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Hammer Horror-Frankenstein & the Monster From Hell [Blu-ray]

4.5 4.5 out of 5 stars 536 ratings
IMDb6.3/10.0

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October 22, 2013
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Genre Drama
Format Import, Blu-ray, Multiple Formats
Contributor Bernard Lee, Philip Voss, Madeline Smith, Patrick Troughton, Clifford Mollison, David Prowse, Roy Skeggs, Peter Cushing, Shane Briant, Terence Fisher, Sydney Bromley See more
Language English
Runtime 99 minutes

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Playback Region B/2 : This will not play on most Blu-ray players sold in North America, Central America, South America, Japan, North Korea, South Korea, Taiwan, Hong Kong and Southeast Asia. Learn more about Blu-ray region specifications here

Product Description

Directed by Terence Fisher. Starring David Prowse, Bernard Lee, Shane Briant.

Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • MPAA rating ‏ : ‎ Unrated (Not Rated)
  • Package Dimensions ‏ : ‎ 7.1 x 5.42 x 0.58 inches; 2.88 ounces
  • Director ‏ : ‎ Terence Fisher
  • Media Format ‏ : ‎ Import, Blu-ray, Multiple Formats
  • Run time ‏ : ‎ 99 minutes
  • Release date ‏ : ‎ October 22, 2013
  • Actors ‏ : ‎ Peter Cushing, Shane Briant, Madeline Smith, Bernard Lee, David Prowse
  • Dubbed: ‏ : ‎ English
  • Producers ‏ : ‎ Roy Skeggs
  • Language ‏ : ‎ English (Dolby Digital 2.0)
  • Studio ‏ : ‎ Independent
  • ASIN ‏ : ‎ B00LX666VC
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.5 4.5 out of 5 stars 536 ratings

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4.5 out of 5 stars
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Top reviews from the United States

  • Reviewed in the United States on October 28, 2020
    This review is for the Blu-Ray edition of Frankenstein and the Monster from Hell released by Shout! Factory in 2020.

    TIMELINE FOR FRANKENSTEIN: This movie is the seventh and final 'Frankenstein' film for Hammer Productions. Not all of the films are continuous. Five of the seven movies are connected. This movie is a direct sequel of the fifth Hammer Horror Frankenstein film, 'Frankenstein Must be Destroyed (1969)'.

    BLU-RAY: The picture is excellent. This film, like many of the 70's Hammer films was not successful and therefore the original elements didn't get much usage. The end result is an excellent print. The picture is sharp, very few imperfections and saturation and coloring looks just about right. The lighting was very good for this picture.

    EXTRA'S:
    -Audio Commentary with actress Madeline Smith, Actor David Prowse, and historian Jonathan Sothcott - I always prefer the commentaries that involve the people involved. In this case we have two of the actors/actresses in this commentary. Madeline Smith is quite personable in this commentary and dominates it. Sothcott answers questions the actors have about the people involved and what happened to them. Prowse talks about his career and obviously his costume and role in this movie.
    -Audio Commentary with Steve Haberman and Constantine Nasr - These two do the commenting on a lot of audio commentaries for horror films. Nasr tends to be the guy who gets his hands on the original script as well as previous drafts and comments on the differences between the scripts and the final outcome. I'm not sure if that is the case for this movie. I don't believe these two quite got the meaning of the title. The title says 'from' Hell not 'in' Hell. Quite a few times, they comment about people "going to Hell". Specifically, they focus on the Director and Dr. Frankenstein, who they say are going to Hell. They refer to the asylum as looking like Hell and being Hell. Maybe it's just me... but I think the reference to Hell is simply to describe how monstrous and/or evil the Monster is. The Monster is made from a monster of a man along with parts of other horrible people. Eventually that body from Hell takes over even it's own brain (that of a disturbed professor).

