Nick Scarano

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Avengers: Endgame | ShotOnWhat?

Costume Supervisor

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Costume Supervisor

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Costume Supervisor

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Captain America: Civil War | ShotOnWhat?

Costume Supervisor

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Costume Supervisor

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Runner Runner | ShotOnWhat?

Costume Supervisor

Runner Runner (2013)

Directed by: Brad Furman

Cinematography by: Mauro Fiore

Edited by: Jeff McEvoy

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Costume Supervisor

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Fast Five | ShotOnWhat?

Costume Supervisor

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Invictus | ShotOnWhat?

Costume Supervisor

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Happening | ShotOnWhat?

Costume Supervisor

The Happening (2008)

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Van Helsing | ShotOnWhat?

Costume Supervisor

Van Helsing (2004)

Directed by: Stephen Sommers

Cinematography by: Allen Daviau

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Hollywood Homicide | ShotOnWhat?

Costume Supervisor

Hollywood Homicide (2003)

Directed by: Ron Shelton

Cinematography by: Barry Peterson

Edited by: Paul Seydor

Cameras: Panavision Panaflex Camera

Red Dragon | ShotOnWhat?

Costume Supervisor

Red Dragon (2002)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

The Scorpion King | ShotOnWhat?

Wardrobe Supervisor

The Scorpion King (2002)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Windtalkers | ShotOnWhat?

Costume Supervisor

Windtalkers (2002)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Jeff Gullo, Steven Kemper, Tom Rolf

The Family Man | ShotOnWhat?

Costume Supervisor

The Family Man (2000)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Gone in Sixty Seconds | ShotOnWhat?

Costume Supervisor

Gone in 60 Seconds (2000)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Mystery Men | ShotOnWhat?

Costume Supervisor

Mystery Men (1999)

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Out of Sight | ShotOnWhat?

Costume Supervisor

Out of Sight (1998)

Directed by: Steven Soderbergh

Cinematography by: Elliot Davis

Edited by: Anne V. Coates

The Postman | ShotOnWhat?

Costume Supervisor

The Postman (1997)

Directed by: Kevin Costner

Cinematography by: Stephen F. Windon

Edited by: Peter Boyle

Starship Troopers | ShotOnWhat?

Costume Supervisor

Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Twister | ShotOnWhat?

Wardrobe Supervisor

Twister (1996)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Waterworld | ShotOnWhat?

Costume Supervisor

Waterworld (1995)

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Renaissance Man | ShotOnWhat?

Costume Supervisor

Renaissance Man (1994)

Directed by: Penny Marshall

Cinematography by: Adam Greenberg

Edited by: George Bowers, Battle Davis

Demolition Man | ShotOnWhat?

Costume Supervisor

Demolition Man (1993)

Directed by: Marco Brambilla

Cinematography by: Alex Thomson

Edited by: Stuart Baird

Lethal Weapon 3 | ShotOnWhat?

Costume Supervisor

Lethal Weapon 3 (1992)

Directed by: Richard Donner

Cinematography by: Jan de Bont

Edited by: Robert Brown, Battle Davis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

One Good Cop | ShotOnWhat?

Costume Supervisor: Men

One Good Cop (1991)

Directed by: Heywood Gould

Cinematography by: Ralf D. Bode

Edited by: Richard Marks

The Last Boy Scout | ShotOnWhat?

Costume Supervisor

The Last Boy Scout (1991)

Directed by: Tony Scott

Cinematography by: Ward Russell

Edited by: Stuart Baird, Mark Goldblatt, Mark Helfrich

Crazy People | ShotOnWhat?

Costume Supervisor

Crazy People (1990)

Directed by: Tony Bill, Barry L. Young

Cinematography by: Victor J. Kemper

Edited by: Mia Goldman

Cameras: ARRI ARRIFLEX Series Cameras, Panavision Panaflex Gold Camera

Lenses: Panavision Ultra Speed MKII Lenses

The Naked Gun: From the Files of Police Squad! | ShotOnWhat?

Costume Supervisor: Men's

The Naked Gun: From the Files of Police Squad! (1988)

Directed by: David Zucker

Cinematography by: Robert M. Stevens

Edited by: Michael Jablow

The Milagro Beanfield War | ShotOnWhat?

Costumer: Men

The Milagro Beanfield War (1988)

Directed by: Robert Redford

Cinematography by: Robbie Greenberg

Edited by: Dede Allen, Jim Miller

Police Academy 2: Their First Assignment | ShotOnWhat?

Wardrobe

Police Academy 2: Their First Assignment (1985)

Directed by: Jerry Paris, James Signorelli

Cinematography by: James Crabe

Edited by: Bob Wyman

Cameras: Panavision Cameras

Thief of Hearts | ShotOnWhat?

Costumer

Thief of Hearts (1984)

Directed by: Douglas Day Stewart

Cinematography by: Andrew Laszlo

Edited by: Tom Rolf

Cameras: Panavision Cameras

Table for Five | ShotOnWhat?

Assistant Costumer: Men

Table for Five (1983)

Directed by: Robert Lieberman

Cinematography by: Vilmos Zsigmond

Edited by: Michael Kahn

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