Video Engineering Supervisor
Avatar: The Way of Water (2022)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Cameras: Sony CineAlta VENICE Camera
Video Assist Operator
Top Gun: Maverick (2022)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
Video Operator
Only the Brave (2017)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Billy Fox
Cameras: Sony CineAlta F65 Camera
Video Operator: Dan Moore
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
Video Engineer
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Video Operator
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Video Engineer
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Video Operator
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Video Operator
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Video Operator
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Video Assist: Additional Photography
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Video Operator
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Video Operator
Larry Crowne (2011)
Directed by: Tom Hanks
Cinematography by: Philippe Rousselot
Edited by: Alan Cody
Video Assist Operator
The Adventures of Tintin (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Video Operator
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Video Operator
We Bought a Zoo (2011)
Directed by: Cameron Crowe
Cinematography by: Rodrigo Prieto
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
Video Operator: Visual Effects Unit
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Video Assist Engineer
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Video Operator
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Video Operator
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Video Operator
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Video Operator
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Video Operator
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Video Assist
Elizabethtown (2005)
Directed by: Cameron Crowe
Cinematography by: John Toll
Edited by: David Moritz
Video Playback Operator
In Her Shoes (2005)
Directed by: Curtis Hanson
Cinematography by: Terry Stacey
Video Assist Operator
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Video Operator: Visual Effects Unit
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Video Assist Supervisor
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Video Operator
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Additional Photographer
Tears of the Sun (2003)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Cameras: Panavision Cameras
Video Operator
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Video Operator
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Additional Photographer
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Additional Photographer / Video Operator
Adaptation. (2002)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Video Engineer
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Video Assist Operator
The Rules of Attraction (2002)
Directed by: Roger Avary
Cinematography by: Robert Brinkmann
Edited by: Sharon Rutter
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Photographer: Second Unit
Collateral Damage (2002)
Directed by: Andrew Davis
Cinematography by: Adam Greenberg
Video Assist Operator
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Video Operator
The Mexican (2001)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Edited by: Craig Wood
Cameras: Panavision Cameras
Video Assist Operator
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Video Assist: New York
15 Minutes (2001)
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Video Assist Operator
The Legend of Bagger Vance (2000)
Directed by: Robert Redford
Cinematography by: Michael Ballhaus
Edited by: Hank Corwin
Additional Photographer / Video Operator
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Video Operator: Additional Photography
Bowfinger (1999)
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Video Assist: Additional Photography
Dudley Do-Right (1999)
Directed by: Hugh Wilson
Cinematography by: Donald E. Thorin
Edited by: Don Brochu
Video Operator: Additional Photography
Being John Malkovich (1999)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Edited by: Eric Zumbrunnen
Lenses: Cooke S4 Lenses
Video Operator
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Additional Photographer / Video Operator
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Video Assist Operator
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Video Engineer
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Video Assist Operator
Inventing the Abbotts (1997)
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: Ray Lovejoy
Video Assist Operator
The Truth About Cats & Dogs (1996)
Directed by: Michael Lehmann
Cinematography by: Robert Brinkmann
Edited by: Stephen Semel
Cameras: ARRIFLEX 535 Camera
Video Assist Operator
That Thing You Do! (1996)
Directed by: Tom Hanks
Cinematography by: Tak Fujimoto
Edited by: Richard Chew
Video Playback Operator
Cutthroat Island (1995)
Directed by: Renny Harlin
Cinematography by: Peter Levy
Video Operator
Casino (1995)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Video Operator
The Little Rascals (1994)
Directed by: Penelope Spheeris
Cinematography by: Richard Bowen
Video Assist Operator
Disclosure (1994)
Directed by: Barry Levinson
Cinematography by: Tony Pierce-Roberts
Edited by: Stu Linder
Video Assist Operator
Wyatt Earp (1994)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Video Engineer
The Beverly Hillbillies (1993)
Directed by: Penelope Spheeris
Cinematography by: Robert Brinkmann
Edited by: Ross Albert
Cameras: ARRIFLEX 535 B Camera
Video Assistant Technician
Mobsters (1991)
Directed by: Michael Karbelnikoff
Cinematography by: Lajos Koltai
Video Operator: Visual Effects Unit
Star Trek VI: The Undiscovered Country (1991)
Directed by: Nicholas Meyer
Cinematography by: Hiro Narita
Video Assist
Narrow Margin (1990)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Video Assist Operator
The Bonfire of the Vanities (1990)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Video Operator: Visual Effects Unit
The Lost Boys (1987)
Directed by: Joel Schumacher
Cinematography by: Michael Chapman
Edited by: Robert Brown
Video Operator
Down and Out in Beverly Hills (1986)
Directed by: Paul Mazursky
Cinematography by: Donald McAlpine
Edited by: Richard Halsey