    THE "I GIVE UP DEPARTMENT": I've commented in previous reviews that it gets tiring listening to these commentators never ending complaining about social justice in these older films. They don't seem to quite understand that many people are watching these old movies for the very reason (but far from the only reason) that social justice was not a 'thing'. Constantine Nasr often complains that women didn't get enough roles, more specifically 'strong' roles. He states that Angel (Sarah) is "used and abused" by Frankenstein. After watching this, I said to myself, "here is a rare example of a woman in a horror movie getting a strong role". Sarah is highly competent, very intelligent and even performs operations for Dr. Frankenstein solely on him telling her what to do. She fights off sexual advances and manages to perform all of her duties despite being handicapped by not be able to speak (or so we thought). All of this while being forced to live among lunatics in an asylum. She came across as about as strong of a female protagonist as you can have in that situation. Yet, Nasr acts as if she is this pathetic abused woman. Well, I strongly disagree. I guess he wants Superwoman or Captain Marvel. BTW, I think Nasr does a great job even if I sometimes disagree with him on which of the Hammer films are good and bad. This is the only real issue I have with his commentary.

    -Documentary: "The Men Who Made Hammer: Roy Skeggs" - This documentary focuses on the man who was at Hammer the longest. Brian Klemensen narrates this 16 minute documentary on the career of Roy Skeggs.
    -Theatrical Trailer
    -Radio Spots
    -Subtitles

    *****LOTS OF SPOILERS BELOW THIS POINT*****

    PLOT/SUMMARY: Dr. Simon Helder is arrested and sentenced to 5 years in an asylum for the crime of sorcery. He gets caught illegally purchasing bodies and studying them. Once at the asylum, Dr. Frankenstein makes him his assistant. Frankenstein is pretending to be buried and is able to keep his secret because he knows the Asylum director's dark past.

    Dr. Frankenstein plots to get body parts from some of the most dangerous inmates at the asylum. He has a beautiful and mute assistant named Sarah. The inmates call her 'Angel'. Dr. Helder is given the job of taking care of the medical needs of the patients. Dr. Frankenstein reveals that his hands were ruined in the fire at the end of 'Frankenstein Must Be Destroyed'. Before Dr. Helder arrived at the asylum, he had been coaching Sarah to perform operations.

    Dr. Helder hears loud moans and howls from time to time and goes searching for Dr. Frankenstein's hidden laboratory. He finds it and learns about Frankenstein's latest creation as well. His latest Monster is a super strong inmate who had a Neolithic appearance. After a master artisan, who was an inmate, dies, Frankenstein has his hands attached to the Monster. Frankenstein teaches Helder to give the Monster new eyes. Next, they need a new brain. Frankenstein, leaves a note in the room of an inmate who is a brilliant professor. After reading the note, the Professor kills himself. Frankenstein now has his brain and has Helder transplant it. The Monster revives but becomes very depressed upon seeing his new body. Frankenstein comes up with a plan to mate the Monster with Sarah. Helder is not happy about this and threatens to go to the director. Unfortunately, he finds out that the director had previously raped Sarah, who is his daughter. Before anything can happen, the Monster begins to go crazy and goes on a rampage. Back in the lab, the Monster attacks Frankenstein, but Frankenstein survives. He then murders the director as revenge for raping Sarah. Two of the orderlies shoot the Monster and badly injure it. The inmates then all tear into the dying monster. Frankenstein tells Dr. Handler and Sarah that they will continue their research.

    THE END???:
    Famously, of course, this would not be the end for the actors playing Dr. Frankenstein and the Monster. They would pick up where they left off just a few years later for the mega blockbuster 'Star Wars (1977)'. Peter Cushing would be the Commander of the Death Star, Grand Moff Tarkin, and David Prowse would be a different sort of mutilated monster... Darth Vader.

    PRODUCTION: 'Frankenstein and the Monster from Hell' was filmed in 1972-3 but released in 1974 by Paramount in the U.S. It was part of a double bill with 'Captain Kronos - Vampire Hunter'.
    -This would be Terence Fischer's last film that he directed.
    -David Prowse played the monster twice for Hammer Productions, the only actor to do that. His other appearance would be in 'Horror of Frankenstein (1970)'
    -Patrick Troughton (Dr. Who), plays a small part as the body snatcher. Troughton was also in Hammer's 'Scars of Dracula (1970)'. He played in a role in Hammer's 'Phantom of the Opera (1962)' as well.
    -Peter Cushing actually does his own stunt when he leaps on a table in his lab and jumps on the Monster. He insisted and it came out looking good.

