Music Consultant / Music Supervisor
Top Gun: Maverick (2022)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
Music Supervisor
Take Me Home Tonight (2011)
Directed by: Michael Dowse
Cinematography by: Terry Stacey
Edited by: Lee Haxall
Music Supervisor
Scott Pilgrim vs. the World (2010)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Executive In Charge Of Music
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Music Consultant
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Music Supervisor
Repo Men (2010)
Directed by: Miguel Sapochnik
Cinematography by: Enrique Chediak
Edited by: Richard Francis-Bruce
Music Supervisor
Love Happens (2009)
Directed by: Brandon Camp
Cinematography by: Eric Alan Edwards
Edited by: Dana E. Glauberman
Executive In Charge Of Music
Duplicity (2009)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: Panavision Panaflex Platinum Camera
Executive In Charge Of Music
Funny People (2009)
Directed by: Judd Apatow
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Executive In Charge Of Music: Universal Pictures
Pirate Radio (2009)
Directed by: Richard Curtis
Cinematography by: Danny Cohen
Edited by: Emma E. Hickox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Music Supervisor
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Executive In Charge Of Music
State of Play (2009)
Directed by: Kevin Macdonald
Cinematography by: Rodrigo Prieto
Edited by: Justine Wright
Music Supervisor
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Executive In Charge Of Music
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Music Supervisor
Confessions of a Shopaholic (2009)
Directed by: P.J. Hogan
Cinematography by: Jo Willems
Edited by: William Goldenberg
Cameras: Panavision Panaflex Platinum Camera
Executive In Charge Of Music: Universal Pictures
Forgetting Sarah Marshall (2008)
Directed by: Nicholas Stoller
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Supervisor
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Executive In Charge Of Music: Universal Pictures
Mamma Mia! (2008)
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
Executive In Charge Of Music
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Executive In Charge Of Music: Universal Pictures
The Express (2008)
Directed by: Gary Fleder
Cinematography by: Kramer Morgenthau
Executive In Charge Of Music: Universal Pictures
Changeling (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Music Supervisor
Baby Mama (2008)
Directed by: Michael McCullers
Cinematography by: Daryn Okada
Cameras: Panavision Cameras
Music Supervisor
Role Models (2008)
Directed by: David Wain
Cinematography by: Russ T. Alsobrook
Edited by: Eric Kissack
Cameras: Panavision Cameras
Music Supervisor
Frost/Nixon (2008)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Lenses: Cooke S4 Lenses, Cooke Varotal Lenses
Editing System: Avid Editing System
Music Supervisor
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Executive In Charge Of Music: Universal Pictures
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Music Supervisor
Death Race (2008)
Directed by: Paul W.S. Anderson
Cinematography by: Scott Kevan
Edited by: Niven Howie
Executive In Charge Of Music: Universal Pictures
Welcome Home, Roscoe Jenkins (2008)
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Executive In Charge Of Music: Universal Pictures
Illegal Tender (2007)
Directed by: Franc. Reyes
Cinematography by: Frank Byers
Edited by: Tony Ciccone
Executive In Charge Of Music: Universal Pictures
Atonement (2007)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Editing System: Avid Editing System
Executive In Charge Of Music: Universal Pictures
Hot Fuzz (2007)
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
Music Supervisor
American Gangster (2007)
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Executive In Charge Of Music: Universal Pictures
Charlie Wilson's War (2007)
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Executive In Charge Of Music: For Universal Pictures
I Now Pronounce You Chuck & Larry (2007)
Directed by: Dennis Dugan
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Executive In Charge Of Music: Universal Pictures
Knocked Up (2007)
Directed by: Judd Apatow
Cinematography by: Eric Alan Edwards
Cameras: Panavision Cameras
Music Supervisor
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Executive In Charge Of Music
Elizabeth: The Golden Age (2007)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Music Supervisor
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Executive In Charge Of Music: Universal Pictures
Breach (2007)
Directed by: Billy Ray
Cinematography by: Tak Fujimoto
Edited by: Jeffrey Ford
Cameras: Panavision Cameras
Executive Music Producer
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Executive In Charge Of Music: Universal Pictures
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Executive In Charge Of Music: Universal Pictures
