Highmore, Joseph, 1692-1780
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Joseph Highmore British artist (1692-1780)
Highmore, Joseph (English painter, 1692-1780)
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היימור, ג'וזף, 1692-1780
VIAF ID: 59886794 (Personal)
Permalink: http://viaf.org/viaf/59886794
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Highmore
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Joseph
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1692-1780
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Highmore, Joseph
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1692-1780
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Highmore, Joseph
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1692-1780
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Highmore, Joseph
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1692-1780
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Highmore, Joseph
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English painter, 1692-1780
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100 1 _ ‡a Highmore, Joseph, ‡d 1692-1780
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100 1 _
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Highmore, Joseph,
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1692-1780
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100 1 _ ‡a Highmore, Joseph, ‡d 1692-1780
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100 1 _ ‡a Highmore, Joseph, ‡d 1692-1780
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100 1 _
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Highmore, Joseph,
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1692-1780
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100 1 _ ‡a Highmore, Joseph, ‡d 1692-1780
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100 1 _ ‡a Highmore, Joseph, ‡d 1692-1780
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Joseph Highmore
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British artist (1692-1780)
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100 1 _ ‡a היימור, ג'וזף, ‡d 1692-1780
4xx's: Alternate Name Forms (22)
5xx's: Related Names (2)
Works
| Title | Sources |
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| Basic instincts love, lust and violence in the art of Joseph Highmore |
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| A critical examination of those two paintings on the cieling of the banqueting-house at Whitehall : in which architecture is introduced, so far as relates to the perspective; together with the discussion of a question, which has been the subject of debate among painters ... |
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| [Escenas de Pamela de Samuel Richardson] |
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| Essays, moral, religious, and miscellaneous : To which is added, a prose translation of Mr. Browne's Latin poem, De animi immortalitate. By J.H. [ In two volumes. ]. |
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| John Sidney, 6th Earl of Leicester |
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| John Smith |
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| John St John (1702–1748), 2nd Viscount St John, in Coronation Robes |
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| Joseph Pettifer (1729–1748) |
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| Lancelot Blackburne (1658–1743), Archbishop of York |
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| Miss Taylor |
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| I: Mr B. Finds Pamela Writing |
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| Mr Matthew Bell |
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| Mrs Elizabeth Birch and her daughter |
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| Mrs Iremonger of Wherwell Priory |
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| Observations on a pamphlet, entitled, "christianity not founded on argument." By a Christian freethinker, Who apprehends that Infidels cannot be effectually answered, on any Principles less general, than those which he has adopted. The only apology he can make for publishing (at this distance of time) animadversions on a pamphlet printed so long since, is, that he has just now (and never before) perused it with that design. |
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| Paintings by Joseph Highmore, 1692-1780. |
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| Pamela and Mr B. in the summer house |
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| Pamela leaves Mr B's house in Bedfordshire |
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| Pamela tells a nursery tale |
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| Portrait of a Divine, Laurence Degge |
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| Portrait of a Gentleman, Wearing a Brown Coat, White Glove and an Academic Gown, Holding a Letter |
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| Portrait of a Lady of the Fanshawe Family (thought to be Sarah Parkinson, mother of Mary Fanshawe, née Parkinson) |
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| Portrait of a Lady with a Pug Dog |
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| Portrait of a Man (said to be William Pitt, 1708–1778, 1st Earl of Chatham) |
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| Portrait of an Unidentified Man (formerly thought to be Arne or Bononcini) |
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| Portrait of an Unknown Woman in White (once thought to be Charlotte Clopton) |
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| Portrait Of John Whitehall Of Furnivall's Inn |
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| Porträt des Arthur Onslow (1691-1768) |
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| Porträt des Thomas Fermor |
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| Porträt Samuel Richardson (1689 - 1761) Kupferstich ; Radierung |
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| Portret van een dame |
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| The practice of perspective, 1763: |
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| The practice of perspective : on the principles of Dr. Brook Taylor: in a series of examples, from the most simple, and easy, to the most complicated, and difficult cases. In the course of which, his method is compared with those of some, of the most celebrated writers, before him, on the subject. Written many years since, but now first published, by Joseph Highmore. |
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| The procession and ceremonies observed at the time of the installation of the Knights companions of the most honourable military Order of the Bath: upon Thursday June, 17, 1725. With the arms, names, titles, &c. of the Knights companions, and of their Esquires, as they are fix'd up in Henry VIIth's chapel in Westminster abbey. |
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| Queen Caroline of Ansbach (1683-1737) |
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| Rear Admiral Charles Fanshawe (1699–1757), RN |
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| Retrato de una dama |
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| Reverend Edmund Tew |
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| Reverend Joseph Avery of Kirby-le-Soken |
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| The Right Honourable Edward Thompson of Marston |
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| Ritratto di Gentildonna |
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| Robert Wynne D. D. ( - 1734) |
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| Sackville Tufton (1688–1753), 7th Earl of Thanet |
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| Samuel Booth, Messenger of the Order of the Bath |
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| Samuel Feake |
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| [Samuel Richardson] [Image fixe] : [estampe] |
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| Sarah Morse (b.1690) |
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| A select collection of novels and histories in six volumes, written by most celebrated authors in several languages. Many of which never appear'd in english before, all new translated from the originals by several eminent hands |
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| Self-portrait |
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| Sir John Barnard (1685–1764), Lord Mayor of London (1737) |
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| Sir John Lister Kaye, 4th Bt, When Lord Mayor of York |
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| Sir Willoughby Aston and His Wife |
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| Sketch of a Young Girl |
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| Study for a Group Portrait |
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| Susanna Highmore |
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| Theophilus Hastings (1696–1746), 9th Earl of Huntingdon (?) |
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| Thomas Alford (1703–1777) |
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| Thomas Emerson (or Emmerson) |
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| Thomas Emlyn. V.D.M. Nat. 27 Maij.1663. Obiit.30. Iulij.1741. Ante leves ergo pascentur in eethere cervt Et freta destituent nudos in littore pisces Quàm nostro illius labatur pectore vultus. Virg[o] |
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| Thomas Pennant |
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| Thomas Ripley |
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| Unknown man |
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| William Duncombe (1690–1769), Translator and Playwright |
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| William Fanshawe of Great Singleton (1640–1708) |
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| William Fellowes of Shotesham (1706–1775) |
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| William Wilberforce (1721–1777), and Hannah Wilberforce, née Thornton (d.1788) |
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| William Wrightson |
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| Τζον Σμιθ |
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| Автопортрет |
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| Партрэт дамы |
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| Портрет на дама |
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| স্যামুয়েল রিচার্ডসন |
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