A staff member looks at an untitled mural made of mirror, reverse glass painting and aluminium, 1975, (est. £70,000-90,000) during the preview of Middle Eastern Art Week at Sotheby's in London, ahead of their sale by auction on 22 and 23 October. PA Photo. Picture date: Friday October 18, 2019. Highlights of the sale will include a sumptuous leaf from the mythic 9th/10th century blue & gold Qu'ran, a dynamic painting of a great Indian epic wedding procession, jewellery including a talismanic Mughal emerald crystal weighing 363.9 carats, and paintings and sculpture by pioneering artists includi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-staff-member-looks-at-an-untitled-mural-made-of-mirror-reverse-glass-painting-and-aluminium-1975-est-70000-90000-during-the-preview-of-middle-eastern-art-week-at-sothebys-in-london-ahead-of-their-sale-by-auction-on-22-and-23-october-pa-photo-picture-date-friday-october-18-2019-highlights-of-the-sale-will-include-a-sumptuous-leaf-from-the-mythic-9th10th-century-blue-gold-quran-a-dynamic-painting-of-a-great-indian-epic-wedding-procession-jewellery-including-a-talismanic-mughal-emerald-crystal-weighing-3639-carats-and-paintings-and-sculpture-by-pioneering-artists-includi-image330204591.html
RM2A56393–A staff member looks at an untitled mural made of mirror, reverse glass painting and aluminium, 1975, (est. £70,000-90,000) during the preview of Middle Eastern Art Week at Sotheby's in London, ahead of their sale by auction on 22 and 23 October. PA Photo. Picture date: Friday October 18, 2019. Highlights of the sale will include a sumptuous leaf from the mythic 9th/10th century blue & gold Qu'ran, a dynamic painting of a great Indian epic wedding procession, jewellery including a talismanic Mughal emerald crystal weighing 363.9 carats, and paintings and sculpture by pioneering artists includi
Judith with the head of Holofernes, 1744, reverse glass painting, 32.5 x 39 cm, signed and dated at the bottom of the picture: Anna Maria From Esch pinxit Surlaci in Helvetia 1744, Anna Barbara Abesch, Sursee/Luzern 1706–1773 Sursee/Luzern Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/judith-with-the-head-of-holofernes-1744-reverse-glass-painting-325-x-39-cm-signed-and-dated-at-the-bottom-of-the-picture-anna-maria-from-esch-pinxit-surlaci-in-helvetia-1744-anna-barbara-abesch-surseeluzern-17061773-surseeluzern-image328707855.html
RM2A2NX67–Judith with the head of Holofernes, 1744, reverse glass painting, 32.5 x 39 cm, signed and dated at the bottom of the picture: Anna Maria From Esch pinxit Surlaci in Helvetia 1744, Anna Barbara Abesch, Sursee/Luzern 1706–1773 Sursee/Luzern
Crocodile hunting depicted in the reverse glass painting with gilding dated from the first half of the 18th century on display in the Unterlinden Museum (Musée Unterlinden) in Colmar, Alsace, France. The reverse glass painting was painted by German artist Nikolaus Michael Spengler after the print engraved by Dutch artist Johannes Colaert after the painting by Flemish mannerist painter Jan Van der Straet, also known as Stradanus. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crocodile-hunting-depicted-in-the-reverse-glass-painting-with-gilding-dated-from-the-first-half-of-the-18th-century-on-display-in-the-unterlinden-museum-muse-unterlinden-in-colmar-alsace-france-the-reverse-glass-painting-was-painted-by-german-artist-nikolaus-michael-spengler-after-the-print-engraved-by-dutch-artist-johannes-colaert-after-the-painting-by-flemish-mannerist-painter-jan-van-der-straet-also-known-as-stradanus-image263767245.html
RMW93HPN–Crocodile hunting depicted in the reverse glass painting with gilding dated from the first half of the 18th century on display in the Unterlinden Museum (Musée Unterlinden) in Colmar, Alsace, France. The reverse glass painting was painted by German artist Nikolaus Michael Spengler after the print engraved by Dutch artist Johannes Colaert after the painting by Flemish mannerist painter Jan Van der Straet, also known as Stradanus.
Crucifixion, reverse glass painting by Alois Gege, 1795-1864, Seehausen, Upper Bavaria, Bavaria, Germany, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-crucifixion-reverse-glass-painting-by-alois-gege-1795-1864-seehausen-48650145.html
RMCR45N5–Crucifixion, reverse glass painting by Alois Gege, 1795-1864, Seehausen, Upper Bavaria, Bavaria, Germany, Europe
China: Mirror painting of a woman playing a flute, late Qing Dynasty, c. 1840-1860. Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-mirror-painting-of-a-woman-playing-a-flute-late-qing-dynasty-c-1840-1860-reverse-painting-on-glass-is-an-art-form-consisting-of-applying-paint-to-a-piece-of-glass-and-then-viewing-the-image-by-turning-the-glass-over-and-looking-through-the-glass-at-the-image-image344237978.html
RM2B01B1E–China: Mirror painting of a woman playing a flute, late Qing Dynasty, c. 1840-1860. Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image.
Jesus and the Samaritan Woman at the Well. Culture: Southwest German (?). Dimensions: Overall (without frame): 7 1/16 x 8 1/2 in. (18 x 21.6 cm) Framed: 8 1/16 x 9 3/8 x 13/16 in. (20.5 x 23.8 x 2 cm). Date: ca. 1420. This early example of reverse glass painting may have been one of a series with scenes from the life of Jesus. The subject is a rarely depicted episode from the Gospel of John in which Jesus converses with a woman from Samaria. Their encounter was unexpected since, as Saint John said, 'Jews do not associate with Samaritans.' As a result of their conversation, the woman became c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesus-and-the-samaritan-woman-at-the-well-culture-southwest-german-dimensions-overall-without-frame-7-116-x-8-12-in-18-x-216-cm-framed-8-116-x-9-38-x-1316-in-205-x-238-x-2-cm-date-ca-1420-this-early-example-of-reverse-glass-painting-may-have-been-one-of-a-series-with-scenes-from-the-life-of-jesus-the-subject-is-a-rarely-depicted-episode-from-the-gospel-of-john-in-which-jesus-converses-with-a-woman-from-samaria-their-encounter-was-unexpected-since-as-saint-john-said-jews-do-not-associate-with-samaritans-as-a-result-of-their-conversation-the-woman-became-c-image213151967.html
RMPANWE7–Jesus and the Samaritan Woman at the Well. Culture: Southwest German (?). Dimensions: Overall (without frame): 7 1/16 x 8 1/2 in. (18 x 21.6 cm) Framed: 8 1/16 x 9 3/8 x 13/16 in. (20.5 x 23.8 x 2 cm). Date: ca. 1420. This early example of reverse glass painting may have been one of a series with scenes from the life of Jesus. The subject is a rarely depicted episode from the Gospel of John in which Jesus converses with a woman from Samaria. Their encounter was unexpected since, as Saint John said, 'Jews do not associate with Samaritans.' As a result of their conversation, the woman became c
Reverse glass painting Sancta Francisca 1911 by Vasily Kandinsky display in Solomon R.Guggenheim Museum.New York City.USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reverse-glass-painting-sancta-francisca-1911-by-vasily-kandinsky-display-in-solomon-rguggenheim-museumnew-york-cityusa-image462597551.html
RM2HTH3W3–Reverse glass painting Sancta Francisca 1911 by Vasily Kandinsky display in Solomon R.Guggenheim Museum.New York City.USA
. English: 'The Birth of Christ, after Barocci.' Reverse glass painting. . 1744. Anna Maria Barbara Abesch (23 March 1706, Sursee – 15 February 1773, Sursee) Anna Abesch - Geburt Christi nach Barocci Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-birth-of-christ-after-barocci-reverse-glass-painting-1744-anna-maria-barbara-abesch-23-march-1706-sursee-15-february-1773-sursee-anna-abesch-geburt-christi-nach-barocci-image184893286.html
RMMMPH7J–. English: 'The Birth of Christ, after Barocci.' Reverse glass painting. . 1744. Anna Maria Barbara Abesch (23 March 1706, Sursee – 15 February 1773, Sursee) Anna Abesch - Geburt Christi nach Barocci
Virgin and Child, Netherlands, 1400 1450, reverse glass painting Bode Museum DSC03648 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-virgin-and-child-netherlands-1400-1450-reverse-glass-painting-bode-143449934.html
RMJ9AKRX–Virgin and Child, Netherlands, 1400 1450, reverse glass painting Bode Museum DSC03648
Art inspired by Jesus and the Samaritan Woman at the Well, ca. 1420, Southwest German (?), Gold leaf, paint, and etching on glass, Overall (without frame): 7 1/16 x 8 1/2 in. (18 x 21.6 cm), Glass-Miscellany, This early example of reverse glass painting may have been one of a series, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-jesus-and-the-samaritan-woman-at-the-well-ca-1420-southwest-german-gold-leaf-paint-and-etching-on-glass-overall-without-frame-7-116-x-8-12-in-18-x-216-cm-glass-miscellany-this-early-example-of-reverse-glass-painting-may-have-been-one-of-a-series-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463033256.html
RF2HW8YJ0–Art inspired by Jesus and the Samaritan Woman at the Well, ca. 1420, Southwest German (?), Gold leaf, paint, and etching on glass, Overall (without frame): 7 1/16 x 8 1/2 in. (18 x 21.6 cm), Glass-Miscellany, This early example of reverse glass painting may have been one of a series, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Reliquary Diptych. 14th century with later modifications. France. Reliefes: silver, repousse and gilded. Varieties of wood, painting, klosterarbeit, rock crystal, glass, reverse glass painting, decoratives stones. Museum Schnütgen. Cologne, Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reliquary-diptych-14th-century-with-later-modifications-france-reliefes-177404349.html
RMM8HD1H–Reliquary Diptych. 14th century with later modifications. France. Reliefes: silver, repousse and gilded. Varieties of wood, painting, klosterarbeit, rock crystal, glass, reverse glass painting, decoratives stones. Museum Schnütgen. Cologne, Germany.
