Branden Spencer

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The Unforgivable | ShotOnWhat?

Supervising Sound Editor

The Unforgivable (2021)

Directed by: Nora Fingscheidt

Cinematography by: Guillermo Navarro

Edited by: Stephan Bechinger, Joe Walker

Cameras: Red Helium 8K Camera

Lenses: Angenieux Lenses, ARRI Lenses

Hustlers | ShotOnWhat?

Adr Supervisor

Hustlers (2019)

Directed by: Lorene Scafaria

Cinematography by: Todd Banhazl

Edited by: Kayla Emter

Cameras: Panavision Millennium DXL2 Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Panaspeed Series Lenses

A Walk Among the Tombstones | ShotOnWhat?

Supervising Sound Editor

A Walk Among the Tombstones (2014)

Directed by: Scott Frank

Cinematography by: Mihai Malaimare Jr.

Edited by: Jill Savitt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Into the Woods | ShotOnWhat?

Supervising Assistant Sound Editior

Into the Woods (2014)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Wyatt Smith

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Divergent | ShotOnWhat?

Sound Editor

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Lone Survivor | ShotOnWhat?

Sound Editor

Lone Survivor (2013)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Alex Cross | ShotOnWhat?

Supervising Sound Editor

Alex Cross (2012)

Directed by: Rob Cohen

Cinematography by: Ricardo Della Rosa

Edited by: Matthew Diezel, Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Django Unchained | ShotOnWhat?

Sound Effects Editor

Django Unchained (2012)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

First Assistant Sound Supervisor

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Savages | ShotOnWhat?

First Assistant Sound Supervisor

Savages (2012)

Directed by: Oliver Stone

Cinematography by: Dan Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Green Hornet | ShotOnWhat?

Supervising First Assistant Sound Editor

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Source Code | ShotOnWhat?

Supervising Sound Editor

Source Code (2011)

Directed by: Duncan Jones

Cinematography by: Don Burgess

Edited by: Paul Hirsch

Cameras: Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Dream House | ShotOnWhat?

Supervising Assistant Sound Editor

Dream House (2011)

Directed by: Jim Sheridan

Cinematography by: Caleb Deschanel

Edited by: Glen Scantlebury, Barbara Tulliver

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Assistant Sound Editor

Pirates of the Caribbean: On Stranger Tides (2011)

Directed by: Rob Marshall

Cinematography by: Dariusz Wolski

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Apollo 18 | ShotOnWhat?

Assistant Sound Editor: ToddAo/Soundelux

Apollo 18 (2011)

Directed by: Gonzalo López-Gallego

Cinematography by: José David Montero

Edited by: Patrick Lussier

Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera

Lenses: Panavision Primo Digital Lenses

Robin Hood | ShotOnWhat?

Assistant Sound Director

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Wall Street: Money Never Sleeps | ShotOnWhat?

Supervising Assistant Sound Editor

Wall Street: Money Never Sleeps (2010)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: David Brenner, Julie Monroe

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

The Next Three Days | ShotOnWhat?

Supervising First Assistant Sound Editor

The Next Three Days (2010)

Directed by: Paul Haggis

Cinematography by: Stéphane Fontaine

Edited by: Jo Francis

Cameras: Aaton Penelope Camera, ARRICAM Lite (LT) Camera

The Tourist | ShotOnWhat?

Supervising Assistant Sound Editor

The Tourist (2010)

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Star Trek | ShotOnWhat?

Assistant Sound Editor

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

Nine | ShotOnWhat?

Supervising Assistant Sound Editor

Nine (2009)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Claire Simpson, Wyatt Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Inglourious Basterds | ShotOnWhat?

Supervising Assistant Sound Editor

Inglourious Basterds (2009)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Wanted | ShotOnWhat?

Supervising Assistant Sound Editor

Wanted (2008)

Directed by: Timur Bekmambetov

Cinematography by: Mitchell Amundsen

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Primes Spherical Lenses

Untraceable | ShotOnWhat?

Supervising Assistant Sound Editor

Untraceable (2008)

Directed by: Gregory Hoblit

Cinematography by: Anastas N. Michos

Edited by: Gregory Plotkin, David Rosenbloom

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Assistant Sound Editor

The Mummy: Tomb of the Dragon Emperor (2008)

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Hell Ride | ShotOnWhat?

Supervising Sound Editor

Hell Ride (2008)

Directed by: Larry Bishop

Cinematography by: Scott Kevan

Edited by: Blake West, William Yeh

Slipstream | ShotOnWhat?

Supervising Assistant Sound Editor

Slipstream (2007)

Directed by: Anthony Hopkins

Cinematography by: Dante Spinotti

Edited by: Michael R. Miller

Grindhouse | ShotOnWhat?

Assistant Sound Editor

Grindhouse (2007)

Directed by: Robert Rodriguez, Eli Roth, Quentin Tarantino, Edgar Wright, Rob Zombie

Cinematography by: Milan Chadima, Jess Hall, Phil Parmet, Robert Rodriguez, Quentin Tarantino

Edited by: Glenn Garland, Ethan Maniquis, Sally Menke, Robert Rodriguez

Death Proof | ShotOnWhat?

Supervising Assistant Sound Editor

Death Proof (2007)

Directed by: Quentin Tarantino

Cinematography by: Quentin Tarantino

Edited by: Sally Menke

In the Valley of Elah | ShotOnWhat?

Assistant Sound Editor

In the Valley of Elah (2007)

Directed by: Paul Haggis

Cinematography by: Roger Deakins

Edited by: Jo Francis

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Fracture | ShotOnWhat?

