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Pol Bury
Limited Edition Architecture Kinetic Art Op Art Screenprint Lithograph Pol Bury

1966

About the Item

Pol Bury (Belgian, 1922-2005) Screen print of raised bridge Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets) and COBRA groups. (Karel Appel, Constant, Corneille, Christian Dotremont, Asger Jorn etc) Among his most famous works is the fountain-sculpture L'Octagon, located in San Francisco. He was best known for his kinetic, Op Art sculptures. He began his career as a Surrealist painter influenced by the work of Rene Magritte and Yves Tanguy. Paintings he produced in the late 1930s and first half of the ’40s were included in the 1945 Exposition Internationale du Surréalisme held in Brussels. Pol Bury was born in La Louvière, Belgium,in 1922. After attending the Académie des Beaux-Arts in Mons in 1938–39, he joined a group of Surrealist poets that included Achille Chavée. The focus of Bury’s art shifted in 1952 after he visited an exhibition featuring Alexander Calder’s work. The movement of Calder’s mobiles captivated Bury, and he began producing sculptures with moving components. These early kinetic sculptures were exhibited in the 1955 group exhibition Le Mouvement at Galerie Denise René in Paris. The exhibition proved particularly influential for the international ZERO network (active in the late 1950s and early ’60s), and Bury went on to participate in ZERO exhibitions and contribute to Heinz Mack and Otto Piene’s ZERO journal. Bury began to include electric motors in many of his sculptures in 1957. The concealed motors activate the works, prompting elements to twist, tilt, or spin. Around 1964, the artist started creating his Cinetizations: photographs and prints depicting well-known monuments, but with the architectural structure fundamentally altered. In a Cinetization featuring the Eiffel Tower, the iron structure appears to wobble as if on the brink of collapse. Bury’s sculptures and Cinetizations both demonstrate moments of physical contingency that belie gravity’s certain pull. In the late 1960s, Bury began working with stainless steel and Cor-Ten steel, polished brass, and copper. By 1969 he had created his first public fountain, at the University of Iowa Museum of Art. He was included in the influential 1975 MoMA show Prints by Sculptors along with Alexander Archipenko, Jean (Hans) Arp, Lee Bontecou, Louise Bourgeois, Alexander Calder, Christo, Barbara Hepworth, Henry Moore, Louise Nevelson, Eduardo Paolozzi, Niki de Saint Phalle and Richard Serra. His early kinetic art sculptures were exhibited in the 1955 group exhibition Le Mouvement at Galerie Denise Rene in Paris. Artists, who experimented with motion, such as Alexander Calder, Marcel Duchamp, Yaacov Agam, Pol Bury, Jesus Rafael Soto, Jean Tinguely, and Victor Vasarely. With Lefebre Gallery X Cinetizations Portfolio, 1966. He also published large silkscreen works on canvas with Brooke Alexander gallery. His work is present in the permanent collection of numerous museums worldwide.Retrospectives featuring the artist’s work have been organized by the University Art Museum, University of California, Berkeley, in collaboration with the Solomon R. Guggenheim Museum, New York (1970); Museo de Arte Moderno in Mexico City (1977–78); Musée d’art moderne de la Ville de Paris (1982); and Josef Albers Museum in Bottrop, Germany (1990). Bury died on September 27, 2005, in Paris.
  • Creator:
    Pol Bury (1922 - 2005, Belgian)
  • Creation Year:
    1966
  • Dimensions:
    Height: 17.5 in (44.45 cm)Width: 24.25 in (61.6 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Refer to photos.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38214796102