Reverse glass painting of a country farm in Maramures region of Romania. Colorful naive hilly landscape painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reverse-glass-painting-of-a-country-farm-in-maramures-region-of-romania-colorful-naive-hilly-landscape-painting-image436992508.html
RF2GAXMB8–Reverse glass painting of a country farm in Maramures region of Romania. Colorful naive hilly landscape painting.
Charles I of England, unknown artist, glass portrait painting, English, 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-i-of-england-unknown-artist-glass-portrait-painting-english-18th-century-image245741126.html
RMT7PD8P–Charles I of England, unknown artist, glass portrait painting, English, 18th century
literature, legend, West Africa, water spirit Mami Wata, reverse painting on glass by Gora M'Bengue (1931 - 1988), Dakar, 1987, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-literature-legend-west-africa-water-spirit-mami-wata-reverse-painting-86456657.html
RMF0JC9N–literature, legend, West Africa, water spirit Mami Wata, reverse painting on glass by Gora M'Bengue (1931 - 1988), Dakar, 1987, Additional-Rights-Clearences-Not Available
Inspired by Two Birds and Flowers, Reverse painting on glass, 19th century, Qajar, Qajar Period, 8 3/8 x 10 3/8 in., 21.3 x 26.4 cm, 19th Century, birds, flowers, glass, Iran, Middle East, painting, pattern, Persia, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-two-birds-and-flowers-reverse-painting-on-glass-19th-century-qajar-qajar-period-8-38-x-10-38-in-213-x-264-cm-19th-century-birds-flowers-glass-iran-middle-east-painting-pattern-persia-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459259201.html
RF2HK51P9–Inspired by Two Birds and Flowers, Reverse painting on glass, 19th century, Qajar, Qajar Period, 8 3/8 x 10 3/8 in., 21.3 x 26.4 cm, 19th Century, birds, flowers, glass, Iran, Middle East, painting, pattern, Persia, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Wernigerode, Germany. 15th Dec, 2016. Reverse glass paintings from the 19th century can be seen during a preview of the exhibition 'Bolihua. Historische Hinterglasmalerei aus China' (lit. 'Bolihua. Historical reverse glass painting from China') at Wernigerode Castle in Wernigerode, Germany, 15 December 2016. The exhibition is open until 16 April 2016. Photo: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wernigerode-germany-15th-dec-2016-reverse-glass-paintings-from-the-129077566.html
RMHDYYN2–Wernigerode, Germany. 15th Dec, 2016. Reverse glass paintings from the 19th century can be seen during a preview of the exhibition 'Bolihua. Historische Hinterglasmalerei aus China' (lit. 'Bolihua. Historical reverse glass painting from China') at Wernigerode Castle in Wernigerode, Germany, 15 December 2016. The exhibition is open until 16 April 2016. Photo: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News
Virgin and Child, Netherlands, 1400-1450, reverse glass painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-and-child-netherlands-1400-1450-reverse-glass-painting-image574322904.html
RM2TAAJM8–Virgin and Child, Netherlands, 1400-1450, reverse glass painting
A young man holding a rod with a shaped end (sceptre?) and a round object. Reverse glass painting by a Qajar artist, 182-. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-young-man-holding-a-rod-with-a-shaped-end-sceptre-and-a-round-object-reverse-glass-painting-by-a-qajar-artist-182-image450043072.html
RM2H456ET–A young man holding a rod with a shaped end (sceptre?) and a round object. Reverse glass painting by a Qajar artist, 182-.
A Qajar reverse glass painting of a youthful prince, Iran, 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-qajar-reverse-glass-painting-of-a-youthful-prince-iran-19th-century-image592951360.html
RM2WCK7E8–A Qajar reverse glass painting of a youthful prince, Iran, 19th century.
Jesus and the Samaritan Woman at the Well ca. 1420 Southwest German (?) This early example of reverse glass painting may have been one of a series with scenes from the life of Jesus. The subject is a rarely depicted episode from the Gospel of John in which Jesus converses with a woman from Samaria. Their encounter was unexpected since, as Saint John said, “Jews do not associate with Samaritans.” As a result of their conversation, the woman became convinced that Jesus was the Messiah. The glass panel, originally from an altar or pulpit, was part of a series depicting the life of Christ.. Jesus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesus-and-the-samaritan-woman-at-the-well-ca-1420-southwest-german-this-early-example-of-reverse-glass-painting-may-have-been-one-of-a-series-with-scenes-from-the-life-of-jesus-the-subject-is-a-rarely-depicted-episode-from-the-gospel-of-john-in-which-jesus-converses-with-a-woman-from-samaria-their-encounter-was-unexpected-since-as-saint-john-said-jews-do-not-associate-with-samaritans-as-a-result-of-their-conversation-the-woman-became-convinced-that-jesus-was-the-messiah-the-glass-panel-originally-from-an-altar-or-pulpit-was-part-of-a-series-depicting-the-life-of-christ-jesus-image458556942.html
RM2HJ121J–Jesus and the Samaritan Woman at the Well ca. 1420 Southwest German (?) This early example of reverse glass painting may have been one of a series with scenes from the life of Jesus. The subject is a rarely depicted episode from the Gospel of John in which Jesus converses with a woman from Samaria. Their encounter was unexpected since, as Saint John said, “Jews do not associate with Samaritans.” As a result of their conversation, the woman became convinced that Jesus was the Messiah. The glass panel, originally from an altar or pulpit, was part of a series depicting the life of Christ.. Jesus
Natchez, Unknown, date unknown, reverse painting on glass, 25 x 32 in., 32 x 39 x 1-1/8 in. (framed), American, American Painting and Sculpture to 1945 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/natchez-unknown-date-unknown-reverse-painting-on-glass-25-x-32-in-32-x-39-x-1-18-in-framed-american-american-painting-and-sculpture-to-1945-image328779836.html
RM2A2W610–Natchez, Unknown, date unknown, reverse painting on glass, 25 x 32 in., 32 x 39 x 1-1/8 in. (framed), American, American Painting and Sculpture to 1945
Saint Jerome and Mary Magdalene Monogrammist VBL Swiss Former Attribution Rhine School, 16th-17th Century first half of the 17th century This beautifully preserved sheet bears, in the shadow at lower right, the monogram VBL, associating the drawing with a glass painter known as the Monogrammist VBL. Examples of stained glass and reverse glass painting bearing this monogram and attributable to the artist on stylistic grounds are found today in private collections in Fribourg; the Vitrocentre Romont; the Museum für Angewandte Kunst in Cologne; and the Museo di San Martino in Naples. His work as Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-jerome-and-mary-magdalene-monogrammist-vbl-swiss-former-attribution-rhine-school-16th-17th-century-first-half-of-the-17th-century-this-beautifully-preserved-sheet-bears-in-the-shadow-at-lower-right-the-monogram-vbl-associating-the-drawing-with-a-glass-painter-known-as-the-monogrammist-vbl-examples-of-stained-glass-and-reverse-glass-painting-bearing-this-monogram-and-attributable-to-the-artist-on-stylistic-grounds-are-found-today-in-private-collections-in-fribourg-the-vitrocentre-romont-the-museum-fr-angewandte-kunst-in-cologne-and-the-museo-di-san-martino-in-naples-his-work-as-image569504164.html
RM2T2F4AC–Saint Jerome and Mary Magdalene Monogrammist VBL Swiss Former Attribution Rhine School, 16th-17th Century first half of the 17th century This beautifully preserved sheet bears, in the shadow at lower right, the monogram VBL, associating the drawing with a glass painter known as the Monogrammist VBL. Examples of stained glass and reverse glass painting bearing this monogram and attributable to the artist on stylistic grounds are found today in private collections in Fribourg; the Vitrocentre Romont; the Museum für Angewandte Kunst in Cologne; and the Museo di San Martino in Naples. His work as
Reverse painted glass Chinese snuff bottle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reverse-painted-glass-chinese-snuff-bottle-16494465.html
RFAW7W9P–Reverse painted glass Chinese snuff bottle
China: Mirror painting of a woman reclining in a chair, late Qing Dynasty, c. 1840-1860. Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-mirror-painting-of-a-woman-reclining-in-a-chair-late-qing-dynasty-c-1840-1860-reverse-painting-on-glass-is-an-art-form-consisting-of-applying-paint-to-a-piece-of-glass-and-then-viewing-the-image-by-turning-the-glass-over-and-looking-through-the-glass-at-the-image-image344237979.html
RM2B01B1F–China: Mirror painting of a woman reclining in a chair, late Qing Dynasty, c. 1840-1860. Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image.
