assistant Camera

Cast Away (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

Mission: Impossible II | ShotOnWhat?

Second Assistant Photographer: USA

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Instinct | ShotOnWhat?

Second Assistant Camera

Instinct (1999)

Directed by: Jon Turteltaub

Cinematography by: Philippe Rousselot

Edited by: Richard Francis-Bruce

The Story of Us | ShotOnWhat?

Second Assistant Camera

The Story of Us (1999)

Directed by: Rob Reiner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell, Robert Leighton

Wild Wild West | ShotOnWhat?

Second Assistant Camera

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Six Days Seven Nights | ShotOnWhat?

Second Assistant Camera

Six Days Seven Nights (1998)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Alien: Resurrection | ShotOnWhat?

Second Assistant Camera

Alien Resurrection (1997)

Directed by: Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

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