    ABOUT SHANE BRIANT (Dr. Simon Helder): Shane Briant, at one time, was considered as a replacement for Peter Cushing at at Hammer Films. Peter Cushing was looking very frail after his wife had died and nobody was quite sure if he could continue acting (Cushing continued for many years). Briant got a role in Roger Corman's 'Richthofen and Brown (1971)' as a German pilot. From there he received a contract for four films from Hammer
    Productions. The four films are...

    -Straight on till Morning (1972)
    -Demons of the Mind (1972)
    -Captain Kronos - Vampire Hunter (1974)
    -Frankenstein and the Monster from Hell (1974)

    Briant has had parts in many television and stage productions. After 1980 he acted mostly in Australia and New Zealand. He is still acting as of the time of this review.

    DARTH VADER GETS MAULED AGAIN: Well actually, that's not really the case. David Prowse, who was in the Darth Vader costume, played the Monster in 'Horror of Frankenstein' as well as this movie. He has been mutilated before. But in this movie, his character really does get mauled jumping from a window onto spikes. In his previous stint as the Monster, he was simply stitched together from body parts.

    IF YOU THOUGHT YOU WERE GOING TO SEE MORE OF MADELINE SMITH...:

    ... Like me, you were obviously a bit disappointed. Even though this movie was filmed during the time period in which Hammer almost always showed off the bodies of their Hammer girls, Madeline Smith stays fully clothed throughout. However, you can see her in all her glory in other films. Most notably, for me, was 'The Vampire Lovers (1970)'. She appeared nude in several films in her career that mostly ended in 1977. She has acted sporadically since then. Smith would become a Bond girl in 1973's 'Live and Let Die'.

    THAT MONSTER SUIT: The Monster suit looks awful. There is no getting around that. They did a terrible job with this. I know that they were looking for a 'Neolithic' look but they should have done a lot better, either letting David Prowse show off his body or finding someone else who had more of a caveman look. This really shouldn't have been that hard. You never get the impression that you are looking at a human (humanoid or whatever). The eyes looked terrible. I was obvious he had a mask on. I think they made a mistake leaving hair on the Monster's head as well. I kept getting the impression that the Monster was wearing some sort of skull cap rather than that being his actual skull cap. Prowse states that the costume was easy to slip in and out of and required only 20 minutes to get into full costume. His make-up in 'Horror of Frankenstein' took 2 1/2 hours each day.

    THE FINALE: This would be the final time that Terence Fischer would direct a movie. It was the final time Anthony Hinds wrote a script for them. It was the final Frankenstein film for Hammer and the sixth and final time Peter Cushing would play Dr. Frankenstein.

    COMMENTS/THOUGHTS:

    ANGEL EYES: Madeline Smith plays an extremely sympathetic Sarah (Angel). I think she does a tremendous job of acting with just her facial expressions, especially her eyes.

    OTHER COMMENTS:
    -I think that the casting for this movie was very good. I liked all of the parts. Even though John Stratton (Director Adolf Klauss) played his role a little too 'over-the-top', he still fit the part well.
    -Peter Cushing's wig looks awful. He acknowledged that himself.
    -I think that Shane Briant's performance as Dr. Simon Helder is reminiscent of Ralph Bates' performance of Dr. Frankenstein in 'Horror of Frankenstein'. It wouldn't surprise me if he modeled his acting on that role.
    -I thought it was not a great idea to have the Monster mate with Angel. I understand the symbolic reason, I just think it was a forced idea. Logically, he could have mated the Monster with any of the more 'disturbed' women.

    CONCLUSIONS: I think this is a pretty good movie. It has a mixed reputation. Some like it, some don't. The only issue I have with the actual production of the movie is the poor Monster costume.

    The release is very good. My only real complaint is that there isn't any sort of documentary or 'Making of' feature on this film in the extra's. There is a documentary but it doesn't focus on this movie. If you are a fan of Horror films then you are most likely going to purchase this release regardless of anyone's opinion. If you are new to these films, then I'd say start at the beginning (just look below).

    As I write this, I realized that today, October 27, is the anniversary of the day this movie wrapped in 1972. So Happy Birthday to Frankenstein and the Monster from Hell'!