Reliquary Diptych. 14th century with later modifications. France. Reliefes: silver, repousse and gilded. Varieties of wood, painting, klosterarbeit, rock crystal, glass, reverse glass painting, decoratives stones. Museum Schnu tgen. Cologne, Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reliquary-diptych-14th-century-with-later-modifications-france-reliefes-silver-repousse-and-gilded-varieties-of-wood-painting-klosterarbeit-rock-crystal-glass-reverse-glass-painting-decoratives-stones-museum-schnu-tgen-cologne-germany-image231217744.html
RMRC4TGG–Reliquary Diptych. 14th century with later modifications. France. Reliefes: silver, repousse and gilded. Varieties of wood, painting, klosterarbeit, rock crystal, glass, reverse glass painting, decoratives stones. Museum Schnu tgen. Cologne, Germany.
Vietnam: A glass reverse painting in the Hoa Khiem Palace in the grounds of the Tomb of Emperor Tu Duc, Hue. Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image. Emperor Tự Đức (22 September 1829 – 17 July 1883) (full name: Nguyễn Phúc Hồng Nhậm, also Nguyen Phuc Thi) was the fourth emperor of the Nguyễn Dynasty of Vietnam and reigned from 1847–1883. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vietnam-a-glass-reverse-painting-in-the-hoa-khiem-palace-in-the-grounds-of-the-tomb-of-emperor-tu-duc-hue-reverse-painting-on-glass-is-an-art-form-consisting-of-applying-paint-to-a-piece-of-glass-and-then-viewing-the-image-by-turning-the-glass-over-and-looking-through-the-glass-at-the-image-emperor-t-c-22-september-1829-17-july-1883-full-name-nguyn-phc-hng-nhm-also-nguyen-phuc-thi-was-the-fourth-emperor-of-the-nguyn-dynasty-of-vietnam-and-reigned-from-18471883-image344261422.html
RM2B02CXP–Vietnam: A glass reverse painting in the Hoa Khiem Palace in the grounds of the Tomb of Emperor Tu Duc, Hue. Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image. Emperor Tự Đức (22 September 1829 – 17 July 1883) (full name: Nguyễn Phúc Hồng Nhậm, also Nguyen Phuc Thi) was the fourth emperor of the Nguyễn Dynasty of Vietnam and reigned from 1847–1883.
. English: 'The Amazon, Royal Mail Steam Ship, Burnt 4th Jany. 1852', reverse glass painting by Petrus Nefors (1790-1876) . 4 September 2015, 17:37:44. Petrus Nefors (1790-1876) 979 Petrus Nefors 002 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-amazon-royal-mail-steam-ship-burnt-4th-jany-1852-reverse-glass-painting-by-petrus-nefors-1790-1876-4-september-2015-173744-petrus-nefors-1790-1876-979-petrus-nefors-002-image185772779.html
RMMP6K23–. English: 'The Amazon, Royal Mail Steam Ship, Burnt 4th Jany. 1852', reverse glass painting by Petrus Nefors (1790-1876) . 4 September 2015, 17:37:44. Petrus Nefors (1790-1876) 979 Petrus Nefors 002
Reliquary of Mary Magdalene 14th and 15th century North Italian Reliquary of Mary Magdalene, 14th and 15th centuryMade in Tuscany, ItalyGilded copper, gilded silver, rock crystal, verre églomisé; Overall 22 x 9 3/8 x 7 15/16 in. (55.9 x 23.8 x 20.2 cm), roundel 3 3/8 in. (8.6 cm)Gift of J. Pierpont Morgan, 1917 (17.190.504)While their choir books were richly colored, Franciscan communities frequently chose more somber verre églomisé, a reverse-glass painting technique, for reliquaries. Although the palette of the glass medallion that crowns the reliquary is limited, the overall effect of cryst Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reliquary-of-mary-magdalene-14th-and-15th-century-north-italian-reliquary-of-mary-magdalene-14th-and-15th-centurymade-in-tuscany-italygilded-copper-gilded-silver-rock-crystal-verre-glomis-overall-22-x-9-38-x-7-1516-in-559-x-238-x-202-cm-roundel-3-38-in-86-cmgift-of-j-pierpont-morgan-1917-17190504while-their-choir-books-were-richly-colored-franciscan-communities-frequently-chose-more-somber-verre-glomis-a-reverse-glass-painting-technique-for-reliquaries-although-the-palette-of-the-glass-medallion-that-crowns-the-reliquary-is-limited-the-overall-effect-of-cryst-image458556586.html
RM2HJ11GX–Reliquary of Mary Magdalene 14th and 15th century North Italian Reliquary of Mary Magdalene, 14th and 15th centuryMade in Tuscany, ItalyGilded copper, gilded silver, rock crystal, verre églomisé; Overall 22 x 9 3/8 x 7 15/16 in. (55.9 x 23.8 x 20.2 cm), roundel 3 3/8 in. (8.6 cm)Gift of J. Pierpont Morgan, 1917 (17.190.504)While their choir books were richly colored, Franciscan communities frequently chose more somber verre églomisé, a reverse-glass painting technique, for reliquaries. Although the palette of the glass medallion that crowns the reliquary is limited, the overall effect of cryst
Painting on glass of hydrangea flowers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-painting-on-glass-of-hydrangea-flowers-40073035.html
RMC95DFR–Painting on glass of hydrangea flowers
Reliquary Diptych. 14th century with later modifications. Detail. France. Reliefes: silver, repousse and gilded. Varieties of wood, painting, klosterarbeit, rock crystal, glass, reverse glass painting, decoratives stones. Museum Schnütgen. Cologne, Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reliquary-diptych-14th-century-with-later-modifications-detail-france-177404350.html
RMM8HD1J–Reliquary Diptych. 14th century with later modifications. Detail. France. Reliefes: silver, repousse and gilded. Varieties of wood, painting, klosterarbeit, rock crystal, glass, reverse glass painting, decoratives stones. Museum Schnütgen. Cologne, Germany.
Framed reverse glass painting of a country farm in Maramures region of Romania. Colorful naive hilly landscape painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/framed-reverse-glass-painting-of-a-country-farm-in-maramures-region-of-romania-colorful-naive-hilly-landscape-painting-image436992512.html
RF2GAXMBC–Framed reverse glass painting of a country farm in Maramures region of Romania. Colorful naive hilly landscape painting.
Covering over 1,500 years of exquisite bejewelled and historic objects, sumptuous rugs, luminous orientalist paintings and iconic modern and contemporary canvases on auction at Sotheby’s Featuring: A technician hangs Monir Farmanfarmaian, Recollections I, mirror mosaic, reverse-glass painting and aluminium on plaster on board, 2008 (est. £160, 000-200, 000) Where: London, United Kingdom When: 20 Apr 2018 Credit: Dinendra Haria/WENN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covering-over-1500-years-of-exquisite-bejewelled-and-historic-objects-sumptuous-rugs-luminous-orientalist-paintings-and-iconic-modern-and-contemporary-canvaseson-auction-at-sothebys-featuring-a-technician-hangs-monir-farmanfarmaian-recollections-i-mirror-mosaic-reverse-glass-painting-and-aluminium-on-plaster-on-board-2008-est-160-000-200-000-where-london-united-kingdom-when-20-apr-2018-credit-dinendra-hariawenn-image185752186.html
RMMP5MPJ–Covering over 1,500 years of exquisite bejewelled and historic objects, sumptuous rugs, luminous orientalist paintings and iconic modern and contemporary canvases on auction at Sotheby’s Featuring: A technician hangs Monir Farmanfarmaian, Recollections I, mirror mosaic, reverse-glass painting and aluminium on plaster on board, 2008 (est. £160, 000-200, 000) Where: London, United Kingdom When: 20 Apr 2018 Credit: Dinendra Haria/WENN
A frame painting on reverse glass depicting a wooden church typical of Maramures region of Romania. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-frame-painting-on-reverse-glass-depicting-a-wooden-church-typical-of-maramures-region-of-romania-image264039522.html
RFW9G12X–A frame painting on reverse glass depicting a wooden church typical of Maramures region of Romania.
Art inspired by Two Birds and Flowers, Reverse painting on glass, 19th century, Qajar, Qajar Period, 8 3/8 x 10 3/8 in., 21.3 x 26.4 cm, 19th Century, birds, flowers, glass, Iran, Middle East, painting, pattern, Persia, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-two-birds-and-flowers-reverse-painting-on-glass-19th-century-qajar-qajar-period-8-38-x-10-38-in-213-x-264-cm-19th-century-birds-flowers-glass-iran-middle-east-painting-pattern-persia-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459570883.html
RF2HKK79R–Art inspired by Two Birds and Flowers, Reverse painting on glass, 19th century, Qajar, Qajar Period, 8 3/8 x 10 3/8 in., 21.3 x 26.4 cm, 19th Century, birds, flowers, glass, Iran, Middle East, painting, pattern, Persia, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Wernigerode, Germany. 15th Dec, 2016. Reverse glass paintings from the 19th century can be seen during a preview of the exhibition 'Bolihua. Historische Hinterglasmalerei aus China' (lit. 'Bolihua. Historical reverse glass painting from China') at Wernigerode Castle in Wernigerode, Germany, 15 December 2016. The exhibition is open until 16 April 2016. Photo: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wernigerode-germany-15th-dec-2016-reverse-glass-paintings-from-the-129077570.html
RMHDYYN6–Wernigerode, Germany. 15th Dec, 2016. Reverse glass paintings from the 19th century can be seen during a preview of the exhibition 'Bolihua. Historische Hinterglasmalerei aus China' (lit. 'Bolihua. Historical reverse glass painting from China') at Wernigerode Castle in Wernigerode, Germany, 15 December 2016. The exhibition is open until 16 April 2016. Photo: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News
Icon painted on reverse glass in the naive orthodox style of Eastern Europe depicting the Holy Trinity. Framed icon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/icon-painted-on-reverse-glass-in-the-naive-orthodox-style-of-eastern-europe-depicting-the-holy-trinity-framed-icon-image594287194.html
RF2WET3AJ–Icon painted on reverse glass in the naive orthodox style of Eastern Europe depicting the Holy Trinity. Framed icon.
