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The Stuarts

history-of-fashion:

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ab. 1620 English School - Portrait of James VI of Scotland and I of England

(Private collection via Sotheby’s)

Puritan Names

thestuartkings:

Puritan names from a Sussex jury roll of 1650:

  • Accepted Trevor, of Norsham
  • Redeemed Compton, of Battle
  • Kill-Sin Pimple, of Witham
  • Fly-Fornication Richardson, of Waldron
  • Search-The-Scriptures Moreton, of Salehurst
  • The-Peace-Of-God Knight, of Burwash
  • Stand-Fast-On-High Stringer, of Crowhurst
  • Fight-The-Good-Fight-Of-Faith White, of Ewhurst

In the late 17th century a member of the British parliament was named Praise-God Barebone, with brothers and sons named Fear-God Barebone, Jesus-Christ-Came-Into-The-World-To-Save Barebone, and If-Christ-Had-Not-Died-For-Thee-Thou-Hadst-Been-Damned Barebone.

The last changed his name to Nicholas.

history-of-fashion:

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ab. 1630 Unknown artist, Holland - Portrait of a Young Lady in Lilac Dress

(State Hermitage Museum)

dutch-and-flemish-painters:
“theladyintweed:
“Constantijn Netscher, portrait of Maria Mancini (1639-1715)
Sotheby’s
”
Anna Maria (Marie) Mancini (28 August 1639 – 8 May 1715) was the third of the five Mancini sisters; nieces to Cardinal Mazarin who...

dutch-and-flemish-painters:

theladyintweed:

Constantijn Netscher, portrait of Maria Mancini (1639-1715) 

Sotheby’s 

Anna Maria (Marie) Mancini (28 August 1639 – 8 May 1715) was the third of the five Mancini sisters; nieces to Cardinal Mazarin who were brought to France to marry advantageously. Along with two of their female Martinozzi cousins, the Mancini sisters were known at the court of King Louis XIV of France as the Mazarinettes. Marie is an ancestor of Queen Paola of Belgium.

Constantijn Netscher (16 December 1668 – 27 March 1723)[1] was an 18th-century painter from the Northern Netherlands.

yourdailyqueer:

George Villiers, 1st Duke of Buckingham (deceased)

  • Gender: Male
  • Sexuality: Gay
  • DOB: 28 August 1592  
  • RIP: 23 August 1628
  • Ethnicity: White - British
  • Occupation: Courtier, statesman, and patron of the arts
  • Note: Was a “favourite” of King James I of England
thestuartkings:
“Charles II and Catherine of Braganza
Unknown Artist
1662
It has sometimes been suggested that Charles treated his wife very badly, but this is to judge by the standards of a different age. In fact, he held Catherine in high regard...

thestuartkings:

Charles II and Catherine of Braganza

Unknown Artist

1662

It has sometimes been suggested that Charles treated his wife very badly, but this is to judge by the standards of a different age. In fact, he held Catherine in high regard and behaved towards her with unfailing courtesy. If we leave aside Charles’ numerous amours, we can say that he cared for Catherine more than many aristocratic husbands cared for their wives.

She was simply one of his women, and while she could not give him what his more exciting bedfellows gave, she occupied a place in his life that none of them could occupy. He often discussed important matters with her, as when he invited Evelyn into the queen’s bedchamber and together all three of them pored over designs for the rebuilding of London after the fire. - From ‘All the Kings Women’ by Derek Wilson

proartsblog:

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A portrait of a man writing by candlelight by Pietro Paolini (1603-1681)

visual-sandwich:

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Lucas Franchoys the Younger (1616-1681) — Portrait of a Young Man, 1640’s

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Prince Maurice, Son of Frederick, Elector Palatine, and Elizabeth Stuart

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PORTRAIT OF JAMES STUART (1612 - 1655), FOURTH DUKE OF LENNOX AND FIRST DUKE OF RICHMOND, AS PARIS HOLDING AN APPLE

https://www.sothebys.com/en/buy/auction/2019/master-paintings-sculpture-day-sale/sir-anthony-van-dyck-and-studio-portrait-of-james


This portrait of James Stuart is one of two versions made by Van Dyck and his studio; the other is at the Musée du Louvre, Paris. While Larsen described our painting as a replica of the Louvre portrait, Barnes et al. accepted both as the work of Van Dyck and his studio under his direction (see Literature). Lennox appears here in the guise of Paris, the shepherd from Greek mythology tasked with awarding the golden apple to the fairest goddess.


Lennox attended Trinity College, Dublin and traveled the continent before being appointed Gentleman of the Bedchamber in 1625, knighted in 1630, and becoming a Privy Councillor in 1633. He was a close friend of King Charles I and supported the Royalist cause, lending the King large sums of money on two occasions. He was created Duke of Richmond in 1641 and was commissioner for the defense of Oxford 1644 - 46. He married Mary, daughter of George Villiers, 1st Duke of Buckingham; their only son Esme died at age eleven.


Lennox sat for Van Dyck three times: the first portrait of Lennox and his dog, dated to 1633, is full length and commemorates Lennox’s new status as Knight of the Garter (Metropolitan Museum, New York).1 A second, horizontal portrait of circa 1636 depicts Lennox seated with his beloved greyhound again (Kenwood House).2 The head and the top of his blouse with jeweled clasp were taken from the Kenwood portrait and reused for the present image. From the third sitting, Van Dyck painted a full-length portrait of Lennox in black (Earl of Leicester).3 Lennox’s family was among Van Dyck’s most important patrons; his siblings are also the subjects of celebrated portraits from Van Dyck’s English period.

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Jacob Ferdinand Voet (Antwerp 1639-1689 Paris)

Portrait of Philippe, Duc de Vendôme (1655-1727), Grand Prior of the Knights of Malta in France

amatesura:

armor, 1617

ltwilliammowett:

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Dutch commemorative enamelled glass decanters and stoppers, late 18th- early 19th century

The left one is painted with a portrait of Admiral Michiel Adriaenez de Ruyter, above a naval battle scene, possibly the Battle of Solebay (28 May 1672) ; the other painted with a portrait of Admiral Maarten van Tromp, above a naval battle scene, probably the Battle of Downs (21 October 1639).

oldpaintings:
“In the Draper’s Shop, 1670 by Adriaen van Bloemen (Flemish, 1639–?)
”

oldpaintings:

In the Draper’s Shop, 1670 by Adriaen van Bloemen (Flemish, 1639–?)

history-of-fashion:
“1664 Ary de Vois - Portrait of an ensign of the Leiden civic guard
(Museum De Lakenhal)
”

history-of-fashion:

1664 Ary de Vois - Portrait of an ensign of the Leiden civic guard

(Museum De Lakenhal)