The Crowd

Like most of the silent tragedies I've seen (and there haven't been many), "The Crowd" was hard to like. That didn't stop it from being a finely directed and acted drama. Like any film from any era that avoids the traps of trend-conscious filmmaking, "The Crowd" was built to last. When you make a movie with a good, solid story and inspire the cast to give brilliant performances, it's difficult to go wrong.

It's not a fun movie -- most of the time we're spent watching James Murray shoot himself in the foot, scene after scene. He's a really pathetic creature, but the director, King Vidor, portrays him and his story without passing judgment.

Worth the price of admission alone, Vidor's eye for detail in old New York City. In a justly famous montage and tracking shot near the beginning, he shows us Gotham so well, and in such great detail, that hardly a director since has been able to match him. His nomination of Best Director at the first Academy Awards was completely deserved (and his loss to Frank Borzage for the creaky "7th Heaven" was, arguably, the first of Oscar's major blunders.)

It's a bleak world view, that's for sure, but it keeps your attention and fills your eye.