'George Washington', reverse painting on glass by William Matthew Prior Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-george-washington-reverse-painting-on-glass-by-william-matthew-prior-141292230.html
RMJ5TBK2–'George Washington', reverse painting on glass by William Matthew Prior
Icon painted on reverse glass in the naive orthodox style of Eastern Europe depicting Saint Mina of Egypt. Framed icon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/icon-painted-on-reverse-glass-in-the-naive-orthodox-style-of-eastern-europe-depicting-saint-mina-of-egypt-framed-icon-image594287186.html
RF2WET3AA–Icon painted on reverse glass in the naive orthodox style of Eastern Europe depicting Saint Mina of Egypt. Framed icon.
Said Ali, the cousin of Muhammad the Prophet, fighting Ras al-Ghul (the demon's head) depicted in the reverse painting on glass from Tunisia dated from the 19th century on display in the Weltmuseum Wien (Museum of Ethnology) in Vienna, Austria. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/said-ali-the-cousin-of-muhammad-the-prophet-fighting-ras-al-ghul-the-demons-head-depicted-in-the-reverse-painting-on-glass-from-tunisia-dated-from-the-19th-century-on-display-in-the-weltmuseum-wien-museum-of-ethnology-in-vienna-austria-image184793548.html
RMMMJ21G–Said Ali, the cousin of Muhammad the Prophet, fighting Ras al-Ghul (the demon's head) depicted in the reverse painting on glass from Tunisia dated from the 19th century on display in the Weltmuseum Wien (Museum of Ethnology) in Vienna, Austria.
American 19th Century, (artist), Watermelon, mid 19th century, reverse painting on glass, overall: 35.5 x 45.7 cm (14 x 18 in.), framed: 39 x 49.5 cm (15 3/8 x 19 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-19th-century-artist-watermelon-mid-19th-century-reverse-painting-on-glass-overall-355-x-457-cm-14-x-18-in-framed-39-x-495-cm-15-38-x-19-12-in-image386347063.html
RM2DCFHHB–American 19th Century, (artist), Watermelon, mid 19th century, reverse painting on glass, overall: 35.5 x 45.7 cm (14 x 18 in.), framed: 39 x 49.5 cm (15 3/8 x 19 1/2 in
Icon painted on reverse glass in the naive orthodox style of Eastern Europe depicting the Holy Trinity. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/icon-painted-on-reverse-glass-in-the-naive-orthodox-style-of-eastern-europe-depicting-the-holy-trinity-image473571497.html
RF2JED17N–Icon painted on reverse glass in the naive orthodox style of Eastern Europe depicting the Holy Trinity.
Reverse painting on glass Man of sorrows Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reverse-painting-on-glass-man-of-sorrows-spain-134884699.html
RMHRCEPK–Reverse painting on glass Man of sorrows Spain
Traditional reverse-glass Indian painting in Spanish villa, Mallorca Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/traditional-reverse-glass-indian-painting-in-spanish-villa-mallorca-image444265622.html
RM2GPP19A–Traditional reverse-glass Indian painting in Spanish villa, Mallorca
Reliquary Diptych. 14th century with later modifications. Detail. France. Reliefes: silver, repousse and gilded. Varieties of wood, painting, klosterarbeit, rock crystal, glass, reverse glass painting, decoratives stones. Museum Schnu tgen. Cologne, Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reliquary-diptych-14th-century-with-later-modifications-detail-france-reliefes-silver-repousse-and-gilded-varieties-of-wood-painting-klosterarbeit-rock-crystal-glass-reverse-glass-painting-decoratives-stones-museum-schnu-tgen-cologne-germany-image220337769.html
RMPPD721–Reliquary Diptych. 14th century with later modifications. Detail. France. Reliefes: silver, repousse and gilded. Varieties of wood, painting, klosterarbeit, rock crystal, glass, reverse glass painting, decoratives stones. Museum Schnu tgen. Cologne, Germany.
Vietnam: A glass reverse painting in the Hoa Khiem Palace in the grounds of the Tomb of Emperor Tu Duc, Hue. Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image. Emperor Tự Đức (22 September 1829 – 17 July 1883) (full name: Nguyễn Phúc Hồng Nhậm, also Nguyen Phuc Thi) was the fourth emperor of the Nguyễn Dynasty of Vietnam and reigned from 1847–1883. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vietnam-a-glass-reverse-painting-in-the-hoa-khiem-palace-in-the-grounds-of-the-tomb-of-emperor-tu-duc-hue-reverse-painting-on-glass-is-an-art-form-consisting-of-applying-paint-to-a-piece-of-glass-and-then-viewing-the-image-by-turning-the-glass-over-and-looking-through-the-glass-at-the-image-emperor-t-c-22-september-1829-17-july-1883-full-name-nguyn-phc-hng-nhm-also-nguyen-phuc-thi-was-the-fourth-emperor-of-the-nguyn-dynasty-of-vietnam-and-reigned-from-18471883-image344261424.html
RM2B02CXT–Vietnam: A glass reverse painting in the Hoa Khiem Palace in the grounds of the Tomb of Emperor Tu Duc, Hue. Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image. Emperor Tự Đức (22 September 1829 – 17 July 1883) (full name: Nguyễn Phúc Hồng Nhậm, also Nguyen Phuc Thi) was the fourth emperor of the Nguyễn Dynasty of Vietnam and reigned from 1847–1883.
. English: 'H.M.S. 'Castor' running down the 'Chameleon' cutter off Dover', (1834) reverse glass painting by Petrus Nefors (1790-1876) . 4 September 2015, 17:26:18. Petrus Nefors (1790-1876) 979 Petrus Nefors 001 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-hms-castor-running-down-the-chameleon-cutter-off-dover-1834-reverse-glass-painting-by-petrus-nefors-1790-1876-4-september-2015-172618-petrus-nefors-1790-1876-979-petrus-nefors-001-image185772778.html
RMMP6K22–. English: 'H.M.S. 'Castor' running down the 'Chameleon' cutter off Dover', (1834) reverse glass painting by Petrus Nefors (1790-1876) . 4 September 2015, 17:26:18. Petrus Nefors (1790-1876) 979 Petrus Nefors 001
George Washington, attributed to Foeiqua (Chinese), c. 1800-1805, reverse painting on glass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-washington-attributed-to-foeiqua-chinese-c-1800-1805-reverse-painting-on-glass-image348699539.html
RM2B78HPY–George Washington, attributed to Foeiqua (Chinese), c. 1800-1805, reverse painting on glass
The Penitent Magdalene, 1660-75. French Icon used in private devotion and prayer. It depicts the conversion of Mary Magdalene, one of the most faithful early followers of Christ Shown in a sumptuous interior, she may be a portrait of one of Louis XIV’s many mistresses. The sun in the corner may also be an allusion to Louis as the Sun King. Painted glass, gilded and lacquered on the reverse and backed with foil; gilded copper alloy frame Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-penitent-magdalene-1660-75-french-icon-used-in-private-devotion-and-prayer-it-depicts-the-conversion-of-mary-magdalene-one-of-the-most-faithful-early-followers-of-christ-shown-in-a-sumptuous-interior-she-may-be-a-portrait-of-one-of-louis-xivs-many-mistresses-the-sun-in-the-corner-may-also-be-an-allusion-to-louis-as-the-sun-king-painted-glass-gilded-and-lacquered-on-the-reverse-and-backed-with-foil-gilded-copper-alloy-frame-image186360245.html
RMMR5CB1–The Penitent Magdalene, 1660-75. French Icon used in private devotion and prayer. It depicts the conversion of Mary Magdalene, one of the most faithful early followers of Christ Shown in a sumptuous interior, she may be a portrait of one of Louis XIV’s many mistresses. The sun in the corner may also be an allusion to Louis as the Sun King. Painted glass, gilded and lacquered on the reverse and backed with foil; gilded copper alloy frame
Hebe Serving Wine, by Fatqua, Guangzhou, China, 1810-1815, reverse painting on glass after a European engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hebe-serving-wine-by-fatqua-guangzhou-china-1810-1815-reverse-painting-on-glass-after-a-european-engraving-image353155590.html
RM2BEFHFJ–Hebe Serving Wine, by Fatqua, Guangzhou, China, 1810-1815, reverse painting on glass after a European engraving
Christ as Maori King walking across Lake Rotorua, reverse painting on glass, St Faiths Anglican Church, Maori village of Ohinemutu on the shore of Lak Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-as-maori-king-walking-across-lake-rotorua-reverse-painting-on-glass-st-faiths-anglican-church-maori-village-of-ohinemutu-on-the-shore-of-lak-image516153170.html
RM2MYMPHP–Christ as Maori King walking across Lake Rotorua, reverse painting on glass, St Faiths Anglican Church, Maori village of Ohinemutu on the shore of Lak
Covering over 1,500 years of exquisite bejewelled and historic objects, sumptuous rugs, luminous orientalist paintings and iconic modern and contemporary canvases on auction at Sotheby’s Featuring: A technician cleans Monir Farmanfarmaian’s Recollections I, mirror mosaic, reverse-glass painting and aluminium on plaster on board, 2008 (est. £160, 000-200, 000) Where: London, United Kingdom When: 20 Apr 2018 Credit: Dinendra Haria/WENN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covering-over-1500-years-of-exquisite-bejewelled-and-historic-objects-sumptuous-rugs-luminous-orientalist-paintings-and-iconic-modern-and-contemporary-canvaseson-auction-at-sothebys-featuring-a-technician-cleans-monir-farmanfarmaians-recollections-i-mirror-mosaic-reverse-glass-painting-and-aluminium-on-plaster-on-board-2008-est-160-000-200-000-where-london-united-kingdom-when-20-apr-2018-credit-dinendra-hariawenn-image185751984.html
RMMP5MFC–Covering over 1,500 years of exquisite bejewelled and historic objects, sumptuous rugs, luminous orientalist paintings and iconic modern and contemporary canvases on auction at Sotheby’s Featuring: A technician cleans Monir Farmanfarmaian’s Recollections I, mirror mosaic, reverse-glass painting and aluminium on plaster on board, 2008 (est. £160, 000-200, 000) Where: London, United Kingdom When: 20 Apr 2018 Credit: Dinendra Haria/WENN
'George Washington', reverse painting on glass by William Matthew Prior. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-washington-reverse-painting-on-glass-by-william-matthew-prior-image231035803.html
RMRBTGEK–'George Washington', reverse painting on glass by William Matthew Prior.