    SOULLESS: The commentators as well as others who have written reviews about this movie have stated that Frankenstein by this time had no soul. They say he had become bereft of morality. Supposedly he had gone too far and even though Hammer had intended to make more Frankenstein movies, there was no place left to go because Frankenstein no longer had a soul. He started out intending to help mankind but at the end he was making monsters. What a pessimistic point of view. I disagree with all of this. There were plenty of places a little imagination could have led Dr. Frankenstein. I also believe that people that think this way are they type of people who hold back progress. Sure Frankenstein might not have had much morality but the same can be said for many scientist's throughout the ages. If this is the way you think, then you agree with all of the religions that have held back progress through the centuries. I doubt there are very many people who would take back all the unethical things that science did through the ages to get to where we are now in the fields of medicine, surgery, healthcare, etc. No matter, a person's morality, science marches on...

    RECOMMENDATIONS:

    IF YOU LIKE THIS THEN TRY...:

    THE SEVEN FRANKENSTEIN FILMS THAT HAMMER PRODUCED:

    - The Curse of Frankenstein (1957) - The hugely successful original - Heavy focus is on Dr. Frankenstein
    - The Revenge of Frankenstein (1958) - Direct sequel to 'The Curse of Frankenstein'
    - The Evil of Frankenstein (1964) - Not a sequel. Exist in a different universe than other movies
    - Frankenstein Created Woman (1967) - Not at all like 'Bride of Frankenstein', goes in different direction, originally planned as the sequel to 'Revenge of Frankenstein'
    - Frankenstein Must be Destroyed (1969) - Frankenstein is more of a bad guy than usual. Controversial for rape seen that was wanted by nobody accept studio head James Carreras.
    - Horror of Frankenstein (1970) - Ralph Bates takes over as the Doctor, lots of black humor, like 'Evil of Frankenstein', exists in it's own universe
    - Frankenstein and the Monster from Hell (1974) - Peter Cushing returns for the finale. Follows up on
    'Frankenstein Must Be Destroyed'. Ending leaves no doubt that sequels were intended.

    Do a google search of Terence Fischer and just pick any horror movie from the late 50's up until this movie and you are bound to pick a good one. Fischer also made some good science fiction films and drama's. Among the very best are...

    -Dracula (Horror of Dracula) (1958)
    -The Hound of the Baskervilles (1959)
    -Curse of the Werewolf (1961)
    -The Devil Rides Out (1968)

    Some personal favorites of mine that Fischer filmed are...

    -The Two Faces of Dr. Jekyll (1961) - This movie has a terrible reputation but I think it's great.
    -The Gorgon (1964) - Not much fanfare for this one but I think it's real good.
    -Island of Terror (1966) - The story is much better then the special effects.
    -The Earth Dies Screaming (1964) - Very low budget, not really a good film, I just personally like this.

    WHAT'S NEXT FOR FRANKENSTEIN?: This is the end of the line for Hammer's Frankenstein. It is the 7th and final film. Of course, there have been dozens of other Frankenstein films to be released since then by other companies.

    RATINGS:

    Plot: 7/10 or 4 stars - It's entertaining, as always, that is the point.
    Picture: 9/10 or 5 stars - Picture is excellent
    SFX: 5/10 - Everything looks decent but the Monster costume, I can't get over that.
    Extra's: 7/10 or 3 1/2 stars - You get two commentaries and a miscellaneous documentary.