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Michael Gross (Hebrew: מיכאל גרוס‎; 1920 – 4 November 2004) was an Israeli painter, sculptor and conceptual artist. Michael Gross was born in Tiberias in the British-administered Palestine in 1920. He grew up in the farming village of Migdal. In 1939-1940, he left to study at the Teachers’ Training College in Jerusalem. In 1939, while he was away, his father was murdered by Arabs, and the family farm and home were destroyed. This event impacted on his work as an artist. From 1943 to 1945, he studied architecture at Technion – Israel Institute of Technology in Haifa. From 1951 to 1954, he studied art at the École nationale supérieure des Beaux-Arts in Paris. He returned to Israel in 1954 and settled in the artists’ village of Ein Hod. Gross's works are imbued with the light and spirit. They are minimalist, but never pure abstraction, always tied to natural form and laden with feeling. In his early paintings, Gross simplified form in order to concentrate on proportion, broad areas of color, and the size and placement of each element. This reductive process was also notable in his sculptures, whether in painted iron or other materials such as white concrete. In later paintings, he often juxtaposed large off-white panels with patches of tone, adding textured materials such as wooden beams, burlap and rope. Gross’s rough, freely-brushed surfaces, along with the use of soft pastel coloring, conjure up images of the Israeli landscape. Education 1936-1940 Teachers Seminary, Jerusalem 1943-1945, Technion, Haifa, architecture, studied sculpture with Moshe Ziffer. 1951-1954 Beaux Arts, Paris with Michel Guimond Teaching 1954 - 1954 Higher School of Education, Haifa. 1957-1960 Bezalel Academy of Arts and Design, Jerusalem 1960-1980 Oranim Art Institute, Tivon Awards 1964: Hermann Struck Prize 1967: Dizengoff Prize 1971...
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About

Pol Bury (Belgian, 1922-2005) Screen print of raised bridge Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets) and COBRA groups. (Karel Appel, Constant, Corneille, Christian Dotremont, Asger Jorn etc) Among his most famous works is the fountain-sculpture L'Octagon, located in San Francisco. He was best known for his kinetic, Op Art sculptures. He began his career as a Surrealist painter influenced by the work of Rene Magritte and Yves Tanguy. Paintings he produced in the late 1930s and first half of the ’40s were included in the 1945 Exposition Internationale du Surréalisme held in Brussels. Pol Bury was born in La Louvière, Belgium,in 1922. After attending the Académie des Beaux-Arts in Mons in 1938–39, he joined a group of Surrealist poets that included Achille Chavée. The focus of Bury’s art shifted in 1952 after he visited an exhibition featuring Alexander Calder’s work. The movement of Calder’s mobiles captivated Bury, and he began producing sculptures with moving components. These early kinetic sculptures were exhibited in the 1955 group exhibition Le Mouvement at Galerie Denise René in Paris. The exhibition proved particularly influential for the international ZERO network (active in the late 1950s and early ’60s), and Bury went on to participate in ZERO exhibitions and contribute to Heinz Mack and Otto Piene’s ZERO journal. Bury began to include electric motors in many of his sculptures in 1957. The concealed motors activate the works, prompting elements to twist, tilt, or spin. Around 1964, the artist started creating his Cinetizations: photographs and prints depicting well-known monuments, but with the architectural structure fundamentally altered. In a Cinetization featuring the Eiffel Tower, the iron structure appears to wobble as if on the brink of collapse. Bury’s sculptures and Cinetizations both demonstrate moments of physical contingency that belie gravity’s certain pull. In the late 1960s, Bury began working with stainless steel and Cor-Ten steel, polished brass, and copper. By 1969 he had created his first public fountain, at the University of Iowa Museum of Art. He was included in the influential 1975 MoMA show Prints by Sculptors along with Alexander Archipenko, Jean (Hans) Arp, Lee Bontecou, Louise Bourgeois, Alexander Calder, Christo, Barbara Hepworth, Henry Moore, Louise Nevelson, Eduardo Paolozzi, Niki de Saint Phalle and Richard Serra. His early kinetic art sculptures were exhibited in the 1955 group exhibition Le Mouvement at Galerie Denise Rene in Paris. Artists, who experimented with motion, such as Alexander Calder, Marcel Duchamp, Yaacov Agam, Pol Bury, Jesus Rafael Soto, Jean Tinguely, and Victor Vasarely. With Lefebre Gallery X Cinetizations Portfolio, 1966. He also published large silkscreen works on canvas with Brooke Alexander gallery. His work is present in the permanent collection of numerous museums worldwide.Retrospectives featuring the artist’s work have been organized by the University Art Museum, University of California, Berkeley, in collaboration with the Solomon R. Guggenheim Museum, New York (1970); Museo de Arte Moderno in Mexico City (1977–78); Musée d’art moderne de la Ville de Paris (1982); and Josef Albers Museum in Bottrop, Germany (1990). Bury died on September 27, 2005, in Paris.

Details

  • Creator:
    Pol Bury (1922 - 2005, Belgian)
  • Creation Year:
    1966
  • Dimensions:
    Height: 17.5 in (44.45 cm)Width: 24.25 in (61.6 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Refer to photos.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38214796102

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