Fx Artist: Method Studios
Outlaw King (2018)
Directed by: David Mackenzie
Cinematography by: Barry Ackroyd
Edited by: Jake Roberts
Lighting Artist: Iloura
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Fx Artist: Method Studios
Ghost in the Shell (2017)
Directed by: Rupert Sanders
Cinematography by: Jess Hall
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Fx Artist: Iloura
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Visual Effects Artist: Iloura/Method
Bright (2017)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
CG Lead Artist: Double Negative
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Digital Artist: Animal Logic
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Effects Animator: Fuel VFX
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects: Fuel VFX
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Visual Effects Artist
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Effects Animator: Fuel VFX
Tomorrow, When the War Began (2010)
Directed by: Stuart Beattie
Cinematography by: Ben Nott
Edited by: Marcus D'Arcy
Visual Effects Artist: FUEL VFX
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Visual Effects Animator: Fuel VFX
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
CG Artist: Fuel VFX
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Digital Effects Artist: FUEL VFX
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Digital Effects Artist
The Ruins (2008)
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Digital Effects Artist
The Condemned (2007)
Directed by: Scott Wiper
Cinematography by: Ross Emery
Edited by: Derek Brechin
Digital Effects Artist: Animal Logic
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Digital Effects Artist: Animal Logic
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