    Overall: 8/10 or 4 stars which I'm rounding up to 5 stars because I'm becoming more generous in my old age.
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  • Reviewed in the United States on August 3, 2024
    The last great hurrah from Hammer Films. If you enjoy hammer productions, this is a must-have.
  • Reviewed in the United States on March 29, 2004
    Frankenstein and the Monster from Hell (1974) marks the final installment of the Hammer Studios Frankenstein films and also the last film by perennial Hammer director Terrance Fisher.
    The film stars Peter Cushing as Baron Von Frankenstein, aka Dr. Carl Victor. Confined to an asylum for the charge of sorcery due to his last foray into the creation of man, Frankenstein, along with the director of the asylum, orchestrated the death of Dr. Frankenstein and his new identity to allow for the Baron to assume the duties of staff doctor within the asylum. Frankenstein, now Dr. Victor, has a fairly free hand to do as he pleases due an intimate knowledge of some of the asylum director's peccadilloes and past indiscretions, and has once again begun his quest to create life where there was none before, from body parts culled from recently deceased inmates.
    Dr. Simon Helder (Shane Briant) has just recently been committed to the asylum for trying to follow in Frankenstein's footsteps, and learns that Frankenstein is alive and well, working under his current pseudonym. I remember Briant from other Hammer films like Demons of the Mind (1972) and Kronos (1973). Dr. Carl allows for the younger doctor to assume his routine duties within the asylum, caring for patients, freeing up the elder to pursue his experimentations. The good doctor seems to have created quite the hairy behemoth, using various bits and pieces of some of the recently deceased, more interesting inmates. The monster, played by David Prowse (Darth Vader in the early Star Wars films), has the best features of these poor, departed souls, but lacks an adequate brain. Did I mention he is also very hairy? I probably did, but it's worth mentioning again as the dude is almost ape-like. But what's this? We are soon introduced to an inmate whose intellect far surpasses even his keepers? I am sure that will come into play later...
    Also starring is the comely Madeline Smith as Sarah, a mute resident, also known to the inmates as Angel. She acquired the moniker while being in the service of Dr. Karl as his assistant, and having the ability to deal with the crazy people with a quiet, gentle bedside manor.
    With the aid of his young assistants, Sarah and Dr. Helder, Dr. Karl completes the hideous creature, and all seems a success. But is it? What happens when you play mix and match with body parts from various individuals, not to mention various mentally disturbed individuals? The success is soon overshadowed by problems as the creature begins to understand his own being, from whence he came.
    I thought this was a great 'last hurrah' for Hammer and Fisher, despite some of the concessions made due to a smaller budget, i.e. the obvious use of miniatures when showing exteriors of the asylum and the stiff and unresponsive suit worn by Prowse. Most of the film takes place in the confined quarters of the asylum, giving the viewer a sense of being trapped in a nightmarish world within. I really enjoyed the camaraderie between Dr. Helder and Dr. Karl, and I can't help but wonder if the characterization was carried over into real life between the Briant and Cushing. There were also a few neat surprises that help to flesh out the story, adding depth to the characters, allowing for a real interest to develop for the viewer. The gore is present, but another reviewer has stated that some of the more gory aspects have not been included in the film. I couldn't help laughing at the scene when Dr. Karl and Dr. Helder are removing the 'old' brain from the creature and Dr. Karl unceremoniously drops it into a dish on the floor (just throw that anywhere) and then proceeds to trip on the dish, spilling the contents over the floor, his reaction being that of someone who just knocked over a bowl of milk for kitty. A nice, little touch.
    The print here looks really good and sharp, and special features include a commentary by actress Madeline Smith, actor David Prowse, and horror historian Jonathan Sothcott, one which I haven't had an opportunity to listen to, but sounds to be interesting.
    Cookieman108
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  • Reviewed in the United States on January 19, 2014
    PLEASE NOTE:
    This is a technical review for the 'Frankenstein and the Monster from Hell (1973) (Frankenstein & the Monster from Hell) (Blu-Ray & DVD Combo) [Blu-Ray, Reg. A/B/C Import - Australia]': a 2013 Australian release on the SHOCK label.
    A sticker on the front of the case reads, "Special Edition Blu-Ray Disc & DVD Video Double Play × Fully Restored on Blu-Ray for the first time".
    The "Duration" (running time) is erroneously listed as 99 minutes...the actual runtime is 90 minutes.
    It is presented in a 1.66:1 screen format with Mono 2.0 sound in the English language. There are no subtitles.
    Not only does this release contain the UNCUT version of the film in all of its vein chomping, eyeball reinsertion and monster shredding glory, it also contains a commentary track featuring stars Shane Briant and Madeline Smith as well as two featurettes, 'Charming Evil: Terence Fisher at Hammer' and 'Taking Over the Asylum: The Making of Frankenstein and the Monster from Hell'.
    The overall sound and picture quality of this release is STUNNING! This is one of those films that aficionados could never have imagined looking or sounding so fabulous.
    I shall not delve into a synopsis or critical review of the film, merely to say that those of you who know the film shall not be disappointed by this release. A tad pricey (I paid $47.00), but definitely worth the investment.
    Be sure to watch for Patrick Troughton (Doctor Who #2) as the bodysnatcher and Bernard Lee (original "M" of James Bond fame) as asylum inmate Tarmut!
    Thank you for reading my review!
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Top reviews from other countries

