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Honoré Daumier19th century lithograph caricature black and white satirical figurative print1859
1859
About the Item
"CROQUIS D'ÉTÉ (Plate No. 5) LD 3203" is a 2nd state lithograph by Honore Daumier. Daumier initialed the work in the lower left corner. It depicts a man and a woman sitting at a table in a restaurant as their waiter brings them a large melon. The text narrating the caricature cartoon is below the image and is as follows:
Original Text:
LA FEMME. - Mais, garçon.... nous vous demandons un peu de melon et vous nous apportez un monstre!...
LE MARI. - N'aie pas peur, ma bonne..., nous serons deux contre un......
Translation:
THE LADY: Waiter we ordered a slice of melon, and you are serving us such a monster!
THE GENTLEMAN: Don't worry, darling, it'll be two against one!
Artwork Size: 8 5/8" x 10 5/8"
Frame Size: 17 5/8" x 20 1/8"
Artist Bio:
Honoré Daumier (1808 – 1879) was a French printmaker, caricaturist, painter, and sculptor, whose many works offer commentary on social and political life in France in the 19th century.
A prolific draftsman who produced over 500 paintings, 4000 lithographs, 1000 wood engravings, 1000 drawings, 100 sculptures he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized.
- Creator:Honoré Daumier (1808 - 1879, French)
- Creation Year:1859
- Dimensions:Height: 17.63 in (44.79 cm)Width: 20.13 in (51.14 cm)
- Medium:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:Seller: 7152g1stDibs: LU60532098643
Honoré Daumier
Honoré-Victorin Daumier was a French printmaker, caricaturist, painter and sculptor, whose many works offer commentary on the social and political life of 19th-century France. Daumier is famous for this satirical commentary through the lithographs he produced. He is best known for his caricatures of political figures. Daumier’s works are found in many of the world’s leading art museums, including the Louvre, the Metropolitan Museum of Art and the Rijksmuseum.
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View All19th century lithograph caricature black and white satirical figurative print
By Honoré Daumier
Located in Milwaukee, WI
"Caricatura Robert Macaire Negociant" is a lithograph by Honore Daumier. It was published February 24, 1837.
Original Text:
Robert Macaire, Négociant.
Hé bien ! Monsieur Macaire, v...
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19th century lithograph caricature black and white satirical figurative print
By Honoré Daumier
Located in Milwaukee, WI
"Robert Macaire Banquier et Jure" is an original lithograph by Honore Daumier. It depicts a banker and his contemporary having a conversation. 1/2 D. 371 (Charivari)
Artwork Size: 14 1/4" x 9 1/2"
Frame Size: 21 5/8" x 19"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
1830s Victorian Figurative Prints
Materials
Lithograph
19th century lithograph caricature black and white satirical figurative print
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Located in Milwaukee, WI
"De Quoi! De Quoi! Votre Dot?" is an original lithograph 3/3 D. 390 (Charivari) by Honore Daumier. It depicts an odd-looking man and a beautifully-dressed woman in conversation. Ther...
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19th century lithograph caricature black and white satirical figurative print
By Honoré Daumier
Located in Milwaukee, WI
"Ce Matin Avant l'Aurore" is an original lithograph by Honore Daumier, the second state of three.
Original Text:
Ce matin, avant l'aurore,
Un Dieu vint me réveiller ;
Il me dit : tu dors encore…
Est-il temps de sommeiller ?
De ton Papa c’est la fête,
Fais lui quelque don flatteur
En lui posant sur la tête
Une Couronne de fleurs.
Translation:
This morning before dawn
A God came to wake me up
The curtains they were drawn
And my snoring had to stop
It is your daddy's birthday,
A time for gifts and flowers
To be placed on his head so gray
Instead of his morning showers.
Artwork Size: 9 1/4" x 9 1/4"
Frame Size: 20 1/2" x 17 5/8"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
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19th century lithograph caricature black and white satirical figurative print
By Honoré Daumier
Located in Milwaukee, WI
"Une Application Utile Du Diamant Magnetiseur-Actualites" is an original lithograph, the second state of three, by Honore Daumier. It depicts a husband and wife pair.
Artwork Size: 8 1/2" x 10 3/4"
Frame Size: 17 3/4" x 20 1/4"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
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19th century lithograph caricature black and white satirical figurative print
By Honoré Daumier
Located in Milwaukee, WI
"Robert Macaire Commis Voyageur" is an original lithograph by Honore Daumier. It depicts two men having a conversation.
Artwork Size: 14 1/4" x 9 1/2"
Frame Size: 21 3/4" x 18 1/2"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
1830s Victorian Figurative Prints
Materials
Lithograph
19th century lithograph caricature black and white satirical figurative print
By Honoré Daumier
Located in Milwaukee, WI
"Caricatura Robert Macaire Negociant" is a lithograph by Honore Daumier. It was published February 24, 1837.