You, Me and Dupree (2006)
Cinematography by: Charles Minsky
Executive In Charge Of Music: Universal Pictures
The Break-Up (2006)
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards
Executive In Charge Of Music: Universal Pictures
Children of Men (2006)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Music Supervisor
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Music Supervisor
American Dreamz (2006)
Directed by: Paul Weitz
Cinematography by: Robert Elswit
Edited by: Myron Kerstein
Executive In Charge Of Music
The Black Dahlia (2006)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Executive In Charge Of Music: Universal Pictures
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Executive In Charge Of Music: Universal Pictures
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Executive Music Producer
Accepted (2006)
Directed by: Steve Pink
Cinematography by: Matthew F. Leonetti
Edited by: Scott Hill
Cameras: Moviecam Cameras
Executive In Charge Of Music: Universal Pictures
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Executive In Charge Of Music: Universal Pictures
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Music Supervisor
Brokeback Mountain (2005)
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Lenses: Cooke S4 Lenses
Executive In Charge Of Music: Universal Pictures
The 40-Year-Old Virgin (2005)
Directed by: Judd Apatow
Cinematography by: Jack N. Green
Edited by: Brent White
Executive Music Producer
Kicking & Screaming (2005)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Executive In Charge Of Music
Land of the Dead (2005)
Directed by: George A. Romero
Cinematography by: Miroslaw Baszak
Edited by: Michael Doherty
Executive In Charge Of Music
Jarhead (2005)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Executive In Charge Of Music: Universal Pictures
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Executive In Charge Of Music: Universal Pictures
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Executive In Charge Of Music: Universal Pictures
Nanny McPhee (2005)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Executive In Charge Of Music: Universal Pictures
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Executive In Charge Of Music: Universal Pictures
Pride & Prejudice (2005)
Directed by: Joe Wright
Cinematography by: Roman Osin
Edited by: Paul Tothill
Lenses: Cooke S4 Lenses
Editing System: Lightworks Editing System
Executive In Charge Of Music: Universal Pictures
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Executive Music Supervisor
Along Came Polly (2004)
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Music Guru
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Executive In Charge Of Music
Dawn of the Dead (2004)
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Executive In Charge Of Music: Universal Pictures
Shaun of the Dead (2004)
Directed by: Edgar Wright
Cinematography by: David M. Dunlap
Edited by: Chris Dickens
Cameras: ARRI Cameras
Executive In Charge Of Music: Universal Pictures
In Good Company (2004)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Edited by: Myron Kerstein
Executive In Charge Of Music: Universal Pictures
Bridget Jones: The Edge of Reason (2004)
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
Executive In Charge Of Music
The Bourne Supremacy (2004)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Executive In Charge Of Music: Universal Pictures
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Executive In Charge Of Music: Universal Pictures
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Executive In Charge Of Music: Universal Pictures
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Executive In Charge Of Film Music: Universal Studios
The Shape of Things (2003)
Directed by: Neil LaBute
Cinematography by: James L. Carter
Edited by: Joel Plotch
Music Supervisor
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Executive In Charge Of Music: Universal Pictures
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Executive Soundtrack Producer / Music Supervisor
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Executive In Charge Of Music: Universal Pictures
The Life of David Gale (2003)
Directed by: Alan Parker
Cinematography by: Michael Seresin
Edited by: Gerry Hambling
Executive In Charge Of Music: Universal Pictures
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Music Supervisor
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Executive Music Producer
American Wedding (2003)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Edited by: Stuart H. Pappé
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Supervisor
Frida (2002)
Directed by: Julie Taymor
Cinematography by: Rodrigo Prieto
Edited by: Françoise Bonnot
Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Executive In Charge Of Music: Universal Pictures