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  • Brilliant better than I thought thank you
    5.0 out of 5 stars Great dvd
    Reviewed in the United Kingdom on November 13, 2024
    Nothing to dislike
  • moreau
    5.0 out of 5 stars UN CLASSIQUE
    Reviewed in France on November 21, 2020
    Pour les nostalgiques de la Hammer et de Peter Cushing. Un retour dans une époque bénie des films d'horreur.
  • Patrick Ostholt
    5.0 out of 5 stars Der härteste Teil der genialen Hammer-Film-Frankenstein-Serie, mit einem genialen Peter Cushing
    Reviewed in Germany on August 21, 2016
    Der Titel:

    Frankensteins Höllenmonster (Originaltitel: Frankenstein and the Monster From Hell) ist ein Horror- und Splatterfilm der britischen Filmproduktionsfirma Hammer aus dem Jahr 1974. Die Titelrolle des Baron Frankenstein spielt Peter Cushing, Regie führte Terence Fisher. Der Film ist die letzte Fortsetzung von Hammers Frankenstein-Reihe. Frankensteins Höllenmonster ist durch die explizite Darstellung roher Gewalt gekennzeichnet und gilt als der brutalste Film der gesamten Reihe.

    Die Handlung:
    Der junge Mediziner Doktor Helder wird beim Experimentieren an Leichen, gemäß den Publikationen des verstorbenen Barons Frankenstein, ertappt. Das Gericht verurteilt ihn zu fünf Jahren Haft in einer Anstalt für geistesgestörte Kriminelle.

    Sofort nach seiner Ankunft wird er von den sadistischen Wärtern misshandelt. Plötzlich erscheint der Arzt der Anstalt, ein gewisser Doktor Carl Victor, und macht dem Treiben ein Ende. Während Sarah, die stumme Assistentin des Doktors, Helder versorgt, kommt es zu einem Gespräch zwischen den Ärzten, in dem Dr. Victor zugibt, der totgeglaubte Baron Frankenstein zu sein. Er wurde wegen seiner Experimente zu lebenslanger Haft verurteilt, konnte jedoch den Anstaltsleiter, den er in der Hand hat, dazu bringen, ihn für tot zu erklären. Seitdem ist er in der Anstalt als Arzt tätig und arbeitet in aller Heimlichkeit noch immer an seinem Experiment, den perfekten Menschen zu erschaffen. Helder soll ihm bei seinen offiziellen Aufgaben assistieren, doch bei Nachforschungen findet er heraus, dass kürzlich ein Herr Schneider, ein körperlich grauenhaft degenerierter Insasse, bei einem Ausbruchsversuch umgekommen ist. Einige Tage später stirbt ein weiterer Patient, der immer wunderbar fein gearbeitete Holzfigürchen geschnitzt hat. Auf dem Weg zum Anstaltsfriedhof stolpert einer der Sargträger, der Sarg bricht auf und enthüllt den Toten. Ihm wurden die Hände amputiert. Frankenstein beschafft sich „Material“, um den degenerierten Mann, der seinen Unfall doch überlebt hat, zu seinem perfekten Menschen auszubauen. Helder verlangt nun, selbst in das Experiment mit eingebunden zu werden. Der Baron willigt ein, da seine Hände durch ein Feuer (siehe: Frankenstein muss sterben!, 1969) schrecklich verbrannt sind und er dadurch nicht mehr in der Lage ist, die für das Experiment notwendigen, komplizierten chirurgischen Eingriffe selbst vorzunehmen.

    Unter Frankensteins Anleitung transplantiert Helder dem Ungetüm die Hände des verstorbenen Figurenschnitzers und ein Paar Augen. Als Schneider später aus seiner Narkose erwacht, geht er zuerst auf die beiden Mediziner los, kann jedoch wieder betäubt werden. Der Baron will ihm nun ein neues Gehirn, das eines Genies, einsetzen. Praktischerweise hat sich Professor Durendel, ein weiterer Insasse und genialer Mathematiker in derselben Nacht erhängt.
    Gemeinsam verpflanzen sie Durendels Gehirn in Schneiders Körper, und zunächst scheint es, als wäre das Experiment gelungen. Der Professor erkennt Dr. Victor und Dr. Helder und kann sich an seinen Namen erinnern. Doch schon nach kurzer Zeit beginnt der Körper, das eingesetzte Gehirn zu dominieren mit dem Resultat, dass der Professor zu dem primitiven Ungetüm wird, das Schneider ursprünglich war. Er bricht aus dem Labor aus und ermordet den Anstaltsleiter. Schließlich wird er von den rasenden Insassen der Anstalt in Stücke gerissen.

