Art Schultz

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The Hate U Give | ShotOnWhat?

Riffing Gaffer

The Hate U Give (2018)

Directed by: George Tillman Jr.

Cinematography by: Mihai Malaimare Jr.

Edited by: Alex Blatt, Craig Hayes

Cameras: Panavision Millennium DXL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision Primo 70 Lenses, Panavision Ultra Panatar Anamorphic Lenses

Black Panther | ShotOnWhat?

Fixtures Technician

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Thor: Ragnarok | ShotOnWhat?

Rigging Gaffer: Additional Photography

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Best Boy Rigging Electric

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

The 5th Wave | ShotOnWhat?

Rigging Gaffer

The 5th Wave (2016)

Directed by: J Blakeson

Cinematography by: Enrique Chediak

Edited by: Paul Rubell

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Term Life | ShotOnWhat?

Best Boy Rigging Electric

Term Life (2016)

Directed by: Peter Billingsley

Cinematography by: Roberto Schaefer

Edited by: Dan Lebental, Kevin Stermer

Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera

Furious 7 | ShotOnWhat?

Best Boy Rigging Electric

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Sabotage | ShotOnWhat?

Best Boy Rigging Electric

Sabotage (2014)

Directed by: David Ayer

Cinematography by: Bruce McCleery

Edited by: Dody Dorn

Need for Speed | ShotOnWhat?

Best Boy Rigging Electric

Need for Speed (2014)

Directed by: Scott Waugh

Cinematography by: Shane Hurlbut

Edited by: Paul Rubell, Scott Waugh

Cameras: ARRI ALEXA Camera, Canon EOS-1D C Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Fixtures Technician

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Catching Fire | ShotOnWhat?

Rigging Electrician

The Hunger Games: Catching Fire (2013)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRIFLEX 435 Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Identity Thief | ShotOnWhat?

Best Boy Rigging Electric

Identity Thief (2013)

Directed by: Seth Gordon

Cinematography by: Javier Aguirresarobe

Edited by: Peter Teschner

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Parental Guidance | ShotOnWhat?

Best Boy Rigging Electric

Parental Guidance (2012)

Directed by: Andy Fickman

Cinematography by: Dean Semler

Edited by: Kent Beyda

Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

What to Expect When You're Expecting | ShotOnWhat?

Best Boy Rigging Electric

What to Expect When You're Expecting (2012)

Directed by: Kirk Jones

Cinematography by: Xavier Grobet

Edited by: Michael Berenbaum

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Three Stooges | ShotOnWhat?

Best Boy Rigging Electric

The Three Stooges (2012)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Sam Seig

Joyful Noise | ShotOnWhat?

Best Boy Rigging Electric

Joyful Noise (2012)

Directed by: Todd Graff

Cinematography by: David Boyd

Edited by: Kathryn Himoff

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Madea's Witness Protection | ShotOnWhat?

Rigging Best Boy Electric

Madea's Witness Protection (2012)

Directed by: Tyler Perry

Cinematography by: Alexander Gruszynski

Edited by: Maysie Hoy

Cameras: ARRI ALEXA Camera

Lenses: Panavision Primo Anamorphic Lenses

Fast Five | ShotOnWhat?

Best Boy Rigging Electric

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

The Crazies | ShotOnWhat?

Lighting Technician

The Crazies (2010)

Directed by: Breck Eisner

Cinematography by: Maxime Alexandre

Edited by: Billy Fox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Master Prime Lenses

Why Did I Get Married Too? | ShotOnWhat?

Set Lighting Technician

Why Did I Get Married Too? (2010)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

The New Daughter | ShotOnWhat?

Rigging Electrician

The New Daughter (2009)

Directed by: Luiso Berdejo

Cinematography by: Checco Varese

Edited by: Tom Elkins, Robb Sullivan

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Leatherheads | ShotOnWhat?

Set Lighting Technician

Leatherheads (2008)

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

April Fool's Day | ShotOnWhat?

Best Boy Electric

April Fool's Day (2008)

Direct to Video

Directed by: Mitchell Altieri, Phil Flores

Cinematography by: Michael Maley

Edited by: Raúl Dávalos

Talladega Nights: The Ballad of Ricky Bobby | ShotOnWhat?

Set Lighting Technician

Talladega Nights: The Ballad of Ricky Bobby (2006)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Notebook | ShotOnWhat?

Electrician

The Notebook (2004)

Directed by: Nick Cassavetes

Cinematography by: Robert Fraisse

Edited by: Alan Heim

Ray | ShotOnWhat?

Company Electrician

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

The Clearing | ShotOnWhat?

Set Lighting Technician

The Clearing (2004)

Directed by: Pieter Jan Brugge

Cinematography by: Denis Lenoir

Edited by: Kevin Tent

Cold Mountain | ShotOnWhat?

Rigging Electrician

Cold Mountain (2003)

Directed by: Anthony Minghella

Cinematography by: John Seale

Edited by: Walter Murch

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Sweet Home Alabama | ShotOnWhat?

Rigging Electrician

Sweet Home Alabama (2002)

Directed by: Andy Tennant

Cinematography by: Andrew Dunn

Edited by: Troy Takaki, Tracey Wadmore-Smith

Shallow Hal | ShotOnWhat?

Rigging Electrician

Shallow Hal (2001)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Russell Carpenter

Edited by: Christopher Greenbury

Rules of Engagement | ShotOnWhat?

Rigging Electrician

Rules of Engagement (2000)

Directed by: William Friedkin

Cinematography by: William A. Fraker, Nicola Pecorini

Edited by: Augie Hess

Cameras: Panavision Panaflex Gold II Camera, Technovision Cameras

Lenses: Panavision E Series Anamorphic Lenses

28 Days | ShotOnWhat?

Rigging Electrician

28 Days (2000)

Directed by: Betty Thomas

Cinematography by: Declan Quinn

Edited by: Peter Teschner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Rage: Carrie 2 | ShotOnWhat?

Set Lighting Technician

The Rage: Carrie 2 (1999)

Directed by: Katt Shea, Robert Mandel

Cinematography by: Donald M. Morgan

Edited by: Richard Nord

Chill Factor | ShotOnWhat?

Rigging Electrician

Chill Factor (1999)

Directed by: Hugh Johnson

Cinematography by: David Gribble

Edited by: Pamela Power

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