Auguste Lançon Art

Old Brownstones-- New York. c. 1985. Etching and drypoint. 8 7/ 8 x 12 1/3 (sheet 16 5/8 x 16 1/4). Fourth state. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted. Provenance: the artist's estate. Signed, titled, and annotated 'Fourth state -- wheel changed to left' and 'Steves' in pencil. A dramatic view of a Manhattan neighborhood. Painter and printmaker Lawrence Nelson Wilbur...

ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...

Bibi Valentin. 1859. Etching and drypoint. Kennedy catalog 50 state ii; Glasgow catalog 34 state ii. 6 x 8 7/8 (sheet 8 11/16 x 10 11/16). Glasgow records 44 known impressions. A rich impression with burr, printed on watermarked laid paper with full margins. Signed and dated in the plate. Housed in a 20 x 16-inch archival mat A young girl, sits facing the viewer, leaning on her left elbow, legs extended to left. She wears a high-necked smock and buttoned boots...

Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame. Painter and printmaker Lawrence Nelson Wilbur...

Conrad Marca Relli - Composition VIII Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions an...

The Woman and the Street Etching, 1927-1930 Signed in the plate lower right corner (see photo) From: The Fables of La Fontaine, Plate 84 From the deluxe portfolio edition of 40 examp...

The Letter. 1921. Drypoint. Appleby 107. 7 x 9 3/8 (sheet 10 1/2 x 15 7/16). Edition 100. Illustrated: Fine Prints of the Year, 1925; Salaman, Modern Masters of Etching: Edmund Blamp...

Namiko Prado Arai (Mexico, 1963) 'Untitled 3 (Buril)', 1998 etching, aquatint on paper Deponte 400g. 20.9 x 24.5 in. (53 x 62 cm.) Unframed ID: PRA-305 Hand-signed by author

Politics (Tonnere de Brest). 1926. Drypoint. Appleby 108. 7 x 9 (sheet 10 1/2 x 15 1/2). A rich impression printed on cream wove paper with full margins. Illustrated: Salaman, Modern...

Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25, Duffy 165. Signed, dated, and annotated 'imp' in pencil. A superb, richly-inked, atmosp...

Edition 37 of 50 prints, numbered and hand signed. Image dimensions: 43x58 cm. Wonderful proof on vélin in full margins, numbered lower left and signed lower right in pencil. Realize...

Rainy NIght in Rome.. 1913. Drypoint. Dodgson 299.x. 12 x 9 (sheet 16 x 11 1/4). Edition 125 in 10 states. A rich impression with burr and tonal wiping. Pr...