Supervising Assistant Sound Editor

Fracture (2007)

Directed by: Gregory Hoblit

Cinematography by: Kramer Morgenthau

Edited by: David Rosenbloom

Next | ShotOnWhat?

Supervising Assistant Sound Editor

Next (2007)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Christian Wagner

Poseidon | ShotOnWhat?

First Assistant Sound Editor

Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

World Trade Center | ShotOnWhat?

Supervising Assistant Sound Editor

World Trade Center (2006)

Directed by: Oliver Stone

Cinematography by: Seamus McGarvey

Edited by: David Brenner, Julie Monroe

Snakes on a Plane | ShotOnWhat?

Assistant Sound Editor

Snakes on a Plane (2006)

Directed by: David R. Ellis

Cinematography by: Adam Greenberg

Edited by: Howard E. Smith

xXx: State of the Union | ShotOnWhat?

Assistant Sound Editor

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

Memoirs of a Geisha | ShotOnWhat?

Assistant Sound Editor

Memoirs of a Geisha (2005)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Skeleton Key | ShotOnWhat?

Supervising Assistant Sound Editor

The Skeleton Key (2005)

Directed by: Iain Softley

Cinematography by: Dan Mindel

Edited by: Joe Hutshing

The Last Shot | ShotOnWhat?

First Assistant Sound Editor

The Last Shot (2004)

Directed by: Jeff Nathanson

Cinematography by: John Lindley

Edited by: David Rosenbloom

Troy | ShotOnWhat?

Supervising Assistant Sound Editor: Director's Cut

Troy (2004)

Directed by: Wolfgang Petersen

Cinematography by: Roger Pratt

Edited by: Peter Honess

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Cooke S4 Lenses

Kill Bill: Vol. 2 | ShotOnWhat?

Supervising Assistant Sound Editor

Kill Bill: Vol. 2 (2004)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

13 Going on 30 | ShotOnWhat?

Supervising Assistant Sound Editor

13 Going on 30 (2004)

Directed by: Gary Winick

Cinematography by: Don Burgess

Edited by: Susan Littenberg

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Runaway Jury | ShotOnWhat?

Assistant Sound Editor

Runaway Jury (2003)

Directed by: Gary Fleder

Cinematography by: Robert Elswit

Edited by: William Steinkamp

Biker Boyz | ShotOnWhat?

Sound Editor

Biker Boyz (2003)

Directed by: Reggie Rock Bythewood

Cinematography by: Greg Gardiner

Edited by: Caroline Ross, Terilyn A. Shropshire

The Texas Chainsaw Massacre | ShotOnWhat?

Supervising Assistant Sound Editor

The Texas Chainsaw Massacre (2003)

Directed by: Marcus Nispel

Cinematography by: Daniel Pearl

Edited by: Glen Scantlebury

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

High Tension | ShotOnWhat?

Digital Assistant Editor: United States Version

High Tension (2003)

Directed by: Alexandre Aja

Cinematography by: Maxime Alexandre

Edited by: Baxter, Al Rundle, Sophie Vermersch

Final Destination 2 | ShotOnWhat?

First Assistant Sound Editor

Final Destination 2 (2003)

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Eric A. Sears

Cameras: Panavision Cameras

Radio | ShotOnWhat?

First Assistant Sound Editor

Radio (2003)

Directed by: Michael Tollin

Cinematography by: Don Burgess

Edited by: Chris Lebenzon, Harvey Rosenstock

Cameras: Panavision Cameras

Kill Bill: Vol. 1 | ShotOnWhat?

First Assistant Sound Editor

Kill Bill: Vol. 1 (2003)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Two Soldiers | ShotOnWhat?

First Assistant Sound Editor

Two Soldiers (2003)

Directed by: Aaron Schneider

Cinematography by: David Boyd

Edited by: Kelly Matsumoto, Aaron Schneider

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Below | ShotOnWhat?

Sound Editor

Below (2002)

Directed by: David Twohy

Cinematography by: Ian Wilson

Edited by: Martin Hunter

Unfaithful | ShotOnWhat?

First Assistant Sound Editor

Unfaithful (2002)

Directed by: Adrian Lyne

Cinematography by: Peter Biziou

Edited by: Anne V. Coates

Cameras: Moviecam Compact Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Shrek | ShotOnWhat?

First Assistant Sound Editor

Shrek (2001)

Directed by: Andrew Adamson, Vicky Jenson

Edited by: Sim Evan-Jones

Don't Say a Word | ShotOnWhat?

First Assistant Sound Editor

Don't Say a Word (2001)

Directed by: Gary Fleder

Cinematography by: Amir Mokri

Edited by: Armen Minasian, William Steinkamp

Thirteen Days | ShotOnWhat?

First Assistant Foley Mixer

Thirteen Days (2000)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Almost Famous | ShotOnWhat?

Adr Assistant

Almost Famous (2000)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Saar Klein

Cameras: Panavision Cameras

Lenses: Panavision Lenses

This Space Between Us | ShotOnWhat?

Digital Assistant

This Space Between Us (1999)

Directed by: Matthew Leutwyler

Cinematography by: David Scardina

Edited by: Matthew Leutwyler

The Corruptor | ShotOnWhat?

Assistant Sound Editor

The Corruptor (1999)

Directed by: James Foley

Cinematography by: Juan Ruiz Anchía

Edited by: Howard E. Smith

Cameras: Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Body Shots | ShotOnWhat?

Digital Second Assistant

Body Shots (1999)

Directed by: Michael Cristofer

Cinematography by: Rodrigo García

Edited by: Eric A. Sears

Election | ShotOnWhat?

Dialogue Assistant

Election (1999)

Directed by: Alexander Payne

Cinematography by: James Glennon

Edited by: Kevin Tent

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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