La Schiavona: Difference between revisions
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From October 2009 to January 2010, ''La Schiavona'' was loaned to the Henry Moore Institute in Leeds to be shown as part of an exhibition called "Sculpture in Painting".<ref>{{cite web |date=8 October 2009 |title=Sculpture in Painting |url=http://www.henry-moore.org/hmi/exhibitions/archive/2009/sculpture-in-painting |accessdate=28 November 2012 |work=Institute exhibition |publisher=[[Henry Moore Foundation]]}}</ref> |
From October 2009 to January 2010, ''La Schiavona'' was loaned to the Henry Moore Institute in Leeds to be shown as part of an exhibition called "Sculpture in Painting".<ref>{{cite web |date=8 October 2009 |title=Sculpture in Painting |url=http://www.henry-moore.org/hmi/exhibitions/archive/2009/sculpture-in-painting |accessdate=28 November 2012 |work=Institute exhibition |publisher=[[Henry Moore Foundation]]}}</ref> |
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==References== |
==References== |
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==External links== |
==External links== |
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Revision as of 13:47, 5 December 2022
| Portrait of a Lady | |
|---|---|
| Italian: La Schiavona | |
_-_Google_Art_Project.jpg) | |
| Artist | Titian |
| Year | 1510–12[1] |
| Medium | Oil on canvas |
| Dimensions | 119.4 cm × 96.5 cm (47.0 in × 38.0 in) |
| Location | National Gallery, London |
La Schiavona ('the woman from Dalmatia'), also known as Portrait of a Lady, is a 1510–1512 portrait by Titian of an unknown woman.
Identity of the sitter
The painting was being referred to as La Schiavona before the beginning of the seventeenth century. However, this name is traditional, given to the painting by someone in recognition of the style of her dress and her physiognomy. In reality, the lady portrayed would have been part of the nobility of the time, with a costume compatible with that of the wealthy women of the territories controlled by the Republic of Venice. Some people have tried to identify the woman as Catherine Cornaro, a hypothesis without any confirmation. Previously assigned to Giorgione, the painting is today commonly accepted as a youthful masterpiece by Titian; further evidence is provided by the absence of the modulated sweetness of the painter from Castelfranco Veneto, replaced rather by a pulsating vitality. There are also close similarities with the woman protagonist of the Miracolo del neonato, a Paduan fresco by Titian dating back to 1511.
Description
The subject is shown three-quarter length against a plain grey background. Her curvaceous form is portrayed with exceptional realism and accuracy, and is accentuated by the wide drapery of her earth-coloured dress. The body is rotated slightly, while the head looks frontally at the viewer, in a pose of remarkable naturalness and ease. What appears to be the same woman is seen in relief (inspired by ancient cameos) on a raised section of the parapet. The lower part of the parapet is original, though the raised section appears to be a revision by Titian himself, with the drapery painted under it still being visible through subsequent layers of paint. The painting is signed TV on the parapet, which probably stands for Tiziano Vecellio.[1]
History
The portrait was presented to the National Gallery in London in 1942 by Sir Francis Cook, Bt, in memory of his father Herbert, via the Art Fund – it is still in the Gallery's collection, as NG5385.[1]
From October 2009 to January 2010, La Schiavona was loaned to the Henry Moore Institute in Leeds to be shown as part of an exhibition called "Sculpture in Painting".[2]
References
- ^ a b c "Key facts". Portrait of a Lady ('La Schiavona'). National Gallery. Archived from the original on 6 January 2013. Retrieved 28 November 2012.
- ^ "Sculpture in Painting". Institute exhibition. Henry Moore Foundation. 8 October 2009. Retrieved 28 November 2012.
Bibliography
- Francesco Valcanover, L'opera completa di Tiziano, Rizzoli, Milano 1969.
External links
- Catalog nr. 536 in Herbert Cook's collection catalog, 1913, on archive.org
- High definition image on Google art
- National Gallery website