Judith with the head of Holofernes, 1744, reverse glass painting, 32.5 x 39 cm, signed and dated at the bottom of the picture: Anna Maria From Esch pinxit Surlaci in Helvetia 1744, Anna Barbara Abesch, Sursee/Luzern 1706–1773 Sursee/Luzern, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/judith-with-the-head-of-holofernes-1744-reverse-glass-painting-325-x-39-cm-signed-and-dated-at-the-bottom-of-the-picture-anna-maria-from-esch-pinxit-surlaci-in-helvetia-1744-anna-barbara-abesch-surseeluzern-17061773-surseeluzern-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349801601.html
RF2B92RE9–Judith with the head of Holofernes, 1744, reverse glass painting, 32.5 x 39 cm, signed and dated at the bottom of the picture: Anna Maria From Esch pinxit Surlaci in Helvetia 1744, Anna Barbara Abesch, Sursee/Luzern 1706–1773 Sursee/Luzern, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Wernigerode, Germany. 15th Dec, 2016. Reverse glass paintings from the 19th century can be seen during a preview of the exhibition 'Bolihua. Historische Hinterglasmalerei aus China' (lit. 'Bolihua. Historical reverse glass painting from China') at Wernigerode Castle in Wernigerode, Germany, 15 December 2016. The exhibition is open until 16 April 2016. Photo: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wernigerode-germany-15th-dec-2016-reverse-glass-paintings-from-the-129077569.html
RMHDYYN5–Wernigerode, Germany. 15th Dec, 2016. Reverse glass paintings from the 19th century can be seen during a preview of the exhibition 'Bolihua. Historische Hinterglasmalerei aus China' (lit. 'Bolihua. Historical reverse glass painting from China') at Wernigerode Castle in Wernigerode, Germany, 15 December 2016. The exhibition is open until 16 April 2016. Photo: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News
Two-Sided Pendant with the Appearance of the Virgin to Saint Catherine of Alexandria, and the Virgin Immaculate with Ramon Llull and Duns Scotus. 1650–1750. Spain. Gold, enamel, and reverse painting (verre eglomisé) on glass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-sided-pendant-with-the-appearance-of-the-virgin-to-saint-catherine-of-alexandria-and-the-virgin-immaculate-with-ramon-llull-and-duns-scotus-16501750-spain-gold-enamel-and-reverse-painting-verre-eglomis-on-glass-image337931700.html
RM2AHP398–Two-Sided Pendant with the Appearance of the Virgin to Saint Catherine of Alexandria, and the Virgin Immaculate with Ramon Llull and Duns Scotus. 1650–1750. Spain. Gold, enamel, and reverse painting (verre eglomisé) on glass
Anonymous reverse painting on glass of a woman, western India, late 19th century, HAA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-reverse-painting-on-glass-of-a-woman-western-india-late-image155510899.html
RMK103MK–Anonymous reverse painting on glass of a woman, western India, late 19th century, HAA
Screen with European Figures (obverse) and Landscape (reverse) with Stand, 1736-1795. On the obverse side of this two-sided table screen is an enamel-painted copper plaque with European figures. The image is probably derived from prints. European enamelware was introduced to China through missionary-artists at the Beijing court and foreign trade in Guangzhou. On the reverse side is a glass painting of architectural landscape in the Chinese style. At the Qing court, imperial commands made possible artistic collaboration and the incorporation of different artistic expressions in a single artwork Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/screen-with-european-figures-obverse-and-landscape-reverse-with-stand-1736-1795-on-the-obverse-side-of-this-two-sided-table-screen-is-an-enamel-painted-copper-plaque-with-european-figures-the-image-is-probably-derived-from-prints-european-enamelware-was-introduced-to-china-through-missionary-artists-at-the-beijing-court-and-foreign-trade-in-guangzhou-on-the-reverse-side-is-a-glass-painting-of-architectural-landscape-in-the-chinese-style-at-the-qing-court-imperial-commands-made-possible-artistic-collaboration-and-the-incorporation-of-different-artistic-expressions-in-a-single-artwork-image330117128.html
RM2A523NC–Screen with European Figures (obverse) and Landscape (reverse) with Stand, 1736-1795. On the obverse side of this two-sided table screen is an enamel-painted copper plaque with European figures. The image is probably derived from prints. European enamelware was introduced to China through missionary-artists at the Beijing court and foreign trade in Guangzhou. On the reverse side is a glass painting of architectural landscape in the Chinese style. At the Qing court, imperial commands made possible artistic collaboration and the incorporation of different artistic expressions in a single artwork
Olympia Auctions London 13 May 2024 A Chinese reverse glass painting of Lin Biao,1960's. depicting Lin Biao holding aloft Mao's red book in his left hand, all above a line of marching red guards holding red books and rifles, framed Est £300-500 .Auction 14 May 11 am 25 Blythe Road, London W14 0PD.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/olympia-auctions-london-13-may-2024-a-chinese-reverse-glass-painting-of-lin-biao1960s-depicting-lin-biao-holding-aloft-maos-red-book-in-his-left-hand-all-above-a-line-of-marching-red-guards-holding-red-books-and-rifles-framed-est-300-500-auction-14-may-11-am-25-blythe-road-london-w14-0pdpaul-quezada-neimanalamy-live-news-credit-paul-quezada-neimanalamy-live-news-image606165264.html
RM2X655YC–Olympia Auctions London 13 May 2024 A Chinese reverse glass painting of Lin Biao,1960's. depicting Lin Biao holding aloft Mao's red book in his left hand, all above a line of marching red guards holding red books and rifles, framed Est £300-500 .Auction 14 May 11 am 25 Blythe Road, London W14 0PD.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News
Two Birds and Flowers, Reverse painting on glass, 19th century, Qajar, Qajar Period, 8 3/8 x 10 3/8 in., 21.3 x 26.4 cm, 19th Century, birds, flowers, glass, Iran, Middle East, painting, pattern, Persia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-birds-and-flowers-reverse-painting-on-glass-19th-century-qajar-qajar-period-8-38-x-10-38-in-213-x-264-cm-19th-century-birds-flowers-glass-iran-middle-east-painting-pattern-persia-image454279614.html
RM2HB267X–Two Birds and Flowers, Reverse painting on glass, 19th century, Qajar, Qajar Period, 8 3/8 x 10 3/8 in., 21.3 x 26.4 cm, 19th Century, birds, flowers, glass, Iran, Middle East, painting, pattern, Persia
Icon painted on reverse glass in the naive orthodox style of Eastern Europe depicting the Holy Trinity. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/icon-painted-on-reverse-glass-in-the-naive-orthodox-style-of-eastern-europe-depicting-the-holy-trinity-image473571572.html
RF2JED1AC–Icon painted on reverse glass in the naive orthodox style of Eastern Europe depicting the Holy Trinity.
'George Washington', reverse painting on glass by William Matthew Prior Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-george-washington-reverse-painting-on-glass-by-william-matthew-prior-114765467.html
RMGJM0EK–'George Washington', reverse painting on glass by William Matthew Prior
Reverse painting on glass of biblical scene in a hand carved wooden frame seen at a shop in Sighisoara, Romania Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reverse-painting-on-glass-of-biblical-scene-in-a-hand-carved-wooden-49385717.html
RFCT9KYH–Reverse painting on glass of biblical scene in a hand carved wooden frame seen at a shop in Sighisoara, Romania
Watermelon. Dated: mid 19th century. Dimensions: overall: 35.5 x 45.7 cm (14 x 18 in.) framed: 39 x 49.5 cm (15 3/8 x 19 1/2 in.). Medium: reverse painting on glass. Museum: National Gallery of Art, Washington DC. Author: American 19th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/watermelon-dated-mid-19th-century-dimensions-overall-355-x-457-cm-14-x-18-in-framed-39-x-495-cm-15-38-x-19-12-in-medium-reverse-painting-on-glass-museum-national-gallery-of-art-washington-dc-author-american-19th-century-image218673731.html
RMPKNCG3–Watermelon. Dated: mid 19th century. Dimensions: overall: 35.5 x 45.7 cm (14 x 18 in.) framed: 39 x 49.5 cm (15 3/8 x 19 1/2 in.). Medium: reverse painting on glass. Museum: National Gallery of Art, Washington DC. Author: American 19th Century.
