Flame Artist
Den of Thieves (2018)
Directed by: Christian Gudegast
Cinematography by: Terry Stacey
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Artist: Digiscope
Dream House (2011)
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Visual Effects Artist
In Time (2011)
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Artist: Digiscope
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Senior Flame Artist
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Senior Flame Artist
The Back-up Plan (2010)
Directed by: Alan Poul
Cinematography by: Xavier Grobet
Edited by: Priscilla Nedd-Friendly
Senior Flame Artist
Blizkiy vrag (2010)
Directed by: Aleksandr Atanesyan
Cinematography by: Bruce Alan Greene
Edited by: Juri Rechinsky
Senior Flame Artist
Blood Done Sign My Name (2010)
Directed by: Jeb Stuart
Cinematography by: Steve Mason
Edited by: Toby Yates
Senior Flame Artist
The Twilight Saga: Eclipse (2010)
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Senior Flame Artist
Valentine's Day (2010)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Bruce Green
Senior Flame Artist
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Senior Compositor: Peerless Camera Company
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
Senior Flame Artist
Night at the Museum: Battle of the Smithsonian (2009)
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Senior Inferno Artist
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Senior Flame Artist
Push (2009)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Nicolas Trembasiewicz
Senior Flame Artist
The Twilight Saga: New Moon (2009)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Digital Artist: Digiscope
Sunshine Cleaning (2008)
Directed by: Christine Jeffs
Cinematography by: John Toon
Edited by: Heather Persons
Senior Inferno Artist
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Compositor: Peerless Camera Company
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Senior Compositor: Peerless Camera Company
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Sabre Artist: ILM
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Flame Artist: ILM
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Digital Compositor: Peerless Camera Company
Tideland (2005)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
Compositor: Peerless Computer Company
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Senior Compositor: Peerless
The Legend of Zorro (2005)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Digital Effects Artist
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Inferno Artist: Pixel Playground Inc
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Digital Effects Compositor
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Effects Compositor
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Digital Effects Compositor
Paycheck (2003)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Digital Effects Compositor
Willard (2003)
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Digital Effects Compositor
Beyond Borders (2003)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman
Digital Effects Compositor
Peter Pan (2003)
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Digital Artist: Digiscope
View from the Top (2003)
Directed by: Bruno Barreto
Cinematography by: Affonso Beato
Digital Effects Compositor
Rollerball (2002)
Directed by: John McTiernan
Cinematography by: Steve Mason
Digital Effects Artist: Main Title
All About the Benjamins (2002)
Directed by: Kevin Bray
Cinematography by: Glen MacPherson
Edited by: Suzanne Hines
Digital Effects Compositor
Pinocchio (2002)
Directed by: Roberto Benigni
Cinematography by: Dante Spinotti
Edited by: Simona Paggi
Cameras: Panavision Panaflex Platinum Camera
Digital Effects Compositor
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Digital Effects Compositor
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Digital Effects Compositor
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Effects Compositor
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Digital Effects Compositor
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Digital Effects Compositor
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Effects Compositor
Don't Say a Word (2001)
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Compositor: Digiscope
Heist (2001)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Digital Effects Compositor
The Mummy Returns (2001)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Digital Artist: Digiscope
Hannibal (2001)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Digital Effects Compositor
Uprising (2001)
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Sabrina Plisco
Digital Effects Compositor
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Digital Effects Compositor
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Cameras: Panavision Panaflex Platinum Camera
2d Artist: Digiscope
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Digital Effects Compositor
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Digital Effects Compositor
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Effects Compositor
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Digital Effects Artist
Reindeer Games (2000)
Directed by: John Frankenheimer
Cinematography by: Alan Caso
Cameras: Panavision Cameras, Spacecam Aerial Cameras
Composite Artist: Digiscope
Scary Movie (2000)
Directed by: Keenen Ivory Wayans
Cinematography by: Francis Kenny
Edited by: Mark Helfrich
Digital Effects Compositor
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Digital Effects Compositor: Digiscope
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Digital Effects Compositor
The Omega Code (1999)
Directed by: Robert Marcarelli
Cinematography by: Carlos González
Domino Artist: CRC Digital
Universal Soldier: The Return (1999)
Directed by: Mic Rodgers
Cinematography by: Mike Benson
Edited by: Peck Prior
Digital Artist
Three Kings (1999)
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Digital Effects Artist
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Digital Effects Artist
Stigmata (1999)
Directed by: Rupert Wainwright
Cinematography by: Jeffrey L. Kimball
Digital Effects Compositor
Star Trek: Insurrection (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Digital Effects Compositor
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Artist
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Digital Effects Artist
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Domino Artist: Digital Magic
Species II (1998)
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord
Digital Effects Compositor
Mortal Kombat: Annihilation (1997)
Directed by: John R. Leonetti
Cinematography by: Matthew F. Leonetti
Edited by: Peck Prior
Domino Compositor: Digital Magic Company
Money Talks (1997)
Directed by: Brett Ratner
Edited by: Mark Helfrich
Digital Effects Artist
Wishmaster (1997)
Directed by: Robert Kurtzman
Cinematography by: Jacques Haitkin
Edited by: David Handman
Digital Effects Compositor
Volcano (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Digital Effects Compositor
The Long Kiss Goodnight (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
Digital Effects Artist
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