    Frankenstein, der ebenfalls von dem Ungeheuer verletzt wurde, kümmert das alles nicht. Er ist außer sich vor Euphorie, da er sich sicher ist, herausgefunden zu haben, was schiefgelaufen ist und, dass beim nächsten Mal alles besser klappen wird. Helder ist fassungslos und begreift, dass Baron Frankenstein nicht nur ein Visionär, der einer hoffnungslosen Sache nachläuft, sondern auch restlos dem Wahnsinn verfallen ist.

    Die Darsteller:

    Besonders Peter Cushing ( 1913 - 1994 ) tritt hier wiedereinmal sehr positiv hervor, seine Darstellung es immer wahnsinnigeren Doktor's ( innerhalb der Reihe ) ist einfach göttlich.

    Er und Christopher Lee ( 1922 - 2015 ), waren die besten Darsteller der genialen Hammer-Filme, von der ich ein sehr großer Fan bin und die ich fast alle habe.

    Sonstiges:

    Frankensteins Höllenmonster war der letzte Frankenstein-Film aus dem Hause Hammer.
    Der Film wurde bereits 1972 in den Elstree Studios fertiggestellt, jedoch erst zwei Jahre später veröffentlicht.
    David Prowse, bekannt als Darth Vader aus den Star Wars-Filmen, spielt hier, nach Frankensteins Schrecken (1970), zum zweiten Mal das Frankenstein-Monster in einem Hammer-Film.

    Für Frankensteins Höllenmonster stand ein wesentlich geringeres Budget zur Verfügung als bei früheren Frankenstein-Filmen. Dies zeichnet sich besonders durch die klaustrophobisch engen Sets aus. Auch für die Kreatur gab es diesmal kein Make-up. Der Maskenbildner Eddie Knight fertigte als kostengünstigere Alternative eine starre Vollmaske an.
    Hauptdarsteller Peter Cushing musste in diesem Film eine gelockte Perücke tragen, mit der er, so sagte er, ausgesehen hätte wie Helen Hayes.
    Der Film ist in Deutschland bisher weder im Kino noch im Fernsehen gelaufen. Die deutsche Synchronfassung entstand 2004 anlässlich der dt. DVD-Veröffentlichung, wobei der großartige Friedrich Schönfelder, hier, mit 88 (!!!) Jahren, nochmals Peter Cushing synchronisierte, den er in den 50 er und 60 er, gelegentlich, neben Christian Marschall, Hans Nielsen etc., auch mal sychronisierte.

    Fazit:

    Er sehr genialer Abschluß der excellenten Serie um den verrückten Doktor. Dieser Film sollte in keiner guter "Hammer-Film-Sammlung", wie ich sie habe, fehlen.
  • NvadR
    5.0 out of 5 stars Absolutely Breathtaking Rendering Of The Final Terrance Fisher Frankenstein Installment
    Reviewed in Spain on February 19, 2015
    How anyone could give this less than 4 stars is travesty, this beautifully remastered HD rendering will floor you with colors that are bright & vivid & film grain that is gorgeous visually. I didn't have much hope for this title after having owned dismal DVD versions that never seemed to get the color scheme correct. Icon Home Video should be commended for a job well done, even if the aspect ratio has been reduced to 1:66 from 1:85 with very little lost in the final product. 1:66 or 1:37 ratios are offered on the Blu-ray Disc.

    Sound quality is excellent with a LPCM dual mono soundtrack that is extremely well defined and nothing sounds hollow or anemic it is a very healthy sounding porting into a dual environment via 2 channel mono. A very competent main track.

    Amazon Spain shipped it speedily to my door-step here in the U.S.A.and their shipping beat out Amazon UK by days even tho I ordered this disc the next day.
  • Oce
    5.0 out of 5 stars dvd
    Reviewed in France on September 18, 2019
    produit conforme à mes attentes, merci.