Vietnam: A glass reverse painting in the Hoa Khiem Palace in the grounds of the Tomb of Emperor Tu Duc, Hue. Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image. Emperor Tự Đức (22 September 1829 – 17 July 1883) (full name: Nguyễn Phúc Hồng Nhậm, also Nguyen Phuc Thi) was the fourth emperor of the Nguyễn Dynasty of Vietnam and reigned from 1847–1883. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vietnam-a-glass-reverse-painting-in-the-hoa-khiem-palace-in-the-grounds-of-the-tomb-of-emperor-tu-duc-hue-reverse-painting-on-glass-is-an-art-form-consisting-of-applying-paint-to-a-piece-of-glass-and-then-viewing-the-image-by-turning-the-glass-over-and-looking-through-the-glass-at-the-image-emperor-t-c-22-september-1829-17-july-1883-full-name-nguyn-phc-hng-nhm-also-nguyen-phuc-thi-was-the-fourth-emperor-of-the-nguyn-dynasty-of-vietnam-and-reigned-from-18471883-image344261432.html
RM2B02CY4–Vietnam: A glass reverse painting in the Hoa Khiem Palace in the grounds of the Tomb of Emperor Tu Duc, Hue. Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image. Emperor Tự Đức (22 September 1829 – 17 July 1883) (full name: Nguyễn Phúc Hồng Nhậm, also Nguyen Phuc Thi) was the fourth emperor of the Nguyễn Dynasty of Vietnam and reigned from 1847–1883.
1059 Reverse painting on glass Man of sorrows Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1059-reverse-painting-on-glass-man-of-sorrows-spain-image185558062.html
RMMNTW5J–1059 Reverse painting on glass Man of sorrows Spain
Pillar Looking Glass with Eagle and Festoons. United States, New York, circa 1800-1820. Furnishings; Accessories. Gilt pine and reverse painting on glass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pillar-looking-glass-with-eagle-and-festoons-united-states-new-york-circa-1800-1820-furnishings-accessories-gilt-pine-and-reverse-painting-on-glass-image464704031.html
RM2J012MF–Pillar Looking Glass with Eagle and Festoons. United States, New York, circa 1800-1820. Furnishings; Accessories. Gilt pine and reverse painting on glass
The Penitent Magdalene, 1660-75. French Icon used in private devotion and prayer. It depicts the conversion of Mary Magdalene, one of the most faithful early followers of Christ Shown in a sumptuous interior, she may be a portrait of one of Louis XIV’s many mistresses. The sun in the corner may also be an allusion to Louis as the Sun King. Painted glass, gilded and lacquered on the reverse and backed with foil; gilded copper alloy frame Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-penitent-magdalene-1660-75-french-icon-used-in-private-devotion-and-prayer-it-depicts-the-conversion-of-mary-magdalene-one-of-the-most-faithful-early-followers-of-christ-shown-in-a-sumptuous-interior-she-may-be-a-portrait-of-one-of-louis-xivs-many-mistresses-the-sun-in-the-corner-may-also-be-an-allusion-to-louis-as-the-sun-king-painted-glass-gilded-and-lacquered-on-the-reverse-and-backed-with-foil-gilded-copper-alloy-frame-image186360242.html
RMMR5CAX–The Penitent Magdalene, 1660-75. French Icon used in private devotion and prayer. It depicts the conversion of Mary Magdalene, one of the most faithful early followers of Christ Shown in a sumptuous interior, she may be a portrait of one of Louis XIV’s many mistresses. The sun in the corner may also be an allusion to Louis as the Sun King. Painted glass, gilded and lacquered on the reverse and backed with foil; gilded copper alloy frame
(Reverse). Portrait of Hilda May Perrins, 1890-1910. Miniature watercolour painting on ivory encased in a gold-coloured metal glass-fronted locket... Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reverse-portrait-of-hilda-may-perrins-1890-1910-miniature-watercolour-painting-on-ivory-encased-in-a-gold-coloured-metal-glass-fronted-locket-artist-unknown-image551013308.html
RM2R0CR2M–(Reverse). Portrait of Hilda May Perrins, 1890-1910. Miniature watercolour painting on ivory encased in a gold-coloured metal glass-fronted locket... Artist: Unknown
New York, NY, USA. 19th Jan, 2024. The Winter Show, an annual exhibition of antiques and fine and decorative arts, and which benefits the East Side Settlement House, opened in the Seventh Regiment Armory on Park Avenue; the show runs through 28 January. Satinwood cabinets with reverse-painted glass panels of the grand tour, England, ca. 1780, shown by Hyde Park Antiques. Credit: Ed Lefkowicz/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-york-ny-usa-19th-jan-2024-the-winter-show-an-annual-exhibition-of-antiques-and-fine-and-decorative-arts-and-which-benefits-the-east-side-settlement-house-opened-in-the-seventh-regiment-armory-on-park-avenue-the-show-runs-through-28-january-satinwood-cabinets-with-reverse-painted-glass-panels-of-the-grand-tour-england-ca-1780-shown-by-hyde-park-antiques-credit-ed-lefkowiczalamy-live-news-image593407248.html
RM2WDC100–New York, NY, USA. 19th Jan, 2024. The Winter Show, an annual exhibition of antiques and fine and decorative arts, and which benefits the East Side Settlement House, opened in the Seventh Regiment Armory on Park Avenue; the show runs through 28 January. Satinwood cabinets with reverse-painted glass panels of the grand tour, England, ca. 1780, shown by Hyde Park Antiques. Credit: Ed Lefkowicz/Alamy Live News
Covering over 1,500 years of exquisite bejewelled and historic objects, sumptuous rugs, luminous orientalist paintings and iconic modern and contemporary canvases on auction at Sotheby’s Featuring: A technician hangs Monir Farmanfarmaian, Recollections I, mirror mosaic, reverse-glass painting and aluminium on plaster on board, 2008 (est. £160, 000-200, 000) Where: London, United Kingdom When: 20 Apr 2018 Credit: Dinendra Haria/WENN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covering-over-1500-years-of-exquisite-bejewelled-and-historic-objects-sumptuous-rugs-luminous-orientalist-paintings-and-iconic-modern-and-contemporary-canvaseson-auction-at-sothebys-featuring-a-technician-hangs-monir-farmanfarmaian-recollections-i-mirror-mosaic-reverse-glass-painting-and-aluminium-on-plaster-on-board-2008-est-160-000-200-000-where-london-united-kingdom-when-20-apr-2018-credit-dinendra-hariawenn-image185752185.html
RMMP5MPH–Covering over 1,500 years of exquisite bejewelled and historic objects, sumptuous rugs, luminous orientalist paintings and iconic modern and contemporary canvases on auction at Sotheby’s Featuring: A technician hangs Monir Farmanfarmaian, Recollections I, mirror mosaic, reverse-glass painting and aluminium on plaster on board, 2008 (est. £160, 000-200, 000) Where: London, United Kingdom When: 20 Apr 2018 Credit: Dinendra Haria/WENN
Anonymous reverse painting on glass of a Persian king, western India, late 19th century, HAA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-reverse-painting-on-glass-of-a-persian-king-western-india-late-19th-century-haa-image231930866.html
RMRD9A56–Anonymous reverse painting on glass of a Persian king, western India, late 19th century, HAA.
