What We Do is a the second studio album by jazz group The John Scofield Quartet. It was recorded in May 1992 and released the followong year on Blue Note Records. Besides John Scofield on guitar the quartet features saxophonist Joe Lovano, Bill Stewart on drums and Dennis Irwin on bass replacing Marc Johnson. Irwin and Scofield (both born in 1951) had already recorded together in the mid-1980s with Bennie Wallace on a track for his album Sweeping Through the City. Irwin would be the bassist on two more albums by Scofield, Hand Jive (1994) and Groove Elation (1995).
All tracks written by John Scofield.
AOI: Bionix is De La Soul's sixth full-length album, released in 2001. The album was the second in a planned three-disc installment, which was originally intended to be a three-disc album.
The first single, "Baby Phat" featuring Yummy Bingham and Devin the Dude, was an ode to larger sized women. Elsewhere, "Held Down", featuring Cee-Lo, found Posdnuos in an introspective mood as he mused on fatherhood, religion, and fame. Slick Rick also made an appearance on "What We Do (For Love)"; a humorous song about puberty and sexual discovery. Plans were made to release the Kev Brown-produced "Special" (featuring Yummy Bingham) as the second single, however Tommy Boy soon folded as a label, cutting short any further promotion of Bionix. Like many Hip-Hop albums, there is an official instrumental version of the album available on vinyl, with artwork.
The album featured skits with a character by the name of Reverend Do Good, which worked as social commentary as well as the intros and outros of the songs. The final Reverend Do Good skit acts as one final advertisement for Ghost Weed as heard on De La Soul's previous album, Art Official Intelligence: Mosaic Thump. A mischievous teenager takes a hit of the substance, then morphs into Slum Village frontman J Dilla, who provides the intro and outro to the marijuana-themed song "Peer Pressure" (which he also produced).
Philadelphia Freeway is the debut album from Philadelphia rapper Freeway. It was released under Roc-A-Fella Records and Def Jam Recordings. The most successful single was "Flipside", which featured Peedi Crakk.The single debuted at #95 on The Billboard 100 music chart. Another single that was released was "What We Do", which featured Beanie Sigel & Jay Z. The single debuted at #97 on The Billboard 100 music charts. Most of the songs were produced by Just Blaze while some were produced by Kanye West & Bink.
The album received positive reviews and on Metacritic the album gathered a score of 74 out of 100 based on 7 reviews.
The album sold over 500,000 copies, achieving Gold status
Free
What We Do
All My Life
Don't Cross The Line
Generic top-level domains (gTLDs) are one of the categories of top-level domains (TLDs) maintained by the Internet Assigned Numbers Authority (IANA) for use in the Domain Name System of the Internet. A top-level domain is the last label of every fully qualified domain name. They are called generic for historic reasons; initially, they were contrasted with country-specific TLDs in RFC 920.
The core group of generic top-level domains consists of the com, info, net, and org domains. In addition, the domains biz, name, and pro are also considered generic; however, these are designated as restricted, because registrations within them require proof of eligibility within the guidelines set for each.
Historically, the group of generic top-level domains included domains, created in the early development of the domain name system, that are now sponsored by designated agencies or organizations and are restricted to specific types of registrants. Thus, domains edu, gov, int, and mil are now considered sponsored top-level domains, much like the themed top-level domains (e.g., jobs). The entire group of domains that do not have a geographic or country designation (see country-code top-level domain) is still often referred to by the term generic TLDs.
This page is a disambiguation page for .codes (disambiguation). For the internet generic level domain article; go to .codes.
In communications and information processing, code is a system of rules to convert information—such as a letter, word, sound, image, or gesture—into another form or representation, sometimes shortened or secret, for communication through a channel or storage in a medium. An early example is the invention of language, which enabled a person, through speech, to communicate what he or she saw, heard, felt, or thought to others. But speech limits the range of communication to the distance a voice can carry, and limits the audience to those present when the speech is uttered. The invention of writing, which converted spoken language into visual symbols, extended the range of communication across space and time.
The process of encoding converts information from a source into symbols for communication or storage. Decoding is the reverse process, converting code symbols back into a form that the recipient understands.
One reason for coding is to enable communication in places where ordinary plain language, spoken or written, is difficult or impossible. For example, semaphore, where the configuration of flags held by a signaller or the arms of a semaphore tower encodes parts of the message, typically individual letters and numbers. Another person standing a great distance away can interpret the flags and reproduce the words sent.
Now we can talk in confidence
Did you guess that we've been done wrong
Lies jumped the queue to be first in line
Such a shameless design
He thinks he's well screened from the man at the top
It's a shame that his children disagree
They cooly decide to sell him down the line
Daddy's brainwashing time
He's a dodo, no no didn't hear it from me
He's a dodo, no no didn't hear it from me
She's quite enthralled with the childhood of yore
When a unit was a figure not a she
When lovers chose each other now the perk's are due
Another memo to screw
She's a dodo, no no didn't hear it from me
She's a dodo, no no didn't hear it from me
Can you wipe your nose my child without them stlotting in your file a photograph
Can you sleep alone at night wake to find the scorching light of neighbour Jim
He's come to turn you in
Another dodo, no no, didn't hear it from me
Another dodo, no no, didn't hear it from me
Another do, do