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Executive In Charge Of Music: Universal Pictures
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Executive In Charge Of Music: Universal Pictures
8 Mile (2002)
Directed by: Curtis Hanson
Cinematography by: Rodrigo Prieto
Lenses: Zeiss Ultra Prime Lenses
Executive In Charge Of Music: Universal Studios
Dragonfly (2002)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Don Zimmerman
Executive In Charge Of Film Music: Universal Studios
About a Boy (2002)
Cinematography by: Remi Adefarasin
Edited by: Nick Moore
Cameras: ARRIFLEX 35mm Cameras
Lenses: ARRI Lenses
Editing System: Avid Editing System
Executive In Charge Of Film Music: Universal Studios
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Executive In Charge Of Music
Ali G Indahouse (2002)
Directed by: Mark Mylod
Cinematography by: Ashley Rowe
Edited by: Paul Knight
Music Supervisor
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Executive In Charge Of Film Music
Big Fat Liar (2002)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Music Supervisor
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Executive In Charge Of Music: Universal Pictures
Hannibal (2001)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Executive In Charge Of Film Music: Universal Studios
American Pie 2 (2001)
Directed by: J.B. Rogers
Cinematography by: Mark Irwin
Cameras: Moviecam Compact Camera
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses
Executive In Charge Of Film Music: Universal Studios
K-PAX (2001)
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Music Supervisor
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Executive In Charge Of Music: Universal Studios
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Executive In Charge Of Music: Universal Studio
A Beautiful Mind (2001)
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Editing System: Avid Editing System
Music Supervisor
America's Sweethearts (2001)
Directed by: Joe Roth
Cinematography by: Phedon Papamichael
Edited by: Stephen A. Rotter
Music Supervisor
Shanghai Noon (2000)
Directed by: Tom Dey
Cinematography by: Dan Mindel
Edited by: Richard Chew
Music Supervisor
Coyote Ugly (2000)
Directed by: David McNally
Cinematography by: Amir Mokri
Edited by: William Goldenberg
Executive In Charge Of Music: Buena Vista Motion Pictures Group
The Kid (2000)
Directed by: Jon Turteltaub
Cinematography by: Peter Menzies Jr.
Executive In Charge Of Music: The Buena Vista Motion Pictures Group
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Executive In Charge Of Music: The Buena Vista Motion Pictures Group
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Music Supervisor
Remember the Titans (2000)
Directed by: Boaz Yakin
Cinematography by: Philippe Rousselot
Edited by: Michael Tronick
Executive Music Producer / Music Supervisor
Gone in 60 Seconds (2000)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Executive In Charge Of Music: Buena Vista Motion Picture Group
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Executive In Charge Of Music: The Buena Vista Motion Pictures Group
Summer of Sam (1999)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Barry Alexander Brown
Executive In Charge Of Music: The Buena Vista Motion Pictures Group
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Executive In Charge Of Music: Buena Vista Motion Pictures Group
The 13th Warrior (1999)
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive In Charge Of Music: The Buena Vista Motion Pictures Group
The Insider (1999)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Executive In Charge Of Music: Buena Vista Motion Picture Group
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Music Supervisor
Runaway Bride (1999)
Directed by: Garry Marshall
Cinematography by: Stuart Dryburgh
Edited by: Bruce Green
Executive In Charge Of Music: Buena Vista Motion Pictures Group
Bringing Out the Dead (1999)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Music Supervisor
The Other Sister (1999)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Edited by: Bruce Green
Executive In Charge Of Music: Buena Vista
Instinct (1999)
Directed by: Jon Turteltaub
Cinematography by: Philippe Rousselot
Edited by: Richard Francis-Bruce
Executive In Charge Of Music: The Walt Disney Motion Pictures Group
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Executive In Charge Of Music: The Walt Disney Motion Pictures Group
Holy Man (1998)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Music Supervisor
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Executive In Charge Of Music: Walt Disney Motion Pictures Group
Deep Rising (1998)
Directed by: Stephen Sommers
Cinematography by: Howard Atherton
Executive In Charge Of Music: Buena Vista Motion Pictures Group, Los Angeles
A Civil Action (1998)
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Platinum Camera
Executive In Charge Of Music: Buena Vista Motion Pictures Group