Natchez, Unknown, date unknown, reverse painting on glass, 25 x 32 in., 32 x 39 x 1-1/8 in. (framed), American, American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/natchez-unknown-date-unknown-reverse-painting-on-glass-25-x-32-in-32-x-39-x-1-18-in-framed-american-american-painting-and-sculpture-to-1945-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349862487.html
RF2B95H4R–Natchez, Unknown, date unknown, reverse painting on glass, 25 x 32 in., 32 x 39 x 1-1/8 in. (framed), American, American Painting and Sculpture to 1945, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Wernigerode, Germany. 15th Dec, 2016. Reverse glass paintings from the 19th century can be seen during a preview of the exhibition 'Bolihua. Historische Hinterglasmalerei aus China' (lit. 'Bolihua. Historical reverse glass painting from China') at Wernigerode Castle in Wernigerode, Germany, 15 December 2016. The exhibition is open until 16 April 2016. Photo: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wernigerode-germany-15th-dec-2016-reverse-glass-paintings-from-the-129077567.html
RMHDYYN3–Wernigerode, Germany. 15th Dec, 2016. Reverse glass paintings from the 19th century can be seen during a preview of the exhibition 'Bolihua. Historische Hinterglasmalerei aus China' (lit. 'Bolihua. Historical reverse glass painting from China') at Wernigerode Castle in Wernigerode, Germany, 15 December 2016. The exhibition is open until 16 April 2016. Photo: Matthias Bein/dpa-Zentralbild/dpa/Alamy Live News
The Annunciation, based on a print by Marco Dente da Ravenna, Venice, 1600s, reverse painting on glass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-annunciation-based-on-a-print-by-marco-dente-da-ravenna-venice-1600s-reverse-painting-on-glass-image477870133.html
RM2JNCT6D–The Annunciation, based on a print by Marco Dente da Ravenna, Venice, 1600s, reverse painting on glass
Anonymous reverse painting on glass of a Persian king, western India, late 19th century, HAA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-reverse-painting-on-glass-of-a-persian-king-western-india-image155478556.html
RMK0XJDG–Anonymous reverse painting on glass of a Persian king, western India, late 19th century, HAA
Wing of a Reliquary Diptych with the Crucifixion and Saints, c1355-1370. This work, perhaps the right wing of a diptych (two-panel painting), is one of only two known 14th-century paintings to combine painted panels with plaques of verre églomisé (gilded reverse painted glass). The Crucifixion at center and the Virgin at the top are verre églomisé by an unknown artist, while the images of numerous saints around them are panel paintings by Tommaso da Modena. The Crucifixion and the Virgin were scratched into gold leaf applied to the back of glass. The areas where the gold le Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wing-of-a-reliquary-diptych-with-the-crucifixion-and-saints-c1355-1370-this-work-perhaps-the-right-wing-of-a-diptych-two-panel-painting-is-one-of-only-two-known-14th-century-paintings-to-combine-painted-panels-with-plaques-of-verre-xe9glomisxe9-gilded-reverse-painted-glass-the-crucifixion-at-center-and-the-virgin-at-the-top-are-verre-xe9glomisxe9-by-an-unknown-artist-while-the-images-of-numerous-saints-around-them-are-panel-paintings-by-tommaso-da-modena-the-crucifixion-and-the-virgin-were-scratched-into-gold-leaf-applied-to-the-back-of-glass-the-areas-where-the-gold-le-image575142696.html
RM2TBM0AG–Wing of a Reliquary Diptych with the Crucifixion and Saints, c1355-1370. This work, perhaps the right wing of a diptych (two-panel painting), is one of only two known 14th-century paintings to combine painted panels with plaques of verre églomisé (gilded reverse painted glass). The Crucifixion at center and the Virgin at the top are verre églomisé by an unknown artist, while the images of numerous saints around them are panel paintings by Tommaso da Modena. The Crucifixion and the Virgin were scratched into gold leaf applied to the back of glass. The areas where the gold le
Olympia Auctions London 13 May 2024 (F) A Chinese Export reverse glass painting of a maiden playing a flute, Qing Dynasty 18th Century Est £ 2,000-3,000 (B) A Chinese eight fold coromandel lacquer screen, late Qing Dynasty 19th Century Est £ 3,000-5,000 . Auction 14 May 11 am 25 Blythe Road, London W14 0PD.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/olympia-auctions-london-13-may-2024-f-a-chinese-export-reverse-glass-painting-of-a-maiden-playing-a-flute-qing-dynasty-18th-century-est-2000-3000-b-a-chinese-eight-fold-coromandel-lacquer-screen-late-qing-dynasty-19th-century-est-3000-5000-auction-14-may-11-am-25-blythe-road-london-w14-0pdpaul-quezada-neimanalamy-live-news-credit-paul-quezada-neimanalamy-live-news-image606165086.html
RM2X655N2–Olympia Auctions London 13 May 2024 (F) A Chinese Export reverse glass painting of a maiden playing a flute, Qing Dynasty 18th Century Est £ 2,000-3,000 (B) A Chinese eight fold coromandel lacquer screen, late Qing Dynasty 19th Century Est £ 3,000-5,000 . Auction 14 May 11 am 25 Blythe Road, London W14 0PD.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News
Battle of Waterloo to Pieneman, In black round frame behind glass a copper relief, representing a battle (the Battle of Waterloo after the painting by Pieneman). Above is a banderole with inscription, two branches and the lion of Waterloo on a base. Reverse: green felt with a fake-protected label, signed by the artist. Edge lettering: 1815 1865 WELLINGTON. BLUECHER. ORANGE. Inscription on banderole: WITH GOD FOR THE NETHERLANDS AND ORANGE. Signed reverse side on label: A. W. Sythoff., Albertus Willem Sijthoff, Netherlands, 1865, wood (plant material), glass, copper (metal), felt (textile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-waterloo-to-pieneman-in-black-round-frame-behind-glass-a-copper-relief-representing-a-battle-the-battle-of-waterloo-after-the-painting-by-pieneman-above-is-a-banderole-with-inscription-two-branches-and-the-lion-of-waterloo-on-a-base-reverse-green-felt-with-a-fake-protected-label-signed-by-the-artist-edge-lettering-1815-1865-wellington-bluecher-orange-inscription-on-banderole-with-god-for-the-netherlands-and-orange-signed-reverse-side-on-label-a-w-sythoff-albertus-willem-sijthoff-netherlands-1865-wood-plant-material-glass-copper-metal-felt-textile-image261382907.html
RMW570FR–Battle of Waterloo to Pieneman, In black round frame behind glass a copper relief, representing a battle (the Battle of Waterloo after the painting by Pieneman). Above is a banderole with inscription, two branches and the lion of Waterloo on a base. Reverse: green felt with a fake-protected label, signed by the artist. Edge lettering: 1815 1865 WELLINGTON. BLUECHER. ORANGE. Inscription on banderole: WITH GOD FOR THE NETHERLANDS AND ORANGE. Signed reverse side on label: A. W. Sythoff., Albertus Willem Sijthoff, Netherlands, 1865, wood (plant material), glass, copper (metal), felt (textile
Icon painted on reverse glass in the naive orthodox style of Eastern Europe depicting the Holy Trinity. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/icon-painted-on-reverse-glass-in-the-naive-orthodox-style-of-eastern-europe-depicting-the-holy-trinity-image473571517.html
RF2JED18D–Icon painted on reverse glass in the naive orthodox style of Eastern Europe depicting the Holy Trinity.
Screen with European Figures (obverse) and Landscape (reverse) with Stand, 1736-1795. China, Beijing palace workshops, Qing Dynasty (1644-1911), Qianlong reign (1736-1795). Painted enamel, glass painting, and cast-iron stand; painting only: 35.7 x 32.4 cm (14 1/16 x 12 3/4 in.); height with stand: 65.8 cm (25 7/8 in.); screen only: 44.3 x 47.6 x 1.5 cm (17 7/16 x 18 3/4 x 9/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/screen-with-european-figures-obverse-and-landscape-reverse-with-stand-1736-1795-china-beijing-palace-workshops-qing-dynasty-1644-1911-qianlong-reign-1736-1795-painted-enamel-glass-painting-and-cast-iron-stand-painting-only-357-x-324-cm-14-116-x-12-34-in-height-with-stand-658-cm-25-78-in-screen-only-443-x-476-x-15-cm-17-716-x-18-34-x-916-in-image240438482.html
RMRY4WMJ–Screen with European Figures (obverse) and Landscape (reverse) with Stand, 1736-1795. China, Beijing palace workshops, Qing Dynasty (1644-1911), Qianlong reign (1736-1795). Painted enamel, glass painting, and cast-iron stand; painting only: 35.7 x 32.4 cm (14 1/16 x 12 3/4 in.); height with stand: 65.8 cm (25 7/8 in.); screen only: 44.3 x 47.6 x 1.5 cm (17 7/16 x 18 3/4 x 9/16 in
The graphic designer Katharina Konte creates shop windows with her reverse glass paintings Shop windows of shops, cafes or hotels. The picture shows her in her studio. [automated translation] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-graphic-designer-katharina-konte-creates-shop-windows-with-her-reverse-glass-paintings-shop-windows-of-shops-cafes-or-hotels-the-picture-shows-her-in-her-studio-automated-translation-image339743906.html
RM2AMMJPX–The graphic designer Katharina Konte creates shop windows with her reverse glass paintings Shop windows of shops, cafes or hotels. The picture shows her in her studio. [automated translation]
Vase Vase of smoke-colored glass with enamel paint, Vase of smoke-colored glass with a flattened spherical body, standing on four pleated, pointed legs. Irregularly pinched in folds, top edge turned over. Polychrome enamel paint, gilded. On the front, in a rectangular frame surrounded by flower sprays with Chinese roses and cherry blossoms, a portrait of a Japanese woman with a fan in her right hand. On the reverse, on a surface of grass and reeds, flowering irises and flower vines. On the shoulders a painting in oriental style of leaf vines and volutes. The legs and edge are partly gilt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-vase-of-smoke-colored-glass-with-enamel-paint-vase-of-smoke-colored-glass-with-a-flattened-spherical-body-standing-on-four-pleated-pointed-legs-irregularly-pinched-in-folds-top-edge-turned-over-polychrome-enamel-paint-gilded-on-the-front-in-a-rectangular-frame-surrounded-by-flower-sprays-with-chinese-roses-and-cherry-blossoms-a-portrait-of-a-japanese-woman-with-a-fan-in-her-right-hand-on-the-reverse-on-a-surface-of-grass-and-reeds-flowering-irises-and-flower-vines-on-the-shoulders-a-painting-in-oriental-style-of-leaf-vines-and-volutes-the-legs-and-edge-are-partly-gilt-image261349829.html
