Manuel Mendive Art

Marino Marini - Knight - Original Lithograph 1968 Dimensions: 32 x 48 cm From the art review XXe siècle Unsigned and unumbered as issued

Marc Chagall Original Lithograph Title: The Green Horse 1973 Dimensions: 33 x 50 cm Reference: This lithograph was created for the portfolio "Chagall Monu...

Marino Marini - Horses - Original Lithograph 1951 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Di Gesu estate stamp verso and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Chouinard Art School before movi...

Salvador Dali - Corrida - Vintage Poster with Etching Etching made behind a menu in Restautant Duran as a tribute dinner to Salvador Dali and his wife Ga...

This sculpture is made out of bronze, by Dutch artist Martijn Soontiens. His male dancing sculptures are about moving and movement. Artist Martijn Soontiens creates special atmospheres with his special bronze male sculptures. His images, from small to life-sized, show bodies in positions and movements that are and remain exciting while you look at them. The artist himself says about this: "I look for balance, excitement and vitality in my sculptures. I have focused on making bronze sculptures. Human figures...

Signed lower right, 'Storer' for Inez May Storer (American, born 1933) and dated 1979. Inez Storer first studied at the San Francisco College for Women, the San Francisco Art Institute and the University of California at Berkeley. She later earned a bachelor's degree at Dominican College in San Rafael and, in 1971, a graduate degree in at California State University in San Francisco. From Inverness...

'Still Life with Fruit', oil on board (1968), by Juliane Solignac. An engaging yet unusual artwork with vibrant colours, thickly applied with a painting knife. Nonetheless, through the thick paint there is an unfinished quality to the work leaving the impression that the raw canvas - or board in this case - is revealed. Some of the colour seems to have been scored on to the work with an artist's knife leaving lines and creating angles as in a cubist painting. There are layers of paint with no evident brush strokes. One may believe in this instance, Madame Solignac used this technique to create a visual effect which would deliberately have upset traditionalists. Be reminded that the Impressionists were criticised for creating patchy, incomplete works because there were strong notions about the correct way to paint in those days. Picasso once said, 'To finish a work is to kill it.' It is unsure how Mme Solignac would have felt about that. Regardless of this conjecture, the painting is colourful, compelling and rewards the viewer with a curious interest. The work is in fair vintage condition, newly framed with a linen slip. It is signed: 'Julian Solignac 68'. About the Artist: Juliane Solignac (born 1904). Regrettably, there is not much information available about the artist (including what year she may have died). She is referenced as a resident artist in Montmartre in the 1930s, one of only a handful of women in an otherwise sea of male names. In addition, Solignac is mentioned in both French and Dutch references as a creator of fabrics. These may have been more artistic 'tapis' which are hung on the wall like a painting. A Dutch museum references having one of her designs in their collection. Here is a quote from the magazine, 'COTE', Edition Nº 9 (March 2009): "Until 20 April, Pierre Frey is exhibiting 50 printed fabric works from their own collection dating from 1936 to today. Most were produced in liaison with artists like Jean Chatanay, Irène Rohr, Juliane Solignac, Rieffel Anossof, Janine Janet...

Untitled (Decomposition), 2014 Oil on canvas (signed on reverse) 15.74 H x 15.74 W in. 40 H x 40 W cm The notion of “abjection”, which at the beginning referred to the idea of spiri...

Jean Maurice Lasnier (French, 1922 – 2006) TROPIQUES, 1972 Signed ‘LASNIER’ (lower right), dated ‘5-72’ (on the reverse) Oil on canvas 54.3/4 x 27...

Delicate and vibrant mid-1920's depiction of a nude woman sitting on the edge of a bathing pool by John Jay Baumgartner (American, 1865-1946). Soft light filters through dense foliag...

This sculpture is made by Dutch artist Romee Kanis. You can rightly call Romee Kanis an old acquaintance of the gallery, her work was regularly seen at th...