Visual Effects Supervisor: Moving Target
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Visual Effects Supervisor: Moving Target
August: Osage County (2013)
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Main Title, Visual Effects Artist
Enough Said (2013)
Directed by: Nicole Holofcener
Cinematography by: Xavier Grobet
Edited by: Robert Frazen
Cameras: ARRI ALEXA Studio Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Effects
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Visual Effects Supervisor
Get the Gringo (2012)
Directed by: Adrian Grunberg
Cinematography by: Benoît Debie
Edited by: Steven Rosenblum
Cameras: Red One MX Camera
Lenses: Hawk V-Lite Lenses
Digital Effects Artist
Chasing Mavericks (2012)
Cinematography by: Bill Pope
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera, Red Epic Camera
Visual Effects Supervisor: Moving Target
The Company Men (2010)
Directed by: John Wells
Cinematography by: Roger Deakins
Edited by: Robert Frazen
Visual Effects Supervisor
Love & Other Drugs (2010)
Directed by: Edward Zwick
Cinematography by: Steven Fierberg
Edited by: Steven Rosenblum
Title Designer: Moving Target, Visual Consultant
Defiance (2008)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Main Title Design
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Titles Designer
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Second Unit Director
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Supervisor: Main Titles Sequence, Open Films
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Visual Effects Supervisor
Courage Under Fire (1996)
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Visual Effects Designer
Fatherland (1994)
Directed by: Christopher Menaul
Cinematography by: Peter Sova
Edited by: Tariq Anwar
Visual Effects
Legends of the Fall (1994)
Directed by: Edward Zwick
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Lenses: Canon Lenses, Panavision Lenses
Optical Designer
Jack the Bear (1993)
Directed by: Marshall Herskovitz
Cinematography by: Fred Murphy
Edited by: Steven Rosenblum
Visual Effects Supervisor
Addams Family Values (1993)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Visual Effects Supervisor
The Addams Family (1991)
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Illustrator
Glory (1989)
Directed by: Edward Zwick
Cinematography by: Freddie Francis
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Visual Effects Supervisor
Beetlejuice (1988)
Directed by: Tim Burton
Cinematography by: Thomas E. Ackerman
Edited by: Jane Kurson
Storyboard Artist
Near Dark (1987)
Directed by: Kathryn Bigelow
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Storyboard Artist
Runaway Train (1985)
Directed by: Andrey Konchalovskiy
Cinematography by: Alan Hume
Edited by: Henry Richardson