RMW55EAD–Vase Vase of smoke-colored glass with enamel paint, Vase of smoke-colored glass with a flattened spherical body, standing on four pleated, pointed legs. Irregularly pinched in folds, top edge turned over. Polychrome enamel paint, gilded. On the front, in a rectangular frame surrounded by flower sprays with Chinese roses and cherry blossoms, a portrait of a Japanese woman with a fan in her right hand. On the reverse, on a surface of grass and reeds, flowering irises and flower vines. On the shoulders a painting in oriental style of leaf vines and volutes. The legs and edge are partly gilt
Portrait of Joseph Wiggins, 1820, Benjamin Greenleaf, American, 1769 - 1821, 15 1/2 x 11 in. (39.37 x 27.94 cm) (image)19 5/8 x 15 in. (49.85 x 38.1 cm) (outer frame), Oil on glass (reverse painting on glass), United States, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-joseph-wiggins-1820-benjamin-greenleaf-american-1769-1821-15-12-x-11-in-3937-x-2794-cm-image19-58-x-15-in-4985-x-381-cm-outer-frame-oil-on-glass-reverse-painting-on-glass-united-states-19th-century-image573505104.html
RM2T91BH4–Portrait of Joseph Wiggins, 1820, Benjamin Greenleaf, American, 1769 - 1821, 15 1/2 x 11 in. (39.37 x 27.94 cm) (image)19 5/8 x 15 in. (49.85 x 38.1 cm) (outer frame), Oil on glass (reverse painting on glass), United States, 19th century
. English: A reverse-glass export painting of the Thirteen Factories in Guangzhou. . circa 1805. Unknown Chinese artist Canton factories Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-reverse-glass-export-painting-of-the-thirteen-factories-in-guangzhou-circa-1805-unknown-chinese-artist-canton-factories-image184941637.html
RMMMTPXD–. English: A reverse-glass export painting of the Thirteen Factories in Guangzhou. . circa 1805. Unknown Chinese artist Canton factories
American 19th Century, Watermelon, mid 19th century, reverse painting on glass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-american-19th-century-watermelon-mid-19th-century-reverse-painting-123381314.html
RMH4ME3E–American 19th Century, Watermelon, mid 19th century, reverse painting on glass
Two Birds and Flowers Two Birds and Flowers, 19th century. Reverse painting on glass, 8 3/8 x 10 3/8 in. (21.3 x 26.4 cm). Arts of the Islamic World 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-birds-and-flowers-two-birds-and-flowers-19th-century-reverse-painting-on-glass-8-38-x-10-38-in-213-x-264-cm-arts-of-the-islamic-world-19th-century-image504719473.html
RM2M93XRD–Two Birds and Flowers Two Birds and Flowers, 19th century. Reverse painting on glass, 8 3/8 x 10 3/8 in. (21.3 x 26.4 cm). Arts of the Islamic World 19th century
Two abstract men admire their portrait Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-abstract-men-admire-their-portrait-image592657388.html
RF2WC5TF8–Two abstract men admire their portrait
Still Life with Flowers and Fruit between 1780 and 1810 by Willem van Leen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/still-life-with-flowers-and-fruit-between-1780-and-1810-by-willem-van-leen-image562988146.html
RM2RKX93E–Still Life with Flowers and Fruit between 1780 and 1810 by Willem van Leen
American: Girl with Cherries, Unidentified artist, American, c. 1830, Reverse painting on glassSight: 11 1/2 x 8 in. (29.2 x 20.3 cm) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/american-girl-with-cherries-unidentified-artist-american-c-1830-reverse-painting-on-glasssight-11-12-x-8-in-292-x-203-cm-image350111076.html
RF2B9GX70–American: Girl with Cherries, Unidentified artist, American, c. 1830, Reverse painting on glassSight: 11 1/2 x 8 in. (29.2 x 20.3 cm)
blue web icons set Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blue-web-icons-set-image64054606.html
RFDM5X8E–blue web icons set
web icons set Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/web-icons-set-image554719829.html
RF2R6DJPD–web icons set
web icons set Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/web-icons-set-image64457978.html
RFDMT8PJ–web icons set
Robert Eden Handy, 1835. Waist-length, three-quarter profile portrait of a man with wavy brown hair parted on the left, and side whiskers, wearing a black coat, white shirt, high white collar and white stock. The miniature is mounted in a gold, oval frame, with a braid of hair under glass on the reverse. Attributed to Asher Brown Durand. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-eden-handy-1835-waist-length-three-quarter-profile-portrait-of-a-man-with-wavy-brown-hair-parted-on-the-left-and-side-whiskers-wearing-a-black-coat-white-shirt-high-white-collar-and-white-stock-the-miniature-is-mounted-in-a-gold-oval-frame-with-a-braid-of-hair-under-glass-on-the-reverse-attributed-to-asher-brown-durand-image571917116.html
RM2T6D238–Robert Eden Handy, 1835. Waist-length, three-quarter profile portrait of a man with wavy brown hair parted on the left, and side whiskers, wearing a black coat, white shirt, high white collar and white stock. The miniature is mounted in a gold, oval frame, with a braid of hair under glass on the reverse. Attributed to Asher Brown Durand.
Olympia Auctions London 13 May 2024 (F) A Chinese Export reverse glass painting of a maiden playing a flute, Qing Dynasty 18th Century Est £ 2,000-3,000 (B) A Chinese eight fold coromandel lacquer screen, late Qing Dynasty 19th Century Est £ 3,000-5,000 . Auction 14 May 11 am 25 Blythe Road, London W14 0PD.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/olympia-auctions-london-13-may-2024-f-a-chinese-export-reverse-glass-painting-of-a-maiden-playing-a-flute-qing-dynasty-18th-century-est-2000-3000-b-a-chinese-eight-fold-coromandel-lacquer-screen-late-qing-dynasty-19th-century-est-3000-5000-auction-14-may-11-am-25-blythe-road-london-w14-0pdpaul-quezada-neimanalamy-live-news-credit-paul-quezada-neimanalamy-live-news-image606165267.html
RM2X655YF–Olympia Auctions London 13 May 2024 (F) A Chinese Export reverse glass painting of a maiden playing a flute, Qing Dynasty 18th Century Est £ 2,000-3,000 (B) A Chinese eight fold coromandel lacquer screen, late Qing Dynasty 19th Century Est £ 3,000-5,000 . Auction 14 May 11 am 25 Blythe Road, London W14 0PD.Paul Quezada-Neiman/Alamy Live News Credit: Paul Quezada-Neiman/Alamy Live News
Horizontal flip image icons in color illuminated spherical glass buttons on black background. Can be used to black or dark templates Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horizontal-flip-image-icons-in-color-illuminated-spherical-glass-buttons-on-black-background-can-be-used-to-black-or-dark-templates-image367446436.html
RF2C9PHK0–Horizontal flip image icons in color illuminated spherical glass buttons on black background. Can be used to black or dark templates
Icon painted on reverse glass in the naive orthodox style of Eastern Europe depicting the Holy Trinity. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/icon-painted-on-reverse-glass-in-the-naive-orthodox-style-of-eastern-europe-depicting-the-holy-trinity-image473571522.html
RF2JED18J–Icon painted on reverse glass in the naive orthodox style of Eastern Europe depicting the Holy Trinity.
London UK 05 November 2021 Thinking Space’ The vignette pops against Molly Mahon’s ‘Trellis’ fabric in Grass/Sky’ fabric, framed by a canopy of her ‘Primrose’ fabric in Grass/Sky. Molly notes: “I love the thought of sitting there on a Sunday afternoon and either doing a little painting or writing my letters, because I still believe in writing letters, is really romantic and charming.” An Ottoman Polychrome reverse glass painted and gilt mirror late 18th first half 19 Century Decorated with floral and architectural designs, the top section as an arched window with painted exotic garden, surmou Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-05-november-2021-thinking-space-the-vignette-pops-against-molly-mahons-trellis-fabric-in-grasssky-fabric-framed-by-a-canopy-of-her-primrose-fabric-in-grasssky-molly-notes-i-love-the-thought-of-sitting-there-on-a-sunday-afternoon-and-either-doing-a-little-painting-or-writing-my-letters-because-i-still-believe-in-writing-letters-is-really-romantic-and-charming-an-ottoman-polychrome-reverse-glass-painted-and-gilt-mirror-late-18th-first-half-19-century-decorated-with-floral-and-architectural-designs-the-top-section-as-an-arched-window-with-painted-exotic-garden-surmou-image450524704.html
RM2H4Y4T0–London UK 05 November 2021 Thinking Space’ The vignette pops against Molly Mahon’s ‘Trellis’ fabric in Grass/Sky’ fabric, framed by a canopy of her ‘Primrose’ fabric in Grass/Sky. Molly notes: “I love the thought of sitting there on a Sunday afternoon and either doing a little painting or writing my letters, because I still believe in writing letters, is really romantic and charming.” An Ottoman Polychrome reverse glass painted and gilt mirror late 18th first half 19 Century Decorated with floral and architectural designs, the top section as an arched window with painted exotic garden, surmou
Vertically flip image icons in color illuminated spherical glass buttons on black background. Can be used to black or dark templates Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vertically-flip-image-icons-in-color-illuminated-spherical-glass-buttons-on-black-background-can-be-used-to-black-or-dark-templates-image367449328.html
RF2C9PNA8–Vertically flip image icons in color illuminated spherical glass buttons on black background. Can be used to black or dark templates