I'll Be Home for Christmas (1998)
Directed by: Arlene Sanford
Cinematography by: Hiro Narita
Edited by: Anita Brandt Burgoyne
Executive In Charge Of Music: Buena Vista Motion Picture Group
Rushmore (1998)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Executive In Charge Of Music: Walt Disney Motion Pictures Group
He Got Game (1998)
Directed by: Spike Lee
Edited by: Barry Alexander Brown
Executive In Charge Of Music: Buena Vista Motion Pictures Group / Music Supervisor
Enemy of the State (1998)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Executive In Charge Of Music: Walt Disney Motion Pictures Group / Music Supervisor
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Executive In Charge Of Music: Disney
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Executive In Charge Of Music: Walt Disney Motion Picture Group
Beloved (1998)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive In Charge Of Music: Walt Disney Motion Pictures Group
Krippendorf's Tribe (1998)
Directed by: Todd Holland
Cinematography by: Dean Cundey
Edited by: Jon Poll
Cameras: Panavision Cameras
Executive In Charge Of Music: Walt Disney
Gone Fishin' (1997)
Directed by: Christopher Cain
Cinematography by: Dean Semler
Edited by: Jack Hofstra
Executive In Charge Of Music: The Walt Disney Motion Pictures Group
Mr. Magoo (1997)
Directed by: Stanley Tong
Cinematography by: Jingle Ma
Music Supervisor
G.I. Jane (1997)
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Pietro Scalia
Music Supervisor
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Music Supervisor
Nothing to Lose (1997)
Directed by: Steve Oedekerk
Cinematography by: Donald E. Thorin
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Supervisor
Eddie (1996)
Directed by: Steve Rash
Cinematography by: Victor J. Kemper
Edited by: Richard Halsey
Executive In Charge Of Music: The Walt Disney Motion Picture Group
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Music Supervisor
Phenomenon (1996)
Directed by: Jon Turteltaub
Cinematography by: Phedon Papamichael
Edited by: Bruce Green
Cameras: Panavision Panaflex Platinum Camera
Music Supervisor
Up Close & Personal (1996)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Debra Neil-Fisher
Executive In Charge Of Music: Walt Disney Motion Picture Group
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Supervisor
Ransom (1996)
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Executive In Charge Of Music: Walt Disney Motion Pictures Group
Jack (1996)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras: Panavision Cameras
Executive Music Producer
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Music Supervisor
Dangerous Minds (1995)
Directed by: John N. Smith
Cinematography by: Pierre Letarte
Edited by: Tom Rolf
Music Supervisor
Mallrats (1995)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Paul Dixon
Executive Music Producer
The Shawshank Redemption (1994)
Directed by: Frank Darabont
Cinematography by: Roger Deakins
Edited by: Richard Francis-Bruce
Lenses: ARRI / Zeiss Lenses
Music Supervisor
Blue Chips (1994)
Directed by: William Friedkin
Cinematography by: Tom Priestley Jr.
Music Supervisor: MCA Records
Pulp Fiction (1994)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Editing System: Lightworks Editing System
Music Supervisor
Gunmen (1993)
Directed by: Deran Sarafian
Cinematography by: Hiro Narita
Edited by: Bonnie Koehler
Music Supervisor: MCA
Reservoir Dogs (1992)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Music Supervisor
Leap of Faith (1992)
Directed by: Richard Pearce
Cinematography by: Matthew F. Leonetti
Music Supervisor
Thelma & Louise (1991)
Directed by: Ridley Scott
Cinematography by: Adrian Biddle
Edited by: Thom Noble
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Supervisor
Fried Green Tomatoes (1991)
Directed by: Jon Avnet
Cinematography by: Geoffrey Simpson
Edited by: Debra Neil-Fisher
Music Supervisor: MCA Records
Point Break (1991)
Directed by: Kathryn Bigelow
Cinematography by: Donald Peterman
Edited by: Howard E. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Consultant For The Album
Days of Thunder (1990)
Directed by: Tony Scott
Cinematography by: Ward Russell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Supervisor: MCA
Pump Up the Volume (1990)
Directed by: Allan Moyle
Cinematography by: Walt Lloyd
Music Supervisor: MCA Records
She's Out of Control (1989)
Directed by: Stan Dragoti
Cinematography by: Donald Peterman
Edited by: Dov Hoenig
Music Consultant: MCA Records
Beverly Hills Cop II (1987)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Music Coordinator
Running Scared (1986)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Music Supervisor
Weird Science (1985)
Directed by: John Hughes
Cinematography by: Matthew F. Leonetti
Music Consultant: MCA Records
Beverly Hills Cop (1984)
Directed by: Martin Brest
Cinematography by: Bruce Surtees