Original Text:
Robert Macaire, Négociant.
Hé bien ! Monsieur Macaire, v...
Category
1830s Victorian Figurative Prints
Materials
Lithograph
19th century lithograph caricature black and white satirical figurative print
By Honoré Daumier
Located in Milwaukee, WI
"Robert Macaire Banquier et Jure" is an original lithograph by Honore Daumier. It depicts a banker and his contemporary having a conversation. 1/2 D. 371 (Charivari)
Artwork Size: 14 1/4" x 9 1/2"
Frame Size: 21 5/8" x 19"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
1830s Victorian Figurative Prints
Materials
Lithograph
19th century lithograph caricature black and white satirical figurative print
By Honoré Daumier
Located in Milwaukee, WI
"De Quoi! De Quoi! Votre Dot?" is an original lithograph 3/3 D. 390 (Charivari) by Honore Daumier. It depicts an odd-looking man and a beautifully-dressed woman in conversation. Ther...
Category
Mid-19th Century Figurative Prints
Materials
Lithograph
19th century lithograph caricature black and white satirical figurative print
By Honoré Daumier
Located in Milwaukee, WI
"Ce Matin Avant l'Aurore" is an original lithograph by Honore Daumier, the second state of three.
Original Text:
Ce matin, avant l'aurore,
Un Dieu vint me réveiller ;
Il me dit : tu dors encore…
Est-il temps de sommeiller ?
De ton Papa c’est la fête,
Fais lui quelque don flatteur
En lui posant sur la tête
Une Couronne de fleurs.
Translation:
This morning before dawn
A God came to wake me up
The curtains they were drawn
And my snoring had to stop
It is your daddy's birthday,
A time for gifts and flowers
To be placed on his head so gray
Instead of his morning showers.
Artwork Size: 9 1/4" x 9 1/4"
Frame Size: 20 1/2" x 17 5/8"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
1830s Old Masters Figurative Prints
Materials
Lithograph
19th century lithograph caricature black and white satirical figurative print
By Honoré Daumier
Located in Milwaukee, WI
"Une Application Utile Du Diamant Magnetiseur-Actualites" is an original lithograph, the second state of three, by Honore Daumier. It depicts a husband and wife pair.
Artwork Size: 8 1/2" x 10 3/4"
Frame Size: 17 3/4" x 20 1/4"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
1860s Victorian Figurative Prints
Materials
Lithograph
19th century lithograph caricature black and white satirical figurative print
By Honoré Daumier
Located in Milwaukee, WI
"Robert Macaire Commis Voyageur" is an original lithograph by Honore Daumier. It depicts two men having a conversation.
Artwork Size: 14 1/4" x 9 1/2"
Frame Size: 21 3/4" x 18 1/2"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
1830s Victorian Figurative Prints
Materials
Lithograph
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Located in Melbourne, Victoria
'Robert Macaire Dentiste'
Lithograph by Honore Daumier after Charles Philipon. 1837. Plate 57 from the Robert Macaire 'Caricaturana' series.
Translation of the French text below th...
Category
1830s French School Figurative Prints
Materials
Lithograph
La Lecon de Philetas, Les Amoureux Devant l'Arbre Exhibition Poster
By (after) Marc Chagall
Located in New York, NY
This original 1987 exhibition poster was created for an exhibition of works by Marc Chagall which travelled Japan (Tokyo, Yamagata, Nagoya and Gunma). It was printed in Paris by the ...
Category
Late 20th Century Modern Figurative Prints
Materials
Lithograph
Original Vinaigreries Generals Bordeaux Bastide vintage vinegar poster, round
Located in Spokane, WA
Original vintage poster: VINAIGRERIES GENERALS BORDEAUX BASTIDE, FRANCE. A more unique vintage poster that is round. The poster features a sun in the middle in deep red, with th...
Category
Mid-20th Century Art Deco Figurative Prints
Materials
Lithograph
And Then...White
By Takashi Murakami
Located in New York, NY
This offset lithograph in colors with cold-stamping was created in 2013. From the hand-signed and numbered edition of 300 measuring 19 3/4 x 19 3/4 in. (50 x 50 cm.), unframed.
Category
21st Century and Contemporary Contemporary Figurative Prints
Materials
Lithograph
Price Upon Request
And Then...(Yellow)
By Takashi Murakami
Located in New York, NY
This iconic lithograph in colors with cold stamping and high gloss varnish was created in 2011 by Takashi Murakami. Hand-signed in ink, numbered and ...
Category
21st Century and Contemporary Contemporary Figurative Prints
Materials
Lithograph
Price Upon Request
International Volunteer Day
By Keith Haring
Located in New York, NY
A fun and familiar image created by Keith Haring as an original lithograph in colors in 1988, International Volunteer Day was commissioned by the United Nations on its 40th anniversa...
Category
20th Century Contemporary Figurative Prints
Materials
Lithograph
Price Upon Request
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